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section is cathode biased. The amp is solidly constructed on a black steel chassis with a bright mirror chrome finish, diamond-perforated steel tube cage, giving it a physical appearance reminiscent of a lunchbox (some comparisons to a toaster have been made as well). The NT15H also set the cosmetic and operational template for two additional releases, also all valve heads, that book-ended its output power: the 2W Lil Night Train (NT2H) in 2010, which uses two 12AX7 preamp tubes and a 12AU7 dual triode as its power section, and the 50W Night Train 50 (NT50H) in 2011, a two channel head with four 12AX7 preamp tubes and a pair of EL-34 valves in its power section. All models feature the ability to choose between the familiar "chimey" Vox voice and a high gain voice that bypasses the EQ section, via the Bright/Thick switch. Note though that each Night Train model's feature set also provides some unique capability apart from its siblings. For example, the NT15H output power can be switched between 15W pentode and 7.5W triode modes. The NT2H provides a headphone/line out jack with on-board speaker emulation (for practice or direct recording use). Lastly, the NT50H offers two channels by adding a second, optionally foot-switchable, higher gain "Girth" channel, a "Tone Cut" control and a "Tight" switch in its master section, plus a bypassable, JFET-driven effects loop. All models were designed for use with most any 8 ohm or 16 ohm cabinet, although Vox also offers a matching cabinet (NT15H/V112NT, NT2H/V110NT, NT50H/V212NT) for each model.
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preamp section, a "Dark" switch, a digital reverb, and an effects loop. However, Vox did not retain the pentode/triode output section modes from the "G1" version that allowed for full or half power operation as well as a broader tonal palette. The NT50H-G2 differs from the original NT50H with the additions of an XLR D.I. out and a digital reverb, and the deletions of one 12AX7 preamp tube and the "Tight" switch. It also appears the FX loop is no longer bypassable. Gone is the bright chrome look of the "G1" models as both heads received new cosmetics in the form of a black mirror finish on the tube cage and a new suitcase-type handle. Vox also released "G2" versions of their matching cabs: the V112NT-G2 (one
Celestion G12M Greenback speaker), and the V212NT-G2 (two Celestion G12H 70th anniversary model speakers), each also sporting the suitcase-type handle. The new NT15C1 combo combines an NT15H-G2 chassis with a single 16Ω 12" Celestion G12M Greenback speaker in a black tolex cabinet with a suitcase-type handle.
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black control knobs, and then covered its V110NT cab with a retro-traditional "Brown
Diamond" grille cloth and basket weave covering (since there was no "G2" version of the Lil Night Train, this limited edition NT2H seems to mark the end of the line for this model as Vox makes no further reference to it). For the NT15C1-CL (Classic) combo amp Vox applied a similar treatment with the installation of a gold logo badge and trim on the front of the NT15C1 combo as well as adding the "Brown Diamond" grille cloth.
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689:, the United States distributor of Vox, along with Bernard Stockly (London), importer of Challenge pianos to the United States, arranged for the boys to have full use of the tall Super AC 100 Vox amps (4×12" speakers). The solid-state version of this amp (known in the US as the "Super Beatle") was produced to cash in on the Beatles-Vox affiliation, but was not nearly as successful as the valve AC30 and AC15 models.
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4×12"/2-horn configurations. In 1966 and 1967, The
Beatles had several prototype or specially-built Vox amplifiers, including hybrid tube/solid-state units from the short-lived 4- and 7-series. Harrison in particular became fond of the 730 amp and 2×12 cabinet, using them to create many of the guitar sounds found on
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In August 2014, Vox released two Night Train limited editions, both of which were cosmetic updates to the NT2H set and the NT15C1 combo respectively, that recall a more traditional Vox aesthetic. For the Lil' Night Train NT2H-GD-SET, Vox supplied the NT2H head with a matte gold coloured tube cage and
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With assistance from Dick Denney, Thomas Organ began to produce a line of mostly solid-state amplifiers in the United States that carried the Vox brand and cosmetic stylings. First marketed in 1965, these amps effectively paralleled JMI's own transistor-based amplifiers, but differed from
British and
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The
Continental and other Vox organs such as the Jaguar, the Continental II, Super Continental, and the Continental 300 share characteristic visual features including orange and black vinyl coverings, stands made of chromed steel tubing, and reversed black and white keys. Jennings formed a deal with
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in 2001. Utilizing Korg's REMS modelling software, the blue-colored
Valvetronix amps were driven via the "Valve Reactor" low-power tube preamp stage and a solid-state power amp, emulating 11 classic amplifier sounds with a variety of built-in effects (Notably, Korg did not specifically cite in the
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In 2013, Vox released updated "G2" versions of the 15 watt and 50 watt heads, and added a combo version of the NT15H-G2 called the NT15C1. Compared to the original NT15H, the NT15H-G2 adds a foot-switchable Girth channel (which first appeared on the original NT50H) with an additional 12AX7 in the
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was provided with one of the first transistorised amplifiers, the infamous T60, which featured an unusual separate cabinet outfitted with a 12" and a 15" speaker. The T60 head had a tendency to overheat, and McCartney's was no exception, so he was then provided with an AC30 head which powered the
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Korg/Vox evolved the
Valvetronix line from 2010 to 2019, pushed the emulation capacity to 33 different models in the VT+ Series, added a premium VTX 150 variant with professional-grade features, and revised the modeling engine called Virtual Element Technology (VET) engineered to more accurately
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solid-state amps, but with a series of cost-cutting measures such as loudspeakers with ceramic magnets, printed circuit boards, solid-state rectification, and particleboard cabinet construction. An all-solid-state version of the AC30 was also introduced alongside the classic, tube-powered model.
