51:
101:
138:
38:
822:
475:
133:
support structure was developed. This resulted in a lightweight, low-impact design which could be temporarily attached to existing architectural structures, and also allowed the sculpture to better respond to the wind. At night darkness conceals the support cables while colored lighting creates the
66:
is a large aerial net sculpture which undulates in the wind and weather. It can be transported and installed for exhibitions, tethered to existing architecture. At night, colored light is projected onto the sculpture and can be altered via smartphone app by the viewing public.
161:
is a net sculpture crafted by Janet
Echelman in 2015, commissioned by the Smithsonian American Art Museum. It was created for the reopening of the Renwick Gallery in Washington, D.C. after a two-year renovation and the goal to make a more interactive space.
121:
celebration in July 2010. The city requested a large-yet-temporary work exploring the theme of interconnectedness of the 35 nations of the
Western Hemisphere. Its form was inspired by data sets of the tsunami's wave height rippling across the Pacific Ocean.
235:
396:
769:
372:
286:
50:
194:
529:
323:
859:
727:
130:
712:
903:
893:
611:
496:
166:
71:
348:
522:
177:. The geologic event shifted the earth on its axis and shortened the day by 1.8 millionths of a second, giving the piece its title.
852:
100:
878:
297:
783:
515:
221:
722:
652:
638:
538:
764:
631:
599:
88:
design was formed from the scientific data after the TÅhoku earthquake and tsunami that originated in Japan in 2011.
888:
845:
740:
671:
488:
883:
747:
118:
137:
593:
717:
706:
74:, and its form was inspired by data sets of the tsunami's wave height rippling across the Pacific Ocean.
70:
The sculpture's title refers to the period in microseconds that the day was shortened as a result of the
665:
501:
260:
126:
37:
898:
659:
572:
645:
617:
586:
480:
373:"Janet Echelman completes rippling sculpture in Riyadh informed by earthquake and tsunami data"
559:
829:
685:
678:
565:
324:"janet echelman's braided earthtime sculpture in riyadh is a visual echo of tsunami ripples"
605:
445:
692:
141:
117:
is a 230-foot (70 m) aerial sculpture originally created for the City of Denver's
872:
349:"studio echelman weaves flowing and luminous 'earthtime' for mercedes benz in munich"
170:
699:
624:
579:
821:
421:
470:
798:
785:
236:"Why 'Memorials for the Future' Is the Right Way To Plan Public Monuments"
733:
474:
507:
397:"Inside the High-Tech Makeover of America's Oldest Art Museum Building"
108:
56:
43:
17:
165:
The sculpture's design was inspired by the data recorded after the
174:
136:
99:
49:
36:
553:
93:
511:
422:"Janet Echelman: 1.8 Renwick | Smithsonian American Art Museum"
195:"Janet Echelman's 1.8 installation billows above Oxford Circus"
828:
This article about a sculpture in the United States is a
833:
261:"September 2011 Sculpture Magazine - Janet Echelman"
757:
545:
222:"Japan Earthquake May Have Shifted Earth's Axis"
353:designboom | architecture & design magazine
328:designboom | architecture & design magazine
446:"Janet Echelman's 1.8 Renwick | Washington DC"
853:
523:
497:Biennial of the Americas Citywide Exhibitions
8:
287:""1.26": From Tsunami to Abstract Net Form"
860:
846:
530:
516:
508:
502:"Sculpting Urban Airspace: Janet Echelman"
770:Statue of Martin Luther King Jr. (Pueblo)
347:designboom, kat barandy I. (2021-08-15).
322:designboom, lea zeitoun I. (2024-01-15).
186:
612:Colorado Tribute to Veterans Monument
285:McCormick, Shane (February 1, 2011).
7:
818:
816:
504:, September 2011 Sculpture Magazine
832:. You can help Knowledge (XXG) by
72:2011 TÅhoku earthquake and tsunami
25:
220:Gross, Richard (March 19, 2011).
820:
728:Statue of Martin Luther King Jr.
