Outside (David Bowie album)

1550: 823:'Chance' cards" intended to spark creative ideas. Each one contained a written character, such as "You are the disgruntled member of a South African rock band. Play the notes that were suppressed." Bowie elaborated that the cards set the tone for each day, taking the music into "obscure" directions: "And it would very rarely lapse into the cliché." Eno stated that this was done as a way for the musicians to "free you from being yourself". Garson and Gabrels responded favourably to the cards, but Kızılçay was opposed at first, finding them confusing and useless. He later complained about Eno's methods to biographer 1723: 860:...it spews it all back out again, and I make of it what I will." Each musician received their own corner of the studio, which Trynka states contributed to the overall arrangement "as an art happening". Discussing the studio atmosphere, Garson told biographer David Buckley: "It was one of the most creative environments I have ever been in. We would just start playing. There was no key given, no tonal centre, no form, no nothing." The sessions were also filmed by a camera crew; Garson commented that " knew it was special on some level." 1378:, Lee Zimmerman stated: "The music flow in a continuous surge of sound and expression, a forward thrust that left little room for melody, but shared an intriguing atmospheric ambiance instead." The author James E. Perone finds many tracks act as "mood pieces" for the entire album rather than as standalone tracks. According to the writer Alan Franks: "The songs have a slow, careful build into the pay-off line but they're absolutely not written as pop songs and they're not particularly written as rock songs. It's almost like what 2459: 1168: 1424:

Small Plot of Land", which builds to a climax to become, in Pegg's words, one of the album's "more challenging tracks". "Hallo Spaceboy", which was developed from an instrumental written by Gabrels titled "Moondust", is an industrial track that Pegg calls "a hardcore maelstrom of sci-fi noise, hypnotic high-speed drumming and an insistent, speaker-hopping four-note guitar riff". Spitz names it Bowie's "most convincing rocker" since "

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concert reviewers. Throughout the tour, many criticised Bowie's decision not to sing well-known hits, to which he replied: "If they didn't know that I wasn't going to be , they must have been living under a rock." Despite the tour's poor reception from contemporary reviewers, Pegg states that it showcased Bowie's musical progression and was his finest tour in 20 years. Recordings from the tour were later released in 2020 on the

1444:" (1977). "No Control" brings a darker tone to the album, featuring a "hard-edged synth bassline". Later on, "I Am with Name" reprises the "atmospherics" of the album's opening. "Wishful Beginnings" evokes "a mysterious, abstract melody over slowly building, layered, synthesized electronic sounds". "I'm Deranged" conveys similar musical styles that pervade the rest of the album. Compared to the original version on 8607: 733: 1057:, and its inhabitants, including: a detective named Nathan Adler; a jeweler named Ramona A. Stone; a 14-year-old girl named Baby Grace Blue; a 78-year-old loner named Algeria Touchshriek; a mixed-race "Outsider" named Leon Blank; Paddy, one of Adler's informants; and a shadowy figure named The Artist/Minotaur. Bowie, who portrayed all the characters, stated that he based all of them on himself, which 1084:. The album's CD booklet contained Adler's diary entries alongside song lyrics which were sometimes distorted and unreadable. The album also invokes several spoken word segments as between-song segues, which provide more insight into the story and characters' thoughts. Parisien considered the segues reminiscent of the "Cockney campiness" of Bowie's 1960s tracks "Please Mr. Gravedigger" and " 42: 1518:(1991). The piece builds to a climax with various repeated phrases before ending with a drum fill. The rest of the suite consists of the first appearance of the Artist/Minotaur and various synthesisers, with additional piano and saxophone. One section, titled "Nothing to Be Desired", was issued as a bonus track on "The Hearts Filthy Lesson" CD single, and remains the only material from 1065: 2275: 2270: 2265: 2260: 2237: 2232: 2199: 2194: 2136: 2091: 2086: 2053: 2048: 2015: 2010: 1151:. Throughout the album, he is primarily viewed through the eyes of others ("Leon Takes Us Outside", "The Motel" and "Strangers When We Meet"), but is given his own perspective on "I Have Not Been to Oxford Town", where he denies his involvement with the killings; Blank is also ascribed to "Thru' These Architects Eyes", although the track has little to do with the 919:…and that we needed to rerecord some more songs." Bowie elected to record some more conventional tracks, for which sessions took place at the Hit Factory in New York City from January to February 1995. Songs recorded in New York included "Outside", "Thru These Architects Eyes", "We Prick You", "I Have Not Been to Oxford Town", "No Control", a rerecording of the 2255: 2227: 2222: 2217: 2189: 2184: 2179: 2131: 2126: 2121: 2081: 2076: 2071: 2043: 2038: 2033: 2005: 2000: 1995: 2607:. I see it as a symbolic sacrificial rite. I see it as a deviance, a pagan wish to appease gods, so we can move on. There's a real spiritual starvation out there being filled by these mutations of what are barely remembered rites and rituals. We have this panic button telling us it's gonna be a colossal madness at the end of this century. 1495:, highlighting a character who "sounds as if rats are climbing over his body" four minutes into the suite. A more melodic five-minute movement titled "We'll Creep Together" follows, featuring Garson's "rippling" piano over a slew of sound effects such as gunshot noises. "I'd Rather Be Chrome" follows, displaying a repeating 1138:("Segue – Baby Grace (A Horrid Cassette)"). Bowie stated that Grace's voice meant the most to him as he based it on a close friend who was struggling with a relationship at the time. After the body is found, Adler's primary goal is to find the murderer. The character of Algeria Touchshriek "deals in art-drugs and 2703:

more positive, with Garson later calling it a career highlight. Parisien later argued: "The effort required to adequately 'process' pays off in a richly voyeuristic experience where Bowie once again reflects fringe culture onto the mainstream and forces us to consider that the differences are not so

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ends on a cliffhanger, with a "to be continued..." tagline in the CD booklet. Bowie initially envisioned the album as the first in a series of records that would be released each year until the end of the millennium. He stated, "This is a once-in-a-lifetime chance, by a narrative device, to chronicle

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single with a new recording of "The Man Who Sold the World" mixed by Eno on 20 November 1995. It reached number 39 in the UK and was supported by a music video, again directed by Bayer. Bowie performed the song at the European MTV Awards the same month. "Hallo Spaceboy" was released as the third

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The first two tracks, "Leon Takes Us Outside" and the title track, musically set the stage for the rest of the album. "The Hearts Filthy Lesson" contains an almost atonal groove that Pegg calls "a slab of industrial techno-rock" over an "eccentric jazz-piano figure". Continuing the jazz flavour is "A

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as overlong; at nearly 75 minutes, it is Bowie's longest studio album. At the time, Bowie remarked that it was "extremely long by most current CD standards" and that accessibility was not a top priority when making it. However, he and Eno later regretted its long duration, with the former stating in