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The Vox brand grew quickly in the early 1960s, expanding along with its roster of endorsing musicians. As tube-based amps such as the AC100 were engineered with more power, they developed a reputation for overheating and malfunction. The onset of transistors pushed Vox and other manufacturers to
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pressing one of the six 'open string' buttons. There is an option to silence the lowest two strings, and the organ section, as a whole, can also be switched off. There is a four-position octave selector, a six-position effect selector, a four-way selector for the percussion and a flute selector.
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Organ tones are sounded in one of three ways; in 'normal' mode, by pressing any string onto a fret; in 'percussion' mode, by fretting any string and touching the included brass plectrum (connected to a short wire plugged into a socket on the scratchplate) onto any metal part of the guitar; or by
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and external circuit boxes. The initial production run proved unreliable due to the fact that JMI production engineers, eager to put the instrument into production, had used Denney's prototype as a template for wiring the instrument in Denney's absence. As a consequence, the instrument gained a
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revealed that the Super Beatle backline was, on their thirtieth anniversary tour at least, primarily used only as a stage prop, though Petty used his "on a couple of songs." In the group's early days, the Vox equipment was chosen because it was relatively inexpensive in 1976, yet had a handsome
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Vox entered the "lunchbox" amp market in 2009 when it introduced the Night Train (NT15H) head. This compact, all valve amp is a 15W head with two 12AX7 preamp tubes, a pair of push-pull EL-84 valves in its power section, and a solid state rectifier. It used a cathodyne splitter, and its power
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As the crowds at
Beatles shows got louder, they needed louder amps. Jennings provided Lennon and Harrison with the first AC50 piggyback units, and McCartney's AC30/T60 rig was replaced with an AC100 head and an AC100 2×15" cabinet. Lennon and Harrison eventually got their own AC100 rigs, with
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A hand-wired, heritage version, the AC30H2 (and the wooden cased AC30H2L) were also produced. The AC30CC and AC15CC were later replaced with the AC30C2 and AC15C1 which had solid state rectification and a revised chassis. In 2010, Vox released a Hand-Wired version of the AC30 and AC15 with
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Royston, due to the loss of a lucrative government contract in one of its other companies, filed for bankruptcy in 1968. As a result, the Vox brand passed through a series of owners during the 1970s including a
British bank and Dallas Arbiter. The AC30 continued to be built alongside newer
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Vox released the 12-watt AC10 in late 1959 as a student model, originally as a 1x10-inch combo and later as a 2x10-inch combo. Features simplified from the AC15 included a tremolo effect (mislabeled as "vibrato"), a single, shared Tone control, and smaller output transformer. The AC10 was
1217:. Notable characteristics include a 3D contoured ergonomic design which not only had an arch top, but also bent back from the neck toward the base of the guitar hugging the player's body. The guitar body was milled from a single block of wood and had a fitted face in combinations of
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for their version of the AC30 in what was considered the most faithful version of the amp produced for many years. In 2005, manufacturing was moved to
Vietnam, including a yet-newer redesign of the venerable AC30, designated the AC30CC, since superseded by the AC30C2.
1878:, a long-life, dual-triode vacuum tube developed by Korg and Noritake Itron Corp. Each variant in the MV50 series emulated an individual style of classic amplifier, including Clean, AC, Rock, Boutique, and High Gain, with basic controls for Gain, Tone, and Volume.
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The guitar section is equipped with two Vox pick-ups, a three-way selector, and conventional volume and tone controls. In common with Phantom models, it has a Bigsby-style tremolo unit, a fixed-intonation bridge and individual Vox-branded tuners.
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The V251 is somewhat awkward to play as the neck is wider at the nut end than at the body, and a player's natural tendency to bend a string results in it slipping off the divided fret. Additionally it is very heavy, weighing, nearly 9 lbs.
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For 2012, the VOX Phantom and Teardrop guitars appeared again as the APACHE Series travel guitars with a host of built in features including a 2-channel guitar amplifier, speakers, dozens of rhythm patterns, even a convenient E-String tuner.