473:
713:Statue of Christopher Columbus
134:appearance of a floating form.
1:
904:United States sculpture stubs
167:Tohoku earthquake and tsunami
894:Outdoor sculptures in Denver
765:Burns Park Sculpture Garden
632:I Know You Know That I Know
492:on Janet Echelman's website
920:
815:
741:Thatcher Memorial Fountain
723:Statue of Joe P. MartÃnez
748:Un Corrido Para la Gente
169:that rippled across the
119:Biennial of the Americas
159:"Earthtime 1.8 Renwick"
146:"Earthtime 1.8 Renwick"
799:39.73750°N 104.98889°W
718:Statue of Jack Swigert
148:
125:Unable to use a steel
111:
60:
47:
879:2010 Chile earthquake
153:Earthtime 1.8 Renwick
140:
103:
53:
40:
804:39.73750; -104.98889
539:Public art in Denver
55:"Earthtime 1.78" in
27:Public art sculpture
795: /
639:I See What You Mean
573:Balloon Man Running
303:on October 23, 2016
42:"Earthtime 1.8" in
646:Indeterminate Line
600:Civil War Monument
481:Visual arts portal
426:americanart.si.edu
294:Structure Magazine
201:. January 14, 2016
149:
112:
61:
48:
889:Fabric sculptures
841:
840:
778:
777:
560:Armenian Khachkar
265:www.sculpture.org
16:(Redirected from
911:
862:
855:
848:
824:
817:
810:
809:
807:
806:
805:
800:
796:
793:
792:
791:
788:
686:Pioneer Fountain
679:On the War Trail
653:Iridescent Cloud
566:Articulated Wall
532:
525:
518:
509:
483:
478:
477:
460:
459:
457:
456:
442:
436:
435:
433:
432:
418:
412:
411:
409:
408:
393:
387:
386:
384:
383:
369:
363:
362:
360:
359:
344:
338:
337:
335:
334:
319:
313:
312:
310:
308:
302:
296:. Archived from
291:
282:
276:
275:
273:
271:
257:
251:
250:
248:
246:
232:
226:
225:
217:
211:
210:
208:
206:
191:
115:"Earthtime 1.26"
109:Denver, Colorado
105:"Earthtime 1.26"
86:"Earthtime 1.78"
21:
919:
918:
914:
913:
912:
910:
909:
908:
884:2010 sculptures
869:
868:
867:
866:
813:
803:
801:
797:
794:
789:
786:
784:
782:
781:
779:
774:
753:
672:National Velvet
606:The Closing Era
541:
536:
479:
472:
469:
464:
463:
454:
452:
444:
443:
439:
430:
428:
420:
419:
415:
406:
404:
395:
394:
390:
381:
379:
371:
370:
366:
357:
355:
346:
345:
341:
332:
330:
321:
320:
316:
306:
304:
300:
289:
284:
283:
279:
269:
267:
259:
258:
254:
244:
242:
234:
233:
229:
219:
218:
214:
204:
202:
193:
192:
188:
183:
156:
98:
82:
35:
28:
23:
22:
15:
12:
11:
5:
917:
915:
907:
906:
901:
896:
891:
886:
881:
871:
870:
865:
864:
857:
850:
842:
839:
838:
825:
776:
775:
773:
772:
767:
761:
759:
755:
754:
752:
751:
744:
737:
730:
725:
720:
715:
710:
703:
696:
693:The Red Forest
689:
682:
675:
668:
663:
656:
649:
642:
635:
628:
621:
614:
609:
602:
597:
590:
583:
576:
569:
562:
557:
549:
547:
543:
542:
537:
535:
534:
527:
520:
512:
506:
505:
499:
494:
485:
484:
468:
467:External links
465:
462:
461:
450:washington.org
437:
413:
388:
364:
339:
314:
277:
252:
227:
212:
185:
184:
182:
