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skirt. As the girls got older, they wore longer skirts. A four-year-old would wear her skirt slightly above knee length; ten to twelve at mid-knee; twelve to fifteen varied from below the knee to mid-calf; and by sixteen or seventeen, a girl's dress would be just above ankle length. The age of a boy could often be decided based on the length and type of trouser or how similar the attire was to that of a man's. Boys often dressed similar to adult males, as they too wore blazers and
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or hooped petticoat sometimes called a "crinolette". The cage structure was attached around the waist and extended down to the ground, but only extended down the back of the wearer's legs. The crinolette itself was quickly superseded by the true bustle, which was sufficient for supporting the drapery
1311:
Infants continued to be dressed in flowing gowns, a style that continued into the early 20th century. Gender dress changes often did not occur until a child was five or six; however, in the later decades gender dress came much sooner. Girls' ages could be depicted often based on the length of their
180:
was used to help mold the body to the desired shape. This was achieved by making the corsets longer than before, and by constructing them from separate shaped pieces of fabric. To improve support, corsets were reinforced with many strips of whalebone, cording, or pieces of leather. Steam-molding,
167:
Leisure dress was becoming an important part of a woman's wardrobe. Seaside dress in
England had its own distinct characteristics but still followed the regular fashions of the day. Seaside dress was seen as more daring, frivolous, eccentric, and brighter. Even though the bustle was extremely
951:
Necktie fashions included the four-in-hand and, toward the end of the decade, the ascot tie, a tie with wide wings and a narrow neckband, fastened with a jewel or stickpin. Ties knotted in a bow remained a conservative fashion, and a white bowtie was required with formal evening wear.
109:
Day dresses had high necklines that were either closed, squared, or V-shaped. Sleeves of morning dresses were narrow throughout the period, with a tendency to flare slightly at the wrist early on. Women often draped overskirts to produce an apronlike effect from the front.
1290:
1134:
1254:
1299:
1245:
1323:, an illustrator of children's books. She strongly influenced styles of young girls' dress, as she often showed girls dressed in empire styles in her books. The idea of children's dress being taken from books is also found is styles such as the
2132:
903:
remained a dark tail coat and trousers. The coat now fastened lower on the chest and had wider lapels. A new fashion was a dark rather than white waistcoat. Evening wear was worn with a white bow tie and a shirt with the new winged collar.
64:
1281:
1236:
1357:
675:
1194:
topcoat with a diagonally positioned breast pocket and a contrasting collar. His shirt collar is pressed into flat wings and is worn with a wide, dark tie. He wears a top hat and gloves. 1876.
1780:
1208:. His cutaway sack coat has a high front closure and is worn buttoned only at the top, over a vest or waistcoat cut straight across at the waist and decorated with a prominent watch chain.
703:
678:
show back fullness beginning at hip-level rather than the waist as in 1874β5. The tight, princess-line dress on the right fits smoothly to the body from the shoulders to the lower hips.
2209:
475:
1183:
468:
of 1874 feature overskirts caught up with buckled ribbons. Jacket-bodices have cuffs and high necklines. Small straw hats with flat crowns and long ribbons (similar to men's
1169:
1073:
439:
1667:
1345:
106:, a form-fitting, long-waisted, boned bodice that reached below the hips, and the princess sheath dress. Sleeves were very tight fitting. Square necklines were common.
1057:
2311:
2227:
1773:
1091:
shows a fur-lined overcoat (left) and double-breasted topcoat (right) with braid trim and decorative topstitching, 1872. Checked trousers were quite fashionable.
1217:
shows Sir Albert
Abdallah David Sassoon in "morning dress" (formal daywear): grey trousers, dark cutaway coat, white waistcoat, wing-collared shirt and dark tie.
1748:
1789:
824:
Paris fashion of 1878 features a coat with a contrasting collar, a waistcoat decorated with a watch chain, wide ascot tie, square-toed shoes, and a top hat.
646:
568:
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wears a dust-colored coat, trousers, and collar-less waistcoat with a dark red necktie. He wears a fur-lined overcoat and tan gloves. Britain, 1872.