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Bowie primarily painted during the sessions. According to Eno, he "almost sat out on the first few days of that record. We were creating musical situations and occasionally he would join in if it became interesting." In his diary entry dated 3 March 1994, Bowie wrote that he was happy with the

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on CD in the UK, with another reissue following a year later that contained bonus tracks, including 14 remixes and B-sides. In 2015, almost 20 years after its original release, Friday Music released the full-length album on vinyl as a double-LP set. In 2021, the album was remastered and included as

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on its 25th anniversary, Trainer said it stands out as "an odd, infuriatingly dense, and often brilliant record from (and of) an artist sho , having been one of popular music's leading lights in the 70s, was newly inspired". He criticised the production as dated and concept as too underdeveloped to

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material live, calling it "far too ambitious a project". Nevertheless, after enduring pressure from Virgin, Bowie rescinded and began rehearsals to tour America in August 1995, thereafter extending the number of dates by early September and adding a European leg. The tour's lineup included Gabrels,

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city now in the nineties gives it an entirely different spin. It was important for this town, this locale, to have a populace, a number of characters. I tried to diversify these really eccentric types as much as possible The narrative and the stories are not the content – the content is the spaces

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would be due for a re-evaluation as one of his finest works. Like on its original release, later reviewers continue praising the music as challenging, innovative and among his finest, but find the story self-indulgent. Perone argues that its nonlinear narrative makes for a hard-to-follow listening

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is often brilliant and inspired, daringly experimental, and on occasion frustratingly close to genius but falling slightly short. It is, arguably, more than any other album in catalogue, completely in love with ideas and throwing itself at them with conviction and abandon. Bowie liked to think of

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as the opening act. Tensions between Bowie and Morrissey rose, leading the latter to depart shortly into the tour's leg; the remaining dates were opened by various local bands. The tour concluded on 20 February 1996. The UK shows, particularly Morrissey's appearances, were generally panned by

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prints". Based on numerous characters from Bowie's 1960s songs, Touchshriek is described in a segue as walking near the museum where the body was found and that he "knew Leon once". Blank, one of Stone's former lovers, is an outsider artist and murder suspect. Bowie characterised him as a blend of

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narrative. The Artist/Minotaur is a figure who "lurks behind the art-ritual murder" at the narrative's centre. His point of view is given during "The Voyeur of Utter Destruction (as Beauty)", "Wishful Beginnings" and "I'm Deranged". The residents of Oxford Town convey thoughts on "A Small Plot of

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originated on 12 March 1994, during what Bowie called a "blindingly orgiastic" recording session. As the band improvised, he conceived numerous characters on the spot, playing each out "for maybe five minutes at a time". He later revealed that "almost the entire genesis for is contained in

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that seems to be springing up with the advent of scarifications, piercings, tribalisms, tattoos and whatever. It's like a replacement for a spiritual starvation that's going on like a tribe with dim memories of what their rituals used to be. They're sort of being dragged back again in this new,

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Departing from the process of Bowie's most recent works, the majority of the tracks were composed on the spot in the studio; some were entirely improvised. During the sessions, Bowie and Eno used experimental techniques previously utilised during the Berlin Trilogy, such as the latter's

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realised we were both interested in nibbling at the periphery of the mainstream rather than jumping in. We sent each other long manifestos about what was missing in music and what we should be doing. We decided to really experiment and go into the studio with not even a gnat of an idea.

781:. Bowie and Eno were adamant about creating something different from the Berlin albums. The latter explained: "We don't want to make another record of a bunch of songs. There's got to be a bigger landscape in play than that." Returning Bowie collaborators included Gabrels on guitar, 592:...who has drifted into a kind of elder statesman media role where people take everything he says terribly seriously." At the wedding, Eno expressed interest in working with Bowie again after he gave him a tape that showcased the styles Bowie would explore on his then-upcoming album 2720:

have a long-lasting impact, but noted that its best tracks rank among Bowie's greatest. He concluded that the record "remains a compelling, complicated, frustrating and flawed listen", and due to its incomplete state, he argued that fans can finish it on their own. In his book

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great." On the other hand, Zimmerman stated that beyond the tracklisting itself, the album "offered little in the way of cohesive melodies". Some also found the production dated, with Spitz calling it Bowie's "most of-its-time work since his late-sixties hippie folk material".

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ranked the album at number 112 in their list of "The 500 Greatest Albums of the 1990s", calling it a "boldly experimental" album that eschewed Bowie's earlier styles and adding that "amid the avant-gumshoe business, Mike Garson and other old pals created engrossing drama."

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recordings are available through bootlegs in three separate "suites", each between 22 and 27 minutes long. A fully mixed 70-minute reel was also released by a private collector in 2003. According to Pegg, the released piece is significantly more uncommercial than the final

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1997, "There's too much on it. I really should have made it two CDs." Sandford agrees, stating that it could have used more polishing and trimming. Furthermore, Perone finds that it "really begs to be listened to sitting", while Trainer stated the second half drags.

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material and more unknown tracks from Bowie's career, along with reworkings of older tracks to fit the new album's styles. Towards the end of the opening sets, Bowie joined Nine Inch Nails on stage, where the two artists played songs from their own catalogues such as

1666:, which featured shortened edits of "Leon Takes Us Outside" and "The Motel" and removed the tracks "No Control", "Wishful Beginnings", "Thru' These Architects Eyes", "Strangers When We Meet", along with multiple segues. The Japanese CD release included the 2529:

s Chris Jones reported that during one performance, Bowie was pelted with debris from the confused crowd. The American leg concluded at the end of October. The tour's partnership between Bowie and Reznor facilitated the latter's undertaking of numerous

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album, featuring a slew of "ambient soundscapes" and longer versions of the album's segues. It also features numerous repetitive phrases and loops amongst interplay between the musicians. Trainer found the recordings to be "underdeveloped" compared to

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magazine's Gareth Grundy also found a lack of musical innovation, albeit highlighting "Hallo Spaceboy", "No Control" and "We Prick You" as standouts. Some reviewers believed the album would appeal to Bowie's longtime fans, but displease newer ones.

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magazine, Murray considered it Bowie's "official" comeback album, praising the music as a callback to the Berlin Trilogy and concluded: " a mad, bad, dangerous album – by turns, chilling, pretty, ugly, scary, gripping and vastly intriguing."

