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697:. In that period he made many Neo-impressionistic portraits, such as the portrait of his wife Maria and their daughter Elisabeth. He had married Marie Monnom in 1889. They went on their honeymoon to the south of England and then to Brittany. This would also result in a number of Neo-impressionistic paintings. In Paris he had a meeting with
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After 1903, his pointillist technique, which he had used for so many years, became more relaxed and after 1910 he abandoned it completely. His strokes had become longer and he used more often vivid colours and more intense contrasts, or softened hues. He had become a master in applying light and
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Only catalogue raisonné in existence on paintings pastels, watercolours, drawings, etchings, posters (about 1800 entries); including a supplement with a list of works(319 entries) considered not to be genuine. List of signatures and monogrammes; list of letters by van
Rysselberghe to different
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Here he continued painting, mostly landscapes of the
Mediterranean coast, portraits (of his wife and daughter, and of his brother Octave). In 1910 he received an order for some large decorative murals and flower compositions for the residence of the family Nocard in
162:. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Théo van Rysselberghe. Between 1882 and 1888, he made three trips to Morocco, staying there in total a year and a half.
653:(1887) are also painted in pointillist style, but still with short strokes and not with points. These are among the rare pointillist paintings of Morocco. When he had finished these paintings, he stopped completely with this Moroccan period in his life.
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In
November 1883 he left again, together with Frantz Charlet, for Tanger. During his stay of one year, he was in constant correspondence with Octave Maus, urging him to accept several new names for the first exhibition of "Les XX": Constantin Meunier,
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In the 1895 he made long journeys to Athens and
Constantinople, Hungary, Romania, Moscow and Saint Petersburg in order to make posters for the "Compagnie des Wagons-lits". One famous work is the poster "Royal Palace Hotel, Ostende" (1899).
394:, is his best known work from this period. It is bathed in the harsh light of the hot Moroccan sun. From now on van Rysselberghe would be obsessed by light. But lack of funds forced him to return to Belgium at the end of October 1884.
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In the final years of the 1890s, Théo van
Rysselberghe had reached the climax of his Neo-impressionist technique. Slowly he abandoned the use of dots in his portraits and landscapes and began applying somewhat broader strokes :
173:(1880) departs from this style and he makes his first steps towards impressionism. Soon he would develop his own realistic style, akin to impressionism. In 1881, he exhibited for the first time at the Salon in Brussels.
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at the end of
October 1882, a whole new world opened up for him: so close to Europe and yet completely different. He would stay there for four months, drawing and painting the picturesque scenes on the street, the
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Camille
Pissarro Page; French painter & anarchist, from the Daily Bleed's Anarchist Encyclopedia: A Gallery of Saints & Sinners; Labor, Radical, Poets, Anarchists, Anti-Authoritarians
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His famous portrait of Alice Sèthe (1888) in blue and gold would become a turning point in his life. This time he used merely points in the portrait. She would later marry the sculptor
613:(1887) closely resembles the style of Toulouse-Lautrec of that time. He managed to invite several of them, including Signac, Forain, and Toulouse-Lautrec to the next exhibition of
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Much of the works of one of the greatest neo-impressionist painters still remain in private collections. They can only rarely be seen. One recent occasion was the retrospective
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Catalogue of the exhibition "Théo van
Rysselberghe" at the "Palais des Beaux Arts", Brussels 'February–May 2006) and the "Gemeentemuseum", The Hague (June–September 2006)
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Because of his growing ties with the
Parisian art scene, Octave Maus sent Rysselberghe as a talent scout to Paris to look out for new talent for the next exhibitions of
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1219:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Théo van Rysselberghe (see index)
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After all his years as talent scout for Octave Maus, van
Rysselberghe made the mistake of his life: he didn't recognize the talent of the young
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Apart from the portraits, he also painted in this period many landscapes and seascapes : "Dunes in Cadzand" (1893), "The rainbow" (1894).