800:
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is festooned with flowers and is worn with mid-length white gloves and a black neck ribbon. The high-knotted hairstyle is typical of the mid-1870s.
481:
433:
427:
201:
1097:
wears a coat with braid trim on the collar and lapels over a matching waistcoat. His turned-down collar is worn over a four-in-hand necktie. 1875.
1708:
1650:
Tortora, Phyllis. Eubank, Keith: "Survey of
Historic Costume, A History of Western Dress", Fourth Edition. Fairchild Publications, Inc. 1989;
1713:
1085:
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295:
1645:
640:
415:
343:
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1826:
787:
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159:, an informal fashion for entertaining at home, combined Pre-Raphaelite influences with the loose sack-back styles of the 18th century.
1702:
1916:
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773:
2004:
1999:
1961:
1956:
1951:
1946:
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of 1876 features a train, long white gloves and the three white ostrich feathers representing the Prince of Wales plumes in the hair.
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2019:
2014:
2009:
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shows jacket-bodices with draped and trimmed skirts in back. Ruffles and pleated frills are characteristic trimmings of the 1870s.
280:
1064:. His coat and shawl-collared vest or waistcoat have covered buttons. Note functional buttonholes all the way up his coat lapel.
936:
in San
Francisco. These became popular with the local multitude of gold seekers, who wanted strong clothing with durable pockets.
1831:
1802:
1177:
1079:
1009:
832:
Canadian legislator John
Charles Rykert wears a narrow ribbon necktie and a collarless waistcoat. His coat has wide lapels. 1873.
465:
449:
1605:
Martin, Linda: "The Way We Wore, Fashion
Illustrations of Children's Wear 1870- 1970", Charles Scribner's Sons, New York, 1978,
655:
has a trailing overskirt and is trimmed with a profusion of ruffles and ribbons. Hair is braided into a crown high on the head.
307:
955:
A narrow ribbon tie was an alternative for tropical climates, and was increasingly worn elsewhere, especially in the
Americas.
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459:
1537:
237:
The main kind of wrap that dominated in the 1870s were capes and jackets that had a back vent in order to make room for the
95:
with pleats, flounces, rouching, and frills. This fashion was short-lived (though the bustle would return again in the mid-
1753:
514:
1941:
1818:
681:
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of the mid-1870s are trimmed with pleated ruffles, bows, buttons, and braid, and are worn with hats with ribbon streamers.
694:
of 1878 features a long train trimmed with pleated frills and ruching. Matching ruching trims the cuffs of the sleeves.
421:
1921:
1911:
1398:
1197:
652:
1333:
871:) were generally cut straight across the front and had collars and lapels, but collarless waistcoats were also worn.
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1863:
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of 1871 features a narrow red ribbon at the low neckline and a large matching bow with streamers at the back waist.
144:
725:
23:
Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of
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wool twill buttons high in front. English lounge suits were typically worn with bowler hats. 1875-80, England,
737:
669:
1369:
113:
Gowns had low necklines and very short, off-the-shoulder sleeves, and were worn with short (later mid-length)
403:
373:
1841:
1590:
1427:
1223:
wears conservative clothing; his tall collar is still upstanding, and he wears his tie in a bow knot. 1879.
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remained fashionable, but new shorter versions arose, distinguished from the sack coat by a waist seam.
2270:
1220:
526:
484:
of a dress of 1874 shows the draping of the overskirt and the slight train on the underskirt. France.
1695:
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had wide lapels and deep cuffs, and often featured contrasting velvet collars. Furlined full-length
663:
586:
544:
28:
888:, grew in popularity; the sack coat might be cutaway so that only the top button could be fastened.
268:
2285:
1983:
1471:
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1061:
749:
42:
is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the
2275:
1978:
1417:
1067:
811:, May 25, 1878, satirizing both impractical women's fashions and men's formal military uniforms.
229:, were perched on top of the head, and brimmed straw hats were worn for outdoor wear in summer.
1673:
610:
556:
2237:
2062:
1898:
1873:
1858:
1651:
1641:
1627:
1606:
1595:
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1412:
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and soft felt hats in a variety of shapes were worn for more casual occasions, and flat straw
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218:
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1973:
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were worn for most occasions; tweed or woollen breeches were worn for hunting and hiking.