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O'Leary finds that "Wishful Beginnings" pays "a great debt" to "Please Mr. Gravedigger". Additionally, Bowie was asked by a fan if he was ever going to re-record "Please Mr. Gravedigger", to which he replied, "I did already. It was called

1458:" with a "soothing slice of conventional pop". On the other hand, Trainer considered it an "odd" way to end the album, writing that it was "clearly an attempt to...inject a sense of calm whilst perpetuating the noir-ish air of mystery". 41: 2691:

experience, and one where certain tracks that are inherently tied to the album's theme—particularly the segues—prove ineffective as standalone tracks. Nevertheless, in the decades following its release, Trynka contends that the rise of

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magazine elaborated: " edifice of sounds, cultures, rhythms, samples and textures, with randomised lyrics that don't much tell a story as create word-moods, regards the open-minded listener with Bowie's best album for 15 years." In

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appreciated them as "smart", "effective" and "sly", especially on "I Have Not Been to Oxford Town" and "A Small Plot of Land". However, he criticised the spoken segues, arguing that they "damn near sink the record". Paul Verna of

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Anticipating that the narrative of the album might be inaccessible to fans when it was released, one of the record executives in Mexico, Arturo López Gavito, commissioned a comic to clarify the story. The comic, a one-off called

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at Westside Studios in London. Eno initially wanted to release the work with black cover artwork and no name attached. Gabrels elaborated: "Let it leak that it was David Bowie but put it out as a completely separate entity, like

1529:. It begins as a jazzy instrumental with guitar, piano and synthesisers, with more repetitive phrases and narration from Adler and Stone; one sequence fully conveys Adler's story. According to O'Leary, the suite closes with 914:

recordings. Gabrels told Buckley: "It was never said to me that it had been rejected for want of commercial material. I just thought the decision was made that would have been insane to put out from a commercial point of

2627:: "Our working method detailed on it, a couple of jams and more of those voices." However, none of these projects came to fruition. Following his experience on the Outside Tour, Bowie took musical ideas and themes from 1512:. It features patterns similar to "A Small Plot of Land", along with funk playing from the backing musicians, numerous sound effects and narration from Adler and Stone. Some of the narration reflects themes present in 1486:

The first suite is divided into three movements. The opening ten-minute number "I Am with Name" contains longer and more obscene variations of the Stone and first Adler segues. O'Leary notes that more voices appear on

1131:"no-future priestess" and ends as a "good time drone" running a jewelry store. Bowie manipulated his own voice using various synthesisers to portray her. Her point of view is given in a segue and "I Am with Name". 4995: 2312:

were mixed on release. While the majority praised the music as challenging, many felt the overarching concept was hard to follow, with some finding it "pretentious". Among positive reviews, critics considered

2646:– the last album we worked on together. We both liked that album a lot and felt that it had fallen through the cracks. We talked about revisiting it, taking it somewhere new. I was looking forward to that." 1119:

to look back on simpler times: "He's really rather despondent that things are broken into this fragmented chaotic kind of state." The biographer Chris O'Leary considers the character "more terse" on

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s Taylor Parkes complained that "Bowie's desperate desire to be considered 'highbrow' has snuffed out any potential of accidental alchemy" and promptly dismissed the record as a "sorry sack of shit

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magazine asked Bowie to write a diary for 10 days as a way to contribute to their 100th issue. Fearing the diary would be uninteresting if presented as a pure day-by-day account, he revised the

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received mixed reviews from critics. While most praised the music, others found the concept pretentious and hard to follow. Nevertheless, many considered it Bowie's finest record since 1980's

6847: 6815: 1186: 1022:. The same story, with mild revisions, appeared in the album's CD booklet. According to Gabrels, Bowie "looked into further and revised and rewrote. The order and plot were imposed/invented 2759:

at number 19, writing, "It's a solid framework for Bowie and Eno to get creative within – the backgrounds are reliably intriguing, if not always satisfying." Two years later, the writers of

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has received more positive assessments, with most continuing to praise the music but criticising the story and length. The album was reissued in 2003 and remastered in 2021 as part of the

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magazine described as "murder and mutilation for public consumption", pervade society, and "concept muggings" merit their own police division funded by the "Arts Protectorate of London".

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will most certainly be left completely and utterly bewildered. Perhaps, though, that's entirely the point." The album also attracted negative responses. Grundy, in particular, called

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s David Browne found the majority of the record sounding like "fodder" and felt that it would benefit from a visual aid, such as through tour performances. Sandy Masuo of the

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Overall, a long-term ambition is to make it a series of albums extending to 1999 — to try to capture, using this device, what the last five years of this millennium feel like

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found the album "stumbles" on the segues, stating that they "advance the plotline but hold little musical interest". They argued that if listeners "cherry-pick" throughout,

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in March. The single itself performed well commercially, peaking at number 12 in the UK. The remix later replaced "Wishful Beginnings" on the March 1996 European reissue of

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The dismembered body of Baby Grace Blue is found in a town museum. The scene is described in detail in the CD booklet while on the album, the girl's last words appear in a

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mutated, deviant way, with so-called gratuitous sex and violence in popular culture and people cutting bits off themselves. For me, it seems like a natural kind of thing.

1357:("I Have Not Been to Oxford Town", "Strangers When We Meet"). Certain tracks, such as "The Hearts Filthy Lesson", "I'm Deranged" and "We Prick You", combine elements of 4453: 8072: 1177: 8681: 8492: 4845: 1206: 6543: 5438: 648:

magazine: "Some of them don't even do as an expression of themselves; they do it because their work is them." The experience gave the upcoming album its title.

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were releasing successful Britpop records in 1995, Bowie stood in tangent with industrial rock artists like Nine Inch Nails and techno artists such as Tricky,

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throughout and contains more narration from Adler over, in Pegg's words, a "prowling, catchy riff", before the lyrics delve into topics previously explored on

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those three and a half hours". In what Bowie labelled a "non-linear Gothic drama hyper-cycle", he developed a world where "art crimes", which Jason Draper of

7558: 955:, whom Bowie felt was "so steady" that "metronomes shake in fear". Armstrong's song "Now", first attempted by Tin Machine during the sessions for their 1989 1185: 8656: 8255: 7970: 632:, the ideas formed "harked back" to Bowie's musical findings during his first trip to America in early 1971. Looking for inspiration, the pair visited the 401:

artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting

7998: 6376: 8686: 7854: 2619:, and had sketched out characters for the project (including some "17th-century people"). He also mentioned the possibility of releasing an album called 1412:

characterises their musical styles as mostly ambient, with guitar, piano and synthesiser backings. Trainer commented that they "speak to the role of the

1215: 6069: 4647: 8248: 8181: 3265: 3209: 924: 498: 311: 436:, and follows detective Nathan Adler as he investigates the murder of a 14-year-old girl. The tracks show perspectives of specific characters, while 890:. Use it as a work of art and lapse something that creates interest for the next project." According to biographer Chris O'Leary, the contents were 6498: 4575: 524:

never came to fruition, leaving the album's story on a cliffhanger. Instead, Bowie used musical ideas from the album and tour for his next record,

8691: 8636: 6566: 5834: 5096: 7551: 801:, whom Bowie described as "spontaneous and extremely inventive. plays a song differently every time; there are different shades of his teacher, 6189: 4806: 7600: 3701: 856:(1974). He explained: "I used bits of poems and articles out of magazines and newspapers, and I retyped them out and put them into the computer 5603: 2407:

enjoyed certain tracks but felt overall, Bowie was experimenting in genres that, by 1995, were being made more successfully by other artists.