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in 1966 to manufacture Continentals in the US, with production moving to Italy the following year. The Italian Vox Continentals featured plastic keys instead of the original wooden ones, which were less reliable and broke more easily.
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series (2007-2009) built on the concept, focused on high gain sounds designed to span the entire range of heavy rock music. With four variations, the Valvetronix XL renamed its control labels with rock-inspired descriptors:
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The V251 connects to a mains power-supply unit via DIN plugs and a four-conductor cable (power, guitar output, organ output and common). The PSU in turn has individual amplifier outputs for guitar and organ.
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roadster dressed up to look like a Phantom guitar - complete with a Continental organ and several "Beatle" amplifiers. Despite the marketing effort, the Vox brand shed endorsees, and sales waned.
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bass, each half of which could be sent to a separate amplifier using an onboard mix control. Vox produced a number of other models of 6 and 12 string electric guitars in both England and Italy.
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acquired a majority stake in Rose Morris in 1992, including the Vox product lines. Korg dissolved much of the prior business before renewing the Vox brand based on its traditional strengths.
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appearance. A photograph included in the article showed Campbell's guitar sound was coming from other amplifiers hidden behind the large Super Beatles, which Campbell stated were "a tweed
1187:. These were generally regarded as the best quality guitars ever built under the Vox name. They were discontinued in 1985 when production was moved to Korea and they were replaced by the
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concealed themselves in large empty Vox cabinet and emerged from them as a grand entrance to the opening of the shows on the 1967 tour and they used real Vox amps for the performances.
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became tied to Vox amplifiers (a deal was struck early in their recording career whereby they would be provided Vox equipment for exclusive stage use), the quest for more power began.
1121:(fuzz tone), Repeat Percussion (percussive tremolo), Treble/Bass Booster and a wah-wah operated by the heel of the picking hand pushing on a spring-loaded lever over the bridge. The
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Vox modelling technology was condensed into the Vox Mini3 (sans the tube preamp) in 2010, a compact, battery-powered, portable amp with separate mic input and controls for busking.
2013:. The pedals used low-power 12AU7 tubes to create vintage soft-clipping preamplification. Two of the Cooltron pedals, the Big Ben Overdrive and the Bulldog Distortion, won the
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469:"blue" loudspeakers and later Vox's special "Top Boost" circuitry, and like the AC15 using valves (known in the US as vacuum tubes), helped to produce the sound of the
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represent classic sounds. Vox mobile and desktop software were introduced with the 2015 VT20X and VT40X, offering players the ability to further customize sounds.
645:'s was a fawn AC30 with a top boost unit installed in the rear panel. They were later provided with twin black-covered AC30s with the rear panel top boost units.
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Vox also pioneered the first radio microphone system, which freed singers from having their microphone connected to their amplifier or PA by a cable.
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unit. Aside from being a bit awkward to hold for seated playing, the Phantom guitars now approached professional quality, performance and price.
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to trial in 1962 and were used by them until 1970. They can be heard on many of their recordings and records they did with other artists such as
461:, who requested amplifiers with more power, Vox produced what was essentially a double-powered AC15 and named it the AC30. The AC30, fitted with
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operated for several years, making an updated and rebadged version of the AC30 along with other amplifiers, as well as a new range of organs.
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Italian made Vox in sound and reliability. To promote their line, Thomas Organ published a magazine called 'Vox Music Scene,' and built the
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in the year of 2012. Some of the guitars the artist used included a Blackburst version, a White Ivory version, and a multicolored version.
419:. The company was renamed Jennings Musical Industries, or JMI. In 1958 the 15-watt Vox AC15 amplifier was launched; "vox" simply being the
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ended. The company attempted to reinvigorate the Vox brand, continuing to build the AC30 along with several new and modern amplifiers.
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series of guitars. This series repeated the double and single cutaway bodies of the earlier Virage series, but also included the
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was shown in Vox advertisements playing a teardrop hollow-bodied bass made for him by the company, subsequently marketed as the
376:, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm
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666:. Lennon favoured the larger 7120 amplifier, while Harrison preferred the 730 and McCartney had its sister 430 bass amplifier.
882:. Many guitar gear authorities dispute that he ever actually used the instrument for recording or live performance. (See also
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is sometimes believed to have used a GuitarOrgan, but he actually owned two white Phantom VI special with onboard effects.
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In 1956, Jennings was shown a prototype guitar amplifier made by Dick Denney, a big band guitarist and workmate from
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series, including three programmable memory banks and 22 total amplifier models (in order from green to red mode):
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In the early 1960s, the Brothers Grim became the first American group to use Vox Amplifiers. Joe Benaron, CEO of
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bass (which was eventually retrofitted with a Fender neck). It was followed a year later by the teardrop-shaped
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1195:"M"-series guitars and basses are clearly marked as "made in Japan", suggesting a phased production hand-over.