213:
was pulled back at the sides and worn in a high knot or cluster of ringlets, often with a
99:), and was succeeded by a tight-fitting silhouette with fullness as low as the knees: the
1749:
Womanβs dress, 1870s, in the Staten Island
Historical Society Online Collections Database
1883:
1754:
Girlβs dress, 1870s, in the Staten Island
Historical Society Online Collections Database
1289:
997:
19:
1853:
1461:, Kent State University Museum Exhibit, April to August 1997, Anne Bissonnette, Curator
1376:
1320:
1253:
1727:
1690:
874:
Three-piece suits consisting of a high-buttoned sack coat with matching waistcoat and
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1504:
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92:
1602:(full text available online from the Metropolitan Museum of Art Digital Collections)
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214:
125:
836:
Innovations in men's fashion of the 1870s included the acceptance of patterned or
1470:
The Girls in Green: Women's
Seaside Dress in England, 1850β1900, Deirdre Murphy,
895:
was still worn for informal day occasions in Europe and major cities elsewhere.
176:
With the narrower silhouette, emphasis was placed on the bust, waist and hips. A
1562:
Patterns of Fashion 2: Englishwomen's Dresses and Their Construction C.1860β1940
900:
820:
124:
tied high around the neck and trailing behind for evening in a similar style to
71:
1244:
63:
1703:
Reforming Fashion, 1850-1914: Politics, Health, and Art, Ohio State University
1205:
967:
896:
880:
860:
155:" details and uncorseted lines continued through the 1870s. Newly fashionable
864:
849:
189:
84:
1327:
suit which was worn by the hero of a children's book published in 1885-86.
1271:
1280:
1262:
1235:
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875:
221:
were smaller to allow for the elaborately piled hairstyles and resembled
156:
152:
132:
39:
225:
except for their ribbons tied under the chin. Smallish hats, some with
1564:, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977.
963:
845:
242:
1617:
History of Costume from the Ancient Egyptians to the Twentieth Century
1968:
1459:
At Home at Tea Time: Tea Gowns for Distinction and Comfort, 1870β1920
1173:
442:
of 1872 demonstrate the popular fashion of the early 1870s known as "
238:
185:
177:
129:
121:
118:
103:
88:
1446:
For commentary on the clothes in this portrait, see Jane Ashelford,
1619:, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
1836:
1319:
Much influence on the styles of children's dress came from artist
933:
841:
827:
819:
684:
of 1878 has a long train and a squared neckline. It is worn with
200:
114:
80:
70:
62:
18:
226:
210:
1762:
1510:. Minneapolis, Minnesota: Burgess Publishing Company. pp.
222:
1668:
1870s Fashion Plates of men, women, and children's fashion
91:. This fashion required an underskirt, which was heavily
1638:
Fashioning Fashion: European Dress in Detail, 1700 - 1915
1506:
Fashion in History: Western Dress, Prehistoric to Present
452:
of the early 1870s. Portrait of Mrs. Frances Leyland by
430:, with ankle length skirt, long pants, and long sleeves
848:
tied in bow knots with the four-in-hand and later the
790:"Young lady of fashion, 1871" vs. "London Dairywoman".
784:, satirizing the tight dress styles of the late 1870s.
181:
patented in 1868, helped hold the curvaceous contour.
1714:
Brown challis tean gown in Liberty of London fabric,
147:
and other artistic reformers, the "anti-fashion" for
974:
were worn for yachting and other nautical pastimes.
966:
remained a requirement for upper class formal wear;
899:
were required for more formal daytime dress. Formal
168:
cumbersome, it was still a part of seaside fashion.
2263:
2220:
2187:
2156:
2125:
2055:
1992:
1891:
1817:
217:over the forehead. False hair was commonly used.