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The third and final suite, titled "Leon Takes Us Outside", further develops the character of Blank; the opening section became the opening to

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that was officially released. Following "Nothing to Be Desired" is lengthy variations of the "Baby Grace" and "Algeria Touchshriek" segues.

1483:, describing them more as "loose jams" typified by "plodding beats and unformed repetitive structures that lack the dynamics would yield". 263: 8100: 7523: 1333:

and industrial over "the electronic soundbeds" that exemplified the Berlin Trilogy. Other styles recognised by Bowie's biographers include

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the final five years of the millennium. The over-ambitious intention is to carry this through to the year 2000." He further explained to

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states, "David Bowie was a far greater influence on Britpop than any artist of the '60s." Pegg writes that while older artists such as

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Discussing the album's overall sound, Buckley says it is "dense and textural, underpinned by a booming rhythm section". Writing for

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continued on and off until November 1994. Roughly 25 to 30 hours of material was recorded, which was initially edited down to two

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led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for

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concept and allowed Bowie full creative control in the studio. Additionally, Virgin acquired the rights to Bowie's work from

886: 600: 5691: 4440: 6764: 6667: 1127:. Adler's perspective is shown in "The Hearts Filthy Lesson", "No Control" and two segues. Stone, the villain, begins as a 8079: 7699: 7565: 6883: 5908: 5643: 3721: 2246: 2062: 876: 6311: 8139: 8033: 4908: 2374:, considered Bowie's vocal performances throughout the record some of his finest. Regarding the lyrics, David Fricke of 6272: 4832: 8696: 8661: 8202: 8107: 7685: 7403: 7396: 7347: 6712: 6535: 5427: 4196: 3563: 3375: 2900: 2519: 1404: 944: 7984: 7544: 5280: 1658:, was released on 25 September 1995 by Virgin America in the US and Arista, BMG and RCA in other territories on 440:

between-song segues convey more character ideals; the story and Adler's diary entries were presented in the album's

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s release was delayed while Bowie attempted to find an American distributor, later commenting, "Nobody would take

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and CD formats. The CD release was the full 75-minute album, while the LP release was an abridged version titled

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track "Dead Against It", although this never came to fruition. To compose the lyrics, Bowie ran words through an

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Bryony, Lola, Josey and Ruby Edwards – background vocals on "The Hearts Filthy Lesson" and "I Am With Name"

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reviewer stated, "Bowie's scalpel is certainly closer to the pulse than for years." Other publications, such as

1648:. Pegg and Trynka state that Bowie desired to display a video of "artistic merit" rather than for chart appeal. 1064: 8671: 8666: 8534: 8012: 7819: 7784: 7247: 7239: 6700: 6386: 3575: 2917: 1950: 1061:'s Roch Parisien found "therefore, a component of all the previous personas Bowie has enacted over the years." 620:

Bowie and Eno prepared for the new project in late 1993, which included sending each other ideas. The former's

494: 298: 8153: 7516: 1600:, reissuing them throughout the rest of the year with bonus tracks. In Britain, Bowie entered a new deal with 7766: 4638: 1448:, the remake of "Strangers When We Meet" contains a more lush arrangement influenced by U2's Eno co-produced 8478: 8329: 8262: 7424: 7312: 7208: 7203: 7188: 6780: 6740: 6054: 4564: 3773: 3653: 3614: 1771: 1601: 1501: 378: 189: 8289: 6736: 5821: 3333: 2876: 2522:" (1994), respectively. The fusion of the two artists was met with resistance from both artists' fanbases. 959:, was adapted into the title track. According to Trynka, Armstrong recorded his contributions at Westside. 782: 8471: 8464: 8299: 8241: 8019: 7537: 7083: 6520:

Robinson, John, ed. (April 2024). "The Ultimate Record Collection: The 500 Greatest Albums of the 1990s".

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Having recorded hours of extra material during the sessions, he considered releasing a companion album to

2487: 1809: 1433: 1295:" showcased "the rock/electronic hybridity" that would be labeled by music analysts and the mainstream as 673:. By 1994, Bowie's interest in contemporary art grew to the point where he joined the editorial board of 8569: 8443: 8398: 8188: 8114: 7977: 7731: 7361: 7023: 6488: 5193: 2421:

s Tom Doyle said: "Regulars might feel short-changed on the tune front and those legions who came in on

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announced that Bowie "is poised to be a healthy influence once more on a fifth generation of glamorous

1770:" (1969). Pet Shop Boys subsequently appeared in the song's video, directed by longtime Bowie director 1722: 902:"would have been a very serious musical statement, and maybe pissed off more people than Tin Machine". 2751:

In a 2016 retrospective ranking all of Bowie's 26 studio albums from worst to best, Bryan Wawzenek of

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in a June 1992 ceremony that featured numerous celebrity guests, including the multi-instrumentalist

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was intimidated by the idea at first but graciously accepted. The setlists mostly consisted of the

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due to provocative imagery. Commercially, the single performed poorly, peaking at number 35 on the

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The second suite, titled "The Enemy Is Fragile", is categorised by O'Leary as the centrepiece of

1085: 810: 661: 2473:. The partnership resulted in multiple collaborations between him and Bowie in subsequent years. 6647:"Listen – Danmarks Officielle Hitliste – Udarbejdet af AIM Nielsen for IFPI Danmark – Uge 39". 4293: 1942:

were also used in entertainment. "The Hearts Filthy Lesson" was played over the end credits of

1428:" (1974). "The Motel", described by Pegg as the album's centrepiece, is compared by Buckley to 8576: 8450: 8304: 8284: 7889: 7805: 7530: 7417: 7382: 7354: 7113: 7087: 7059: 7031: 7002: 6974: 6951: 6917: 6344: 6064: 6022: 5955: 5922: 5724: 5653: 5151: 3909: 3626: 3348: 2880: 2771: 2409: 2403: 2342:... His gift for the charismatically disturbing seems to have reasserted itself." Later on in 2284: 2112: 1944: 1935: 1659: 1645: 1367: 1231: 1144: 940: 891: 881: 798: 773: 526: 406: 132: 7017: 6465: 5918: 5578: 5555: 2660:

himself as a curator, picking through culture for interesting notions and trying them on. On

640:, Austria, in January 1994, which contained a wing whose patients were well-known for their " 570:

genre at that time, by 1992, Eno was a highly respected producer, working with bands such as

405:

project initially faced resistance from labels due to its uncommercial nature. The project's

8529: 8437: 8358: 8121: 7833: 7649: 7572: 6680: 5433: 2797: 2783: 2748:

remains as brilliant and intriguingly inconclusive as it was surely always supposed to be."

