666:" was stately and serene, as Coltrane and Adderley sit out, giving Evans and Davis a more meditative backdrop for sensitive soloing. Evans displayed his soft and sensitive piano style. His unique and challenging sound was one of the reasons Miles Davis had hired him following Garland's departure. The late-night languor of "My Funny Valentine", along with Bill Evans' presence and the more consistent and improving sextet, would hint at the music later featured on Davis' next album, the 1959 jazz masterpiece
978:, Evans remarked on his recording experience with Davis, stating "Miles occasionally might say, 'Right here, I want this sound', and it turn out be a very key thing that changes the whole character of the . For instance, on 'On Green Dolphin Street', the original changes of the chorus aren't the way : the vamp changes being a major seventh up a minor third, down a half tone. That was he leaned over and said, 'I want this here.'" Evans' influence would be apparent on the
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516:, Adderley elaborated on his initial reaction to the change, stating "Especially when he started to use Bill Evans, Miles changed his style from very hard to a softer approach. Bill was brilliant in other areas, but he couldn't make the real things come off." Despite his preference for a harder piano style, Adderley opened up to the new sound. He later used Bill Evans on a July 1958 session for his
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influential leader and his trendsetting band of that time, were doing in that particular portion of 1958, are a most welcome addition to the collectors library." The live portion of the album recorded at The Plaza Hotel was noted by critics as an early stage of the new sextet. Music writer
Nicholas Taylor later wrote of the Plaza set:
574:. In contrast to the mood pieces composed for the film, the May session featured Davis' growing curiosity in modal jazz and the relationship of fewer chords and variations with melody. This was the first studio session to feature Bill Evans and Jimmy Cobb in the new sextet, recording on Davis' thirty-second birthday.
271:, which was released in November 1959, one song from the same session not appearing in the album ("Love for Sale"), and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist
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and scale patterns played in rapid succession; hundreds of notes running from the lowest to highest registers. "Stella by
Starlight" featured Evans' delicate and sparse introduction, which made Coltrane's early solo seem startling. Evans' lush and laconic solo suggested the bittersweet spell he would
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sessions troubled
Garland and Jones. During one of these sessions, an incident occurred between Davis and Garland when he was playing piano on the song "Sid's Ahead". Apparently, Davis leaned over his pianist's shoulder, commenting on his piano playing. What was said by Davis is still unknown, but it
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Evans was subsequently hired by Davis for his rich precision and ability to understate the piano's solo voice. While Davis was fascinated and taken with the new sound Evans brought and the challenges it inspired, the remainder of the band, including Julian "Cannonball" Adderley, preferred
Garland's
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to be one of Davis' best works, while also noting that he was "very taken with the performances", alluding to the album's recordings after Gitler had listened to them. In the 1979 LP reissue liner notes, Gitler wrote "These prime cuts of the Miles Davis Sextet, representative of what this most
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was Davis' first use of modes and
Cannonball Adderley's presence helped make the band became a more powerful sextet, these sessions helped introduce Bill Evans to the music of Miles Davis. The May 26 session, in particular, exposed Evans to Davis' spontaneous ability in the studio to simplify
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over Paul
Chambers' transparent counterpoint, as Cobb and Evans pealed away on their instruments, sharing solos with Davis, Adderley and Coltrane. The contrast between hot melodic variations and cool, laid back swing gave the whimsical "Fran Dance" (according to
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at a brisk tempo, and though Jimmy Cobb lacked former drummer Philly Joe's technical flair, he and Paul
Chambers remained consistent, as the horns carried into whirling solos. Evans used Adderley's solo and the song's tempo to improvise, as he scattered
421:, represented, as Davis called it, "a return to melody". According to Davis, "Classical composers—some of them—have been writing this way for years, but jazz musicians seldom have". In early 1958, Davis began using this approach with his sextet, a
348:... gives you a lot more freedom and space to hear things. When you go this way, you can go on forever. You don't have to worry about changes and you can do more with the line. It becomes a challenge to see how melodically inventive you can be
598:" their elemental tension. This contrast represented Davis' transitional stage between bebop and modality; standard chords and musical variety. The sessions were also notable for featuring Coltrane's unique improvisational style, known as the
951:... It is the snapshot—albeit a blurred one—of a group of musicians on the verge of greatness, beginning to feel each other’s tics and idiosyncrasies, forming the bonds of a sextet that would soon alter the history of jazz forever.
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647:. Journalist Lindsey Planer later called the performance "slippery and triple-jointed", and went on to state "The band plays as if Monk might have been in the room that night. This is Davis at his most muted magnificence."
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The live portion of the album was recorded in the
Persian Room of New York's Plaza Hotel at a September jazz party given by Columbia Records to celebrate "the healthy state of jazz" at the label. Later issued in full as
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In contrast to the conventional method of composing during the time, modal compositions were to be written as a series of sketches in which each performer is given a set of scales that defines the
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in Rhode Island during the mid-1950s. The set at the Plaza Hotel further expanded Davis' repertoire in concert venues and increased his popularity among jazz fans and writers. Even though
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and his first sessions with Bill Evans, the 1958 Sessions, Davis became satisfied with the results. This led to his preparation of an entire album based on modality, his 1959 masterwork,
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451:(1958), which was based on two modes, recorded in April of that year. Instead of soloing in the straight, conventional, melodic way, Davis's new style of improvisation featured rapid
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Prior to the live session, Miles Davis had already established a reputation as one of the jazz era's top live performers, following well-received performances at such venues as
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has had a rather convoluted release history. The album has experienced many reissues under different titles and records labels, along with a variety of release date listings.
