87:
1299:
1263:
1065:
407:
1239:
613:
637:
1125:
431:
673:
419:
1089:
249:
1287:
841:
229:
335:
589:
31:
359:
817:
467:
625:
1311:
1251:
601:
101:
1029:
577:
443:
371:
829:
395:
1113:
347:
1275:
685:
1751:
661:
383:
923:
649:
1053:
1101:
853:
1041:
455:
1077:
1017:
1227:
956:), now usually single-breasted, were worn for business occasions, over waistcoats or vests with lapels and notched collars. Waistcoats were still cut straight across at the waist in front in 1850, but gradually became longer; the fashion for wearing the bottom button undone for ease when sitting lead to the pointed-hemmed waistcoat later in the century.
323:
1386:
1156:
show an idealized rounded chest over a low waist. The cutaway morning coat (left) is worn with trousers trimmed with braid down the outer seam. Shirts have short straight collars and are worn with narrow neckties tied in wide bows. Half-boots have short heels. Coat sleeves are cut long, showing
1352:
1166:
138:
Early in the decade, bodices of morning dresses featured panels over the shoulder that were gathered into a blunt point at the slightly dropped waist. These bodices generally fastened in back by means of hooks and eyes, but a new fashion for a bodice appeared as well,
735:
985:
were worn for day. Breeches remained a requirement for formal functions at the
British court (as they would be throughout the century). Breeches continued to be worn for horseback riding and other country pursuits, especially in Britain, with tall fitted boots.
529:
744:
wears a floral gown with ribbon streamers. Her lace cap is little more than a frill trimmed in red ribbons. (It is possibly a dinner dress, worn with a full dress cap. However, owing to the size of her cap, it is more likely an irregular headdress.)
1999:
748:
86:
1298:
1196:
778:
544:
1145:
wears a standing collar with a necktie folded on the diagonal and tied into wide "wings". His coat has wide lapels and a contrasting (perhaps velvet) collar. His contrasting waistcoat has lapels. United States, c. 1850
535:
1000:
were worn with formal dress and grew taller on the way to the true stovepipe shape, but a variety of other hat shapes were popular. Soft-crowned hats, some with wide brims, were worn for country pursuits. The
992:
Starting in the 1850s and surviving until about the early 1900s (decade), facial hair became extremely popular, featuring a vast array of styles. This is well documented in famous photography of the era.
1262:
95:
wears a blue silk gown with delicate lace and ribbon trim. Her hair is covered with a sheer frill trimmed with matching blue ribbon knots. She wears a necklace, tasseled earrings, and bracelets on each
547:
wears a bright blue dress with a tiered skirt. The long pointed bodice is trimmed with horizontal bands of ruching over a chemise or chemisette (or an underlayer styled to look like a chemise), 1853.
526:
wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels and ribbons, and she carries an elaborate fan, 1852.
1064:
948:
were square or rectangular, folded into a narrow strip and tied in a bow, or folded on the diagonal and tied in a knot with the pointed ends sticking out to form "wings". Heavy padded and fitted
175:
The introduction of the steel cage crinoline in 1856 provided a means for expanding the skirt still further, and flounces gradually disappeared in favor of a skirt lying more smoothly over the
1647:
1238:
191:
The fabrics were made commonly of linen and now more widely available cotton, and also could be made of such materials as silk or wool, though the former two plants were most widespread.
1376:
1181:
wears a stiff tie over a tall standing collar. His double-breasted waistcoat is cut straight across. His frock coat, waistcoat and trousers are all of different fabrics. France, 1858.
2076:
890:
612:
406:
944:
The trend of detachable shirt collars and cuffs (although first appearing in men's fashion in the 1820s) became highly popularized during this time period. The newly fashionable
709:
489:
963:, loosely fitted and reaching to mid-thigh, was fashionable for leisure activities; it would gradually replace the frock coat over the next forty years and become the modern
1124:
636:
1598:
430:
672:
2178:
2094:
1640:
1620:
1656:
864:
418:
781:
wears a morning dress with ruched violet ribbon trim and an elaborate lace collar, 1859. The violet trim and black cap may indicate the later stages of
741:
562:
520:
wears a dark morning dress with a lace blouse or chemisette and cuffs and short leather gloves. Her hair is parted and worn in long sausage curls, 1851.
505:
1088:
2109:
1633:
1342:
978:
remained a dark tail coat and trousers, with a white cravat; this costume was well on its way to crystallizing into the modern "white tie and tails".
