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Wenceslas Cobergher

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329: 483: 629: 283: 275:. Following the example of his master, Cobergher left for Italy in 1579, trying to fulfil the dream of every artist to study Italian art and culture. On his way there he stayed briefly in Paris, where he learned about his illegitimate birth from seeing the will of his deceased mother. He returned to Antwerp right away to settle some legal matters relating to this discovery. Later in the year, he set forth again to Italy. He settled in 33: 557: 343:
antiquities, antique architecture and statuary. He was also much interested in the way in which Romans represented their gods in paintings, bronze and marble statues, bas-reliefs and on antique coins. He gathered an important collection of coins and medals from the Roman emperors. These drawings and
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On 12 November 1604, Cobergher was appointed by the archdukes to the post of "architecte et ingeniaire" (architect-engineer). He moved to his final address in the Violetstreet in Brussels, where he would remain till his death. He was obviously more appreciated by the archdukes than were the court
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together with the Flemish painter and art dealer Cornelis de Smet. He returned briefly to Antwerp in 1583, buying goods with borrowed money for his second trip to Italy. He is mentioned again in Naples in 1588. In 1591 he allied himself with another compatriot, the painter
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Cobergher died in Brussels on 23 November 1634, leaving his family in deep financial trouble. His properties in Les Moëres had to be sold, as well as his house in Brussels. Even his extensive art and coin collection was auctioned off for 10,000
521:. In 1601 he was invited to Brussels to present himself at the court, arriving in September of that year. When his in-laws died in 1603, he had to return to Rome to settle family matters. On his return in 1604, he brought along a book from 258:
Coeberger and Catharina Raems, which was attested by deed in May 1579. His name is also written as Wenceslaus, Wensel or Wenzel; his surname is sometimes recorded as Coberger, Cobergher, Coebergher, and Koeberger.
669:, Hainaut (1614–1617) and the church of St. Augustine (1615–1618) in Antwerp (now a concert hall). In 1617 he built in the same mixed style the St. Hubertus chapel for the archducal palace at Tervuren. The 549:, since his salary amounted to 1,500 guilders (increasing to 1,800 guilders in 1610), while Rubens' salary was only 500 guilders. The archdukes rightly considered him as an "uomo universale" ( 321:
After the death of his first wife, Michaela Cerf, on 7 July 1599, he married again, four months later and at the age of forty; his second wife was Suzanna Franckaert, 15-year-old daughter of
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in modern-day Belgium. This reclamation would become his most impressive achievement. These impressive works started in 1619 with the digging of a drainage channel with about twenty
318:. He must also have built up a reputation as an art connoisseur, since in 1598 he was asked to make an inventory and set a value on the paintings of the deceased cardinal Bonelli. 853:, pumping water into the channel, discharging eventually into the sea. This colossal work came finally to end in 1627; so pleased was the archduke that in 1618 he made Cobergher a 703:. He is most probably the author of their set of rules with 500 articles. These pawnshops introduced the modern concept of allowing a credit loan against the deposit of a 865:
he became master of about half the territory of Les Moëres. This would prove to be a serious disadvantage as these properties drew him into a dire financial situation.
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remaining unfinished. The space under the dome is equally heptagonal. This basilica was the first important church with a central dome in the Southern Netherlands.