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The entire session has an informal feel that is unusual for a studio date. Upon hearing it again I immediately knew why I was so taken with it those many years ago.
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sessions as it was during the initial 1958 sessions. All recorded studio work by Davis from 1958 for
Columbia was later reissued on the box set compilation
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An interesting and puzzling period piece, documenting the sextet exploring a sound that would soon morph into the rich tapestry of their 1959 masterpiece
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in 1973, the live set featured three staples of Davis' and
Coltrane's concert repertoire during their collaborating years. The sextet opened up with the
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was enough to make Garland leave the studio, leaving Davis to play piano on the track and straining the friendship between the two musicians.
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was reissued in 2001. The first four tracks were also released on a bonus disc of the 50 Anniversary Collector's Edition of
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by engineer Larry Keyes at Sony Music New York Studio, the album was reissued on compact disc in 1991 as part of Columbia's
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as a means of getting away from the dense chord-laden compositions of his time, which Davis had labeled as "thick".
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A different aesthetic was in place during the session, as Bill Evans' first rhapsodic, impressionistic chords on "
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sessions from earlier that year, were seen by many music writers as elemental in Miles Davis' transition from
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centers and modal impressions. In contrast to the high tempos and improvisation of the other live tunes, "
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changes as hindering musical creativity. Five years earlier, jazz pianist, composer and theorist
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LP. Evans' unique piano sound and Davis' experiments with modal jazz would culminate on the '
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compositions for Davis contained only a musical scale and no chords, the basis for modality.
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sessions, Davis made significant personnel changes. By the time Coltrane had returned from
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and scale changes played against sparse chord changes. Davis' acclaimed collaboration with
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of their improvisation. Modal composition, with its reliance on musical scales and
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Davis on using modes rather than chord progressions as a harmonic framework, in
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Recorded at Columbia's 30th Street Studio, New York, New York, on May 26, 1958.
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complicated musical structures. In a 1979 interview for the jazz radio station
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In 1958, Miles Davis was one of many jazz musicians growing dissatisfied with
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590:'s liner notes, the song was named after Davis' wife Francis), the romantic "
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The 1979 and 2006 Sony Japan release featured only side one and a bonus cut.
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Recorded live at The Plaza Hotel, New York, New York, on September 9, 1958.
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Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. 6
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1749:"Amazon.com: '58 Miles Featuring Stella by Starlight: Miles Davis: Music"
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gave him an opportunity to experiment with Russell's concept, as Evans'
352:... fewer chords but infinite possibilities as to what to do with them.
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Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964
1946:"George Russell - The Lydian Chromatic Concept of Tonal Organization"
318:. The complete 1958 sessions for Columbia were issued on the box set
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Miles Davis & Gil Evans: The Complete Columbia Studio Recordings
965:, also known as "The Jazz Corner of the World", in New York and the
501:. Problems with money, tardiness, attitude and heroin preceding the
292:
style of jazz and were viewed as precursors to his best-known work,
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The Complete Studio Recordings of The Miles Davis Quintet 1965–1968
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Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol. 5
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Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. 3
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The Complete Columbia Recordings of Miles Davis with John Coltrane
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The Complete Columbia Recordings of Miles Davis with John Coltrane
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The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.
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The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.
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The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.
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The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.
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The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.
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The Complete Columbia Recordings of Miles Davis with John Coltrane
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The Complete Columbia Recordings of Miles Davis with John Coltrane
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566:, an LP that consisted mostly of songs composed by Davis for the
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The sessions for tracks on the album in mid-1958, along with the
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1910:. New York, NY: Sony Music Entertainment, Inc./Columbia Records.
