Knowledge (XXG)

0,10 Exhibition

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The mysterious number 0,10 refers to a figure of thought: Zero, either because it was expected that after the destruction of the old world, the year zero could begin again, or because the artists exhibiting wanted to find the core of painting, and ten, because ten artists were originally scheduled to
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The exhibition itself opened on 19 December 1915, and closed on 17 January 1916. Malevich now felt ready to officially announce Suprematism, and thus thirty-nine pieces of his work were on display. Because Malevich and Tatlin were, due to an argument, rivals by the time the exhibition began, some of
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Though only a single photograph of Malevich's exhibition space survives, the exhibition is credited as introducing a groundbreaking new era in avant-garde art. Malevich and several other artists would go on to paint in the Suprematist style, while Tatlin would become a
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was seen by some visitors as being especially scandalous, because it was placed in the top corner of the room, a location where Russian Orthodox households place their icons.
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the artists decided to take sides. Thanks to Malevich's room planning which even Puni was unaware of, the artists who supported Malevich became the victors.
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was one of Rozanova's works during the middle stages in her career; the clock can be interpreted as combining moments with the infinite.
137:. The public response to this previous exhibition would eventually lead Puni to bring together one last exhibition, the 0,10 Exhibition. 1744: 1455: 117:
The non-numerical part of the exhibition's name - "Last Exhibition of Futurist Paintings" - was coined by the display's main organiser,
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Farewell to an Idea: Episodes from a History of Modernism, 2001. Author: T.J. Clark, 451 pages, Publisher: Yale University Press,
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Malevich: Journey to Infinity, 2008. Author: Gerry Souter, 255 pages in English language, publisher: Parkstone International,
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The first all-Futurist exhibition in Russia, "Tramway V", which was organised by Puni, opened in March that year.
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was the main focus of the exhibition, and the display was met with hostility that ultimately led to a
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participate. In fact, there were fourteen artists who participated in the exhibition.
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In total, 155 works were shown. Highlights of the exhibition were Malevich's
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Exploring Color: Olga Rozanova and the Early Russian Avant-Garde, 1910-1918
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Several related publications, for example the catalogue and Malevich's
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was busily writing and painting about his new art movement inspired by
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London: Laurence King Publishing, p. 794. 1637: 1546: 1500: 1244: 1186: 1115: 1047: 858: 800: 684: 559:0,10: The Last Futurist Exhibition of Painting 662: 8: 641:Museum of Modern Art, Art Terms; Suprematism 225:The following artists eventually exhibited: 213:, and later become famous for his eponymous 669: 655: 647: 345:0,10: Last Futurist Exhibition of Painting 87:Last Futurist Exhibition of Paintings 0,10 1665:Estorick Collection of Modern Italian Art 365: 332: 1358:Futurist Painting: Technical Manifesto 1302:Drama in the Futurists' Cabaret No. 13 189:were a series of abstract sculptures. 43:, 1915, oil on linen, 79.5 × 79.5 cm, 1351:Dynamism of a Speeding Horse + Houses 7: 552: 550: 548: 546: 519: 517: 515: 467: 465: 463: 461: 459: 457: 399: 397: 395: 393: 391: 1456:Unique Forms of Continuity in Space 14: 1295:Development of a Bottle in Space 1400:Manifesto of Futurist Musicians 1337:Dynamism of a Human Body: Boxer 1407:Mercury Passing Before the Sun 81:and Malevich at the exhibition 1: 1714:Verbovka Village Folk Centre 1330:Dynamism of a Dog on a Leash 1428:The Street Enters the House 1344:Dynamism of a Soccer Player 1761: 1745:Suprematism (art movement) 1206:Italian futurism in cinema 767:Francesco Balilla Pratella 293:Anna Mikhailovna Kirillova 198:From Cubism to Suprematism 16:1915-16 Russian exhibition 1740:Art exhibitions in Russia 1379:The Hand of the Violinist 1372:Girl Running on a Balcony 883:Vladimir Baranoff-Rossine 1148:Valentine de Saint-Point 1133:José de Almada Negreiros 572:Gurianova, Nina (2000). 289:Maria Ivanovna Vasilieva 1168:Frances Simpson Stevens 1163:Amadeo de Souza Cardoso 589:and Fleming, J. (2009) 557:Boersma, Linda (1994). 530:Encyclopædia Britannica 526:"Ivan Albertovich Puni" 41:Black Suprematic Square 25:0,10 Exhibition, 1915, 1508:Luisa, Marchesa Casati 1253:Abstract Speed + Sound 1187:Techniques, sub-genres 591:A World History of Art 524:Sarabianov, Andrei D. 355:References and sources 187:Corner Counter Reliefs 172:Corner Counter Reliefs 140:Throughout that year, 82: 67: 59: 51: 29: 1709:Ukrainian avant-garde 1687:Robert René Meyer-Sée 1393:Manifesto of Futurism 1323:Dynamism of a Cyclist 1211:Futurist architecture 903:Kseniya Boguslavskaya 73: 65: 57: 35: 24: 1470:Victory over the Sun 873:Alexander Archipenko 430:"Exhibition Gallery" 259:Ksenia Boguslavskaya 66:Cover of the Catalog 1692:Russian avant-garde 1513:Gabriele D'Annunzio 1477:Vladimir Mayakovsky 1414:The Poem of the End 1221:Futurist literature 1028:Vadim Shershenevich 998:Vladimir Mayakovsky 958:Aleksei Kruchyonykh 898:Alexander Bogomazov 732:Nikolay Diulgheroff 500:. 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Index


Petrograd

Kazimir Malevich
Tretyakov Gallery
Moscow



Rozanova
Boguslavskaya
Marsovo Pole
Petrograd
Suprematism
Cubo-Futurism
Ivan Puni
Vladimir Tatlin
Kazimir Malevich
Cubo-Futurism
Suprematism
Black Square
Olga Rozanova
Constructivist
Tower
Kazimir Malevich
Vladimir Tatlin
Ivan Puni
Liubov Popova
Ivan Kliun
Ksenia Boguslavskaya

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