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side wound suggests that he intended to strictly follow the text of Luke, which only mentions the wounds on Christ's hands and feet and not the side wound. By this act he also highlighted the contradictions between the various Gospel accounts of the
Resurrection. This reflects the skepticism prevalent among the Antwerp elite as to the ability to achieve certainty, in particular as regards religious issues. It has further been argued that this omission was intended by Rubens to highlight the need for true believers (such as the patrons themselves) to make a leap of faith when accepting the truth of the Resurrection of Christ rather than to seek corroboration in physical evidence.
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appearing in their midst was the resurrected Jesus. Confronted with this disbelief Christ showed them the
Crucifixion wounds on his hands and feet and encouraged them to handle the wounds and see the evidence for themselves. According to Luke, the disciples never took up this invitation to inspect the physical evidence of Christ's death. Only after Christ consumed a meal of broiled fish and a honeycomb did the disciples accept that the person was the resurrected Christ.
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An argument for the Rubens composition depicting the scene in Luke rather than the story of the doubting Thomas is that Rubens has intentionally omitted the wound on Christ's side while
Caravaggio's Saint Thomas is totally focused on Thomas' finger probing Christ's side wound. Rubens' omission of the
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Recent scholarship has argued that Rubens did not depict the disbelief of
Apostle Thomas but rather the scene of Christ's first appearance to the apostles in Jerusalem as described in the Gospel of Luke 24:36-51. In this story the 11 surviving Apostles initially refused to believe that the person
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The work is dated in the upper left corner of the left panel. The year was changed from '1613' to '1615', presumably because Rubens started the painting in 1613, but only finished it in 1615 and then hung in the Lady Chapel behind the choir in the
Recollects church in Antwerp. In any case, the
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The outer panels contain portraits of Rockox and his wife holding attributes of their faith: a bible and a rosary. The outer panels depict the coats of arms of the two families of the patrons.
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epitaph was commissioned before the death of the patrons. It often happened that funerary monuments were completed before – or vice versa: only some time after – a death.
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in
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in Paris. In 1815 the composition was returned to
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For the depiction of the body of Christ, Rubens was likely inspired by the famous
Antique sculpture of the
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146 cm × 233 cm (57 in × 92 in)
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The Virgin Mary and Saint
Francis Saving the World from Christ's Anger
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Ixion, King of the
Lapiths, Deceived by Juno, Who He Wished to Seduce
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The triptych was confiscated by the French invaders in 1794 for the
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Outer panels depicting the coats of arms of the patrons' families
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Saints Dominic and Francis Saving the World from Christ's Anger
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who had arrived in Antwerp during the early sixteenth century.
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Christ Appointing Saint Roch as Patron Saint of Plague Victims
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The central panel was traditionally believed to show the
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Epitaaf van Nicolaas Rockox en zijn vrouw Adriana Perez
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The Head of Saint John the Baptist Presented to Salome
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between 1613 and 1615. It is in the collection of the
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The Virgin and Child Surrounded by the Holy Innocents
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Epitaph of Nicolaas Rockox and His Wife Adriana Perez
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Portrait of George Villiers, 1st Duke of Buckingham
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Erichthonius Discovered by the Daughters of Cecrops
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The Gonzaga Family in Adoration of the Holy Trinity
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663:Saint Teresa of Ávila's Vision of the Holy Spirit
391:Self-Portrait in a Circle of Friends from Mantua
293:Renaissance Quarterly 75, no. 3 (2022): 917–67
503:Portrait of Giovanni Carlo Doria on Horseback
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919:The Meeting Between Abraham and Melchizedek
1295:The Triumphal Entry of Henry IV into Paris
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479:Portrait of Marchesa Brigida Spinola-Doria
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1511:A View of Het Steen in the Early Morning
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399:Equestrian Portrait of the Duke of Lerma
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1645:The Peasants Returning From The Fields
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181:disbelief (or incredulity) of Thomas
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807:The Hippopotamus and Crocodile Hunt
191:refused to believe the resurrected
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313:The Rockox Triptych by Rubens
209:treatment of the Thomas story
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1637:The Rape of the Sabine Women
1215:The Conversion of Saint Bavo
1063:St Mary Magdalene in Ecstasy
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1111:Saint George and the Dragon
