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347:, were painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l'œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by
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309:, working in Philadelphia in the early 19th century, pioneered the form in America. What sets Harnett's work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting. Harnett painted musical instruments, hanging game, and tankards, but also painted the unconventional
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from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto's 1890 painting shows the violin hanging askew, as well as chipped and worn, with one string broken. The
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Although his works sold well to a clientele of merchants and industrialists, and were on display in many business offices, department stores, and taverns, they did not conform to contemporary notions of high art. On the rare occasions when they were included in exhibitions in museums or at the
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sheet music is dog-eared and torn around the edges, and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett's objects show signs of use but are well preserved, while Peto's more humble objects are nearly used up.
239:. He was naturalized as a United States citizen in 1868. He learned engraving at the age of seventeen, and between 1865 and 1875 he made a living first in Philadelphia and then in New York City by engraving designs on table silver for firms such as
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in 1892 and was interred at the Old
Cathedral Cemetery in Philadelphia, Pennsylvania. Other artists who painted similar compositions in Harnett's wake include his contemporary
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When the catalogs of
Harnett and Peto were posthumously analyzed, it was determined that "many of canvases received forged signatures of William Harnett."
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The style of trompe-l'œil painting that
Harnett developed was distinctive and inspired many imitators, but it was not without precedent. A number of
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in 1969, first placed on sale at Boston, Massachusetts, on
December 3, 1969. The painting featured in the stamp is
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235:. His father was a shoemaker. Shortly after Harnett's birth his family emigrated to America, settling in
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plagued
Harnett in his last years, reducing the number but not the quality of his paintings. He died in
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358:. The two artists knew each other, and a comparison can be made between two paintings featuring
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259:. His first known oil paintings date from 1874; among them are studies of plaster casts of
1077:. Fort Worth New York: Amon Carter Museum; Metropolitan Museum of Art: H.N. Abrams, 1992.
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from 1881 until early 1885. Harnett's best-known paintings, the four versions of
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After the Hunt: William
Harnett and other American Still Life Painters 1870–1900
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A digitized scrapbook and two exhibition catalogs of
William Harnett's work
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The
Reality of Appearance: The Trompe l'Oeil Tradition in American Painting
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Overall, Harnett's work is most comparable to that of the slightly younger
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for instance, had specialized in tabletop still life of astonishing
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984:"The Metropolitan Museum of Art: Notable Acquisitions, 1965–1975"
1063:. Greenwich, Connecticut: New York Graphic Society Ltd, 1970.
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Harnett spent the years 1880–1886 in Europe, staying in
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243:. During this period he also took night classes at the
204:(August 10, 1848 – October 29, 1892) was an American
585:, by William Michael Harnett, oil on canvas, 1877,
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49:. Unsourced material may be challenged and removed.
844:William Harnett commemorative stamp, issue of 1969
267:and his first known finished still-life painting,
1098:. Berkeley: University of California Press, 1953.
317:(1878), as well as firearms and paper currency.
1111:from The Metropolitan Museum of Art Libraries
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1160:Pennsylvania Academy of the Fine Arts alumni
848:William M. Harnett was honored with a U.S.
1005:"John Frederick Peto: Breakfast, c. 1890s"
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856:, which is held in the collection of the
325:they were criticized as mere novelties.
109:Learn how and when to remove this message
732:California Palace of the Legion of Honor
424:Harnett's work is in collections in the
937:Harnett et al. 1992, pp. 23, 73–74, 88.
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426:Munson-Williams-Proctor Arts Institute
654:Still Life with Three Castles Tobacco
288:Reynolda House Museum of American Art
245:Pennsylvania Academy of the Fine Arts
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1150:Irish emigrants to the United States
1037:. Smithsonian National Postal Museum
47:adding citations to reliable sources
197:, Metropolitan Museum of Art, 1879
466:Fine Arts Museums of San Francisco
231:, Ireland, during the time of the
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1155:National Academy of Design alumni
901:Harnett et al. 1992, pp. 140–142.
564:Study of a Pipe and Other Objects
946:Harnett et al. 1992, pp. 23, 88.
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1073:Harnett William Michael et al.
34:needs additional citations for
1135:19th-century American painters
470:Harvard University Art Museums
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1175:American still life painters
351:shift if the viewer moves.
928:Harnett et al. 1992, p. 55.
892:Harnett et al. 1992, p. 31.