1785:"allmusic '58 Sessions Featuring Stella by Starlight - Overview"
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242:
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In Person Friday and Saturday Nights at the Blackhawk, Complete
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3308:
Live at the Fillmore East, March 7, 1970: It's About That Time
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265:
consists of three songs featured on side two of the LP album
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Evenings at the Village Gate: John Coltrane with Eric Dolphy
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Miles! The Definitive Miles Davis at Montreux DVD Collection
2449:'58 Sessions Featuring Stella By Starlight album liner notes
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Originally released in 1974 (not 1958) on CBS/Sony Records,
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based on chords. Abandoning the traditional major and minor
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Thelonious Monk Quartet with John Coltrane at Carnegie Hall
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Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4
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The Heavyweight Champion: The Complete Atlantic Recordings
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That’s What Happened 1982-1985: The Bootleg Series, Vol. 7
1728:"Discogs.com - '58 Sessions Featuring Stella by Starlight"
4786:
The Classic Quartet – Complete Impulse! Studio Recordings
1978:"Miles Davis: Jazz at the Plaza < Music - PopMatters"
386:(1953), which offered an alternative to the practice of
2463:
Kind of Blue: The Making of the Miles Davis Masterpiece
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Kind of Blue: The Making of the Miles Davis Masterpiece
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Kind of Blue: The Making of the Miles Davis Masterpiece
2008:
Kind of Blue: The Making of the Miles Davis Masterpiece
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Kind of Blue: The Making of the Miles Davis Masterpiece
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chronicled the transition from the brawny agitation of
634:", composed by Thelonious Monk. The musicians took the
1652:"1958 Miles Davis Session - Liner notes by Ira Gitler"
5116:
Before John Was a Jazz Giant: A Song of John Coltrane
3680:
Chronicle: The Complete Prestige Recordings 1951–1956
3480:
Basic Miles: The Classic Performances of Miles Davis
1700:"1958 Miles Davis - Kind Of Blue Period (1955–1961)"
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Miles Davis: The Complete Columbia Album Collection
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310:. For later reissues, the album was retitled as
3698:Panthalassa: The Music of Miles Davis 1969–1974
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3301:Live in Europe 1969: The Bootleg Series Vol. 2
3287:Live in Europe 1967: The Bootleg Series Vol. 1
2537:. Completely Revised and Updated 4th Edition.
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1702:. Sony BMG Music Entertainment. Archived from
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383:Lydian Chromatic Concept of Tonal Organization
4726:The Olatunji Concert: The Last Live Recording
4719:The Complete 1961 Village Vanguard Recordings
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2651:
2094:
2092:
1919:
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8:
5046:Chasing Trane: The John Coltrane Documentary
3645:The Complete Live at the Plugged Nickel 1965
3280:The Complete Live at the Plugged Nickel 1965
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4363:Selflessness: Featuring My Favorite Things
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3857:That's What Happened: Live in Germany 1987
3322:Black Beauty: Miles Davis at Fillmore West
3224:In Person: At the Blackhawk, San Francisco
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2626:'58 Sessions Featuring Stella by Starlight
2189:: 51. October 1991. Accessed 2009-07-22.
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312:'58 Sessions Featuring Stella by Starlight
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5158:Albums recorded at CBS 30th Street Studio
2531:Nathan Brackett, Christian Hoard (2004).
2390:"1958 Miles (Bonus Tracks) > Overview"
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1460:58 Sessions Featuring Stella by Starlight
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16:1974 compilation album by Miles Davis
2362:"Miles Davis – 1958 Miles (1979, Vinyl)"
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1676:"Discogs.com - Miles Davis - Jazz Track"
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4733:Live at the Half Note: One Down, One Up
4426:Both Directions at Once: The Lost Album
4019:John Coltrane with the Red Garland Trio
3673:The Legendary Prestige Quintet Sessions
3245:Live at the 1963 Monterey Jazz Festival
1568:
4589:The Complete 1957 Riverside Recordings
4490:Miles Davis and the Modern Jazz Giants
2845:Miles Davis and the Modern Jazz Giants
485:'s quartet to Davis's sextet, pianist
316:58 Miles Featuring Stella by Starlight
216:58 Miles Featuring Stella by Starlight
4033:Cattin' with Coltrane and Quinichette
3610:The Complete In a Silent Way Sessions
2859:Steamin' with the Miles Davis Quintet
2838:Relaxin' with the Miles Davis Quintet
685:
7:
5039:The World According to John Coltrane
4567:Miles Davis Quintet at Peacock Alley
3652:The Complete Miles Davis at Montreux
3182:Miles Davis Quintet at Peacock Alley
2852:Workin' with the Miles Davis Quintet
2824:Cookin' with the Miles Davis Quintet
2585:Virgin Encyclopedia of Popular Music
4740:Offering: Live at Temple University
4656:Live at the Village Vanguard Again!
4398:The Africa/Brass Sessions, Volume 2
3631:The Complete On the Corner Sessions
3413:Miles & Quincy Live at Montreux
820:
744:
4617:Thelonious Monk with John Coltrane
4455:Miles: The New Miles Davis Quintet
4267:Duke Ellington & John Coltrane
3624:The Complete Jack Johnson Sessions
3617:The Complete Bitches Brew Sessions
2803:Miles: The New Miles Davis Quintet
2100:"Bill Evans Webpages- The Catalog"
372:, seeing its increasingly complex
14:
5105:John W. Coltrane Cultural Society
4077:Kenny Burrell & John Coltrane
3294:1969 Miles – Festiva De Juan Pins
2534:The New Rolling Stone Album Guide
2506:John Coltrane: His Life and Music
911:, to the cerebral tranquility of
853:
782:
706:
4863:The Major Works of John Coltrane
4288:John Coltrane and Johnny Hartman
3903:
3902:
2508:. University of Michigan Press.
