Knowledge (XXG)

1870s in Western fashion

Source πŸ“

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skirt. As the girls got older, they wore longer skirts. A four-year-old would wear her skirt slightly above knee length; ten to twelve at mid-knee; twelve to fifteen varied from below the knee to mid-calf; and by sixteen or seventeen, a girl's dress would be just above ankle length. The age of a boy could often be decided based on the length and type of trouser or how similar the attire was to that of a man's. Boys often dressed similar to adult males, as they too wore blazers and
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or hooped petticoat sometimes called a "crinolette". The cage structure was attached around the waist and extended down to the ground, but only extended down the back of the wearer's legs. The crinolette itself was quickly superseded by the true bustle, which was sufficient for supporting the drapery
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Infants continued to be dressed in flowing gowns, a style that continued into the early 20th century. Gender dress changes often did not occur until a child was five or six; however, in the later decades gender dress came much sooner. Girls' ages could be depicted often based on the length of their
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was used to help mold the body to the desired shape. This was achieved by making the corsets longer than before, and by constructing them from separate shaped pieces of fabric. To improve support, corsets were reinforced with many strips of whalebone, cording, or pieces of leather. Steam-molding,
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Leisure dress was becoming an important part of a woman's wardrobe. Seaside dress in England had its own distinct characteristics but still followed the regular fashions of the day. Seaside dress was seen as more daring, frivolous, eccentric, and brighter. Even though the bustle was extremely
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Necktie fashions included the four-in-hand and, toward the end of the decade, the ascot tie, a tie with wide wings and a narrow neckband, fastened with a jewel or stickpin. Ties knotted in a bow remained a conservative fashion, and a white bowtie was required with formal evening wear.
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Day dresses had high necklines that were either closed, squared, or V-shaped. Sleeves of morning dresses were narrow throughout the period, with a tendency to flare slightly at the wrist early on. Women often draped overskirts to produce an apronlike effect from the front.
1290: 1134: 1254: 1299: 1245: 1323:, an illustrator of children's books. She strongly influenced styles of young girls' dress, as she often showed girls dressed in empire styles in her books. The idea of children's dress being taken from books is also found is styles such as the 2132: 903:
remained a dark tail coat and trousers. The coat now fastened lower on the chest and had wider lapels. A new fashion was a dark rather than white waistcoat. Evening wear was worn with a white bow tie and a shirt with the new winged collar.
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topcoat with a diagonally positioned breast pocket and a contrasting collar. His shirt collar is pressed into flat wings and is worn with a wide, dark tie. He wears a top hat and gloves. 1876.
1780: 1208:. His cutaway sack coat has a high front closure and is worn buttoned only at the top, over a vest or waistcoat cut straight across at the waist and decorated with a prominent watch chain. 703: 678:
show back fullness beginning at hip-level rather than the waist as in 1874–5. The tight, princess-line dress on the right fits smoothly to the body from the shoulders to the lower hips.
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of 1874 feature overskirts caught up with buckled ribbons. Jacket-bodices have cuffs and high necklines. Small straw hats with flat crowns and long ribbons (similar to men's
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shows a fur-lined overcoat (left) and double-breasted topcoat (right) with braid trim and decorative topstitching, 1872. Checked trousers were quite fashionable.
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shows Sir Albert Abdallah David Sassoon in "morning dress" (formal daywear): grey trousers, dark cutaway coat, white waistcoat, wing-collared shirt and dark tie.
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Paris fashion of 1878 features a coat with a contrasting collar, a waistcoat decorated with a watch chain, wide ascot tie, square-toed shoes, and a top hat.
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wears a dust-colored coat, trousers, and collar-less waistcoat with a dark red necktie. He wears a fur-lined overcoat and tan gloves. Britain, 1872.
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is festooned with flowers and is worn with mid-length white gloves and a black neck ribbon. The high-knotted hairstyle is typical of the mid-1870s.
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wears a coat with braid trim on the collar and lapels over a matching waistcoat. His turned-down collar is worn over a four-in-hand necktie. 1875.