722:
751:
wears her hair parted in the center and brushed into puffs over each ear. Her morning dress has wide pagoda sleeves and is worn over undersleeves or
311:
by the press. Despite its practicality, the
Bloomer suit was the subject of much ridicule in the press and had little impact on mainstream fashion.
225:
had fitted jackets with tight sleeves, worn over a collared shirt or (more often) chemisette. They were worn with long skirts and mannish top hats.
1396:
696:
1336:
1142:
738:
wear formal dress (despite the outdoor setting). The hair styled with ringlets or curls on the sides and a small bun in back is typical. 1855.
550:
1563:
511:
1693:
878:
514:
wears a small fancy-work collar and a ribbon at her throat. Her thick, wavy hair is parted in the center and poufed over her ears, 1851.
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588:
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929:
wears a dark frock coat over lighter trousers and low-heeled shoes. He carries a soft-crowned brown hat. Detail of a portrait by
263:
or wound braid at the back, with the sides puffed out over the ears or with clusters of curls to either side in imitation of early
1698:
1669:
1366:
1190:
495:
1178:
248:
1508:
788:
1339:
wears a three-piece suit with rounded collar and lapel peaks, and the round, frilled open collar favored for children, 1855.
466:
34:
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the
1808:
1685:
768:
228:
1356:
1250:
816:
600:
517:
765:
of 1858 is styled like a
Bloomer suit (acceptable in the context of beachwear), and includes a cap to confine the hair.
624:
301:
gathered at the ankles, topped by a short dress or skirt hemmed just below the knees. The style was promoted by editor
1788:
1778:
1310:
1160:
1139:
wears a shirt with a round-cornered collar and a pleated front. His necktie is tied in a small bow. America, c. 1850.
1028:
576:
73:. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
2121:
2099:
1730:
1184:
1153:
758:
442:
30:
2147:
1800:
1715:
1674:
508:
wears a black off-the-shoulder gown with ruffles. She wears a brooch and bracelets on both wrists. France, 1851.
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2004:
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1939:
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The crinoline style gave wide scope to satirists, and many cartoons and comic odes to the crinoline appeared.
394:
1708:
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1172:
556:
2173:
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1147:
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283:
70:
1112:
648:
482:, a short dress worn over full trousers gathered at the ankle, briefly adopted by dress reformers in the
346:
2137:
1274:
989:
Costumes consisting of a coat, waistcoat and trousers of the same fabric were a novelty of this period.
684:
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100:
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1212:
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660:
382:
2152:
1850:
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based on military styles became fashionable in the late 1850s and remained so well into the 1860s.
2142:
1845:
1414:
1322:
1136:
1100:
1040:
1187:
wears a frock coat with a wide collar and lapels over a waistcoat with lapels and eight buttons.
895:
852:
2104:
1929:
1765:
1740:
1725:
1604:
1577:
1548:
1532:
1504:
1467:
1463:
1456:
1409:
941:
868:
479:
454:
157:
140:
1076:
2071:
2066:
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2035:
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1906:
1840:
212:
120:
116:
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1016:
200:
128:
124:
46:
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1226:
964:
882:
302:
66:
922:
322:
2167:
1971:
1215:
compares "The Fast Man's
Neckerchief in 1809" and "The Fast Man's Neck-Tie in 1859".
798:
483:
203:
were worn over the very wide skirts. Another fashionable outer garment was an Indian
1555:(full text available online from the Metropolitan Museum of Art Digital Collections)
1625:
971:
222:
1621:
1850s
Fashions in the Staten Island Historical Society Online Collections Database
1587:
Eliza Ann McAuley describes wearing a
Bloomer on the road to the goldfields, 1852
1390:
1380:
1370:
1360:
1326:
975:
926:
538:
287:
180:
17:
532:
wears a low cut lace trimmed silk dress with an elaborated bow ornament, 1852.
1002:
949:
752:
274:
became little more than a lace and ribbon frill worn on the back of the head.
152:
144:
62:
1163:
shows formal evening wear, informal day wear, top coats, and a dressing gown.
1419:
1346:
1330:
1200:
953:
176:
132:
58:
875:, 1850. (Crinolines did not actually come into wide use until about 1854.)