2322:. All About Jazz. September 2000
1925:"allmusic Milestones - Overview"
872:
867:
862:
857:
852:
834:
829:
824:
819:
801:
796:
791:
786:
781:
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758:
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720:
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705:
4898:To the Beat of a Different Drum
4828:Dial Africa: The Savoy Sessions
4747:A Love Supreme: Live in Seattle
4309:The John Coltrane Quartet Plays
2775:Miles Davis All Stars, Volume 2
2768:Miles Davis All Stars, Volume 1
2561:The Penguin Guide to Jazz on CD
2451:. Sony Music Entertainment Inc.
2140:. Da Capo Press, USA. pp.
2068:. Da Capo Press, USA. pp.
2016:. Da Capo Press, USA. pp.
1867:"George Russell - About George"
1831:. Da Capo Press, USA. pp.
4698:Live Trane: The European Tours
4635:"Live" at the Village Vanguard
2761:Miles Davis with Sonny Rollins
2471:. Da Capo Press, USA. p.
934:Jazz historian and journalist
558:Featured as the first side of
253:and September 9, 1958, at the
1:
5173:Modal jazz compilation albums
5153:Albums produced by Teo Macero
4877:Ken Burns Jazz: John Coltrane
4821:Countdown: The Savoy Sessions
3659:The Cellar Door Sessions 1970
3343:The Cellar Door Sessions 1970
2265:The Rolling Stone Album Guide
2209:Encyclopedia of Popular Music
1904:"Liner Notes to 1997 Reissue"
1609:"Miles Davis: '58 Sessions".
846:The Rolling Stone Album Guide
775:Encyclopedia of Popular Music
611:sessions the following year.
251:Columbia's 30th Street Studio
5032:The Church of Saint Coltrane
3529:The Columbia Years 1955–1985
3231:Miles Davis at Carnegie Hall
2268:: 214–217. November 2, 2004.
1187:Julian "Cannonball" Adderley
427:Julian "Cannonball" Adderley
275:performing in Davis' group.
60:May 26 and September 9, 1958
5168:Hard bop compilation albums
4532:Miles & Monk at Newport
4525:Someday My Prince Will Come
3406:Merci Miles! Live at Vienne
3203:Miles & Monk at Newport
2926:Someday My Prince Will Come
2747:Miles Davis All Star Sextet
2719:The Compositions of Al Cohn
425:made up of alto sax player
5189:
3473:Miles Davis' Greatest Hits
2557:Richard Cook, Brian Morton
2246:: 375–376. September 2002.
1599:. Retrieved on 2009-07-21.
5163:1970s instrumental albums
4884:The Last Giant: Anthology
4779:The Best of John Coltrane
3957:
3897:
3550:The Essential Miles Davis
3109:Ascenseur pour l'échafaud
2673:
2283:"Grade List: Miles Davis"
813:The Penguin Guide to Jazz
693:
690:
572:Ascenseur pour l'échafaud
226:
222:
205:
201:
192:
155:
26:
4553:Jazz at the Plaza Vol. I
4217:Coltrane Plays the Blues
3879:A Different Kind of Blue
3843:Miles: The Autobiography
3705:Panthalassa: The Remixes
3210:Jazz at the Plaza Vol. I
2255:Hoard, Christian (ed.) "
2236:Cook, Richard. "Review:
1269: – Jacket cover art
570:to the 1958 French film
308:Jazz Masterpieces Series
162:Jazz at the Plaza Vol. I
5148:Columbia Records albums
5138:1958 compilation albums
4814:The Prestige Recordings
3712:Evolution of the Groove
3329:Miles Davis at Fillmore
2343:. Stupid and Contagious
2206:(2011). "Miles Davis".
1751:. Amazon.com, Inc. 1991
1022:On Green Dolphin Street
579:On Green Dolphin Street
5100:5893 Coltrane asteroid
4012:Wheelin' & Dealin'
2392:. All Media Guide, LLC
2309:Gitler (1991), p. 2–5.
1927:. All Media Guide, LLC
1787:. All Media Guide, LLC
959:
547:
519:Portrait of Cannonball
354:
4677:Afro Blue Impressions
4462:'Round About Midnight
3831:Miles Dewey Davis Jr.
3807:Seven Steps to Heaven
3431:Miles Davis and Horns
3399:Live Around the World
3238:Miles Davis in Europe
3024:The Man with the Horn
2982:Filles de Kilimanjaro
2933:Seven Steps to Heaven
2877:'Round About Midnight
2733:Miles Davis, Volume 3
2726:Miles Davis, Volume 2
2705:Young Man with a Horn
2582:Colin Larkin (2002).
2287:Tom Hull – on the Web
2243:Penguin Guide to Jazz
1450:re-released cassette
967:Newport Jazz Festival
903:, respectively, the '
884:Tom Hull – on the Web
388:musical improvisation
4649:New Thing at Newport
4580:Thelonious Monk
3466:Miles Davis Volume 2
3459:Miles Davis Volume 1
3385:Miles! Miles! Miles!
3175:Miles & Coltrane
2782:The Musings of Miles
2539:Simon & Schuster
2167:Porter 1999, p. 111.