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Tortora, Phyllis. Eubank, Keith: "Survey of Historic Costume, A History of Western Dress", Fourth Edition. Fairchild Publications, Inc. 1989;
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of 1876 features a train, long white gloves and the three white ostrich feathers representing the Prince of Wales plumes in the hair.
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shows jacket-bodices with draped and trimmed skirts in back. Ruffles and pleated frills are characteristic trimmings of the 1870s.
280: 1064:. His coat and shawl-collared vest or waistcoat have covered buttons. Note functional buttonholes all the way up his coat lapel. 936:
in San Francisco. These became popular with the local multitude of gold seekers, who wanted strong clothing with durable pockets.
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Canadian legislator John Charles Rykert wears a narrow ribbon necktie and a collarless waistcoat. His coat has wide lapels. 1873.
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Martin, Linda: "The Way We Wore, Fashion Illustrations of Children's Wear 1870- 1970", Charles Scribner's Sons, New York, 1978,
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has a trailing overskirt and is trimmed with a profusion of ruffles and ribbons. Hair is braided into a crown high on the head.
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A narrow ribbon tie was an alternative for tropical climates, and was increasingly worn elsewhere, especially in the Americas.
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The main kind of wrap that dominated in the 1870s were capes and jackets that had a back vent in order to make room for the
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with pleats, flounces, rouching, and frills. This fashion was short-lived (though the bustle would return again in the mid-
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of the mid-1870s are trimmed with pleated ruffles, bows, buttons, and braid, and are worn with hats with ribbon streamers.
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of 1878 features a long train trimmed with pleated frills and ruching. Matching ruching trims the cuffs of the sleeves.
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of 1871 features a narrow red ribbon at the low neckline and a large matching bow with streamers at the back waist.
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Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of
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wool twill buttons high in front. English lounge suits were typically worn with bowler hats. 1875-80, England,
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Gowns had low necklines and very short, off-the-shoulder sleeves, and were worn with short (later mid-length)
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wears conservative clothing; his tall collar is still upstanding, and he wears his tie in a bow knot. 1879.
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remained fashionable, but new shorter versions arose, distinguished from the sack coat by a waist seam.
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of a dress of 1874 shows the draping of the overskirt and the slight train on the underskirt. France.
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had wide lapels and deep cuffs, and often featured contrasting velvet collars. Furlined full-length
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is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the
2275: 1978: 1417: 1067: 811:, May 25, 1878, satirizing both impractical women's fashions and men's formal military uniforms. 229:, were perched on top of the head, and brimmed straw hats were worn for outdoor wear in summer. 1673: 610: 556: 2237: 2062: 1898: 1873: 1858: 1651: 1641: 1627: 1606: 1595: 1579: 1565: 1515: 1511: 1412: 970:
and soft felt hats in a variety of shapes were worn for more casual occasions, and flat straw
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were worn for most occasions; tweed or woollen breeches were worn for hunting and hiking.
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was pulled back at the sides and worn in a high knot or cluster of ringlets, often with a
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Woman’s dress, 1870s, in the Staten Island Historical Society Online Collections Database
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Girl’s dress, 1870s, in the Staten Island Historical Society Online Collections Database
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Three-piece suits consisting of a high-buttoned sack coat with matching waistcoat and
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Innovations in men's fashion of the 1870s included the acceptance of patterned or
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The Girls in Green: Women's Seaside Dress in England, 1850–1900, Deirdre Murphy,
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was still worn for informal day occasions in Europe and major cities elsewhere.
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With the narrower silhouette, emphasis was placed on the bust, waist and hips. A
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Patterns of Fashion 2: Englishwomen's Dresses and Their Construction C.1860–1940
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tied high around the neck and trailing behind for evening in a similar style to
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Reforming Fashion, 1850-1914: Politics, Health, and Art, Ohio State University
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suit which was worn by the hero of a children's book published in 1885-86.