982:
910:
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762:
298:
50:
867:", satire on an early inflatable (air tube) version of the crinoline by
1567:
997:
166:
162:
1560:
History of
Costume from the Ancient Egyptians to the Twentieth Century
1835:
172:
Gowns were very low-necked, off-the-shoulder, and had short sleeves.
755:. The high neckline is set off with a white collar. American, 1857.
1175:, 1858, wears the wide-brimmed hat common on the American frontier.
502:(with border-prints) on skirt flounces and for bodices and sleeves.
169:-work were worn with morning dresses, sometimes with a ribbon bow.
1703:
1574:
Fabric of
Society: A Century of People and Their Clothes 1770–1870
937:
921:
247:
227:
216:
204:
99:
85:
54:
29:
899:, contrasting the styles of the time with the Grecian-influenced
553:
This corset was adjusted to the body, not to the dress as before.
1359:
wears knee-length and ankle length skirts and a tunic suit over
256:
1629:
271:
260:
1005:
was invented in 1850 but remained a working-class accessory.
1462:. Englewood Cliffs, New Jersey: Prentice-Hall, Inc. p.
1333:
wears the modest, dark dress appropriate to her occupation.
297:
adopted what she considered a more rational costume: loose
559:
with a bonnet and gloves and a shawl around her shoulders.
183:
were essential under this new fashion for modesty's sake.
119:
continued to expand. Skirts were made fuller by means of
1599:
1850s
Fashion Plates of men, women and children's fashion
1193:
wears a shirt with a turnover collar and a black necktie.
940:
of linen or cotton featured high upstanding or turnover
53:
is characterized by an increase in the width of women's
252:
The hair was middle parted with the sides puffed, 1850.
161:, or other fancy-work. Separate small collars of lace,
1562:, Harper & Row, 1965. No ISBN for this edition;
974:
was worn for formal day occasions. The most formal
2130:
2087:
2054:
2023:
1992:
1922:
1859:
1758:
1684:
1455:
545:Doña Amalie de Llano y Dotres, Condesa de Vilches
1544:From Queen to Empress: Victorian Dress 1837–1877
1529:The Art of Dress: Clothing and Society 1500–1914
1617:– c. 1850 Men's Fashion Photos with Annotations
563:African American woman with Afro-textured hair.
1547:, Metropolitan Museum of Art, New York, 1988,
1641:
1601:from The Metropolitan Museum of Art Libraries
498:shows the fashionable use of fabrics printed
151:sleeves were worn over false undersleeves or
8:
490:Male outdoors attire and female riding-habit
259:was dressed simply, middle parted and in a
1648:
1634:
1626:
797:, December 1859. Colorful, braid-trimmed
775:, with full-blown little girl's crinoline.
1363:, the teenagers wear adult fashion, 1855.
779:Countess Alexander Nikolaevitch Lamsdorff
736:Empress Eugenie and her Ladies in Waiting
697:A white muslin dress with tiered flounces
1446:
1222:
1012:
812:
572:
318:
215:in imitation of Indian styles. Hooded
1503:. Paris: Flammarion. pp. 99–105.
1383:, the boy wears a scottish suite, 1855
881:of a flounced skirt over a crinoline,
131:tightly at the top and stiffened with
115:In the 1850s, the domed skirts of the
2179:History of clothing (Western fashion)
1185:Liberian politician Edward James Roye
155:of cotton or linen, trimmed in lace,
7:
1694:Prehistory of nakedness and clothing
1197:Brothers Hans and Walter von Hallwyl
551:A reform corset from Madame Caplin.
104:Two cotton afternoon dresses from
25:
1435:National Dress Reform Association
893:from the July 11th 1857 issue of
305:and was immediately christened a
1749:
1670:History of clothing and textiles
1337:Hans Haubold, Graf von Einsiedel
1309:
1297:
1285:
1273:
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1237:
1225:
1123:
1111:
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1087:
1075:
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903:styles of an earlier generation.
851:
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27:Costume and fashion of the 1850s
2077:impact of the COVID-19 pandemic
1572:Tozer, Jane, and Sarah Levitt:
1345:wears a knee-length skirt with
759:"Going Swimming Fully Dressed"
127:), usually in tiers of three,
1:
726:
713:
700:
282:1851 marked the birth of the
233:
105:
1454:Russell, Douglas A. (1983).
1357:Empress Elisabeth of Austria
1203:, neck ties and curled hair.