2603: 2458: 1906: 1636: 1582: 1441: 1346: 1316: 760: 142: 97: 5748: 2338:

welcomed "an excellent David Bowie album, a genuine creative rebirth. Threatening and murky

1200:. It sets the stage for the entire album in relation to both its music and overall concept. 8524: 7812: 7798: 7579: 7502: 7298: 6487:

Goble, Blake; Blackard, Cap; Levy, Pat; Phillips, Lior; Sackllah, David (8 January 2018).

6381: 5904: 5900: 5160: 5000: 4801: 3810: 3649: 3638: 3438: 3410: 3394: 2682: 2495: 2463: 2344: 2296: 1780: 1700: 1679: 1450: 1350: 1311: 1269: 1264: 910:

Bowie initially faced opposition from record labels due to the uncommercial nature of the

819: 699:

all influenced the new album's concept. Regarding the concept of death as art, Bowie told

680: 628:

recalled that one was the equivalent of "a mathematical problem". According to the author

453: 398: 208: 137: 110: 3154: 2744:. Describing it as "a triumphantly queasy, deliciously unpleasant album", he concludes: " 1382:

would be going now if he'd gone heavy." Biographers have also compared certain sounds on

932: 4679: 1156:

Land", while "We Prick You" concerns the ideals of the Members of the Court of Justice.

8592: 8582: 8555: 8539: 8426: 8339: 8319: 8160: 7861: 7614: 7452: 7326: 6970: 6442: 5188: 5028: 4411: 3785: 3327: 2975: 2868: 2491: 1577: 1530: 1496: 1392: 928: 814: 748: 701: 625: 563: 506: 390: 374: 370: 324: 281: 245: 199: 184: 6213:"David Bowie's 'Brilliant Live Adventures' Set to Continue With 'No Trendy Réchauffé'" 3826:

Bowie's fascination with the Minotaur led him to contribute to a 1994 art show called

8625: 8234: 8195: 7903: 7049: 6988: 6696: 6649: 5896: 5649: 3665: 3354: 3297: 2546: 2515: 2498:, both of whom would continue to work with Bowie frequently in subsequent years. The 2376: 2208: 1881:

Further analysing the cultural landscape beyond music at that time, Pegg states that

1755: 1746: 1731: 1691: 1683: 1409: 1362: 1226: 1135: 1089: 936: 666: 567: 510: 465: 328: 152: 6321: 2664:, he does this with greater eagerness and relish than perhaps ever before or since. 2486:

Garson and Alomar, with new additions including vocalist George Simms from the 1983

1948:(1995), while "A Small Plot of Land" was the theme song for the 1996 BBC miniseries 8544: 8519: 8509: 8334: 8314: 8216: 8086: 7840: 7759: 7752: 7745: 7607: 7586: 7509: 7410: 7291: 7277: 6947: 5993: 5639: 3848: 3442: 2696: 2506: 2499: 2467: 2453: 2354: 2170: 1887: 1837: 1825: 1767: 1759: 1670:"Get Real". The cover artwork is a 1995 painting on canvas by Bowie himself called 1628: 1554: 1455: 1437: 1379: 1358: 1345:("I Have Not Been to Oxford Town", "The Voyeur of Utter Destruction (as Beauty)"), 1334: 1305: 1222: 1006: 868: 852: 802: 696: 692: 641: 576: 555: 517: 441: 411: 394: 177: 5548:"Art-Crime: The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue" 3917:" (1997), titled "Dummy", was recorded during this time; it first appeared on the 6992: 1745:

through various television appearances. "Strangers When We Meet" was issued as a

1689:; Bowie's profile in America had been raised through the popularity of Nirvana's 1291:, as filtered through the lens of art rock". He further argued that the album's " 1213: 1184: 8514: 8350: 7633: 7436: 7177: 7101: 7055: 6998: 6567:"Your Turn to Drive: Two David Bowie Boxes, Including Expanded 'Toy,' Announced" 3343: 3339: 2872: 2860: 2821: 1922: 1849: 1833: 1829: 1775: 1624: 1620: 1613: 1425: 1260: 1197: 864: 794: 786: 629: 621: 551: 490: 461: 437: 382: 366: 232: 194: 147: 120: 54: 1808:, was created by two young illustrators, Victor "Pico" Covarrubias and Jotavé ( 8549: 8324: 7910: 7621: 7593: 7474: 7263: 7073: 6654: 6349: 5987: 5718: 5091: 4570: 4332: 3366: 3360: 2944: 2671: 2555: 1912: 1292: 1283: 1256: 1244: 1094: 1054: 1045: 1035: 952: 840: 824: 433: 420: 393:, the two were inspired by concepts "outside" the mainstream, such as various 6243:"David Bowie Brilliant Live Adventures Six Album Series Kicks Off October 30" 5677: 520:, but was criticised for not playing older hits. Multiple planned sequels to 8383: 7717: 6852: 6820: 6037:

Weisel, Al (2 November 1995). "Performance: Nine Inch Nails / David Bowie".

4191: 4186: 3919: 3400: 3321: 3315: 2864: 2550: 2429:"the daftest thing Bowie's done" since the Glass Spider Tour. Additionally, 2359: 1892: 1763: 1354: 1338: 1296: 1128: 1116: 843: 741: 732: 709:

Apart from this unhealthy, almost obsessive interest in ritualistic artists,

688: 585: 559: 386: 218: 2352:

Some reviewers found the music among Bowie's most innovative; a writer for

1080:

takes place over two decades, between 1977 and 1999, and is presented in a

1960:, Bowie had released an album that accessed the zeitgeist at all levels." 1934:

and showcased the same "pre-millennial angst" as Pulp's late 1995 single "

17: 8587: 4687: 3599: 3527: 3515: 3070: 1987: 1931: 1853: 1553:

Bowie (right centre) with members of his band visiting then-US president

1541:

material officially available, although the idea never came to fruition.

1288: 1278: 1274: 1192:

An audio sample, displaying musical textures that are present throughout

1058: 831:... play two harmonies together. I don't know how he became so famous." 764: 714: 652: 449: 127: 101: 6879: 850:-inspired cut-up technique Bowie had previously used for albums such as 7931: 7284: 7140: 7135: 5472: 3805:

s sound is highly reminiscent of Bowie and Eno's 1970s collaborations.