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were smaller to allow for the elaborately piled hairstyles and resembled
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except for their ribbons tied under the chin. Smallish hats, some with
1564:, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977. 963: 845: 242: 1617:
History of Costume from the Ancient Egyptians to the Twentieth Century
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At Home at Tea Time: Tea Gowns for Distinction and Comfort, 1870–1920
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of 1872 demonstrate the popular fashion of the early 1870s known as "
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For commentary on the clothes in this portrait, see Jane Ashelford,
1619:, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS 1836: 1319:
Much influence on the styles of children's dress came from artist
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of 1878 has a long train and a squared neckline. It is worn with
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1870s Fashion Plates of men, women, and children's fashion
91:. This fashion required an underskirt, which was heavily 1638:
Fashioning Fashion: European Dress in Detail, 1700 - 1915
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Fashion in History: Western Dress, Prehistoric to Present
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of the early 1870s. Portrait of Mrs. Frances Leyland by
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tied in bow knots with the four-in-hand and later the
790:"Young lady of fashion, 1871" vs. "London Dairywoman". 784:, satirizing the tight dress styles of the late 1870s. 181:
patented in 1868, helped hold the curvaceous contour.
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Brown challis tean gown in Liberty of London fabric,
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and other artistic reformers, the "anti-fashion" for
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were worn for yachting and other nautical pastimes.
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remained a requirement for upper class formal wear;
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were required for more formal daytime dress. Formal
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cumbersome, it was still a part of seaside fashion.
2263: 2220: 2187: 2156: 2125: 2055: 1992: 1891: 1817: 217:over the forehead. False hair was commonly used. 1503: 1636:Takeda, Sharon Sadako, and Kaye Durland Spilker, 1691:Victorian Women's Fashion, 1850-1900: Hairstyles 1591:From Queen to Empress: Victorian Dress 1837–1877 1576:The Art of Dress: Clothing and Society 1500–1914 1535:http://www.uri.edu/personal/svon6141/history.htm 83:had moved to the rear, where elaborately draped 1698:– c. 1870 Men's Fashion Photos with Annotations 87:were held in place by tapes and supported by a 1594:, Metropolitan Museum of Art, New York, 1988, 1774: 1670:from The Metropolitan Museum of Art Libraries 490:with draped overskirt and ruffled underskirt. 8: 418:of 1870 has a tiered and ruffled skirt back. 914:were luxury items in the coldest climates. 