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137:, R.A., where he lived for the rest of his life. He became a royal academician in 1808, and presented as his diploma work "Venus and Adonis" (exhibited the same year), perhaps the best of his creative subjects, apart from "Expulsion from Paradise". Meanwhile, he rose steadily in public favour, and in 1806, painted the
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106:, followed in the next two years by the "Death of Talbot, Earl of Shrewsbury, at the Battle of Castillon", "Ruth and Naomi", "Elijah restoring the Widow's Son", "Cupid disarmed by Euphrosyne", and other pictures.
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competing for business; consequently, from 1796 to 1800, his exhibited works were chiefly portraits of gentlemen and ladies, often nameless in the catalogue and of no great importance, historically speaking.
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chapel. He married
Elizabeth Fraser of Fairfield, near Inverness. They had two daughters and two sons, the elder of whom, Joseph Scott Phillips, became a major in the Bengal artillery, and died at
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In 1804 he was elected an associate of the Royal
Academy, together with his rival, William Owen. About the same time he moved to 8 George Street,
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was exhibited at the Royal
Academy that same year. In 1825 he was elected professor of painting at the Royal Academy, succeeding
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Phillips died at 8 George Street, Hanover Square, London, on 20 April 1845, and was interred in the burial-ground of
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After 1796, he concentrated on portrait-painting. However, the field was very crowded with the likes of
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One or more of the preceding sentences incorporates text from a publication now in the
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for John
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His contributions to the academy exhibition of 1809 included a portrait of Sir
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172:(engraved by Niccolo Schiavonetti), and to that of 1814, two portraits of
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790:. Vol. 21 (11th ed.). Cambridge University Press. p. 407.
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Phillips wrote many occasional essays on the fine arts, especially for
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817:(The Walter Scott Digital Archive, Edinburgh University Library)
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A self-portrait, exhibited in 1844, was one of his last works.
753:. Vol. 45. London: Smith, Elder & Co. pp. 216–7.
325:, Turner, Robertson, and others, one of the founders of the
94:, who found him employment on the painted-glass windows of
47:(18 October 1770 – 20 April 1845) was a leading English
344:(1820–1868) was a portrait painter, secretary of the "
90:, he visited London in 1790 with an introduction to
340:, on 18 December 1884, aged 72. His younger son,
180:, A.R.A). In 1818 he exhibited a portrait of Sir
98:at Windsor. In 1791 he became a student at the
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19:For other people named Thomas Phillips, see
670:Prince Augustus Frederick, Duke of Sussex
821:174 artworks by or after Thomas Phillips
102:, where, in 1792 he exhibited a view of
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327:Artists' General Benevolent Institution
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457:Lord Byron in an Albanian dress, 1813
16:18th/19th-century English portraitist
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133:, London, formerly the residence of
211:Phillips also painted portraits of
82:. Having learnt glass-painting in
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896:19th-century English male artists
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851:19th-century English painters
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255:, the African traveller, and
876:English Orientalist painters
871:Fellows of the Royal Society
359:(1802–1848), was his pupil.
815:Biography of Thomas Philips
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297:Musée de la Vie romantique
279:(engraved in mezzotint by
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866:English portrait painters
355:Artist and illustrator,
350:Artists' volunteer corps
221:George Anthony Legh Keck
188:. His 1822 portrait of
787:Encyclopædia Britannica
309:, and also a memoir of
233:Samuel Taylor Coleridge
805:Thomas Phillips online
348:", and captain in the
342:Henry Wyndham Phillips
319:Society of Antiquaries
225:Thomas Campbell (poet)
200:, R. A., and also Sir
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74:Phillips was born at
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619:Sir Francis Burdett
357:John William Wright
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881:People from Dudley
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190:Sir Charles Asgill
163:William Bell Scott
159:Luigi Schiavonetti
123:Martin Archer Shee
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269:Humphry Davy
253:Dixon Denham
245:Edward Parry
237:Henry Hallam
213:Walter Scott
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202:David Wilkie
194:Henry Fuseli
170:Joseph Banks
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153:, which was
143:Lord Thurlow
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115:William Owen
111:John Hoppner
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51:and subject
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846:1845 deaths
841:1770 births
741:Lee, Sidney
677: 1838
656: 1835
634:John Dalton
575: 1821
539: 1820
429: 1811
317:and of the
285:John Dalton
835:Categories
714:References
443:Lord Byron
299:, Paris).
289:Napoleon I
174:Lord Byron
84:Birmingham
78:, then in
532:Earl Grey
261:Liverpool
323:Chantrey
263:), Dean
223:(1830),
206:Florence
49:portrait
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363:Gallery
70:(1820s)
53:painter
35:c. 1803
825:Art UK
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708:, 1842
693:, 1839
636:, 1835
621:, 1834
606:, 1834
591:, 1828
555:, 1821
519:, 1819
504:, 1817
487:, 1815
472:, 1814
445:, 1813
409:, 1810
394:, 1807
379:, 1799
267:, Sir
247:, Sir
243:, Sir
86:under
76:Dudley
827:site
121:and
784:".
283:),
157:by
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747:.
722:^
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