1821: 1667: 1616:, Bowie's label throughout the 1970s and whom he had departed in 1982. 1576:

when we first recorded it." In June 1995, Bowie signed a contract with

659:. He painted the figure throughout the early 1990s and, after seeing a 633: 535: 472: 6899:"David Bowie en chiffres : un artiste culte, mais pas si vendeur" 1864:. Buckley says that the only record that was stylistically similar to 1586:

in September that the label were "extremely supportive" regarding the

1020:

The Diary of Nathan Adler or the Art-Ritual Murder of Baby Grace Belew

8432: 4903:(CD booklet). David Bowie. Europe: Arista/BMG/RCA. 1995. 74321303392. 2692: 1857: 1330: 1326: 1229:

music, both of which Bowie fully embraced for his next studio album,

1039: 637: 6294:

Kuipers, Dean (March 1997). "David Bowie: Is There Life on Earth?".

1436:" (1978), while Perone compares "I Have Not Been to Oxford Town" to 1115:. Bowie described Adler, the protagonist, as an individual who uses 6408: 6406: 6404: 5579:"The Little-Known History Behind David Bowie's Mexican Comic Book" 2615:

before revealing in early 1997 that the follow-up would be called

2457: 1751: 1727: 1721: 1548: 1063: 731: 502: 49: 4392: 4390: 4264: 4262: 4260: 4258: 4256: 4254: 4252: 4250: 4248: 4246: 4244: 4242: 4240: 4238: 4236: 4234: 6316: 4232: 4230: 4228: 4226: 4224: 4222: 4220: 4218: 4216: 4214: 3830:, while the figure dominated his 1995 solo art exhibition title 3539: 3491: 2769:

number seven in a similar list, above acclaimed records such as

1840:, all of whom were indebted to Bowie's 1970s works. In his book 1342: 948: 457: 7150: 4487:

Isler, Scott (August 1987). "David Bowie Opens Up – A Little".

1303:

finds the music evocative of the "faux-jazz stylings" found on

1072:. The entries provided more insight into the concept and story. 468:. The album cover is a self-portrait painted by Bowie himself. 7146: 6273:"Various Artists – .2 Contamination: A Tribute to David Bowie" 5126: 5124: 5122: 5120: 5118: 5116: 5114: 3372:

Tom Frish – additional guitar on "Strangers When We Meet"

2545:

The European leg commenced in November 1995 with shows at the

2364: 1632: 1139: 581: 7271:

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

6164: 6162: 6136:"David Bowie/ Nine Inch Nails: Meadowlands Arena, New Jersey" 5506: 5504: 5502: 4737: 4735: 4733: 4731: 4729: 4042: 4040: 4038: 4036: 4034: 4032: 4030: 4028: 4026: 4024: 4022: 2481:

in early 1995, Bowie expressed no interest in performing the

2389:"stands a chance of reestablishing Bowie as a vital artist". 1365:, genres Bowie would fully explore on his next studio album, 939:, Bowie's former bandleader who was fired following the 1987 6116: 6114: 4727: 4725: 4723: 4721: 4719: 4717: 4715: 4713: 4711: 4709: 4081: 4079: 4077: 4075: 4020: 4018: 4016: 4014: 4012: 4010: 4008: 4006: 4004: 4002: 3466: 3303: 1726:

For its release as a single, "Hallo Spaceboy" was issued in

1469:

Described by Gabrels as a "three-hour improvised opus", the

1454:(1987). Pegg writes that it resolves the album's "angst and 1166: 4538: 4536: 4534: 4532: 4530: 4528: 4526: 4524: 4522: 4073: 4071: 4069: 4067: 4065: 4063: 4061: 4059: 4057: 4055: 2642:, Eno recalled: "About a year ago we started talking about 2538:

remixes, as well as his appearance in the music video for "

1026:...after the fact." While characters lacked motivations on 571: 6101: 6099: 6097: 6095: 6093: 6091: 6089: 6087: 5405: 5403: 5401: 5399: 5397: 5336: 5334: 5259: 5257: 5189:"How David Bowie Reconnected with Brian Eno for 'Outside'" 4965: 4963: 4872: 4870: 4868: 4866: 4760: 4758: 4756: 4754: 4752: 4750: 4298:: Inside the Dark Heart of Bowie's Most Challenging Album" 4168: 4166: 4164: 4162: 4160: 4158: 4156: 4154: 4152: 4150: 4148: 4146: 4144: 4142: 4140: 4138: 4136: 4134: 4132: 4130: 4128: 4126: 4124: 4122: 4120: 4118: 4116: 4114: 3425:

Denovo – album design, concept and image manipulation

3378: – additional guitar on "Thru' These Architects Eyes" 1699:", as well as artists who cited Bowie's influence such as 978:

in between the linear bits. The queasy, strange textures.

489:

peaked at number 8 in the UK and number 21 in the US. The

4112: 4110: 4108: 4106: 4104: 4102: 4100: 4098: 4096: 4094: 1954:. Ultimately, Pegg concludes: "For the first time since 1287:

similarly described the music as "chiefly industrial and

6880:"British album certifications – David Bowie – Outside" 1353:("The Motel", "A Small Plot of Land"), and conventional 767:, Switzerland. Production was handled by Bowie, Eno and 6944:

Strange Fascination – David Bowie: The Definitive Story

3409: – co-producer, mixing and additional treatments; 898:

concept. Gabrels commented on his website in 2003 that

5244: 5242: 5240: 4938: 4936: 1557:(right) in October 1995, shortly after the release of 835:

current musical direction and had plans to remake the

562:, whom Bowie previously worked with on his late-1970s 6489:"Ranking: Every David Bowie Album From Worst to Best" 4409:"David Bowie: Getting ready to kiss the Duke's art". 3881:

Garson was a regular in the mid-1970s and guested on

1255:

contains a wide variety of musical styles, including

1030:, they now had distinct personalities and motives on 747:, who previously worked with Bowie on his late-1970s 432:

concerns the residents of the fictional Oxford Town,

4507:

Paul, George A. (1995). "Bowie Outside Looking In".

3898:

Davis was Bowie's primary drummer from 1975 to 1980.