1948:. Concept Publishing
1869:. Concept Publishing
681:Professional ratings
676:Reception and legacy
594:", and the jumping "
429:, tenor saxophonist
80:Columbia 30th Street
4800:The Coltrane Legacy
4793:Coltrane for Lovers
3837:Miles Davis Quintet
3508:Circle in the Round
3045:You're Under Arrest
2754:Miles Davis Quintet
2740:Miles Davis Quartet
1619:(75–78): 248. 1992.
1247:Larry Keyes –
1094:Straight, No Chaser
1052:Stella by Starlight
682:
632:Straight, No Chaser
592:Stella by Starlight
304:digital restoration
5143:Miles Davis albums
5090:Philadelphia house
4596:Thelonious Himself
4412:Dear Old Stockholm
4391:Interstellar Space
4203:My Favorite Things
3882:(2004 documentary)
3779:Freddie Freeloader
3252:My Funny Valentine
1612:The Absolute Sound
1279:, digital producer
1109:My Funny Valentine
680:
664:My Funny Valentine
197:1991 reissue cover
5125:
5124:
4951:Central Park West
4870:Jupiter Variation
4705:Bye Bye Blackbird
4691:The European Tour
4684:The Paris Concert
4405:First Meditations
4070:Standard Coltrane
3917:
3916:
3772:Flamenco Sketches
3445:Birth of the Cool
3315:Bitches Brew Live
3189:Amsterdam Concert
3146:
3145:
3123:Music from Siesta
2919:Sketches of Spain
2817:Collectors' Items
1908:Kind of Blue (CD)
1886:Kahn (2001), p16.
1588:Planer, Lindsay.
1560:
1559:
1160:
1153:"Little Melonae"
1137:
1122:
1103:
1076:
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1035:
901:Jazz at the Plaza
893:
892:
623:Jazz at the Plaza
493:were replaced by
394:relationships of
327:Jazz at the Plaza
300:audio engineering
239:compilation album
230:
229:
188:
187:
37:Compilation album
5180:
5068:Coltrane changes
5063:List of sessions
4642:Live at Birdland
4446:Miles Davis
4224:Coltrane's Sound
4184:Bags & Trane
4063:Settin' the Pace
3944:
3937:
3930:
3921:
3906:
3905:
3872:Miles from India
3824:Related articles
3062:Warner Bros. era
2975:Miles in the Sky
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443:Philly Joe Jones
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4772:Alternate Takes
4759:
4663:Live in Seattle
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3259:Four & More
3196:At Newport 1958
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2989:In a Silent Way
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1200:tenor saxophone
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956:Nicholas Taylor
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2467:. foreword by
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607:cast over the
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539:Studio session
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477:Following the
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462:Porgy and Bess
441:, and drummer
400:musical scales
380:published his
378:George Russell
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4196:Coltrane Jazz
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4155:Coltrane Time
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3737:Blue in Green
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3392:We Want Miles
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3161:Birdland 1951
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3017:On the Corner
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2685:
2683:Studio albums
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2647:
2642:
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2638:
2632:
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2615:
2614:ModalJazz.com
2612:
2611:
2607:
2601:
2599:1-85227-923-0
2595:
2591:
2588:. Edition 4.
2587:
2586:
2580:
2576:
2574:0-14-051521-6
2570:
2566:
2563:. Edition 6.
2562:
2558:
2554:
2550:
2548:0-7432-0169-8
2544:
2540:
2536:
2535:
2529:
2525:
2521:
2517:
2515:0-472-08643-X
2511:
2507:
2503:
2502:Porter, Lewis
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2482:0-306-81067-0
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2214:Omnibus Press
2211:
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2204:Larkin, Colin
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1730:. Discogs.com
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1706:on 2008-02-23
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1300:
1298:Issued title
1297:
1296:
1293:
1291:
1283:
1278:
1274:
1273:Mike Berniker
1271:
1268:
1265:
1263:
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1246:
1244:
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1236:
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1224:
1221:
1219:
1215:
1214:Paul Chambers
1212:
1210:
1206:
1203:
1201:
1197:
1196:John Coltrane
1194:
1192:
1188:
1185:
1182:
1178:
1175:
1174:
1170:
1165:
1158:
1152:
1151:
1150:
1149:
1142:
1138: – 10:48
1135:
1129:
1125:
1123: – 10:05
1120:
1116:
1110:
1106:
1104: – 10:57
1101:
1095:
1091:
1090:
1089:
1088:
1081:
1080:
1077: – 11:43
1074:
1068:
1067:Love for Sale
1064:
1060:, Washington)
1059:
1053:
1049:
1044:
1039:"Fran Dance"
1038:
1033:
1029:
1023:
1019:
1018:
1017:
1016:
1009:
1008:
1004:
1000:Track listing
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997:
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987:
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977:
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968:
964:
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944:
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686:Review scores
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652:Sonny Rollins
648:
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596:Love for Sale
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439:Paul Chambers
436:
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431:John Coltrane
428:
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423:jazz ensemble
420:
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259:New York City
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43:
38:
34:
30:
25:
20:
5114:
5044:
5037:
5030:
4922:Compositions
4910:
4903:
4896:
4891:Living Space
4889:
4882:
4875:
4868:
4861:
4854:
4847:
4840:
4835:Feelin' Good
4833:
4826:
4819:
4812:
4805:
4798:
4791:
4784:
4777:
4770:
4764:Compilations
4752:
4745:
4738:
4731:
4724:
4717:
4710:
4703:
4696:
4689:
4682:
4675:
4668:
4661:
4654:
4647:
4640:
4633:
4615:
4608:
4603:Monk's Music
4601:
4594:
4587:
4565:
4559:
4558:
4551:
4544:
4537:
4530:
4523:
4516:
4509:
4502:
4497:Kind of Blue
4495:
4488:
4481:
4474:
4467:
4460:
4453:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4375:
4368:
4361:
4351:Cosmic Music
4349:
4342:
4335:
4330:Kulu Sé Mama
4328:
4321:
4314:
4307:
4300:
4293:
4286:
4279:
4272:
4265:
4258:
4253:Africa/Brass
4251:
4229:
4222:
4215:
4210:Olé Coltrane
4208:
4201:
4194:
4189:Milt Jackson
4182:
4175:
4153:
4146:
4124:
4117:
4110:
4105:Black Pearls
4103:
4098:The Believer
4096:
4089:
4082:
4075:
4068:
4061:
4054:
4038:
4031:
4024:
4017:
4010:
4003:
3996:
3989:
3984:Tadd Dameron
3977:
3901:
3890:(2015 movie)
3885:
3877:
3870:
3862:
3855:
3848:
3841:
3722:Compositions
3710:
3703:
3696:
3690:Remix albums
3678:
3671:
3664:
3657:
3650:
3643:
3636:
3629:
3622:
3615:
3608:
3601:
3594:
3587:
3580:
3562:
3555:
3548:
3541:
3534:
3527:
3520:
3514:
3513:
3506:
3501:Water Babies
3499:
3492:
3485:
3478:
3471:
3464:
3457:
3450:
3443:
3436:
3429:
3423:Compilations
3411:
3404:
3397:
3390:
3383:
3376:
3369:
3362:
3355:
3348:
3341:
3334:
3327:
3320:
3313:
3306:
3299:
3292:
3285:
3278:
3271:
3264:
3257:
3250:
3243:
3236:
3229:
3222:
3215:
3208:
3201:
3194:
3187:
3180:
3173:
3166:
3159:
3135:
3130:The Hot Spot
3128:
3121:
3116:Jack Johnson
3114:
3107:
3089:
3082:
3075:
3068:
3050:
3043:
3036:
3029:
3022:
3015:
3008:
3003:Jack Johnson
3001:
2996:Bitches Brew
2994:
2987:
2980:
2973:
2966:
2959:
2954:Miles Smiles
2952:
2945:
2940:Quiet Nights
2938:
2931:
2924:
2917:
2910:
2905:Kind of Blue
2903:
2896:
2889:
2882:
2875:
2869:Columbia era
2857:
2850:
2843:
2836:
2831:Bags' Groove
2829:
2822:
2815:
2808:
2801:
2794:
2787:
2780:
2773:
2766:
2759:
2752:
2745:
2738:
2731:
2724:
2717:
2710:
2703:
2696:
2690:Prestige era
2624:
2618:
2590:Virgin Books
2583:
2560:
2532:
2505:
2494:
2462:
2448:
2438:Bibliography
2423:. Retrieved
2419:
2416:"1958 Miles"
2394:. Retrieved
2369:. Retrieved
2365:
2356:
2345:. Retrieved
2335:
2324:. Retrieved
2314:
2290:. Retrieved
2286:
2273:
2263:
2258:
2251:
2241:
2237:
2232:
2207:
2198:
2184:
2179:
2176:Columnist. "
2172:
2163:
2155:
2131:
2104:. Retrieved
2083:
2059:
2031:
2007:
1982:. Retrieved
1950:. Retrieved
1940:
1929:. Retrieved
1907:
1882:
1871:. Retrieved
1846:
1822:
1789:. Retrieved
1753:. Retrieved
1743:
1732:. Retrieved
1708:. Retrieved
1704:the original
1680:. Retrieved
1656:. Retrieved
1616:
1610:
1604:
1591:
1537:
1518:
1499:
1480:
1468:Jazz Records
1459:
1446:Sony Records
1436:
1413:
1391:
1366:
1339:
1315:
1289:
1287:
1161: – 7:22
1147:
1146:
1086:
1085:
1062: – 4:41
1047: – 5:48
1036: – 9:48
1014:
1013:
994:Kind of Blue
993:
989:
983:
980:Kind of Blue
979:
970:
960:
946:
939:
933:
929:Kind of Blue
928:
925:Kind of Blue
924:
913:Kind of Blue
912:
908:
904:
900:
896:
895:As parts of
894:
882:
844:
811:
773:
735:
669:Kind of Blue
667:
649:
621:
618:
609:Kind of Blue
608:
583:syncopations
576:
571:
563:
559:
557:
548:
544:
523:
517:
511:
508:
502:
489:and drummer
478:
476:
467:third stream
460:
446:
412:
381:
367:
358:
355:
343:
332:Kind of Blue
331:
325:
319:
315:
311:
307:
298:. Following
295:Kind of Blue
293:
279:
277:
266:
262:
241:by American
233:
232:
231:
212:
178:
170:
169:
160:
4979:Impressions
4972:Giant Steps
4712:Newport '63
4627:Live albums
4539:Basic Miles
4323:Meditations
4281:Impressions
4177:Giant Steps
3979:Mating Call
3960:Discography
3887:Miles Ahead
3101:Soundtracks
3031:Star People
2884:Miles Ahead
2712:Blue Period
2676:Discography
2667:Miles Davis
2457:Ashley Kahn
2425:20 December
2371:20 December
2366:Discogs.com
2259:58 Sessions
2238:58 Sessions
2193:2009-07-23.