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408:. Jennings's first successful product was the Univox, an early self-powered electronic keyboard similar to the
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1308:'s life, he primarily utilized several versions of the Vox HDC-77 guitar, after being introduced to it by
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Glass / Funked / Buzzsaw / Crunched / Thrashed / Raged / Modern / Fluid / Molten / Black / Damaged
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2124:"Guitar Gear Review: The ToneSpeak Birmingham 1275 Took My VOX AC30 from Good to Great | TMR Zoo"
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The instrument never became popular though it was a precursor to the modern guitar synthesizer.
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construction, valve rectification and a choice of Celestion Greenback or Alnico Blue speakers.
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In 1966, Vox introduced the Guitar Organ, a Phantom VI guitar with internal organ electronics.
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both featured a unique Bigsby style 12-string vibrato tailpiece, which made them, along with
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together behind the Super Beatle, and an isolated Vox AC30 that I have backstage in a box."
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bridge of this series is aluminium and provides both a saddle and anchor for the strings.
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Tom Jennings set up a new company in his old Dartford location, joined later by Denney.
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1264:(with lower cost fabrication than the 77 and 55 series). The Virage II series featured
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Vox experimented with several built-in effects and electronics on guitars such as the
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series of compact, hybrid amplifier heads released in 2015 were first to feature the
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was given one in a bid to secure an endorsement, although he did not record with it.
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Vox had experimented with Japanese manufacturers at the end of the sixties with the
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In 1967, Vox introduced a series of guitars which featured built in effects such as
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to create a unique new electric guitar, and in 1962 Vox introduced the pentagonal
1175:, and in 1982 all guitar production was moved to Japan, where the Standard &
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Boutique CL / Modded CL: Dumble Overdrive (Clean)/Fender Showman (Dumble Modded)
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In 1964, Tom Jennings developed a relationship with Sepulveda, California-based
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The Vox brand was also applied to Jennings' electronic organs, particularly the
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The Guitar Collection features the earliest Vox Shadow and a 1980s White Shadow
1390:, who used a Continental on the group's first two albums before switching to a
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2470:""The Jennings Scene" Solid-State Amplifier Product Catalog - Cover 1968-1969"
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Express Train / Boutique OD: Trainwreck Express/Dumble Overdrive (Overdrive)
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and others), were also marketed by Vox and later on manufactured in Italy.
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and other British rock 'n' roll musicians and became a commercial success.
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of 1962, which featured drawbars and used transistors to generate sound.
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993:, also made in Italy, which featured a more conventional body style. The
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negative reputation, but was a hallmark of the ingenuity of the company.
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followed shortly after. These first guitars were low-priced, had unusual
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in functionality, but were claimed to be less noisy. The one-piece cast
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2151:(First ed.). Westport, CT: The Bold Strummer LTD. pp. 31–34.
2010:
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2630:"NAMM 2020: Vox reveals its new Cambridge 50-watt modelling combo amp"
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1009:, the only 12-string electric guitars to feature such a vibrato. The
696:, although in the April 2008 issue of Premier Guitar, lead guitarist
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2048:
2604:"NAMM 2017: Vox launches 3 'revolutionary' Nutube MV50 guitar amps"
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Guitar pedals and other effects, including an early version of the
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The Amp Book - A Guitarist's Introductory Guide To Tube Amplifiers
2099:
Amped - The Illustrated History of the World's Greatest Amplifiers
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1988:
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Deluxe Tweed / Tweed 2X12: Fender Tweed Deluxe/Fender '57 Twin Amp
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1260:(with resemblance to the Gibson Les Paul single cutaway), and the
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A modern popular rock artist known for use of the Super Beatle is
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2279:"How the VOX Continental shaped the sound of a hippie generation"
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Super 4X10 / Tweed 4X10: Fender Super Reverb/Fender Tweed Bassman
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Rose Morris bought Vox in 1978 before its distribution deal with
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Musical instrument manufacturing companies of the United Kingdom
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UK 25TH / UK '80S: Marshall 2555 Slash Jubilee / Marshall JCM800
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AC15 TB / AC15: Vox AC15 (1960s Top Boost)/VOX AC15 (1950s EF86)
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773:, which at the time were not available in the UK. A four-string
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dubbed Cooltron, designed to offer guitarists vintage-sounding
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is a British musical equipment manufacturer founded in 1957 by
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2685:(This article originally appeared in VG's November 2007 issue)
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US '90S / Cali Metal: Peavey 6505 / Mesa Boogie Dual Rectifier
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45:
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Vox applied the Nutube hybrid approach to the lunchbox-sized
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The entire line was refreshed in 2008 with the chrome-tinged
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reissued many of their classic Phantom and Teardrop guitars.
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to activate the effects circuits. Another innovation was the
533:. The Vox AC30 has been used by many other artists including
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In 2011, a hand-wired version of the AC4 was also released.