2505:

Nine Inch Nails opened the American shows. Frontman

1656:

1. Outside – The Nathan Adler Diaries: A Hyper-cycle

863:

The backing tracks were completed in 10 days, while

385:

in other territories. Reuniting Bowie with musician

8647:

Albums produced by David Richards (record producer)

8563:

David Bowie Narrates Prokofiev's Peter and the Wolf

8502: 8409: 8376: 8348: 8272: 8226: 8131: 8057: 7955: 7776: 7709: 7663: 7631: 7466: 7434: 7232: 6600:. Mt. Martha, VIC, Australia: Moonlight Publishing. 5420: 5418: 3255: 3244: 2848: 2834: 1930:was also one of the first albums in the age of the 1750:and final single on 19 February 1996 in a new 1623:on 11 September 1995. It was accompanied by a 1565:Without a label for the third time in three years, 365:) is the 20th studio album by the English musician 280: 231: 207: 176: 160: 119: 91: 76: 61: 48: 34: 7622:David Bowie at the Kit Kat Klub (Live New York 99) 6967:Ashes to Ashes: The Songs of David Bowie 1976–2016 6637:(in French). Hung Medien. Retrieved 25 July 2020. 6613:(in German). Hung Medien. Retrieved 25 July 2020. 6343:Geoghegan, Kev; Saunders, Emma (11 January 2016). 6134: 6053: 5986: 5820: 5717: 5426: 4790: 4637: 4563: 4439: 4336: 2392:Other reviewers expressed more mixed assessments. 6670:(in Dutch). Hung Medien. Retrieved 25 July 2020. 6625:(in Dutch). Hung Medien. Retrieved 25 July 2020. 3843:Burden was previously referenced by Bowie in the 6725:"Norwegiancharts.com – David Bowie – 1. Outside" 6697:"Offiziellecharts.de – David Bowie – 1. Outside" 5719:"Bowie Returns to Realm Where Art, Rock Overlap" 3872:marked Bowie and Kızılçay's final collaboration. 3296:According to the liner notes and the biographer 497:", performed poorly but the following singles, " 7106:David Bowie – Starman: The Definitive Biography 4913:: CS1 maint: others in cite AV media (notes) ( 3139:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 3088:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 3049:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 2960:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 2940:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 2923:Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell 2654: 2595: 2462:The opening act of the tour's American leg was 1619:"The Hearts Filthy Lesson" was released as the 1319:. Other commentators, including Nick DeRiso of 1043:. Taking influences from the television series 967: 871:worth of content: an "improvised opera" titled 707: 607: 8493:We Were So Turned On: A Tribute to David Bowie 6753:"Swedishcharts.com – David Bowie – 1. Outside" 6611:"Austriancharts.at – David Bowie – 1. Outside" 6445:on 13 October 1999 – via www.algonet.se. 5076: 5074: 5029:"David Bowie: A career that shaped modern pop" 4895: 4893: 4891: 4889: 4887: 4885: 4781: 4779: 4777: 4775: 4773: 4338:"Returning to the Sound of Those Golden Years" 1533:and a drum fill. Shortly after the release of 1315:magazine, Barry Walters noted the presence of 935:". New personnel additions included guitarist 7162: 5083:"What a Fantastic Death Abyss: David Bowie's 5072: 5070: 5068: 5066: 5064: 5062: 5060: 5058: 5056: 5054: 4557: 4555: 4553: 4551: 4438:Randall, Mac; Rowland, Mark (November 1995). 4187:"On the Outside of Mainstream in Album, Tour" 3063:"The Voyeur of Utter Destruction (as Beauty)" 1885:arrived alongside the "glamorous cruelty" of 1820:In 1995, the UK music scene was dominated by 1612:in the country. BMG were now affiliated with 369:, released on 25 September 1995 through 8: 7615:Look at the Moon! (Live Phoenix Festival 97) 6856:(in Italian). 16 November 1995. p. 23. 6765:"Swisscharts.com – David Bowie – 1. Outside" 5774: 5772: 5274: 5272: 4826: 4824: 4415:. No. 60. October 1995. pp. 70–75. 3324: – synthesisers, treatments, strategies 2252: 2214: 2176: 2118: 2068: 2030: 1992: 1920:" brought to the forefront on television by 1014:concept and wrote what became the basis for 713:also has some sort of a feeling of this new 665:article discussing it, incorporated it as a 6824:(in Italian). 8 February 1996. p. 22. 6668:"Dutchcharts.nl – David Bowie – 1. Outside" 6536:"Brilliant Adventure and TOY press release" 5980: 5978: 5711: 5709: 4673: 4671: 4669: 4667: 4665: 4396: 4268: 2601:... Oh, I've got the fondest hopes for the 2490:, musical director Peter Schwartz, drummer 1774:, and performed the song with Bowie at the 1715:became Bowie's fastest-selling album since 8345: 7628: 7431: 7169: 7155: 7147: 3685: 3470: 1967: 1101:Paul Gorman found the use of narrative on 40: 31: 7650:Live at La Cigale, Paris, 25th June, 1989 7559:Welcome to the Blackout (Live London '78) 6458:"David Bowie Albums Ranked Worst to Best" 5940: 5938: 3432:(11"x11") acrylic painting on canvas 1995 2695:and nonlinear listening patterns through 1537:, Bowie expressed interest in making the 894:and resulted in Bowie's dismissal of the 8073:Ziggy Stardust and the Spiders from Mars 7608:No Trendy Réchauffé (Live Birmingham 95) 6997:(Revised and Updated ed.). London: 6848:"David Bowie, il volto mistico del rock" 6737:"Official Scottish Albums Chart Top 100" 6635:"Ultratop.be – David Bowie – 1. Outside" 6623:"Ultratop.be – David Bowie – 1. Outside" 6312:"Can the Real David Bowie Rise, Please?" 5459: 5130: 4620: 3981: 3428:David Bowie – album cover concept; 3238: 2957:"Segue – Baby Grace (A Horrid Cassette)" 2825: 2680:Following Bowie's death, the editors of 2623:which would have been a making-of about 2563:No Trendy Réchauffé (Live Birmingham 95) 827:, stating "he cannot even play four bars 615:—David Bowie on reuniting with Eno, 1995 6767:. Hung Medien. Retrieved 25 July 2020. 6755:. Hung Medien. Retrieved 25 July 2020. 6727:. Hung Medien. Retrieved 25 July 2020. 6715:. Hung Medien. Retrieved 25 July 2020. 6168: 5510: 5428:"David Bowie: Man of a Thousand Phases" 5145: 5143: 5141: 5139: 4631: 4629: 4608: 4502: 4500: 4327: 4325: 4323: 4287: 4285: 4283: 4281: 4279: 4277: 4046: 3974: 3765: 3733: 3277: 3224: 1916:(all 1995); and exhibited elements of " 604:(1993), the two agreed to collaborate. 