295:17th-century Dutch painters
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1035:"William M. Harnett Issue"
858:Boston Museum of Fine Arts
805:With the "Staats Zeitung''
791:Metropolitan Museum of Art
502:Philadelphia Museum of Art
498:National Gallery of Canada
490:Metropolitan Museum of Art
382:William Michael Harnett -
332:William Michael Harnett –
323:National Academy of Design
257:National Academy of Design
1170:Irish still life painters
1024:Frankenstein 1970, p. 92.
1007:. National Gallery of Art
973:Frankenstein 1970, p. 95.
955:Frankenstein 1970, p. 72.
919:Frankenstein 1970, p. 60.
910:Frankenstein 1970, p. 32.
883:Frankenstein 1970, p. 56.
510:Thyssen-Bornemisza Museum
462:Detroit Institute of Arts
432:(Buffalo, New York), the
430:Albright-Knox Art Gallery
1165:Artists from County Cork
964:Frankenstein 1970, p. 6.
476:(Atlanta, Georgia), the
442:Art Institute of Chicago
414:Richard La Barre Goodwin
410:Jefferson David Chalfant
195:The Artist's Letter Rack
774:, De Young Museum, 1886
754:National Gallery of Art
520:(Connecticut), and the
506:San Diego Museum of Art
496:(Washington D.C.), the
494:National Gallery of Art
458:Cleveland Museum of Art
404:and successors such as
286:, oil on canvas, 1878.
202:William Michael Harnett
1185:People from Clonakilty
1140:American male painters
1094:Frankenstein, Alfred.
1059:Frankenstein, Alfred.
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624:Buffalo AKG Art Museum
605:Chrysler Museum of Art
587:Honolulu Museum of Art
478:Honolulu Museum of Art
450:Carnegie Museum of Art
446:Brooklyn Museum of Art
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828:Hartford, Connecticut
454:Cincinnati Art Museum
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374:Later years and death
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269:Paint Tube and Grapes
215:of ordinary objects.
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1180:Trompe-l'œil artists
620:Music and Literature
514:Toledo Museum of Art
438:Dallas Museum of Art
384:Still Life with the
334:The Last Summer Rose
223:Harnett was born in
43:improve this article
1145:Cooper Union alumni
850:commemorative stamp
787:Music and Good Luck
772:The Meerschaum Pipe
542:Attention, Company!
428:(Utica, New York),
364:Music and Good Luck
241:Tiffany and Company
1075:William M. Harnett
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824:Wadsworth Atheneum
691:Huntington Library
546:Amon Carter Museum
522:Wichita Art Museum
518:Wadsworth Atheneum
474:High Museum of Art
452:(Pittsburgh), the
434:Amon Carter Museum
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820:The Faithful Colt
639:Secretary's Table
583:A Smoke Backstage
482:Joslyn Art Museum
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149:October 29, 1892
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54:Find sources:
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32:This article
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1039:. Retrieved
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988:. Retrieved
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402:John Haberle
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386:Toledo Blade
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356:John F. Peto
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253:Cooper Union
237:Philadelphia
233:Great Famine
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210:trompe-l'œil
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183:trompe-l'œil
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41:Please help
36:verification
33:
1130:1892 deaths
1125:1848 births
420:Collections
255:and at the
229:County Cork
213:still lifes
1119:Categories
1054:References
1011:2023-05-19
990:2023-05-19
854:Old Models
601:Still Life
550:Fort Worth
394:rheumatism
392:Crippling
225:Clonakilty
219:Early life
173:still life
161:Occupation
138:Clonakilty
69:newspapers
406:Otis Kaye
789:, 1888,
752:, 1886,
730:, 1885,
708:, 1884,
689:, 1883,
656:, 1880,
544:, 1878,
349:parallax
249:New York
99:May 2023
1041:May 26,
528:Gallery
360:violins
261:Minerva
206:painter
164:painter
83:scholar
1081:
1067:
836:Legacy
830:, 1890
807:, 1890
674:, 1882
641:, 1879
626:, 1878
607:, 1877
570:, 1874
504:, the
492:, the
488:, the
480:, the
472:, the
464:, the
460:, the
456:, the
448:, the
444:, the
440:, the
412:, and
341:Munich
85:
78:
71:
64:
56:
864:Notes
265:Cupid
251:, at
179:Style
90:JSTOR
76:books
1079:ISBN
1065:ISBN
1043:2014
275:Work
263:and
155:, US
146:Died
131:Born
62:news
271:.
45:by
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872:^
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