117:. Other characteristic fashions included a 1781: 1767: 1759: 932:began to sell the original copper-riveted 75:Countess Brownlow in artistic dress, 1879. 184:Skirts were supported by a hybrid of the 948:were increasingly pressed into "wings". 797:, satirizing the general fashion in 1876 1439: 1329: 1231: 1105: 981: 721: 498: 252: 209:In keeping with the vertical emphasis, 1363:Sisters Beatrice and Ethel Hatch, 1874 1184:Major-General The Hon. James MacDonald 2312:History of clothing (Western fashion) 7: 1827:Prehistory of nakedness and clothing 1732:Fashion, Jewellery & Accessories 944:The points of high upstanding shirt 193:and train at the back of the skirt. 38:in European and European-influenced 1709:Reda silk brocade tea gown, c. 1876 1221:British statesman William Gladstone 128:fashion (the origin of the modern 14: 1626:, Oxford University Press, 1988; 1624:Paris Fashion: A Cultural History 1492:Takeda and Spilker (2010), p. 99. 1204:wearing a three-piece suit and a 1076:wears a narrow string tie, 1870s. 706:is made of green wool, Scotland, 1882: 1803:History of clothing and textiles 1686:Victorian Women's fashion: 1870s 1483:Takeda and spilker (2010), p. 96 1390: 1368: 1356: 1344: 1332: 1297: 1288: 1279: 1270: 1261: 1252: 1243: 1234: 1178:Los Angeles County Museum of Art 1156: 1144: 1132: 1120: 1108: 1044: 1032: 1020: 1008: 996: 984: 760: 748: 736: 724: 621: 609: 597: 585: 567: 555: 543: 525: 513: 501: 402: 390: 372: 354: 342: 330: 318: 306: 294: 279: 267: 255: 16:Costume and fashion of the 1870s 2210:impact of the COVID-19 pandemic 1351:Summer dress with sash, 1872–73 1080:Gentleman in a railway carriage 844:and the general replacement of 1728:"19th Century Women's Fashion" 1502:Bigelow, Marybelle S. (1970). 641:Tight dresses with long trains 1: 1715: 1380: 707: 676:Semi-sheer dresses of c. 1877 629: 575: 533: 380: 362: 1640:, LACMA/Prestel USA (2010), 428:1870s American bathing dress 139:Tea gowns and artistic dress 2126:1920s–1950s Western fashion 2056:1830s–1910s Western fashion 1993:1500s–1820s Western fashion 1399:William Lyon Mackenzie King 143:Under the influence of the 2328: 1736:Victoria and Albert Museum 1074:Oliver Hazard Perry Morton 788:An extreme class contrast: 670:Scholander family portrait 472:) are worn tipped forward. 145:Pre-Raphaelite Brotherhood 1880: 1808:History of fashion design 1797: 1095:Photographer Mathew Brady 79:By 1870, fullness in the 2133:Suffrage Movement period 1674:History of 1870s bustles 692:Jacket and skirt costume 653:Morning dress of c. 1875 462:ca 1872-75s, purple silk 241:. Some examples are the 67:Dress of the later 1870s 53: 1792:of clothing and fashion 1428:Artistic Dress movement 1306: 1102:Style gallery 1875–1879 1070:with frock coat, 1870s. 978:Style gallery 1870–1875 815: 495:Style gallery 1874–1878 249:Style gallery 1870–1874 197:Hairstyles and headgear 1588:Goldthorpe, Caroline: 1423:Dolly Varden (costume) 1325:Little Lord Fauntleroy 1190:in a slightly fitted, 1088:The Gazette of Fashion 833: 825: 245:and the paletot coat. 206: 76: 68: 32: 2221:By country and region 1170:Two-piece lounge suit 831: 823: 204: 74: 66: 22: 2188:2000–present fashion 1696:1870s Men's Fashions 1544:The History of Jeans 664:Alexandra of Denmark 440:Dolly Varden dresses 434:French morning dress 