1993:1920s–1950s Western fashion
1923:1830s–1910s Western fashion
1860:1500s–1820s Western fashion
1576:, Laura Ashley Ltd., 1983;
496:1851 Parisian fashion plate
232:Pair of Girl's Ankle Boots
2195:
1501:A History of Men's Fashion
1487:Iowa to the "Land of Gold"
1325:wears a belted tunic over
1213:Vicissitudes of the Cravat
1191:Artist Henri Fantin-Latour
710:A plaid silk tafetta dress
278:Beginnings of dress reform
1747:
1675:History of fashion design
1664:
1458:Costume History and Style
1379:in crinoline dresses and
143:in front and worn over a
65:, the mass production of
2000:Suffrage Movement period
1499:Chenoune, Farid (1993).
1169:shows informal day wear.
723:A cotton afternoon dress
524:Doña Josefa García Solis
147:. Wider bell-shaped or
92:The Princesse de Broglie
69:, and the beginnings of
1659:of clothing and fashion
1605:1850s and 1860s Fashion
1425:Artistic Dress movement
1218:
1179:Artist Eugène Delacroix
1157:very little shirt cuff.
917:
569:Style gallery 1855–1859
530:Anna Henriette Stelzner
315:Style gallery 1850–1854
244:Hairstyles and headgear
76:
49:and Western-influenced
1541:Goldthorpe, Caroline:
1430:Victorian dress reform
1143:James Fennimore Cooper
934:
887:magazine, August 1856.
284:Victorian dress reform
253:
240:
112:
97:
39:
2088:By country and region
1610:Promenade dress, 1857
970:The slightly cutaway
946:four-in-hand neckties
925:
909:cases problems in an
512:Mrs. Coventry Patmore
265:17th century fashions
251:
231:
209:Paisley, Renfrewshire
103:
89:
33:
2055:2000–present fashion
1615:1850s Men's Fashions
1389:in a dress, hat and
1137:Painter G.P.A. Healy
931:John Everett Millais
2095:Indian subcontinent
2024:1960s-1990s fashion
1349:petticoat, 1858–59.
891:A satirical cartoon
794:Godey's Lady's Book
539:Maggie and Kate Fox
518:Matilde Juva-Branca
492:of 1850 (New York).
1415:Corset controversy
1353:The young siblings
1219:Children's fashion
1208:Caricature gallery
1161:1857 fashion plate
935:
873:The Comic Almanack
865:"A Splendid Spread
806:Caricature gallery
536:Two teenaged girls
254:
241:
113:
98:
40:
2161:
2160:
1527:Ashelford, Jane:
1489:Eliza Ann McAuley
1410:Victorian fashion
959:A new style, the
907:Crinoline fashion
869:George Cruikshank
749:Charlotte Cushman
506:Madame Moitessier
158:broderie anglaise
16:(Redirected from
2186:
1907:Directoire style
1753:
1650:
1643:
1636:
1627:
1558:Payne, Blanche:
1531:, Abrams, 1996.
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1154:Fashions of 1856
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77:Women's fashion
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1151:
1150:died in 1851).
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799:Zouave jackets
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742:Mme Moitessier
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557:Mrs. Cora Vail
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26:
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2174:1850s fashion
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2122:Western world
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2016:
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1582:0-9508913-0-4
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1009:Style gallery
1008:
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987:
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979:
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976:evening dress
973:
968:
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955:
951:
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932:
928:
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918:Men's fashion
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769:Fashion plate
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486:in the 1850s.
485:
484:United States
481:
477:
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468:
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456:
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277:
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268:
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230:
226:
224:
223:Riding habits
220:
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210:
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194:
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178:
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168:
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94:
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68:
64:
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57:supported by
56:
52:
48:
44:
43:1850s fashion
37:
32:
19:
1944:
1573:
1559:
1542:
1528:
1500:
1494:
1482:
1457:
1449:
1211:
995:
991:
988:
981:Full-length
980:
972:morning coat
969:
960:
958:
936:
894:
883:
879:Cutaway view
872:
809:
792:
772:
499:
480:Bloomer suit
472:13 – ca 1855
308:Bloomer suit
307:
295:Libby Miller
281:
269:
255:
221:
198:
190:
174:
171:
156:
148:
137:
114:
90:
71:dress reform
42:
41:
35:
2131:By clothing
1794:Western Xia
1784:Jurchen Jin
1766:Anglo-Saxon
1759:Middle Ages
1704:Han Chinese
1391:pantalettes
1381:pantalettes
1371:pantalettes
1361:pantalettes
1327:pantalettes
1256:3 - 1858-59
1244:2 – 1858–59
1173:Sam Houston
1034:2 – c. 1850
1022:1 – c. 1850
952:(in French
950:frock coats
927:John Ruskin
753:engageantes
730: 1855
717: 1855
704: 1855
606:3 – c. 1855
594:2 – c. 1855
582:1 – c. 1855
288:New England
270:The indoor
237: 1850
181:Pantalettes
179:and hoops.
