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During this early ‘encyclopaedic’ phase, the genre reflected the culture of curiosity of that time, when art works, scientific instruments, naturalia and artificialia were equally the object of study and admiration and the cabinets depicted are populated by persons who were as interested in discussing scientific instruments as in admiring paintings.
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depicts an ass, a cat, a fool, and an ape (symbols of ignorance and evil) destroying musical instruments, paintings, and scientific instruments. The painting over the mantel depicts an allegory of
Painting being rescued by Wisdom and Fame from Ignorance. The dog, on the left side, appears to have two
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to the iconoclasm of the preceding century provides the meaning for the larger picture: the arts will be protected (as shown by the presence of soldiers in the open door) and flourish under the rule of the archdukes. The sunflower turning toward Albert and
Isabella symbolizes the way that the arts
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The painting contains representations of the wonders of the natural world (animals, plants, and minerals), along with examples of human creativity (painting and sculpture), and attributes of the five senses. As such the composition represents the early phase of the genre of collector's cabinets.
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The painting depicts a large room in which many persons and various art and other objects are present. An unknown
Flemish collector accompanies Isabella (seated) and her husband, Albert, who stands behind her. The composition likely does not represent closely any actual occasion. The walls are
133:, gallery painting or a depiction of a collector's cabinet was popular during this time in Flanders. The painting is deemed a collaborative effort between the artists Jan Brueghel the Elder and Hieronymus Francken II. It had been attributed previously to Hieronymus Francken II's brother
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collection, will be on display at Avenue
Antiques. The National Gallery in London began the concept of bringing art out of doors in 2007 and the Detroit Institute of Art introduced the concept in the U.S.. The
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in the beginning of the 17th century and were considered patrons of the arts. Until the death of Albert in 1621, the area of
Flanders enjoyed peace and prosperity. This type of painting known as a
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attempts at a perpetual-motion clock. The large vase of flowers, at the far left corner, is Jan
Brueghel's contribution to the painting. The flower arrangement is crowned by a large sunflower (
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at
Sotheby’s. The Sotheby's expert believes on the basis of Ursula Härting's analysis that the painting in the Prado should also be attributed to Hieronymus Francken II
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reproductions of the
Walters' paintings are done on weather-resistant vinyl and include a description of the painting and a QR code for smart phones.
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Alexander Marr (2010), 'The
Flemish 'Pictures of Collections' Genre: An Overview', Intellectual History Review, 20: 1, p. 7
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heads which is a result of the underpainting coming through the surface. The globe on the table at the left is one of
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covered by paintings by
Flemish artists and there are also numerous sculptures including the bronze
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and the painting above the mantel representing Painting saved from Ignorance are references to the
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The Frick Art Reference Library - The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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The Walters Art Museum - The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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that had raged in the Low Countries in the 16th century. The reference offered by the
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94 cm × 123.3 cm (37 in × 48.5 in)
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to whom is attributed a similar work which is now in the collection at the
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Painting regarded as by Jan Brueghel the Elder and Hieronymus Francken II
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Visit of the Archduke Albert and the Infanta Isabella to the Antiquary's
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will grow and blossom in the light and warmth of princely patronage.
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is a 17th-century Flemish collaborative painting, now regarded as by
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345:. Baltimore, Md.: Trustees of the Walters Art Gallery. pp.
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The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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The Archdukes Albert and Isabella Visiting a Collector's Cabinet
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Under the Hammer: Iconoclasm in the Anglo-American Tradition
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The Archdukes Albert and Isabella in a Collector's Cabinet
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Fifty old master paintings from the Walters Art Gallery
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The painting propped against the chair at the center,
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Gallery Interior with Archdukes Albert and Isabella
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