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Back in Belgium, he showed about 30 works of his trip at the "Cercle Artistique et Littéraire" in Ghent. It was an instant success, especially
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The next year he travelled (following in the footsteps of Jean-François Portaels) extensively in Spain and Morocco together with his friend
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on 28 October 1883. This was a circle of young radical artists, under the patronage, as secretary, of the Brussels jurist and art lover
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Yet his next portraits are in rather subdued colours, using different black or purple gradations contrasting with light colours:
1049:(2003), p. 266: "Portrait d'Omer Coppens, Huile sur toile, 76 x 60 cm Initiales et date en bas à gauche Coll. privée, Bruxelles"
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495:(1886) (painted in a palette of bright colours). In 1887 he painted some impressionist seascapes at the Belgian coast :
867:, his wife Maria and daughter Elisabeth. He enjoyed his stay so much that he and his family returned to the island in 1908.
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605:) in Batignolles, near Paris, he met several painters from the Parisian scene such as Sisley, Signac, Degas and especially
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Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his
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From 1905 on, the female nude becomes prominent in his monumental paintings : "After the bath" (1910). His painting
882:, he found an interesting spot in Saint-Clair (where Cross already resided). His brother (and neighbour), the architect
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to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the
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Catalogue of the exhibition "Théo van Rysselberghe : neo-impressionist" at the "Museum of Fine Arts", Ghent 1993
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addressees with short contents; bibliography and list of exhibitions. R.Feltkamp, Editions Racine 2003 Brussels.
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Clerbois Sébastien, "Omer Coppens ou le Rêve de l’Art nouveau" (Brussels: Exhibitions Internationales, June 2001)
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was heavily criticized by the art critics as "incomprehensible gibberish applied to the noble art of painting".
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P. & V. Berko, "Dictionary of Belgian painters born between 1750 & 1875", Knokke 1981, p. 719-721.
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Immoralists and Drama Queens: André Gide, Théo Van Rysselberghe and their colourful entourage, Jersey 1907-1909
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In December 1887 he was invited, together with Edmond Picard, to accompany a Belgian economic delegation to
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353:(1885). Van Rysselberghe would paint several portraits of Octave Maus and his wife between 1883 and 1890.
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633:. Back in Brussels, he started painting his impressions, relying on his photos, notes and sketches. His
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in Brussels and later in The Hague between February and September 2006. In November 2005, his work
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He now turned to portraiture, resulting in a series of remarkable neo-impressionist portraits.
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in 1884. His influence as a portrait painter can be seen in van Rysselberghe's portrait of
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341:. This membership brought van Rysselberghe in contact with other radical artists, such as
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Théo van Rysselberghe was one of the prominent co-founders of the Belgian artistic circle
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in 1886. He was deeply impressed. He experimented with this technique, as can be seen in
810:(who was in his Blue Period at that time). He found his works "ugly and uninteresting".
593:. In 1887 van Rysselberghe already experimented with this style, as can be seen in his
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of the time and the prevailing artistic standards. Among the most notable members were
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169:(1880), painted in somber colours in the Belgian realistic tradition of the times. His
905:(1912) is painted in lively colours of red, green and blue. One of his last works was
689:. Her sister, Maria Sèthe, also a model of van Rysselberghe, would marry the renowned
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and became an adept of pointillism. This brought him sometimes in heavy conflict with
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In April 1883 he exhibited these scenes of everyday Mediterranean life at the salon
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Théo van Rysselberghe, Portrait of Laure Flé, 1913. Oil on board mounted on panel.
1013:"Dario de Regoyos Playing the Guitar - The Collection - Museo Nacional del Prado"
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601:(1887). While staying in summer 1887 a few weeks with Eugène Boch (brother of
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he "imported" this style to Belgium. Seurat was invited to the next salon of
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Van Rysselberghe married Marie Monnom in 1889, with whom he had a daughter,
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At the end of his life, he also turned to portrait sculpture, such as the
973:(1855–1929) was a distinguished Belgian architect, who collaborated with
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609:. He appreciated especially the talent of Toulouse-Lautrec. His portrait
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487:(1886). This impressionist influence became prominent in his paintings
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After some prospecting, touring on his bike, together with his friend
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and other images and paintings from his second Moroccan trip, such as
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221:(1882), already completely different in style. When he set foot in
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to the next exhibition in Brussels. That is where Van Gogh sold
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and became more and more detached from the Brussels art scene.
835:(1910), one of his rare flower compositions; private collection
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Monography 237 pages R.Feltkamp, Editions Racine 2003 Brussels
886:, built him there a residence in 1911. He retired now to the
213:. From this Spanish trip stem the following portraits :
803:(1903) (with the contrast between red and blue colours).