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can be seen using a Vox Continental with the UK garage band
514:
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TV show "I've Got a Secret" featuring the V251 GuitarOrgan
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641:'s first Vox was a fawn-coloured twin-speaker AC15, while
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In 1959, with sales under pressure from the more powerful
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product manual which non-Vox amplifiers were modelled.):
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has frequently used a Continental throughout his career.
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pedal, a Vox variation on the famous original Gary Hurst
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Classic Keys: Keyboard sounds that launched rock music
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Boutique Metal / Metal Bull: Diezel VH4 / VHT Pittbull
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effects guitars which had push button switches on the
2796:"Vox Pop: How Dartford Powered the British Beat Boom"
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in 2020, each modelling 11 revised amplifier models:
292:
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UK Modern / UK '90S: Marshall JVM / Marshall JCM2000
1630:
The AC10 was re-introduced in 2015 as model AC10C1.
797:, originally made in England but soon after made by
497:(who is known for having a wall of AC30s on stage),
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Audio equipment manufacturers of the United Kingdom
2779:
Vox Wah Pedals – Reference, Reviews and Price Guide
1109:Vox V 809 Repeat Percussion effect operated by PP3
872:" bridge. By the end of the decade, Stones bassist
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76:. Unsourced material may be challenged and removed.
1846:AC50CP2 / AC30BM: Vox AC50CP2/Vox AC30BM Brian May
801:of Italy. The first Phantom guitars were given to
1708:The Night Train series was discontinued in 2017.
789:, Essex. Vox president Tom Jennings commissioned
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1840:AC30HH / AC30TB: Vox AC30HH / VOX AC30 Top Boost
1790:US NuMetal (based on Mesa Boogie Dual Rectifier)
1244:In 2009, Vox refined the Virage design with the
1225:. A new triple coil pick-up system designed by
541:who was instrumental in getting the AC30 made,
1297:album sold at a New York auction for 408,000
8:
1205:In March 2008, Vox unveiled the semi-hollow
322:. The company is most famous for making the
150:
1885:in 2019, and the 50-watt, Celestion-backed
1781:UK '70s (based on Marshall 1959 Super Lead)
1113:battery, direct plug-in or by in-line cable
953:In the mid-1960s, as the sound of electric
2413:
2411:
2377:
2341:
2215:
2173:"Beatles guitar smashes auction estimates"
2142:
2140:
1179:& 25 guitars and basses were built by
925:circuitry activated by the contact of the
393:The Jennings Organ Company was founded by
156:
149:
2845:Electronics companies established in 1947
1406:". The Continental can also be heard on
1013:had split pick-ups resembling the Fender
769:were modeled after solid-body, bolt-neck
489:, among others. AC30s were later used by
136:Learn how and when to remove this message
2689:Lenhoff, Alan; Robertson, David (2019).
1891:
1138:
1103:
940:
813:shapes, Phantoms featured copies of the
728:
668:
624:
423:word for "voice". It was popularised by
2089:
2305:"Blast from the past: Vox Continental"
2147:Petersen, David; Denney, Dick (1993).
1350:", including at their 1965 concert at
505:(who also assembled a wall of AC30s),
2549:"Vox Mini3 modeling guitar amplifier"
2422:. Bold Strummer Ltd. pp. 56–57.
1922:Dumble Overdrive Special - Overdrive
1268:pick-ups which resembled the earlier
909:is known to have owned two white Vox
663:Sgt. Pepper's Lonely Hearts Club Band
7:
2253:"In praise of … the Vox Continental"
781:output jacks and were produced by a
74:adding citations to reliable sources
1784:UK '80s (based on Marshall JCM 800)
1536:Expansion, transistors, and decline
1125:phantom style guitar and bass, the
957:became popular, Vox introduced the
162:Vox logo showing product categories
2712:Vail, Mark; Carson, Barry (2000).
1906:Blackface Fender Deluxe - Vibrato
1283:In May 2013, a Vox guitar used by
989:electric 12-string guitar and the
921:, which featured miniaturised VOX
809:. Aside from the unusual body and
757:Vox's first electric guitars, the
25:
2672:Hunter, Dave (16 February 2010).
2020:Platinum Award. Cooltron pedals:
1914:Dumble Overdrive Special - Clean
1354:, and the instrument was used by
1252:(with double horns emulating the
961:, which was subsequently used by
918:
2772:"Blue Book of Guitar Amplifiers"
1642:
1460:
1448:
1149:
1142:
1133:teardrop bass had such effects.
1041:
1026:
948:(Phantom XII is right white one)
739:
732:
650:T60's separate speaker cabinet.
50:
2764:"Blue Book of Electric Guitars"
2695:University of North Texas Press
2657:magazine, September issue, 2005
2101:. Voyageur Press. p. 106.
1997:Vox developed a line of analog
1946:Marshall Super Lead Model 1959
1439:Tom Petty and the Heartbreakers
1374:. American Vox players include
1198:In 1998, Vox Amplification Ltd
694:Tom Petty and the Heartbreakers
673:Vox Super Beatle (exhibited at
61:needs additional citations for
2855:1947 establishments in England
2840:Guitar manufacturing companies
2830:Guitar amplifier manufacturers
2774:. Blue Book Publications, Inc.