2180:58 Sessions
2126:Ashley Kahn
2102:. Group TGS
2054:Ashley Kahn
2002:Ashley Kahn
1817:Ashley Kahn
1654:. Sitemeter
1592:58 Sessions
1552:bonus track
1513:SRCD-98004
1494:SRCD-65344
1475:JR-4679182
1425:re-released
1348:CBS Records
1267:Masuo Ikeda
1262:liner notes
1253:remastering
1177:Miles Davis
1143:Bonus track
1005:Original LP
905:58 Sessions
528:Plaza Hotel
524:58 Sessions
487:Red Garland
435:Red Garland
408:composition
255:Plaza Hotel
247:Miles Davis
149:Miles Davis
69:Plaza Hotel
42:Miles Davis
5132:Categories
4944:Blue Train
4842:Gold Coast
4560:1958 Miles
4504:Jazz Track
4483:Milestones
4433:Blue World
4370:Transition
4337:Expression
4148:Blue Train
4126:Two Tenors
3793:Milestones
3543:Super Hits
3536:Love Songs
3522:Directions
3515:1958 Miles
3364:Dark Magus
3357:In Concert
3153:recordings
3091:Rubberband
2912:Jazz Track
2891:Milestones
2789:Blue Moods
2620:1958 Miles
2469:Jimmy Cobb
2445:Ira Gitler
2396:2008-07-27
2347:2008-07-27
2326:2008-07-27
2138:Jimmy Cobb
2106:2008-07-27
2066:Jimmy Cobb
2014:Jimmy Cobb
1984:2008-07-27
1952:2008-07-27
1931:2008-07-27
1873:2008-07-27
1829:Jimmy Cobb
1791:2008-07-27
1755:2008-08-03
1734:2008-07-27
1710:2008-07-27
1682:2008-07-27
1658:2008-07-27
1563:References
1546:Sony Japan
1538:1958 Miles
1532:SRCD-1204
1519:1958 Miles
1500:1958 Miles
1481:1958 Miles
1453:SRCS-9102
1353:remastered
1340:1958 Miles
1334:20AP 1401
1316:1958 Miles
1290:1958 Miles
1258:Ira Gitler
1239:Teo Macero
1233:Production
1223:Jimmy Cobb
1205:Bill Evans
1032:Washington
990:Milestones
971:Milestones
940:1958 Miles
936:Ira Gitler
931:sessions.
921:modal jazz
909:Milestones
897:Jazz Track
641:Bud Powell
588:Ira Gitler
568:soundtrack
564:Jazz Track
560:1958 Miles
551:Ira Gitler
503:Milestones
499:Jimmy Cobb
495:Bill Evans
479:Milestones
473:The sextet
448:Milestones
437:, bassist
433:, pianist
415:parameters
338:Background
281:Milestones
273:Bill Evans
268:Jazz Track
263:1958 Miles
234:1958 Miles
171:1958 Miles
151:chronology
142:Teo Macero
100:modal jazz
22:1958 Miles
4986:Lazy Bird
4958:Countdown
4856:High Step
4316:Ascension
4137:Blue Note
4056:Lush Life
4026:Soultrane
4005:Interplay
3758:Donna Lee
3744:Boplicity
3730:All Blues
3438:Blue Haze
3350:Live-Evil
3010:Live-Evil
2968:Nefertiti
2279:Hull, Tom
2186:Down Beat
1678:. Discogs
1556:SRCS-966
1407:CT-47835
1399:Columbia
1385:CK-47835
1374:Columbia
1360:CBS 1401
1323:CBS/Sony
1171:Musicians
1166:Personnel
737:Down Beat
654:-penned "
604:arpeggios
513:Down Beat
457:Gil Evans
344:No chords
245:musician
5000:Mr. P.C.
4518:Steamin'
4476:Relaxin'
4384:Infinity
4377:Sun Ship
4295:Crescent
4260:Coltrane
4242:Impulse!
4166:Atlantic
4084:Stardust
4040:The Cats
3998:Coltrane
3968:Prestige
3908:Category
3833:(father)
3574:Box sets
2961:Sorcerer
2559:(2002).
2524:42309304
2504:(1999).
2491:48527365
2459:(2001).
2447:(1991).
2292:July 22,
2281:(n.d.).
2257:Review:
2191:Archived
2178:Review:
2128:(2001).
2056:(2001).