2228:Indian subcontinent 2157:1960s-1990s fashion 1472:The Costume Society 1200:of American lawman 1062:Rutherford B. Hayes 940:Shirts and neckties 686:opera-length gloves 233:Wraps and Overcoats 1679:2012-09-14 at the 1540:2011-07-20 at the 1418:Corset controversy 1339:1870 fashion plate 1307:Children's fashion 856:Coats and trousers 834: 826: 718:Caricature gallery 422:1870 fashion plate 207: 77: 69: 33: 2294: 2293: 1646:978-3-7913-5062-2 1622:Steele, Valerie: 1574:Ashelford, Jane: 1413:Victorian fashion 1180:, M.2010.33.9a-b. 805:George du Maurier 778:George du Maurier 2319: 2040:Directoire style 1886: 1783: 1776: 1769: 1760: 1745: 1743: 1742: 1720: 1717: 1615:Payne, Blanche: 1578:, Abrams, 1996. 1545: 1532: 1526: 1525: 1509: 1499: 1493: 1490: 1484: 1481: 1475: 1468: 1462: 1456: 1450: 1448:The Art of Dress 1444: 1394: 1385: 1382: 1372: 1360: 1348: 1336: 1301: 1292: 1283: 1274: 1265: 1256: 1247: 1238: 1160: 1148: 1136: 1124: 1112: 1068:Three-piece suit 1048: 1036: 1024: 1012: 1000: 988: 793:From the Danish 764: 752: 740: 728: 712: 709: 634: 631: 625: 613: 601: 589: 580: 577: 571: 559: 547: 538: 535: 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1214: 1210: 1207: 1203: 1202:Bat Masterson 1199: 1196: 1193: 1189: 1185: 1182: 1179: 1175: 1171: 1168: 1167: 1159: 1154: 1147: 1142: 1135: 1130: 1123: 1118: 1115:1 - 1875–1880 1111: 1106: 1101: 1096: 1093: 1090: 1089: 1084: 1081: 1078: 1075: 1072: 1069: 1066: 1063: 1060:of President 1059: 1056: 1055: 1047: 1042: 1035: 1030: 1023: 1018: 1011: 1006: 999: 994: 987: 982: 977: 975: 973: 969: 965: 958: 956: 953: 949: 947: 939: 937: 935: 931: 927: 922: 920: 915: 913: 909: 905: 902: 901:evening dress 898: 894: 889: 887: 883: 882: 877: 872: 870: 866: 862: 855: 853: 851: 847: 843: 839: 830: 822: 816:Men's fashion 810: 806: 802: 799: 796: 792: 789: 786: 783: 779: 775: 772: 771: 763: 758: 751: 746: 739: 734: 727: 722: 717: 705: 702: 699: 696: 693: 690: 687: 683: 680: 677: 674: 671: 668: 665: 661: 657: 654: 651: 648: 645: 642: 639: 638: 624: 619: 612: 607: 600: 595: 588: 583: 570: 565: 558: 553: 546: 541: 528: 523: 516: 511: 508:1 – 1874–1876 504: 499: 494: 489: 488:Dress of 1874 486: 483: 480: 477: 474: 471: 467: 464: 461: 458: 455: 451: 448: 445: 441: 438: 435: 432: 429: 426: 423: 420: 417: 416:Walking dress 414: 413: 405: 400: 393: 388: 375: 370: 357: 352: 345: 340: 333: 328: 321: 316: 309: 304: 297: 292: 289: 288:bathing dress 282: 277: 270: 265: 258: 253: 248: 246: 244: 240: 232: 230: 228: 224: 220: 216: 212: 203: 196: 194: 191: 187: 182: 179: 172:Undergarments 171: 169: 163:Leisure Dress 162: 160: 158: 154: 150: 146: 138: 136: 134: 131: 127: 123: 120: 116: 111: 107: 105: 102: 98: 94: 90: 86: 82: 73: 65: 58: 51: 49: 45: 41: 37: 36:1870s fashion 30: 26: 21: 2087: 1739:. Retrieved 1731: 1637: 1623: 1616: 1589: 1575: 1561: 1530: 1505: 1497: 1488: 1479: 1466: 1454: 1447: 1442: 1318: 1310: 1212: 1188:James Tissot 1186:is drawn by 1087: 962: 954: 950: 943: 926:Levi Strauss 923: 917:Full-length 916: 906: 893:morning coat 891:The cutaway 890: 886:lounge suits 885: 879: 873: 868: 859: 840:fabrics for 837: 835: 808: 794: 781: 444:Dolly Varden 236: 208: 183: 175: 166: 142: 126:Georgian era 112: 108: 100: 78: 35: 34: 29:James Tissot 24: 2264:By clothing 1927:Western