2766:. Blue Book Publications, Inc.
2555:. Future plc. 1 September 2010
2521:White, Paul (September 2002).
2122:Owens, Bruce (25 March 2024).
1569:Jennings Electronic Industries
1005:'s "Ventures" model 12-string
27:Musical equipment manufacturer
1:
2751:The History of Vox Amplifiers
2747:, a Vox Amps online resource.
2610:. Future plc. 12 January 2017
2496:"The History Of Korg: Part 2"
2403:"A Day Out With Joy Division"
1380:Paul Revere & the Raiders
868:, again using a Bigsby-like "
843:Paul Revere & the Raiders
2636:. Future plc. 7 January 2020
2390:Lenhoff & Robertson 2019
2366:Lenhoff & Robertson 2019
2354:Lenhoff & Robertson 2019
2330:Lenhoff & Robertson 2019
2240:Lenhoff & Robertson 2019
2228:Lenhoff & Robertson 2019
2204:Lenhoff & Robertson 2019
2068:Jennings Musical Instruments
1712:Digital modelling amplifiers
1592:Renewal and current products
1140:
730:
1978:MESA/Boogie Dual Rectifier
832:that in this case copied a
191:; 67 years ago
2881:
1768:Tweed 4×10 (based on 1959
1761:Black 2×12 (based on 1965
1732:AD100VT half stack with a
1720:Valvetronix AD60VT with a
1545:amplifiers as a solution.
1402:used it on songs such as "
438:
36:
29:
2683:. No. November 2007.
2405:, Extro, Vol.2/No.5 1980.
2063:Vintage musical equipment
1778:AC30TB (original Vox amp)
155:
2529:. SOS Publications Group
2502:. SOS Publications Group
2418:Brosnac, Donald (1987).
2052:Vox Valve-tone stomp box
2040:Snake Charmer Compressor
2009:, boost, distortion and
1740:Korg introduced the Vox
1497:The Vox V251 GuitarOrgan
1425:More recently, organist
1342:played one onstage with
1213:(single cutaway) at the
820:and its attachment, the
30:Not to be confused with
2191:"Vox HDC-77 Blackburst"
1993:Vox Cooltron Brit Boost
1962:Marshall JVM410H - OD2
1775:AC15 (original Vox amp)
1241:, or single-coil tone.
1129:teardrop 6-string, and
18:Vox (musical equipment)
2378:Vail & Carson 2000
2342:Vail & Carson 2000
2216:Vail & Carson 2000
2053:
1994:
1737:
1725:
1616:
1596:Korg revived the tube
1498:
1490:
1331:
1304:In the later years of
1114:
950:
678:
675:Museum of Making Music
630:
450:
449:The Vox AC30 amplifier
431:discontinued in 1965.
395:Thomas Walter Jennings
308:Thomas Walter Jennings
208:Thomas Walter Jennings
171:Privately held company
2097:Hunter, Dave (2012).
2051:
1992:
1731:
1719:
1614:
1496:
1488:
1455:Vox Super Continental
1327:
1209:(double cutaway) and
1107:
944:
672:
628:
448:
2802:. 29 November 2011.
2759:The Vox Guitars Book
2714:Vintage Synthesizers
1938:VOX AC-30 Top Boost
1750:modelling amplifiers
1673:improve this article
1550:Thomas Organ Company
1474:Thomas Organ Company
1314:Ida Kristine Nielsen
1294:Magical Mystery Tour
1191:models. A number of
826:single-coil pick-ups
791:London Design Centre
687:Thomas Organ Company
599:Omar Rodriguez-Lopez
70:improve this article
39:Vox (disambiguation)
37:For other uses, see
2815:Vintage Vox guitars
2476:. North Coast Music
2450:. North Coast Music
1898:Amplifier modelled
1677:independent sources
1360:the Dave Clark Five
815:Fender Stratocaster
683:Warwick Electronics
180:Musical instruments
152:
2716:. Backbeat Books.
2285:. 11 December 2019
2206:, p. 148,163.
2080:(Vox Mando-Guitar)
2054:
2037:Over the Top Boost
2025:Bulldog Distortion
1995:
1763:Fender Twin Reverb
1738:
1726:
1617:
1499:
1491:
1404:In-A-Gadda-Da-Vida
1358:musicians such as
1332:
1115:
1011:Stereo Phantom XII
951:
911:Phantom VI Special
865:The Rolling Stones
679:
631:
479:The Rolling Stones
457:, by request from
451:
335:The Rolling Stones
270:Electric mandolins
85:"Vox" company
2745:The Vox Showroom
2723:978-0-879-30603-8
2704:978-1-57441-776-0
2674:"50 Years of Vox"
2523:"Vox Valvetronix"
2031:Big Ben Overdrive
1982:
1981:
1734:Fender Telecaster
1694:
1693:
1664:largely based on
1165:
1164:
973:of early English
955:12-string guitars
807:Dusty Springfield
755:
754:
543:Ritchie Blackmore
301:
300:
266:Electric ukuleles
262:Electronic organs
146:
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16:(Redirected from
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2757:Vox Guitars.info
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2401:Hempsall, Alan.