153:engageantes
109: 1855
2168:Categories
1851:Vietnamese
1809:400s–1000s
1568:B0006BMNFS
1522:References
1510:2080135368
1343:Young girl
1304:7– ca 1855
1201:redingotes
1003:bowler hat
954:redingotes
933:, 1853–54.
291:temperance
199:Cape-like
145:chemisette
59:crinolines
2015:1945–1960
2010:1930–1945
1972:Edwardian
1930:Victorian
1902:1795–1820
1897:1775–1795
1892:1750–1775
1887:1700–1750
1882:1650–1700
1877:1600–1650
1872:1550–1600
1867:1500–1550
1846:Tocharian
1771:Byzantine
1420:Crinoline
1393:, ca 1855
1347:crinoline
1331:governess
1130:10 – 1859
965:suit coat
961:sack coat
858:4 – 1850s
690:10 – 1859
460:12 – 1854
448:11 – 1854
436:10 – 1853
328:1 – 1850s
293:activist
195:Outerwear
177:petticoat
36:sack coat
2153:Swimwear
2117:Thailand
1775:Chinese
1741:Thracian
1726:Biblical
1716:Egyptian
1657:Timeline
1404:See also
1316:8– 1858
1292:6– 1855
1280:5– 1855
1268:4 - 1855
1232:1 – 1851
1118:9 – 1859
1106:8 – 1858
1094:7 – 1858
1082:6 – 1858
1070:5 – 1857
1058:4 – 1857
1046:3 – 1856
998:top hats
983:trousers
846:3 – 1857
834:2 – 1856
822:1 – 1850
783:mourning
763:swimsuit
678:9 – 1859
666:8 – 1859
642:6 – 1857
630:5 – 1856
618:4 – 1855
424:9 – 1852
412:8 – 1852
400:7 – 1852
388:6 – 1851
376:5 – 1851
364:4 – 1851
352:3 – 1851
340:2 – 1850
299:trousers
141:buttoned
129:gathered
121:flounces
51:clothing
1841:Ottoman
1805:Europe
1801:English
1686:Ancient
1329:. His
942:collars
911:omnibus
871:, from
541:, 1852.
201:jackets
187:Fabrics
167:crochet
163:tatting
125:ruffles
47:Western
2143:Corset
2138:Bikini
1836:Korean
1580:
1566:
1551:
1535:
1507:
1470:
1399:, 1858
1387:A girl
1373:, 1855
1367:A girl
1199:wears
1148:Cooper
938:Shirts
789:Jacket
217:cloaks
149:pagoda
123:(deep
96:wrist.
55:skirts
2110:Meiji
2105:Japan
2100:Italy
2072:2020s
2067:2010s
2062:2000s
2046:1990s
2041:1980s
2036:1970s
2031:1960s
2005:1920s
1982:1910s
1977:1900s
1965:1890s
1960:1880s
1955:1870s
1950:1860s
1945:1850s
1940:1840s
1935:1830s
1914:1820s
1829:1400s
1824:1300s
1819:1200s
1814:1100s
1736:Roman
1731:Greek
1721:Inuit
1699:China
1441:Notes
1377:Girls
996:Tall
884:Punch
791:from
771:from
745:1856.
725:from
712:from
699:from
211:in a
205:shawl
165:, or
117:1840s
82:Gowns
63:hoops
2148:Hide
1789:Yuan
1779:Liao
1578:ISBN
1564:ASIN
1549:ISBN
1533:ISBN
1505:ISBN
1468:ISBN
1167:1857
478:The
257:Hair
1709:Shu
1464:357
1355:of
761:or
272:cap
261:bun
61:or
45:in
2170::
1466:.
967:.
727:c.
714:c.
701:c.
267:.
234:c.
106:c.
1649:e
1642:t
1635:v
1513:.
1476:.
1146:(
913:.
785:.
732:.
719:.
706:.
239:.
111:.
38:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