506:(not confirmed by surviving documents). He is reported to have overseen the construction of palaces and fortifications, but it is not exactly known which ones. 980:. Brussels: Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten. pp. 180 p. 646:, in Brabant, was to be redesigned as an allegoric homage to the Mother of God, with a layout based on a 7-pointed star. His first designs for the 514: 328: 371:
in 1590. The architecture of several Roman churches made also a deep impression on him; among them most influential were the first truly baroque
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Apologia ofte Bescherm-redenen tegen het kekelen van de onredelijcke vyanden, ende oock de tegenraeders, van de Berghen van Bermherticheyt
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façade of this chapel was later adopted by other architects, as in the Carmelite Church (Antwerp, 1623; destroyed), St. Barbara Church,
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style in the Southern Netherlands. He started with several alterations at the palace of the archdukes in Brussels and their castles in
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elements. His composition is rational and his rendering of the human anatomy is correct. A few of his altarpieces still survive: a
325:, who was also active in Rome. He would have nine children with his second wife, while his first marriage had remained childless. 1045: 482: 1030: 581: 564:
Although from now on he would be mainly active as an architect, he did not abandon painting completely. In 1605 he painted two
510: 438: 353: 222:. Faded somewhat into the background as a painter, he is chiefly remembered today as the man responsible for the draining of 1025: 255: 442: 618: 380: 693:. As an economist, he was responsible for introducing this concept of public pawnshops to Flanders, after seeing the 322: 300: 774:, 1621) (Apology or defence against criticism by the unreasonable enemies and adversaries of the Mounts of Piety) 384: 364:, 1591) has been ascribed to Cobergher, but this was based on an erroneous reading of an 18th-century catalogue. 345: 199: 955: 665:
in Flanders, but with additions of early Baroque elements. In 1614 he made the designs for the town hall of
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Cobergher began his career as a painter and an architect. In 1573 he started his studies in Antwerp as an
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De kerkelijke architectuur van Wensel Cobergher (1557/61 - 1634) in het licht van zijn verblijf in Rome
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style. One of his most important commissions was the construction (1607–1611) of the church and the
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would become his masterpiece. The construction began in 1609 and lasted until about 1624, with the
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J. Van den Gheyn, Peiresc et Cobergher; Annales de l'Académie Royale de Belgique, 1905
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Cort verhaal van de oprechtinghe, ordre ende beleyt van de Bergen van Bermherticheyt
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In 1618 Cobergher was appointed to the rank of General Superintendent of the public
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descriptions were gathered in a set of manuscripts, two of which survive (Brussels,
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in Antwerp, can now also be found in the Musée des Beaux-Arts in Nancy, while his
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His later works evolved into his own style, more in harmony with the traditional
862: 311: 215: 211: 933: 771: 655: 565: 395: 268: 254:, probably in 1560 (1557, according to one source), he was a natural child of 802:. He planned several drainage works in the western and southern parts of the 690: 471: 430:(Santa Maria in Vallicella, Rome). One of his best known paintings is the 403: 349: 287: 219: 153: 149: 372: 339:
During his stay in Rome, Cobergher became much interested in the study of
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P. Soetaert (1978). "Wenzel Cobergher, een Vlaamse Leonardo da Vinci".
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Two books about the public pawnshops are ascribed to Cobergher :
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and Rome. His style is somewhat mixed, incorporating Classical and
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in 1580 (as attested by a contract) and remained there till 1597.
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In 1607, Cobergher was ordered to redo a bastion of the Catholic