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2311:. 14 August 2015
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1970:Soldano SLO-100
1954:Marshall JCM800
1892:
1748:line of digital
1746:
1745:
1722:Rickenbacker 330
1689:
1686:
1680:
1666:routine coverage
1646:
1645:
1638:
1464:
1452:
1356:British Invasion
1183:, the makers of
1158:Vox Standard 24
1153:
1146:
1139:
1045:
1030:
971:Captain Sensible
949:
903:. Ian Curtis of
838:Phil "Fang" Volk
743:
736:
729:
707:Fender Princeton
705:and a blackface
621:Other amplifiers
617:and many others.
473:, being used by
471:British Invasion
465:magnet-equipped
404:, England after
327:guitar amplifier
297:
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250:Electric guitars
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2193:. 8 April 2019.
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2073:Vox Bass Guitar
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1987:
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1670:
1655:a press release
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1420:Brown Eyed Girl
1336:Vox Continental
1329:Vox Continental
1322:
1285:George Harrison
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1055:
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1038:
1037:
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947:
946:
884:Vox Bass Guitar
748:Vox Phantom VI
727:
722:
643:George Harrison
629:AC30 Top Boost
623:
595:Matthew Bellamy
527:Jonny Greenwood
443:
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363:Vox Continental
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2734:External links
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2679:Vintage Guitar
2668:
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2527:Sound On Sound
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2392:, p. 170.
2382:
2380:, p. 251.
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2179:. 20 May 2013.
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1999:effects pedals
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1400:Iron Butterfly
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591:Noel Gallagher
575:Justin Hayward
507:Rory Gallagher
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2259:. 21 May 2013
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2149:The Vox Story
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87: –
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81:Find sources:
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59:This article
57:
53:
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44:
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33:
32:Vox (website)
19:
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2664:Bibliography
2655:Guitar World
2654:
2650:
2638:. Retrieved
2633:
2624:
2612:. Retrieved
2607:
2598:
2586:. Retrieved
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2557:. Retrieved
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2531:. Retrieved
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2478:. Retrieved
2474:Vox Showroom
2473:
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2452:. Retrieved
2448:Vox Showroom
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2257:The Guardian
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2127:. Retrieved
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2016:Guitar World
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1799:Boutique O.D
1796:US TweakGain
1741:
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1707:
1703:
1699:
1695:
1682:
1671:Please help
1663:
1652:
1629:
1626:
1622:turret board
1618:
1615:Vox AC30 CC2
1595:
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1530:Joy Division
1523:
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1489:The Vox V251
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1424:
1416:Van Morrison
1392:Gibson G-101
1388:Ray Manzarek
1352:Shea Stadium
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1193:White Shadow
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1189:White Shadow
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1185:Aria guitars
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1083:Led Zeppelin
1067:
1064:Jimi Hendrix
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945:Vox guitars
919:Guitar Organ
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906:Joy Division
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787:Shoeburyness
779:TV connector
775:Clubman Bass
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751:Vox Mark VI
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583:Mike Nesmith
452:
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417:World War II
