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155:, not far from the town, only fragments of which survive. These indicate the addition of wings in the style of the Italian Renaissance, complete with rich decorative paintings. Huber probably also designed the
97:. Huber's birthdate has been estimated at around 1485 on the basis of several works, dated between 1510–1515, which show him to have been a well-established and mature artist by that date.
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None of Huber's architectural work has survived, and few of his paintings are extant. Those paintings still in existence show a heavy influence from the work of
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in 1542, he confirmed Huber's status as court painter, further recording that he was not subject to the laws of the
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suggest a number of multi-figured compositions, now lost; his known graphic output is limited to thirteen
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Hagen, Rainer and Rose-Marie (2003). "What Great
Paintings Say", Volume 2, p. 169. Taschen, Cologne.
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Nothing is known of Huber's training, although he likely worked in a family
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229:(dated 1550), in which the scholar is presented frontally, before a
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in particular bear a deal of resemblance to similar works by
116:. Drawings of local subjects reveal that he visited the
198:. The artist died in his manor house in Passau in 1553.
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Huber's drawings were copied from an early date; his
225:and his wife (dated 1526) and the unusual image of
256:. He influenced his contemporary, the draughtsman
175:. For his work on the palace Huber was awarded a
275:The Collection: Early German painting: 1350-1550
16:Austro-German painter, printmaker and architect
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89:, but that by 1515, he was living in
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214:tendencies. Almost none of Huber's
135:, Ernst, who administered the local
108:painter. He likely visited northern
85:Records show that Huber was born in
139:until 1540. In 1529 another local
218:survive, save for the pendants of
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379:People from Feldkirch, Vorarlberg
374:Austrian expatriates in Germany
364:16th-century German architects
334:16th-century Austrian painters
147:, commissioned him to rebuild
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344:16th-century German painters
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210:; some also show distinct
123:After his relocation to
104:before setting out as a
39:Kunsthistorisches Museum
163:of the Count's father,
127:, Huber in 1517 became
339:Austrian male painters
54:– 3 June 1553) was an
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26:(1524), by Wolf Huber.
24:The Mourning of Christ
237:. Huber's surviving
167:, now located in the
87:Feldkirch, Vorarlberg
35:Allegory of Salvation
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359:Austrian printmakers
349:German male painters
258:Augustin Hirschvogel
354:Austrian architects
369:German printmakers
254:Albrecht Altdorfer
223:Anton Hundertpfund
145:Niklas II von Salm
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196:guild of painters
188:Wolfgang von Salm
165:Niklas I von Salm
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190:became Passau's
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271:Lübbeke, Isolde
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264:Further reading
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131:to the Duke of
120:at least once.
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149:Neuberg Palace
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305:3-8228-1372-9
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324:1480s births
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329:1553 deaths
186:When Count
183:, Neufels.
181:manor house
169:Votivkirche
114:Renaissance
52: 1485
318:Categories
287:References
277:. London:
250:landscapes
220:mintmaster
106:journeyman
95:Hans Huber
67:printmaker
45:Wolf Huber
279:Sotheby's
216:portraits
212:Mannerist
153:Inn River
71:architect
273:(1991).
243:woodcuts
239:drawings
231:panorama
143:, Count
141:nobleman
102:workshop
56:Austrian
233:of the
177:pension
159:on the
157:reliefs
151:on the
137:diocese
133:Bavaria
63:painter
303:
235:cosmos
192:bishop
179:and a
173:Vienna
125:Passau
91:Passau
69:, and
60:German
110:Italy
301:ISBN
202:Work
161:tomb
81:Life
171:in
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47:(
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