186:: In May 1861, Henri Désiré du Mont had filed French patent 49,520 for "a photographic device for reproduction of the successive phases of movement". In January 1862, DuMont explained his motives and ambitions in a demonstration for the Société Française de Photographie, stating that photographers already knew how to photograph subjects in motion, such as a galloping horse, but showed no interest in recording multiple images. He believed that series of successive images were much more interesting because of the harmony in lines and shadows, and because the captured poses of people would be much more natural. He therefore developed his patented
194:
viewing apparatus and a camera that could capture the successive phases of movements with intervals of only fractions of seconds. He would attach the resulting images to the circumference of a cylindrical or prismatic drum, optionally bound together on a strip of
537:
283:." Desvignes "employed models, insects and other objects, instead of pictures, with perfect success." The horizontal slits allowed a much improved view, with both eyes, of the opposite pictures.
279:. His device could "exhibit drawings, models, single or stereoscopic photographs, so as to animate animal movements, or that of machinery, showing various other
830:
88:
63:
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344:, (much of Bird's most notable work, created during a peak period of his career in the 1890s and very early 1900s, involved creating
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slides. This was, at the time, a popular form of entertainment in private homes and public shows), (d.
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213:'s architect Pedro Ferreira. The completion of the church was financed by earnings from the
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214:
442:"Bulletin de la Société française de photographie | Société française de photographie"
1936:
498:"Edificações do Centro Histórico e Sua Envolvente Com Interesse Patrimonial (Fichas)"
349:
218:
129:
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585:"Medals and Honourable Mentions Awarded by the International Juries: With a ..."
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643:"Chambers's Encyclopaedia: A Dictionary of Universal Knowledge for the People"
628:
Handbook to the industrial department of the
International exhibition, 1862
467:"Igreja e oratórios de Nossa Senhora da Consolação / Igreja de São Gualter"
280:
276:
231:
587:
Her
Majesty's Commissioners. 10 April 1862 – via Internet Archive.
801:
781:
689:
252:
received an
Honourable Mention "for ingenuity of construction" at the
808:
508:
404:
Industry, Liberty, and a Vision: Wordsworth
Donisthorpe's Kinesigraph
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536:(in Portuguese). Typ. de A. J. da Silva Teixeira. pp. 153–156.
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645:. W. and R. Chambers. April 10, 1868 – via Google Books.
601:
Stereoscopic Cinema and the
Origins of 3-D Film, 1838-1952
377:
Stereoscopic Cinema and the
Origins of 3-D Film, 1838-1952
348:-style photographic images for publication-and-use as
315:, (he produced scholarly research into the subject of
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782:"Emile Reynaud: First Motion Picture Cartoonist"
702:, 54 (1934), 89–91 (p. 89), DOI: 10.2307/594329
824:
319:. Shadow plays are considered a precursor to
8:
221:slide shows of the Afonso Henriques Theatre.
659:Arabic Shadow Theatre 1300-1900: A Handbook
533:Guimarães: apontamentos para a sua historia
831:
817:
809:
756:"Graystone Bird: Victorian Photographer"
700:Journal of the American Oriental Society
496:Ferrão, Bernardo; Ferrão Afonso, José.
366:
264:. He had created several monocular and
571:
530:Caldas, Antonio José Ferreira (1881).
754:Magic Lantern World (14 April 2009).
717:. Pagine di Chiavari. trans. Kitson.
477:from the original on 23 February 2024
7:
511:from the original on 10 January 2024
14:
742:Bath Chronicle and Weekly Gazette
696:The Macdonald Presentation Volume
429:The Great Art of Light and Shadow
604:. University Press of Kentucky.
380:. University Press of Kentucky.
209:was initiated, a project led by
540:from the original on 2024-07-08
230:In 1862, the French pioneering
1:
690:Charles C. Torrey, review of
598:Zone, Ray (3 February 2014).
431:(2000 translation by Crangle)
275:devices, much like the later
254:1862 International Exhibition
713:Jouvanceau, Pierre (2004).
1959:
473:(in European Portuguese).
614:– via Google Books.
401:Herbert, Stephen (1998).
794:Indiana University Press
744:23 October 1943, page 11
374:Zone, Ray (2014-02-03).
237:started his career as a
201:The construction of the
692:Festschrift Georg Jacob
780:Myrent, Glenn (1989).
694:by Theodor Menzel and
407:. The Projection Box.
250:Peter Hubert Desvignes
662:. Brill. p. 18.
625:Hunt, Robert (1862).
471:www.monumentos.gov.pt
332:Specific date unknown
248:The English inventor
225:Specific date unknown
765:– via YouTube.
321:silhouette animation
207:Santos Passos Church
715:The Silhouette Film
507:. pp. 68, 69.
840:Years in animation
79: ·
73: ·
23:Years in animation
1943:1862 in animation
1930:
1929:
669:978-90-04-43615-2
427:Mannoni, Laurent
414:978-0-9523941-3-6
387:978-0-8131-4589-1
172:1862 in animation
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786:Film History
785:
759:. Retrieved
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346:pictorialist
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796:: 191–202.
721:: Le Mani.
572:Myrent 1989
481:26 February
317:shadow play
313:Turkologist
309:orientalist
305:Georg Jacob
270:cylindrical
203:bell towers
675:18 January
544:2024-04-02
452:2020-04-25
361:References
340:, English
170:Events in
307:, German
281:illusions
262:Mimoscope
64:Centuries
1937:Category
761:26 April
538:Archived
515:19 March
509:Archived
475:Archived
277:zoetrope
260:for his
232:animator
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446:Gallica
323:), (d.
205:of the
195:fabric.
184:January
89:Decades
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290:Births
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1070:1890s
1007:1880s
944:1870s
881:1860s
848:1850s
798:JSTOR
792:(3).
719:Genoa
501:(PDF)
243:Paris
215:plays
211:Porto
130:Years
122:1890s
118:1880s
114:1870s
109:1860s
104:1850s
100:1840s
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723:ISBN
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483:2024
409:ISBN
382:ISBN
354:1943
325:1937
311:and
217:and
190:and
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