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At the same time he was witness to the completion of the dome of
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by Jacques Cools). During that time he had also been preparing a
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Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs
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Cobergher began his career as an architect in Italy, designing
958:- Oxford University Press, USA; new edition (2 January 1996); 666: 617:. The façade of the church was based on the Roman churches of 922:
This article was initially translated from articles in the
837:(in Dutch : de Moeren), a marshy region of about 3500 833:
southeast of Rome, he composed a report on the draining of
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His renown as an architect even reached the court of the
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of the Roman Antiquity (according to the French humanist
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of Cobergher, Sint-Antheunis and Groenlandt. By this
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During his stay in Italy he painted, under the name "
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He moved to Rome in 1597 (as attested in a letter to
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border. He is also one of the fathers of the Flemish
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Flemish Renaissance architect, artist, and economist
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This patent was extended in 1627. 970:Nieuw Biografisch Woordenboek VIII 420:Santa Maria di Piedigrotta, Naples 14: 732:Musée d’histoire et d'archéologie 533:. In 1605 he was admitted in the 943:- Librairie Gründ, Paris, 1976; 615:Discalced Carmelites in Brussels 487:Virgin and Child in an interior 463:Angels Supporting the Dead Lord 439:Cathedral of Our Lady (Antwerp) 354:Nicolas-Claude Fabri de Peiresc 166: 37:Portrait of Wenceslas Cobergher 578:St. Helena with the Holy Cross 1: 1041:17th-century Flemish painters 1036:16th-century Flemish painters 238:style of architecture in the 582:Saint James' Church, Antwerp 358:Tractatus de pictura antiqua 348:). He was also preparing an 633:Basilica of Scherpenheuvel 619:Santa Maria in Transpontina 381:Santa Maria in Transpontina 1062: 791:for its production in the 787:. In 1618 he obtained the 323:Jacob Franckaert the Elder 301:Jacob Franckaert the Elder 845:in modern-day France and 712:Bergen van Barmhartigheid 385:Santa Maria in Vallicella 314:book in the tradition of 182: 130: 30: 1021:Flemish Baroque painters 475:is now in the museum of 346:Royal Library of Belgium 1046:Architects from Antwerp 956:Grove Dictionary of Art 1031:Engineers from Antwerp 976:Meganck, Tine (1998). 652:This pilgrimage church 635: 561: 547:Jan Brueghel the Elder 490: 336: 291: 175:, Belgium Draining of 1026:Painters from Antwerp 822:between Brussels and 677:(1665–1667), and the 631: 559: 525:for the printshop of 485: 426:(S Sebastiana) and a 412:San Domenico Maggiore 331: 285: 200:Renaissance architect 841:in the area between 744:Bergues-Saint-Winock 663:Northern Renaissance 642:: the whole city of 527:Christoffel Plantijn 519:Southern Netherlands 465:, originally in the 443:Musée des Beaux-Arts 437:, originally in the 369:St. Peter's Basilica 303:(before 1551–1601). 240:Southern Netherlands 793:Spanish Netherlands 640:Counter Reformation 531:Guild of Saint Luke 517:, governors of the 189:Wenceslas Cobergher 124:Wenceslas Coeberger 25:Wenceslas Cobergher 901:Het Ingenieursblad 800:hydraulic engineer 636: 623:Church of the Gesu 562: 535:Guild of Romanists 491: 377:Church of the Gesù 337: 292: 132:Engineering career 543:Peter Paul Rubens 523:Cardinal Baronius 467:Sint-Antoniuskerk 451:De Jonge Handboog 441:, but now in the 308:Peter Paul Rubens 193:Wenzel Coebergher 186: 185: 105:Suzanna Frankaert 1053: 991: 924:French Knowledge 909: 908: 896: 890: 887: 857:, master of the 650:date from 1606. 