179:
155:
150:
142:Michelle Obama
97:
94:Earthtime 1.26
90:
81:
79:Earthtime 1.78
76:
34:
29:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
916:
905:
902:
900:
897:
895:
892:
890:
887:
885:
882:
880:
877:
876:
874:
863:
858:
856:
851:
849:
844:
843:
837:
835:
831:
826:
823:
819:
814:
811:
808:
771:
768:
766:
763:
762:
760:
756:
750:
749:
745:
743:
742:
738:
736:
735:
731:
729:
726:
724:
721:
719:
716:
714:
711:
709:
708:
704:
702:
701:
697:
695:
694:
690:
688:
687:
683:
681:
680:
676:
674:
673:
669:
667:
664:
662:
661:
657:
655:
654:
650:
648:
647:
643:
641:
640:
636:
634:
633:
629:
627:
626:
622:
620:
619:
615:
613:
610:
608:
607:
603:
601:
598:
596:
595:
594:Bronco Buster
591:
589:
588:
584:
582:
581:
577:
575:
574:
570:
568:
567:
563:
561:
558:
556:
555:
551:
550:
548:
544:
540:
533:
528:
526:
521:
519:
514:
513:
510:
503:
500:
498:
495:
493:
491:
487:
486:
482:
476:
471:
466:
451:
447:
441:
438:
427:
423:
417:
414:
402:
401:Bloomberg.com
398:
392:
389:
378:
374:
368:
365:
354:
350:
343:
340:
329:
325:
318:
315:
299:
295:
288:
281:
278:
266:
262:
256:
253:
241:
237:
231:
228:
224:. NPR online.
223:
216:
213:
200:
196:
190:
187:
180:
178:
176:
172:
171:Pacific Ocean
168:
163:
160:
154:
151:
147:
143:
139:
135:
132:
128:
123:
120:
116:
110:
106:
102:
96:
95:
91:
89:
87:
80:
77:
75:
73:
68:
65:
64:Earthtime 1.8
59:
58:
57:Madrid, Spain
52:
46:
45:
39:
33:
32:Earthtime 1.8
30:
19:
834:expanding it
827:
812:
780:
746:
739:
732:
707:Soft Landing
705:
700:Shadow Array
698:
691:
684:
677:
670:
666:Liberty Bell
658:
651:
644:
637:
630:
625:For Jennifer
623:
616:
604:
592:
585:
580:Blue Mustang
578:
571:
564:
552:
489:
453:. Retrieved
449:
440:
429:. Retrieved
425:
416:
405:. Retrieved
403:. 2015-11-09
400:
391:
380:. Retrieved
376:
367:
356:. Retrieved
352:
342:
331:. Retrieved
327:
317:
305:. Retrieved
298:the original
293:
280:
268:. Retrieved
264:
255:
243:. Retrieved
239:
230:
215:
203:. Retrieved
198:
189:
164:
158:
157:
152:
145:
124:
114:
113:
104:
92:
85:
83:
78:
69:
63:
62:
54:
41:
31:
802: /
790:104°59â²20â³W
899:Polyesters
873:Categories
787:39°44â²15â³N
455:2024-08-15
431:2024-08-15
407:2024-08-15
382:2024-08-14
358:2024-08-14
333:2024-08-14
181:References
44:London, UK
377:Archinect
144:visiting
734:Sun Silo
307:July 18,
270:July 18,
245:July 17,
205:July 17,
127:armature
758:Related
660:Lao Tzu
618:Dancers
240:CityLab
173:toward
587:Bridge
199:Dezeen
131:UHMWPE
546:Works
301:(PDF)
290:(PDF)
175:Japan
830:stub
554:1.26
490:1.26
309:2017
272:2017
247:2017
207:2017
129:, a
84:The
18:1.26
107:in
875::
448:.
424:.
399:.
375:.
351:.
326:.
292:.
263:.
238:.
197:.
861:e
854:t
847:v
836:.
531:e
524:t
517:v
458:.
434:.
410:.
385:.
361:.
336:.
311:.
274:.
249:.
209:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.