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141:. The subject of the painting was to be Louis XIII's vow in 1638 to consecrate his kingdom to the Virgin in Her Assumption. When Ingres accepted the commission, he was living in Florence. Although he had experienced success as a portrait painter, his ambition was to establish a reputation in the more prestigious genre of
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style relatively free of the archaisms for which he had been reproached in the past, it marked Ingres' grand return to the Paris art world after his years in Rome and
Florence, and his abandonment of a more daring style. Ingres found himself celebrated throughout France. In January 1825 he was
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and later established Ingres' reputation as the main representative of classicism, in opposition to the romanticism represented at the same Salon by
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Numerous life drawings and painted studies for the painting survive. A small oil sketch of the composition is in the
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145:. He went to work with his usual diligence, and spent four years bringing the large canvas to completion.
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It was commissioned by France's
Ministry of Interior in August 1820 for the cathedral of Notre-Dame in
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in
Montauban. In 1855, Ingres repeated the figures of the Virgin and Child in a watercolor,
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He traveled to Paris with it in
October 1824. It was a critical success at that year's
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The
Paintings of J. A. D. Ingres (1954) 155; Palissy PM82000254; Salons ID 124570
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Department of Image
Collections, National Gallery of Art Library, Washington, DC
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421 cm Ă— 262 cm (166 in Ă— 103 in)
446:, Paris, Cercle d'Art, coll. "La Bibliothèque des Grands Peintres", 1986.
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J.A.D. Ingres: Fifty Life
Drawings from the Musée Ingres at Montauban
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is an 1824 oil painting on canvas by the French
Neoclassical artist
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327:"Louis XIII Consecrates France to Our Lady of the Assumption"
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Virgil reading The Aeneid before
Augustus, Livia and Octavia
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Luigi
Calamatta after Jean-Auguste-Dominique Ingres, "
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The Ambassadors of Agamemnon in the tent of Achilles
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In Pursuit of Perfection: The Art of J.-A.-D. Ingres
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Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes.
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290:List of paintings by Jean-Auguste-Dominique Ingres
89:Classified as historical monument on Oct. 21, 1903
418:. Louisville: The J. B. Speed Art Museum, 1983.
470:Tinterow, Gary; Conisbee, Philip; Naef, Hans.
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221:, 1512–1513; inspiration for Ingres' painting
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917:Luigi Cherubini and the Muse of Lyric Poetry
694:Joan of Arc at the Coronation of Charles VII
606:Don Pedro of Toledo Kissing Henry IV's Sword
893:Portrait of Madame Marcotte de Sainte-Marie
877:Portrait of Caroline Murat, Queen of Naples
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1031:Paintings by Jean-Auguste-Dominique Ingres
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474:. New York: Harry N. Abrams, Inc., 1999.
404:. Houston: The Museum of Fine Arts, 1986.
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622:Henry IV Receiving the Spanish Ambassador
175:, and in June 1825 he was elected to the
16:Painting by Jean-Auguste-Dominique Ingres
885:Portrait of Madame Jacques-Louis Leblanc
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472:Portraits by Ingres: Image of an Epoch
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126:. The painting depicts a vow to the
925:Portrait of Comtesse d'Haussonville
813:Portrait of Marie-Françoise Rivière
370:Tinterow and Conisbee 1999, p. 273.
307:Tinterow and Conisbee 1999, p. 548.
253:Virgin and Child Appearing to Sts.
188:Virgin and Child Appearing to Sts.
1046:Paintings of the Madonna and Child
614:Aretino and Charles V's Ambassador
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1041:Cultural depictions of Louis XIII
933:Portrait of Baronne de Rothschild
829:Napoleon I on His Imperial Throne
670:The Martyrdom of Saint Symphorian
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460:, Paris, Fernand Nathan, 1980.
984:Self-Portrait at Seventy-Eight
901:Portrait of Amédée de Pastoret
869:Portrait of Madame de Senonnes
646:The Dauphin's Entry Into Paris
630:The Death of Leonardo da Vinci
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941:Portrait of Madame Moitessier
821:Mademoiselle Caroline Rivière
805:Portrait of Philibert Rivière
516:Jean-Auguste-Dominique Ingres
120:Jean-Auguste-Dominique Ingres
48:Jean-Auguste-Dominique Ingres
853:Portrait of Charles Marcotte
388:Condon et al., pp. 134, 245.
275:", engraving, c. 1886/1910,
909:Portrait of Monsieur Bertin
845:Portrait of Madame Duvaucey
566:Romulus' Victory Over Acron
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430:L'opera completa di Ingres
957:Portrait of Madame Ingres
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167:awarded the Cross of the
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949:The Princesse de Broglie
861:Portrait of Paul Lemoyne
678:The Illness of Antiochus
590:Raphael and La Fornarina
432:. Milan: Rizzoli, 1968.
797:Bonaparte, First Consul
662:The Apotheosis of Homer
349:Arikha 1986, pp. 55–56.
331:www.mariedenazareth.com
316:Rosenblum 1986, p. 126.
1051:Paintings in Montauban
722:The Half-Length Bather
638:Roger Freeing Angelica
550:Oedipus and the Sphinx
992:Antwerp Self-Portrait
976:Self-Portrait Aged 24
738:La Dormeuse de Naples
654:The Vow of Louis XIII
273:The Vow of Louis XIII
155:The Massacre at Chios
115:The Vow of Louis XIII
29:Le Voeu de Louis XIII
22:The Vow of Louis XIII
762:Odalisque with Slave
730:The Valpinçon Bather
442:Rosenblum, Robert .
379:Radius 1968, p. 102.
361:Ternois 1980, p. 70.
598:Paolo and Francesca
582:The Dream of Ossian
124:Montauban Cathedral
98:Montauban Cathedral
558:Jupiter and Thetis
259:, watercolor, 1855
236:Madonna di Foligno
177:Institut de France
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525:List of paintings
456:Ternois, Daniel.
400:Arikha, Avigdor.
162:. Conceived in a
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169:LĂ©gion d'honneur
143:history painting
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334:. Retrieved
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194:(Cambridge,
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184:Musée Ingres
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164:Raphaelesque
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134:of France.
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995:(1864-1865)
952:(1851–1853)
944:(1844–1856)
686:The Odyssey
601:(1814–1819)
257:and Leopold
192:and Leopold
128:Virgin Mary
86:Designation
1025:Categories
754:The Source
336:2022-09-08
296:References
132:Louis XIII
107:D.2013.1.1
78:Dimensions
816:(1805–06)
789:Portraits
534:paintings
233:Raphael,
215:Raphael,
173:Charles X
160:Delacroix
139:Montauban
122:, now in
104:Accession
62:Catalogue
757:(c 1820)
532:History
438:58818848
284:See also
251:Ingres,
94:Location
1003:Museums
202:Gallery
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70:Medium
44:Artist
714:Nudes
150:Salon
476:ISBN
462:ISBN
448:ISBN
434:OCLC
420:ISBN
406:ISBN
57:1824
54:Year
27:fr:
198:).
171:by
158:by
130:by
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