2004:(2001).
1902:(1997).
1819:(2001).
1597:Allmusic
1590:Review:
1437:58 Miles
1414:58 Miles
1403:cassette
1330:vinyl LP
1310:Catalog
1275: –
1260: –
1249:engineer
1243:producer
1241: –
1225: –
1216: –
1207: –
1198: –
1189: –
1183:, leader
1179: –
1082:Side two
1010:Side one
963:Birdland
954:—
700:AllMusic
645:clusters
628:standard
137:Producer
130:CBS/Sony
95:Hard bop
57:Recorded
49:Released
39: by
5056:Related
4965:Equinox
4937:Alabama
4511:Workin'
4469:Cookin'
4274:Ballads
3814:So What
3487:Big Fun
3452:Walkin'
3378:Pangaea
3371:Agharta
3084:Doo-Bop
3077:Amandla
2631:Discogs
2565:Penguin
1381:reissue
1307:Format
1277:reissue
1181:trumpet
1134:Rollins
1115:Rodgers
288:to the
184:(1974)
180:Big Fun
175:(1974)
166:(1973)
5080:(wife)
5014:Ogunde
4354:(with
4245:albums
4187:(with
4169:albums
4140:albums
4043:(with
3982:(with
3971:albums
3867:(1988)
3800:Nardis
3786:Joshua
2947:E.S.P.
2596:
2571:
2545:
2522:
2512:
2489:
2479:
2220:
2148:
2076:
2024:
1839:
1327:stereo
1304:Label
1157:McLean
1073:Porter
949:
694:Rating
691:Source
643:-like
636:number
553:, 1979
363:, 1958
350:
346:
324:, and
108:Length
76:Studio
5086:(son)
5007:Naima
4112:Bahia
4091:Dakar
3137:Dingo
3038:Decoy
2144:–83.
2020:–77.
1835:–68.
1542:2006
1526:Sony
1523:2006
1507:Sony
1504:2001
1488:Sony
1485:1997
1464:1994
1444:CBS,
1441:1991
1418:1991
1396:1991
1371:1991
1344:1979
1320:1974
1301:Year
1227:drums
1209:piano
1058:Young
1043:Davis
1028:Kaper
917:bebop
534:Music
419:modes
404:modal
374:chord
370:bebop
290:modal
286:bebop
237:is a
214:'
125:Label
88:Genre
65:Venue
4930:26-2
4577:With
4443:With
4047:and
3765:Four
3151:Live
3070:Tutu
3052:Aura
2594:ISBN
2569:ISBN
2543:ISBN
2520:OCLC
2510:ISBN
2487:OCLC
2477:ISBN
2427:2021
2373:2021
2294:2020
2218:ISBN
2146:ISBN
2074:ISBN
2022:ISBN
1837:ISBN
1550:CD,
1421:CBS
1218:bass
1128:Oleo
1119:Hart
1100:Monk
976:WKCR
899:and
656:Oleo
650:The
497:and
453:mode
314:or '
302:and
243:jazz
52:1974
3751:Dig
2796:Dig
2629:at
2262:".
2240:".
2183:".
1529:CD
1510:CD
1491:CD
1472:CD
1427:CD
919:to
660:key
459:on
392:key
257:in
5134::
4344:Om
2623:,
2592:.
2567:.
2541:.
2518:.
2493:.
2485:.
2475:.
2473:82
2418:.
2405:^
2381:^
2364:.
2302:^
2285:.
2216:.
2154:.
2142:82
2115:^
2091:^
2082:.
2072:.
2070:83
2039:^
2030:.
2018:76
1993:^
1961:^
1916:^
1906:.
1891:^
1854:^
1845:.
1833:67
1800:^
1764:^
1719:^
1691:^
1667:^
1625:^
1617:16
1615:.
1595:.
1571:^
1378:CD
1356:LP
1251:,
1130:"
1117:,
1111:"
1096:"
1069:"
1054:"
1030:,
1024:"
996:.
889:A−
672:.
334:.
261:.
117:50
113:63
5016:"
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5009:"
5005:"
5002:"
4998:"
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4935:"
4932:"
4928:"
4358:)
4191:)
4051:)
3986:)
3943:e
3936:t
3929:v
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3812:"
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3784:"
3781:"
3777:"
3774:"
3770:"
3767:"
3763:"
3760:"
3756:"
3753:"
3749:"
3746:"
3742:"
3739:"
3735:"
3732:"
3728:"
2659:e
2652:t
2645:v
2602:.
2577:.
2551:.
2526:.
2429:.
2399:.
2375:.
2350:.
2329:.
2296:.
2226:.
2109:.
1987:.
1955:.
1934:.
1876:.
1794:.
1758:.
1737:.
1713:.
1685:.
1661:.
1458:'
1435:'
1412:'
1390:'
1365:'
1159:)
1155:(
1136:)
1132:(
1126:"
1121:)
1113:(
1107:"
1102:)
1098:(
1092:"
1075:)
1071:(
1065:"
1056:(
1050:"
1045:)
1041:(
1034:)
1026:(
1020:"
630:"
115::
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