1503:
1636:Takeda, Sharon Sadako, and Kaye Durland Spilker,
1691:Victorian Women's Fashion, 1850-1900: Hairstyles
1591:From Queen to Empress: Victorian Dress 1837β1877
1576:The Art of Dress: Clothing and Society 1500β1914
1535:http://www.uri.edu/personal/svon6141/history.htm
83:had moved to the rear, where elaborately draped
1698:β c. 1870 Men's Fashion Photos with Annotations
87:were held in place by tapes and supported by a
1594:, Metropolitan Museum of Art, New York, 1988,
1774:
1670:from The Metropolitan Museum of Art Libraries
490:with draped overskirt and ruffled underskirt.
8:
418:of 1870 has a tiered and ruffled skirt back.
914:were luxury items in the coldest climates.
117:. Other characteristic fashions included a
1781:
1767:
1759:
932:began to sell the original copper-riveted
75:Countess Brownlow in artistic dress, 1879.
184:Skirts were supported by a hybrid of the
948:were increasingly pressed into "wings".
797:, satirizing the general fashion in 1876
1439:
1329:
1231:
1105:
981:
721:
498:
252:
209:In keeping with the vertical emphasis,
1363:Sisters Beatrice and Ethel Hatch, 1874
1184:Major-General The Hon. James MacDonald
2312:History of clothing (Western fashion)
7:
1827:Prehistory of nakedness and clothing
1732:Fashion, Jewellery & Accessories
944:The points of high upstanding shirt
193:and train at the back of the skirt.
38:in European and European-influenced
1709:Reda silk brocade tea gown, c. 1876
1221:British statesman William Gladstone
128:fashion (the origin of the modern
14:
1626:, Oxford University Press, 1988;
1624:Paris Fashion: A Cultural History
1492:Takeda and Spilker (2010), p. 99.
1204:wearing a three-piece suit and a
1076:wears a narrow string tie, 1870s.
706:is made of green wool, Scotland,
1882:
1803:History of clothing and textiles
1686:Victorian Women's fashion: 1870s
1483:Takeda and spilker (2010), p. 96
1390:
1368:
1356:
1344:
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1297:
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1279:
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1178:Los Angeles County Museum of Art
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16:Costume and fashion of the 1870s
2210:impact of the COVID-19 pandemic
1351:Summer dress with sash, 1872β73
1080:Gentleman in a railway carriage
844:and the general replacement of
1728:"19th Century Women's Fashion"
1502:Bigelow, Marybelle S. (1970).
641:Tight dresses with long trains
1:
1715:
1380:
707:
676:Semi-sheer dresses of c. 1877
629:
575:
533:
380:
362:
1640:, LACMA/Prestel USA (2010),
428:1870s American bathing dress
139:Tea gowns and artistic dress
2126:1920sβ1950s Western fashion
2056:1830sβ1910s Western fashion
1993:1500sβ1820s Western fashion
1399:William Lyon Mackenzie King
143:Under the influence of the
2328:
1736:Victoria and Albert Museum
1074:Oliver Hazard Perry Morton
788:An extreme class contrast:
670:Scholander family portrait
472:) are worn tipped forward.
145:Pre-Raphaelite Brotherhood
1880:
1808:History of fashion design
1797:
1095:Photographer Mathew Brady
79:By 1870, fullness in the
2133:Suffrage Movement period
1674:History of 1870s bustles
692:Jacket and skirt costume
653:Morning dress of c. 1875
462:ca 1872-75s, purple silk
241:. Some examples are the
67:Dress of the later 1870s
53:
1792:of clothing and fashion
1428:Artistic Dress movement
1306:
1102:Style gallery 1875β1879
1070:with frock coat, 1870s.
978:Style gallery 1870β1875
815:
495:Style gallery 1874β1878
249:Style gallery 1870β1874
197:Hairstyles and headgear
1588:Goldthorpe, Caroline:
1423:Dolly Varden (costume)
1325:Little Lord Fauntleroy
1190:in a slightly fitted,
1088:The Gazette of Fashion
833:
825:
245:and the paletot coat.