414:
406:World War II
392:
374:Jimi Hendrix
351:Dire Straits
303:
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254:Bass guitars
214:Headquarters
168:Company type
147:
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113:
106:
99:
92:
80:
68:Please help
63:verification
60:
43:
2740:Vox Website
2579:Korg Nutube
2309:Music Radar
2263:10 February
2007:compression
1919:BOUTIQUE OD
1911:BOUTIQUE CL
1887:Cambridge50
1758:Boutique CL
1744:Valvetronix
1662:and may be
1653:reads like
1634:Night Train
1543:solid-state
1503:John Lennon
1481:GuitarOrgan
1431:The Horrors
1427:Spider Webb
1408:the Monkees
1376:Paul Revere
1368:the Animals
1344:The Beatles
1340:John Lennon
1289:John Lennon
1095:The Beatles
1093:as well as
1075:Tone Bender
1068:Tone Bender
1050:Tone Bender
995:Phantom XII
991:Tempest XII
967:The Hollies
959:Phantom XII
870:Hank Marvin
860:Brian Jones
720:Instruments
639:John Lennon
635:The Beatles
607:Tame Impala
579:Tom DeLonge
551:Snowy White
539:Hank Marvin
521:guitarists
499:Paul Weller
475:The Beatles
459:The Shadows
455:Fender Twin
425:The Shadows
331:The Beatles
237:Area served
126:August 2018
2824:Categories
2634:MusicRadar
2608:MusicRadar
2553:MusicRadar
2315:8 February
2289:9 February
2085:References
2028:Brit Boost
1975:DOUBLE REC
1935:VOX AC30TB
1930:VOX AC-30
1876:Nutube 6P1
1526:Ian Curtis
1396:Doug Ingle
1372:Alan Price
1364:Mike Smith
1310:3rdeyegirl
1274:MaxConnect
1127:Starstream
1119:Distortion
1079:Jimmy Page
979:The Damned
963:Tony Hicks
896:Ultrasonic
879:Wyman Bass
874:Bill Wyman
849:Phantom IV
803:The Echoes
615:Tony Iommi
611:Jimmy Page
587:Peter Tork
571:Peter Buck
563:The Echoes
531:Ed O'Brien
523:Thom Yorke
410:Clavioline
389:Beginnings
368:, the Vox
329:, used by
258:Amplifiers
96:newspapers
2283:Happy Mag
2177:3 News NZ
2003:overdrive
1943:BRIT 1959
1903:DELUXE CL
1793:US HiGain
1787:UK Modern
1685:July 2020
1598:rectifier
1558:Voxmobile
1384:The Doors
1262:Series 33
1258:Series 55
1254:Gibson SG
1250:Series 77
1246:Virage II
1235:humbucker
1215:NAMM Show
1207:Virage DC
1181:Matsumoku
1177:Custom 24
1091:Yardbirds
1087:Jeff Beck
1077:(used by
1016:Precision
983:Greg Kihn
846:played a
811:headstock
559:Tom Petty
519:Radiohead
491:Brian May
487:Yardbirds
483:The Kinks
467:Celestion
359:Radiohead
339:The Kinks
2681:magazine
2575:"Nutube"
2129:25 March
2057:See also
2043:VibraVOX
2018:magazine
1985:Cooltron
1951:BRIT 800
1927:VOX AC30
1675:and add
1605:speakers
1580:Marshall
1541:develop
1348:I'm Down
1346:during "
1270:Three-90
1231:Three-90
1227:DiMarzio
1219:mahogany
1169:Les Paul
1066:and the
1062:used by
999:Mark XII
987:Mark XII
824:s three
763:Stroller
657:Revolver
511:The Edge
485:and the
441:Vox AC30
435:The AC30
399:Dartford
372:used by
324:Vox AC30
312:Dartford
246:Products
219:Dartford
176:Industry
2808:BBC One
2800:Vox Pop
2640:27 July
2614:27 July
2588:27 July
2559:27 July
2533:27 July
2506:27 July
2480:27 July
2454:27 July
2011:tremolo
1959:BRIT VM
1883:VX50GTV
1410:' hit "
1312:member
1291:on the
1171:-style
1089:of the
1071:fuzzbox
1007:Mosrite
929:on the
927:strings
901:Invader
891:Cheetah
855:Mark VI
795:Phantom
771:Fenders
767:Clubman
725:Guitars
714:Monkees
685:Inc. /
503:The Jam
384:History
320:England
293:voxamps
288:Website
229:England
204:Founder
194: (
186:Founded
110:scholar
2720:
2701:
2426:
2155:
2105:
1602:alnico
1414:" and
1320:Organs
1306:Prince
1111:9 volt
985:; the
899:, and
834:Bigsby
822:Strat'
759:Apache
463:alnico
361:; the
357:, and
277:Parent
241:Global
112:
105:
98:
91:
83:
1967:SL-OD
1378:with
1266:CoAxe
1123:Delta
977:band
931:frets
923:organ
633:Once
495:Queen
421:Latin
347:Queen
117:JSTOR
103:books
2865:Korg
2718:ISBN
2699:ISBN
2642:2020
2616:2020
2590:2020
2583:Korg
2561:2020
2535:2020
2508:2020
2482:2020
2456:2020
2424:ISBN
2317:2021
2291:2021
2265:2021
2153:ISBN
2131:2024
2103:ISBN
1872:MV50
1870:The
1804:The
1600:and
1586:Korg
1562:Ford
1560:, a
1472:the
1418:'s "
1382:and
1366:and
1287:and
1239:P-90
1221:and
1200:Korg
1085:and
1048:VOX
1033:VOX
997:and
981:and
975:punk
935:neck
818:neck
765:and
712:The
660:and
529:and
517:and
402:Kent
378:Korg
316:Kent
295:.com
282:Korg
223:Kent
196:1957
189:1957
89:news
2804:BBC
1657:or
1528:of
1437:of
1422:".
1398:'s
1362:'s
1299:USD
1223:ash
1173:VG2
1081:of
965:of
886:.)
862:of
840:of
799:EKO
785:in
513:of
501:of
493:of
397:in
310:in
304:Vox
151:Vox
72:by
2826::
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2798:.
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2410:^
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2175:.
2139:^
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1724:JG
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1211:SC
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