118:(23 November 1862 – 13 December 1926) was a Belgian
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Dario de Regoyos playing the Guitar (1885), Prado Museum
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Flemish Art Collection: The Reading by Van Rysselberghe
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The Neo-pagans: Rupert Brooke and the ordeal of youth
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In 1897, van Rysselberghe moved to Paris. Along with
681:, showcasing Van Rysselberghe's pointillist technique
517:and painted at least one portrait of him in oils.
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193:. He especially admired the 'old masters' in the
1115:Royal Decree of H.M. King Albert I on 14.11.1919
938:(1892) fetched a record 2.6m € at an auction in
850:Bathing ladies under the pine trees at Cavalière
313:(1856–1919). They rebelled against the outmoded
1482:Lady in White, Portrait of Mrs Van Rysselberghe
645:, the influence of Seurat is unmistakable. His
502:Rysselberghe influenced the work of his friend
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272:, whom he would later portray several times.
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1643:Royal Academy of Fine Arts, Brussels alumni
1547:Madame van de Velde and Her Three Daughters
275:In September 1883 van Rysselberghe went to
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844:(1905) remind us of the technique used by
546:at the eighth impressionist exhibition in
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1298:The Children of François van Rysselberghe
1047:Théo van Rysselberghe, catalogue raisonné
401:in 1885 Théo van Rysselberghe showed his
1494:Madame Van Rysselberghe and Her Daughter
957:– Portrait of Mrs. Théo van Rysselberghe
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774:(circa 1898) – etching and aquatint by
471:He saw the works of the impressionists
378:in the company of the American painter
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874:, of the Mediterranean coast between
668:His wife Maria and daughter Elisabeth
643:Caravan in the mountains past Schliat
407:Abraham Sicsu (interpreter in Tanger)
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1467:Le canal en Flandre par temps triste
1286:The Sisters of the Painter Schlobach
1210:supplement to the catalogue raisonné
1447:L'Escaut en amont d'Anvers, le soir
578:in Brussels in 1887. But there his
279:to study the light in the works of
171:Child in an open spot of the forest
1523:Champ de course à Boulogne-sur-Mer
785:The hippodrome at Boulogne-sur-Mer
713:, the only painting he ever sold.
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1553:Fountain in the Park of Sanssouci
772:Portrait of Théo Van Rysselberghe
1567:The Mediterranean at Le Lavandou
1406:A Family Gathering in an Orchard
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647:Gate of Mansour-El-Hay in Meknès
585:Théo van Rysselberghe abandoned
259:The strait (setting sun), Tanger
1412:Portrait of Madame Charles Maus
1323:Portrait of Marguerite van Mons
859:, staying at Madeira Villa, in
444:Jeanne and Marguerite Schlobach
436:Portrait of Marguerite van Mons
1560:The Lecture of Emile Verhaeren
1511:Portrait of Constantin Meunier
787:(1900) and the group portrait
152:Académie Royale des Beaux-Arts
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1573:Reclining Woman with Red Hair
1433:Barques de pêche–Méditerranée
1368:Rock at Perkiridy in Brittany
1268:Armand Heins Painting Outside
754:Les Temps Nouveaux (magazine)
637:(1887) is probably his first
370:. (He had met him in 1883 in
343:James Abbott McNeill Whistler
1419:Maria Sèthe at the Harmonium
1316:Portrait of Camille van Mons
1077:Moore, Diane Monier (2024).