560:Town hall of Ath 515:Infanta Isabella 392:maestro Vincenzo 360:" (published in 316:Hendrik Goltzius 163:Maestro Vincenzo 71:23 November 1634 70: 68: 35: 21: 1061: 1060: 1056: 1055: 1054: 1052: 1051: 1050: 996: 995: 988: 975: 928:Dutch Knowledge 918: 913: 912: 898: 897: 893: 888: 884: 879: 831:Pontine Marshes 781: 758:Mounts of Piety 730:(1622, now the 720:Lombard banking 687: 634: 601:Salomon de Caus 511:Archduke Albert 496: 434:Saint Sebastian 424:Birth of Christ 394:", a number of 271:to the painter 265: 248: 152: 148: 144: 126:Catharina Raems 125: 108: 75: 72: 66: 64: 56: 47: 38: 26: 17: 12: 11: 5: 1059: 1057: 1049: 1048: 1043: 1038: 1033: 1028: 1023: 1018: 1013: 1008: 998: 997: 994: 993: 986: 973: 966: 952: 937: 931: 917: 914: 911: 910: 891: 881: 880: 878: 875: 780: 777: 776: 775: 761: 714:in towns with 696:Monti di Pietà 686: 683: 679:Averbode Abbey 644:Scherpenheuvel 632: 495: 492: 264: 261: 247: 244: 184: 183: 180: 179: 173:Scherpenheuvel 169: 165: 164: 161: 157: 156: 142:Civil engineer 139: 135: 134: 128: 127: 122: 118: 117: 114: 110: 109: 107: 106: 103: 99: 97: 93: 92: 89: 85: 84: 81: 77: 76: 73: 62: 58: 57: 48: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1058: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1003: 1001: 989: 987:90-6569-675-X 983: 979: 974: 971: 968:P. Soetaert, 967: 965: 964:0-19-517068-7 961: 957: 954:Turner, J. - 953: 950: 949:2-7000-0156-7 946: 942: 939:Benezit E. - 938: 935: 932: 930: 929: 925: 920: 919: 915: 906: 902: 895: 892: 886: 883: 876: 874: 872: 866: 864: 860: 856: 852: 848: 844: 840: 836: 832: 827: 825: 821: 817: 813: 809: 805: 801: 796: 794: 790: 786: 778: 773: 769: 765: 762: 759: 755: 752: 751: 750: 747: 745: 741: 737: 733: 729: 725: 721: 717: 713: 708: 706: 702: 698: 697: 692: 684: 682: 681:(1164–1672). 680: 676: 672: 668: 664: 659: 657: 653: 649: 645: 641: 630: 626: 624: 620: 616: 612: 608: 607: 602: 598: 594: 590: 585: 583: 579: 575: 571: 567: 558: 554: 552: 551:universal man 548: 544: 538: 536: 532: 528: 524: 520: 516: 512: 507: 505: 501: 493: 488: 484: 480: 478: 474: 473: 468: 464: 460: 456: 452: 448: 444: 440: 436: 435: 432:Martyrdom of 429: 425: 421: 417: 414:, Naples), a 413: 409: 405: 401: 397: 393: 388: 386: 382: 378: 374: 370: 365: 363: 359: 355: 351: 347: 342: 334: 330: 326: 324: 319: 317: 313: 309: 304: 302: 297: 290: 289: 284: 280: 278: 274: 273:Marten de Vos 270: 262: 260: 257: 253: 245: 243: 241: 237: 233: 229: 225: 221: 217: 213: 209: 205: 201: 198: 194: 190: 181: 178: 174: 170: 162: 160:Practice name 158: 155: 151: 147: 143: 140: 136: 133: 129: 123: 119: 115: 111: 104: 102:Michaela Cerf 101: 100: 98: 94: 90: 86: 82: 78: 63: 59: 55: 51: 45: 41: 34: 29: 22: 19: 977: 969: 940: 921: 904: 900: 894: 885: 867: 828: 797: 782: 763: 753: 748: 731: 711: 709: 694: 688: 660: 637: 605: 586: 577: 569: 563: 539: 508: 497: 486: 470: 462: 450: 431: 427: 423: 415: 408:Resurrection 407: 391: 389: 366: 357: 338: 332: 320: 305: 293: 286: 266: 249: 192: 188: 187: 171:Basilica of 131: 18: 1011:1634 deaths 1006:1560 births 951:(in French) 936:(in French) 863:ennoblement 742:(1628) and 572:(Brussels, 566:altarpieces 428:Holy Spirit 416:Crucifixion 396:altarpieces 216:numismatist 212:antiquarian 80:Nationality 46:1560 ? 1000:Categories 992:(in Dutch) 916:References 859:seignories 835:Les Moëres 814:and sandy 772:Henry Jaye 705:collateral 691:pawn shops 570:Deposition 457:guild) of 312:numismatic 269:apprentice 224:the Moëres 177:the Moëres 138:Discipline 88:Occupation 67:1634-11-23 877:Footnotes 851:windmills 685:Economist 606:tempietto 597:Mariemont 541:painters 500:fountains 494:Architect 472:Ecce Homo 404:Mannerist 350:anthology 288:Ecce Homo 256:Wenceslas 220:economist 154:Economist 150:Architect 121:Parent(s) 926:and the 907:: 85–90. 871:guilders 789:monopoly 779:Engineer 768:Mechelen 746:(1633). 738:(1624), 726:(1622), 648:basilica 613:for the 611:cloister 593:Tervuren 477:Toulouse 250:Born in 204:engineer 195:, was a 168:Projects 113:Children 91:Engineer 74:Brussels 54:Flanders 843:Dunkirk 804:Campine 728:Tournai 716:usurers 589:Baroque 459:Antwerp 455:archers 375:of the 263:Painter 252:Antwerp 236:Baroque 232:Belgian 226:on the 208:painter 197:Flemish 146:Painter 96:Spouses 83:Flemish 50:Antwerp 984:  962:  947:  847:Veurne 785:potash 671:volute 656:belfry 576:) and 504:canals 489:(1586) 400:Naples 373:façade 362:Mantua 335:(1599) 296:ducats 277:Naples 228:Franco 905:XLVII 855:baron 824:Halle 820:Zenne 812:heath 808:swamp 740:Lille 736:Arras 724:Ghent 701:Italy 675:Diest 447:Nancy 422:), a 341:Roman 982:ISBN 960:ISBN 945:ISBN 816:peat 718:and 621:and 568:, a 513:and 502:and 383:and 246:Life 218:and 116:nine 61:Died 43:Born 839:ha. 766:" ( 734:), 699:in 667:Ath 584:). 545:or 445:in 1002:: 903:. 873:. 810:, 770:, 707:. 537:. 479:. 379:, 242:. 214:, 210:, 206:, 202:, 52:, 990:. 760:) 580:( 453:( 418:( 410:( 230:- 69:) 65:(

Index


Antwerp
Flanders
Civil engineer
Painter
Architect
Economist
Scherpenheuvel
the Moëres
Flemish
Renaissance architect
engineer
painter
antiquarian
numismatist
economist
the Moëres
Franco
Belgian
Baroque
Southern Netherlands
Antwerp
Wenceslas
apprentice
Marten de Vos
Naples

Ecce Homo
ducats
Jacob Franckaert the Elder

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