206:
76:
68:
32:
2221:By country and region
1170:Two-piece lounge suit
831:
823:
204:
74:
66:
22:
2188:2000βpresent fashion
1696:1870s Men's Fashions
1544:The History of Jeans
664:Alexandra of Denmark
440:Dolly Varden dresses
434:French morning dress
2228:Indian subcontinent
2157:1960s-1990s fashion
1472:The Costume Society
1200:of American lawman
1062:Rutherford B. Hayes
940:Shirts and neckties
686:opera-length gloves
233:Wraps and Overcoats
1679:2012-09-14 at the
1540:2011-07-20 at the
1418:Corset controversy
1339:1870 fashion plate
1307:Children's fashion
856:Coats and trousers
834:
826:
718:Caricature gallery
422:1870 fashion plate
207:
77:
69:
33:
2294:
2293:
1646:978-3-7913-5062-2
1622:Steele, Valerie:
1574:Ashelford, Jane:
1413:Victorian fashion
1180:, M.2010.33.9a-b.
805:George du Maurier
778:George du Maurier
2319:
2040:Directoire style
1886:
1783:
1776:
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1745:
1743:
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1615:Payne, Blanche:
1578:, Abrams, 1996.
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1448:The Art of Dress
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54:Women's fashions
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1681:Wayback Machine
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1542:Wayback Machine
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1474:, Vol. 40, 2006
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1228:Necktie gallery
1192:double-breasted
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704:Hunting costume
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466:Outdoor dresses
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1662:External links
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731:1 β late 1870s
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215:fringe (bangs)
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1656:1-56367-345-2
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1567:
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1558:Arnold, Janet
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1397:Two-year-old
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1202:Bat Masterson
1199:
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1118:
1115:1 - 1875β1880
1111:
1106:
1101:
1096:
1093:
1090:
1089:
1084:
1081:
1078:
1075:
1072:
1069:
1066:
1063:
1060:of President
1059:
1056:
1055:
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987:
982:
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949:
947:
939:
937:
935:
931:
927:
922:
920:
915:
913:
909:
905:
902:
901:evening dress
898:
894:
889:
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882:
877:
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870:
866:
862:
855:
853:
851:
847:
843:
839:
830:
822:
816:Men's fashion
810:
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799:
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789:
786:
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771:
763:
758:
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727:
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619:
612:
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600:
595:
588:
583:
570:
565:
558:
553:
546:
541:
528:
523:
516:
511:
508:1 β 1874β1876
504:
499:
494:
489:
488:Dress of 1874
486:
483:
480:
477:
474:
471:
467:
464:
461:
458:
455:
451:
448:
445:
441:
438:
435:
432:
429:
426:
423:
420:
417:
416:Walking dress
414:
413:
405:
400:
393:
388:
375:
370:
357:
352:
345:
340:
333:
328:
321:
316:
309:
304:
297:
292:
289:
288:bathing dress
282:
277:
270:
265:
258:
253:
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246:
244:
240:
232:
230:
228:
224:
220:
216:
212:
203:
196:
194:
191:
187:
182:
179:
172:Undergarments
171:
169:
163:Leisure Dress
162:
160:
158:
154:
150:
146:
138:
136:
134:
131:
127:
123:
120:
116:
111:
107:
105:
102:
98:
94:
90:
86:
82:
73:
65:
58:
51:
49:
45:
41:
37:
36:1870s fashion
30:
26:
21:
2087:
1739:. Retrieved
1731:
1637:
1623:
1616:
1589:
1575:
1561:
1530:
1505:
1497:
1488:
1479:
1466:
1454:
1447:
1442:
1318:
1310:
1212:
1188:James Tissot
1186:is drawn by
1087:
962:
954:
950:
943:
926:Levi Strauss
923:
917:Full-length
916:
906:
893:morning coat
891:The cutaway
890:
886:lounge suits
885:
879:
873:
868:
859:
840:fabrics for
837:
835:
808:
794:
781:
444:Dolly Varden
236:
208:
183:
175:
166:
142:
126:Georgian era
112:
108:
100:
78:
35:
34:
29:James Tissot
24:
2264:By clothing
1927:Western Xia
1917:Jurchen Jin
1899:Anglo-Saxon
1892:Middle Ages
1837:Han Chinese
1719: 1877
1384: 1875
1213:Vanity Fair
1086:Plate from
1058:1870s photo
959:Accessories
930:Jacob Davis
897:Frock coats
881:ditto suits
861:Frock coats
711: 1878
658:Princesses
647:French gown
633: 1878
579: 1877
537: 1875
520:2 β 1875β76
384: 1874
366: 1874
337:7 β 1872β75
325:6 β 1872β73
2301:Categories
1984:Vietnamese
1942:400sβ1000s
1741:2007-12-09
1552:References
1206:bowler hat
1198:1879 photo
934:blue jeans
865:Waistcoats
776:"Veto" by
698:Court gown
476:Gala dress
286:3 β 1870s
151:with its "
85:overskirts
2148:1945β1960
2143:1930β1945
2105:Edwardian
2063:Victorian
2035:1795β1820
2030:1775β1795
2025:1750β1775
2020:1700β1750
2015:1650β1700
2010:1600β1650
2005:1550β1600
2000:1500β1550
1979:Tocharian
1904:Byzantine
1401:, c. 1876
1015:3 β 1870s
1003:2 β 1870s
991:1 β 1870s
924:In 1873,
912:overcoats
878:, called
850:ascot tie
460:Day dress
409:12 β 1874
397:11 β 1874
205:Hats 1875
190:crinoline
157:tea gowns
25:Too Early
2286:Swimwear
2250:Thailand
1908:Chinese
1874:Thracian
1859:Biblical
1849:Egyptian
1790:Timeline
1705: :
1677:Archived
1538:Archived
1407:See also
1163:5 β 1879
1151:4 β 1879
1139:3 β 1879
1127:2 β 1876
1051:6 β 1875
1039:5 β 1872
1027:4 β 1872
964:Top hats
919:trousers
908:Topcoats
884:or (UK)
876:trousers
846:neckties
767:4 β 1878
755:3 β 1876
743:2 β 1871
672:in 1875.
666:in 1875.
604:8 β 1878
592:7 β 1878
562:5 β 1875
550:4 β 1875
482:Backview
478:ca 1874.
454:Whistler
349:8 β 1874
313:5 β 1872
301:4 β 1871
274:2 β 1870
262:1 β 1870
153:medieval
133:necklace
59:Overview
40:clothing
1974:Ottoman
1938:Europe
1934:English
1819:Ancient
972:boaters
968:bowlers
946:collars
838:figured
801:Cartoon
774:Cartoon
616:9 β1876
470:boaters
243:pelisse
219:Bonnets
101:cuirass
93:trimmed
31:, 1873.
2276:Corset
2271:Bikini
1969:Korean
1654:
1644:
1630:
1609:
1598:
1582:
1568:
1518:
1375:Young
1174:tartan
867:(U.S.
842:shirts
660:Dagmar
239:bustle
186:bustle
178:corset
130:choker
122:ribbon
119:velvet
115:gloves
104:bodice
89:bustle
2243:Meiji
2238:Japan
2233:Italy
2205:2020s
2200:2010s
2195:2000s
2179:1990s
2174:1980s
2169:1970s
2164:1960s
2138:1920s
2115:1910s
2110:1900s
2098:1890s
2093:1880s
2088:1870s
2083:1860s
2078:1850s
2073:1840s
2068:1830s
2047:1820s
1962:1400s
1957:1300s
1952:1200s
1947:1100s
1869:Roman
1864:Greek
1854:Inuit
1832:China
1701:From
1434:Notes
869:vests
809:Punch
807:from
795:Punch
782:Punch
780:from
628:10 β
379:10 β
227:veils
97:1880s
81:skirt
48:1860s
44:1850s
2281:Hide
1922:Yuan
1912:Liao
1652:ISBN
1642:ISBN
1628:ISBN
1607:ISBN
1596:ISBN
1580:ISBN
1566:ISBN
1516:ISBN
928:and
682:Gown
662:and
574:6 β
532:3 β
361:9 β
223:hats
211:hair
188:and
46:and
1842:Shu
1512:271
1172:of
803:by
135:).
27:by
2303::
1734:.
1730:.
1716:c.
1560::
1514:.
1381:c.
1379:,
1316:.
852:.
708:c.
630:c.
576:c.
534:c.
381:c.
363:c.
50:.
1782:e
1775:t
1768:v
1744:.
1524:.
713:.
688:.
456:.
446:"
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