797:Young girl with straw bonnet
460:(1886) (to be compared with
374:.) In April 1884 he visited
1633:Post-impressionist painters
840:heat in his paintings. His
701:and managed thus to invite
462:Portrait of Gabrielle Braun
16:Belgian painter (1862–1926)
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1517:Portrait of Emile Mayrisch
965:. Elizabeth became one of
963:Elizabeth van Rysselberghe
382:and the gentleman-painter
158:under the directorship of
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1344:The Mansur Gate in Meknes
707:Vigne Rouge in Montmajour
607:Henri de Toulouse-Lautrec
489:Madame Picard in her Loge
485:Woman with Japanese album
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1200:Short biography in Dutch
919:He died in Saint-Clair,
793:Young women on the beach
651:Morocco (the great souk)
390:, a theme introduced by
1362:Portrait of Alice Sethe
1304:Portrait of Octave Maus
1064:27 October 2005 at the
990:1919: Commander of the
971:Octave van Rysselberghe
969:'s lovers. His brother
884:Octave van Rysselberghe
595:Madame Oscar Ghysbrecht
550:in 1886. Together with
493:Madame Oscar Ghysbrecht
345:, who had exhibited in
167:Self-portrait with pipe
1475:Portrait of Irma Sèthe
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678:Portrait of Irma Sèthe
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536:technique when he saw
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422:Jeanne and Marguerite
397:At the second show of
357:Second trip to Morocco
351:Octave Maus as a dandy
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236:Arabian street cobbler
211:Descent from the Cross
160:Jean-François Portaels
143:
1374:Portrait of Anna Boch
1337:Sailboats and Estuary
1254:Théo van Rysselberghe
1194:Théo van Rysselberghe
1130:Delany, Paul (1987).
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842:Olive trees near Nice
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497:Het Zwin at high tide
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368:William Merritt Chase
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285:William Merritt Chase
177:First trip to Morocco
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25:Théo van Rysselberghe
1529:Sailboats on the Sea
1196:at Wikimedia Commons
1017:www.museodelprado.es
903:The vines in October
599:Madame Edmond Picard
568:Alfred William Finch
1541:Girl in a Straw Hat
1330:Eglise Sainte Croix
458:Marguerite Van Mons
380:John Singer Sargent
1638:Artists from Ghent
1590:Plage de Cavalaire
1440:L'homme à la barre
1356:Campement au Maroc
1280:Pool in the Kempen
979:Henry Van de Velde
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925:Henri-Edmond Cross
914:Head of André Gide
907:Girl in a bath tub
872:Henri-Edmond Cross
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1045:Ronald Feltkamp,
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1623:1926 deaths
1618:1862 births
1454:The Rainbow
1104:Delany 1987
888:Côte d'Azur
814:Later years
801:The Reading
757: [
725:Paul Signac
691:Art Nouveau
687:Paul Dubois
660:Pointillism
649:(1887) and
597:(1887) and
591:James Ensor
534:pointillist
491:(1886) and
449:Octave Maus
339:Paul Signac
323:Willy Finch
319:James Ensor
311:Octave Maus
240:Arabian boy
230:and in the
217:(1881) and
134:Early years
1612:Categories
1460:Big Clouds
1140:Free Press
999:References
936:Port Cette
898:, France.
865:André Gide
861:St Brelade
745:Van Dongen
693:architect
512:indigenous
506:away from
464:(1886) by
281:Frans Hals
52:1862-11-23
833:Magnolias
711:Anna Boch
603:Anna Boch
572:Anna Boch
424:Schlobach
376:Andalucia
315:academism
201:they met
129:Biography
108:Théophile
62:, Belgium
1310:Tänzerin
1062:Archived
1022:15 March
940:New York
909:(1925).
852:(1905).
795:(1901),
791:(1900),
631:Hassan I
510:towards
456:(1886),
452:(1885),
446:(1884),
409:(1884).
261:(1882).
242:(1882),
238:(1882),
189:painter
187:Asturian
185:and the
156:Brussels
146:Born in
96:Movement
91:Painting
82:, France
985:Honours
896:Neuilly
587:realism
508:realism
499:(1887)
372:Haarlem
277:Haarlem
266:L'Essor
246:(1883)
199:Seville
123:painter
1598:(1916)
1592:(1910)
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946:Family
880:Monaco
876:Hyères
857:Jersey
627:Meknès
615:Les XX
576:Les XX
522:Les XX
481:Les XX
399:Les XX
347:Les XX
306:Les XX
291:Les XX
228:kasbah
223:Tanger
40:, 1916
1583:1910s
1504:1900s
1393:1890s
1261:1880s
761:]
548:Paris
473:Monet
197:. In
148:Ghent
60:Ghent
1162:ISBN
1144:ISBN
1085:ISBN
1024:2021
977:and
878:and
570:and
566:and
475:and
337:and
232:souk
112:Théo
68:Died
46:Born
921:Var
709:to
540:'s
468:).
209:'s
154:in
80:Var
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50:(
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