Xia 1917:Jurchen Jin 1899:Anglo-Saxon 1892:Middle Ages 1837:Han Chinese 1719: 1877 1384: 1875 1213:Vanity Fair 1086:Plate from 1058:1870s photo 959:Accessories 930:Jacob Davis 897:Frock coats 881:ditto suits 861:Frock coats 711: 1878 658:Princesses 647:French gown 633: 1878 579: 1877 537: 1875 520:2 – 1875–76 384: 1874 366: 1874 337:7 – 1872–75 325:6 – 1872–73 2301:Categories 1984:Vietnamese 1942:400s–1000s 1741:2007-12-09 1552:References 1206:bowler hat 1198:1879 photo 934:blue jeans 865:Waistcoats 776:"Veto" by 698:Court gown 476:Gala dress 286:3 – 1870s 151:with its " 85:overskirts 2148:1945–1960 2143:1930–1945 2105:Edwardian 2063:Victorian 2035:1795–1820 2030:1775–1795 2025:1750–1775 2020:1700–1750 2015:1650–1700 2010:1600–1650 2005:1550–1600 2000:1500–1550 1979:Tocharian 1904:Byzantine 1401:, c. 1876 1015:3 – 1870s 1003:2 – 1870s 991:1 – 1870s 924:In 1873, 912:overcoats 878:, called 850:ascot tie 460:Day dress 409:12 – 1874 397:11 – 1874 205:Hats 1875 190:crinoline 157:tea gowns 25:Too Early 2286:Swimwear 2250:Thailand 1908:Chinese 1874:Thracian 1859:Biblical 1849:Egyptian 1790:Timeline 1705: : 1677:Archived 1538:Archived 1407:See also 1163:5 – 1879 1151:4 – 1879 1139:3 – 1879 1127:2 – 1876 1051:6 – 1875 1039:5 – 1872 1027:4 – 1872 964:Top hats 919:trousers 908:Topcoats 884:or (UK) 876:trousers 846:neckties 767:4 – 1878 755:3 – 1876 743:2 – 1871 672:in 1875. 666:in 1875. 604:8 – 1878 592:7 – 1878 562:5 – 1875 550:4 – 1875 482:Backview 478:ca 1874. 454:Whistler 349:8 – 1874 313:5 – 1872 301:4 – 1871 274:2 – 1870 262:1 – 1870 153:medieval 133:necklace 59:Overview 40:clothing 1974:Ottoman 1938:Europe 1934:English 1819:Ancient 972:boaters 968:bowlers 946:collars 838:figured 801:Cartoon 774:Cartoon 616:9 –1876 470:boaters 243:pelisse 219:Bonnets 101:cuirass 93:trimmed 31:, 1873. 2276:Corset 2271:Bikini 1969:Korean 1654:  1644:  1630:  1609:  1598:  1582:  1568:  1518:  1375:Young 1174:tartan 867:(U.S. 842:shirts 660:Dagmar 239:bustle 186:bustle 178:corset 130:choker 122:ribbon 119:velvet 115:gloves 104:bodice 89:bustle 2243:Meiji 2238:Japan 2233:Italy 2205:2020s 2200:2010s 2195:2000s 2179:1990s 2174:1980s 2169:1970s 2164:1960s 2138:1920s 2115:1910s 2110:1900s 2098:1890s 2093:1880s 2088:1870s 2083:1860s 2078:1850s 2073:1840s 2068:1830s 2047:1820s 1962:1400s 1957:1300s 1952:1200s 1947:1100s 1869:Roman 1864:Greek 1854:Inuit 1832:China 1701:From 1434:Notes 869:vests 809:Punch 807:from 795:Punch 782:Punch 780:from 628:10 β€” 379:10 – 227:veils 97:1880s 81:skirt 48:1860s 44:1850s 2281:Hide 1922:Yuan 1912:Liao 1652:ISBN 1642:ISBN 1628:ISBN 1607:ISBN 1596:ISBN 1580:ISBN 1566:ISBN 1516:ISBN 928:and 682:Gown 662:and 574:6 – 532:3 – 361:9 – 223:hats 211:hair 188:and 46:and 1842:Shu 1512:271 1172:of 803:by 135:). 27:by 2303:: 1734:. 1730:. 1716:c. 1560:: 1514:. 1381:c. 1379:, 1316:. 852:. 708:c. 630:c. 576:c. 534:c. 381:c. 363:c. 50:. 1782:e 1775:t 1768:v 1744:. 1524:. 713:. 688:. 456:. 446:"

Index


James Tissot
clothing
1850s
1860s


skirt
overskirts
bustle
trimmed
1880s
bodice
gloves
velvet
ribbon
Georgian era
choker
necklace
Pre-Raphaelite Brotherhood
Artistic dress
medieval
tea gowns
corset
bustle
crinoline

hair
fringe (bangs)
Bonnets

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