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1559:The Birth of the Milky Way
1423:The Dance of the Villagers
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1183:Portrait of Susanna Lunden
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367:The Descent from the Cross
1819:Poussinists and Rubenists
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407:Portrait of a Young Woman
233:The incredulity of Thomas
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1551:Assumption of the Virgin
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1271:Assumption of the Virgin
1079:Conversion of Saint Paul
1071:The Small Last Judgement
951:The Great Last Judgement
783:Daniel in the Lions' Den
583:Conversion of Saint Paul
559:Coronation of the Virgin
511:Madonna della Vallicella
1279:Angelica and the Hermit
903:Two Women with a Candle
711:Portrait of a Commander
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1175:Marie de' Medici cycle
1087:The Fall of the Damned
911:Descent from the Cross
895:Saint Stephen Triptych
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655:Descent from the Cross
519:Susanna and the Elders
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1527:The Rainbow Landscape
1407:Adoration of the Magi
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1231:Adoration of the Magi
1191:Perseus and Andromeda
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1031:Tigress with Her Cubs
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863:The Wolf and Fox Hunt
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615:The Four Philosophers
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447:The Baptism of Christ
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623:Antwerp Resurrection
575:Raising of the Cross
415:Hercules and Omphale
315:at Wikimedia Commons
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1592:(Madrid; 1636–1638)
1567:Consequences of War
1143:Christ on the Cross
767:Madonna della Cesta
735:The Death of Adonis
695:The Four Continents
586:(London; 1610–1612)
439:The Fall of Phaeton
370:(Siegen; 1600–1602)
267:Peter Paul Rubens,
183:, the story in the
25:The Rockox Triptych
1874:Paintings of Jesus
1683:(1622–1640) (with
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1535:Pallas and Arachne
1471:The Feast of Herod
1455:The Feast of Venus
1399:The Garden of Love
1319:The Rape of Europa
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831:The Wild Boar Hunt
543:Samson and Delilah
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970:(Lyon; 1617–1618)
879:Romulus and Remus
799:A Statue of Ceres
679:The Tribute Money
551:Honeysuckle Bower
375:Leda and the Swan
350:Peter Paul Rubens
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102:Peter Paul Rubens
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1439:Venus and Adonis
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607:Prometheus Bound
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639:Roman Charity
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599:Venus Frigida
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235:by Caravaggio
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1839:(exhibition)
1823:
1744:(first wife)
1701:
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962:(c. 1617–18)
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751:St Sebastian
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378:(1601, 1602)
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359:and drawings
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62:Oil on panel
24:
18:
1879:Altarpieces
1828:(1977 film)
1640:(1639–1640)
1632:(1638–1640)
1608:(1637–1638)
1600:(1636–1638)
1546:(1636–1638)
1543:Het Pelsken
1538:(1636–1637)
1490:(1635–1638)
1482:(1635–1638)
1474:(1635–1638)
1466:(1636–1637)
1458:(1635–1636)
1386:(1632–1634)
1378:(1630–1635)
1370:(1630–1631)
1367:Last Supper
1362:(1630–1631)
1330:(1629–1630)
1322:(1628–1629)
1314:(1628–1629)
1306:(1627–1628)
1250:(1623–1626)
1226:(1623–1624)
1218:(1623–1624)
1202:(1622–1625)
1178:(1621–1630)
1066:(1619–1620)
1058:(1618–1620)
1050:(1618–1620)
978:(1617–1618)
922:(1616–1617)
906:(1616–1617)
898:(1616–1617)
890:(1616–1617)
882:(1615–1616)
834:(1615–1617)
826:(1615–1616)
818:(1615–1616)
810:(1615–1616)
791:Bacchanalia
730:(1613–1615)
722:(1613–1614)
706:(1612–1614)
690:(1612–1614)
682:(1612–1614)
626:(1611–1612)
618:(1611–1612)
610:(1611–1612)
578:(1610–1611)
562:(1609–1611)
554:(1609–1610)
546:(1609–1610)
514:(1606–1608)
466:(1604–1605)
458:(1604–1605)
450:(1604–1605)
394:(1602–1605)
187:of how the
143:Description
1853:Categories
1832:Rubenesque
1766:Jan Rubens
1721:Rubenshuis
1672:Tapestries
983:Two Satyrs
631:Visitation
251:References
205:Caravaggio
68:Dimensions
1884:Triptychs
1798:(teacher)
1792:(teacher)
1786:(teacher)
1780:(brother)
1664:(various)
1570:(c. 1638)
1562:(c. 1637)
1498:(c. 1636)
1418:(c. 1635)
1402:(c. 1633)
1346:(c. 1630)
1266:(c. 1625)
1194:(c. 1622)
1162:(c. 1621)
1114:(c. 1620)
1106:(c. 1620)
1098:(c. 1620)
1090:(c. 1620)
1026:(c. 1618)
1010:(c. 1618)
1002:(c. 1618)
874:(c. 1616)
866:(c. 1616)
858:(c. 1616)
802:(c. 1615)
794:(c. 1615)
762:(c. 1614)
754:(c. 1614)
647:Ecce Homo
594:(c. 1611)
530:(c. 1609)
434:(c. 1604)
357:Paintings
126:conversos
53:1613–1615
1804:(friend)
1774:(mother)
1768:(father)
98:triptych
76:Location
1812:Related
1714:Museums
1629:Bacchus
1082:(1620s)
698:(1610s)
272:, KMSKA
112:History
1825:Rubens
1730:People
1706:(1622)
1648:(1640)
1616:(1638)
1584:(1638)
1522:(1636)
1519:Saturn
1514:(1636)
1506:(1636)
1450:(1635)
1434:(1635)
1426:(1635)
1354:(1631)
1338:(1630)
1298:(1627)
1290:(1627)
1258:(1625)
1242:(1624)
1210:(1623)
1186:(1622)
1170:(1621)
1146:(1620)
1138:(1620)
1130:(1620)
1122:(1620)
1074:(1619)
1018:(1618)
994:(1618)
991:Medusa
986:(1618)
954:(1617)
946:(1617)
938:(1617)
930:(1617)
850:(1616)
842:(1616)
786:(1615)
778:(1615)
770:(1615)
746:(1614)
738:(1614)
714:(1613)
650:(1612)
642:(1612)
602:(1611)
570:(1610)
522:(1607)
506:(1606)
498:(1606)
490:(1606)
482:(1606)
474:(1605)
426:(1603)
418:(1603)
410:(1603)
402:(1603)
386:(1602)
40:Artist
1762:(son)
1756:(son)
1695:Books
193:Jesus
96:is a
195:had
88:The
58:Type
50:Year
207:'s
92:or
1855::
1578:/
277:^
259:^
108:.
1687:)
342:e
335:t
328:v
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