362:The Nathan Adler Diaries: A Hyper-cycle 7999:A New Career in a New Town (1977–1982) 6915: 6713:"Charts.nz – David Bowie – 1. Outside" 6577:from the original on 30 September 2021 6546:from the original on 29 September 2021 6412: 6253:from the original on 16 September 2021 6120: 5963:from the original on 12 September 2017 4906: 4741: 4085: 1242: 651:Bowie also found captivation with the 598:(1993). After Eno listened to Bowie's 566:. Primarily known for his work in the 516:Bowie supported the album through the 8682:Electronica albums by English artists 6424: 6223:from the original on 24 November 2020 6016:Helligar, Jeremy (16 October 1995). " 5856: 5854: 5852: 5837:from the original on 30 November 2020 5797:from the original on 12 December 2021 5779:Collins, Sean T. (11 December 2021). 5671: 5669: 5425:Wheeler, Steven P. (September 1995). 4542: 4456:from the original on 11 November 2021 4185:Gunderson, Edna (12 September 1995). 3734: 3278: 3225: 1973: 1281:and industrial rock. Adam Trainer of 1068:A diary entry from the CD booklet of 973:, placing the eerie environment of a 947:on "Thru These Architects Eyes"; and 554:formalised his marriage to the model 7: 7594:Something in the Air (Live Paris 99) 7552:Cracked Actor (Live Los Angeles '74) 6860:from the original on 4 November 2021 6828:from the original on 4 November 2021 6501:from the original on 30 October 2020 6357:from the original on 11 January 2016 6192:from the original on 1 November 2020 6105: 5877:from the original on 16 January 2016 5814: 5812: 5534: 5522: 5409: 5388: 5376: 5364: 5352: 5340: 5325: 5313: 5279:Zimmerman, Lee (25 September 2020). 5263: 5248: 5231: 5219: 5201:from the original on 30 October 2021 4981: 4969: 4954: 4942: 4927: 4876: 4851:from the original on 24 October 2021 4809:from the original on 20 October 2020 4764: 4694:from the original on 17 October 2021 4596: 4474: 4425: 4381: 4369: 4308:from the original on 9 November 2021 4172: 3993: 1918:extraterrestrial conspiracy theories 1386:to Bowie's previous albums, such as 1221:"We Prick You" combines elements of 1053:concerns the fictional Oxford Town, 588:commented: "He's one of those people 418:Influenced by the television series 7601:I'm Only Dancing (The Soul Tour 74) 6897:Breteau, Pierre (11 January 2016). 6565:Marchese, Joe (29 September 2021). 6456:Wawzenek, Bryan (11 January 2016). 5985:Yates, Robert (29 September 1995). 5747:Morton, Roger (23 September 1995). 5676:Browne, David (29 September 1995). 5487:from the original on 31 August 2021 5099:from the original on 5 October 2021 5081:Trainer, Adam (23 September 2020). 4650:from the original on 10 August 2016 4578:from the original on 14 August 2020 4292:Draper, Jason (25 September 2021). 3435:John Scarisbrick – photography 8657:Art rock albums by English artists 7489:Ziggy Stardust: The Motion Picture 7019:The Words and Music of David Bowie 6598:Australia's Music Charts 1988–2010 6147:from the original on 18 April 2021 6072:from the original on 14 April 2021 5716:Masuo, Sandy (26 September 1995). 5441:from the original on 14 April 2021 5187:DeRiso, Nick (26 September 2015). 5168:from the original on 11 April 2017 4859:– via worldradiohistory.com. 4441:"David Bowie & Brian Eno: The 3949:Attributed to multiple references: 3832:New Afro/Pagan and Work: 1975–1995 3397:, mixing and additional treatments 1812:). It was given away with the CD. 1758:. The idea originated from member 1277:retrospectively categorised it as 1243:Problems playing these files? See 25: 8687:Ambient albums by English artists 8210:The Best of David Bowie 1980/1987 7925:The Best of David Bowie 1980/1987 7883:The Best of David Bowie 1974/1979 7876:The Best of David Bowie 1969/1974 7334:Scary Monsters (and Super Creeps) 6377:"David Bowie's Proggiest Moments" 6345:"Reaction to David Bowie's death" 6320:. 5 December 1995. Archived from 5910:The New Rolling Stone Album Guide 5861:Fricke, David (19 October 1995). 5645:The Encyclopedia of Popular Music 5577:Hassan, Marco (21 January 2016). 5295:from the original on 5 March 2021 5039:from the original on 24 June 2019 4351:from the original on 5 March 2016 4199:from the original on 1 April 2016 3962:was later released in March 2008. 2440:... facile, confused and immature 2254: 2216: 2178: 2120: 2070: 2032: 1994: 1891:(1994); it "inhabited the trashy 736:Bowie's primary collaborator for 8606: 8605: 8486:The Life Aquatic Studio Sessions 7587:Ouvrez le Chien (Live Dallas 95) 6685:Musiikkituottajat – IFPI Finland 6211:Blisten, Jon (9 November 2020). 5988:"Back on the Outside Looking in" 5945:Grundy, Gareth (November 1995). 5694:from the original on 6 July 2014 5648:(5th concise ed.). London: 5027:Savage, Mark (11 January 2016). 5008:from the original on 13 May 2016 3813:in Berlin, where Bowie recorded 3091:Ramona A. Stone and her acolytes 3012:"I Have Not Been to Oxford Town" 2559:Ouvrez le Chien (Live Dallas 95) 2502:commenced on 14 September. 2273: 2268: 2263: 2258: 2253: 2235: 2230: 2225: 2220: 2215: 2197: 2192: 2187: 2182: 2177: 2134: 2129: 2124: 2119: 2089: 2084: 2079: 2074: 2069: 2051: 2046: 2041: 2036: 2031: 2013: 2008: 2003: 1998: 1993: 1211: 1182: 264:BBC Sessions 1969–1972 (Sampler) 27:1995 studio album by David Bowie 8048:Brilliant Adventure (1992–2001) 7739:Live EP (Live at Fashion Rocks) 6777:"Official Albums Chart Top 100" 5913:(4th ed.). New York City: 5783:Brilliant Adventure (1992–2001) 5281:"Hallo Spaceboy: David Bowie's 5150:Walters, Barry (October 1995). 4831:Verna, Paul (14 October 1995). 4636:Roberts, Chris (October 1995). 4493:. No. 106. pp. 60–73. 3125:Members of the Court of Justice 2808:Brilliant Adventure (1992–2001) 1631:that was initially banned from 540:Brilliant Adventure (1992–2001) 8692:Science fiction concept albums 8637:Albums produced by David Bowie 8094:Tin Machine Live: Oy Vey, Baby 7643:Tin Machine Live: Oy Vey, Baby 6783:. Retrieved 21 November 2021. 6743:. Retrieved 21 November 2021. 6133:Jones, Cliff (December 1995). 5554:. 18 June 1997. Archived from 4994:Gill, Andy (11 January 2016). 4639:"David Bowie: Action Painting" 3798:Bowie's biographers note that 3245: 2943:The residents of Oxford Town, 2835: 1878:, released four months prior. 1762:, who added lines referencing 1408:(1984). Regarding the segues, 1341:("The Hearts Filthy Lesson"), 789:on piano. Also returning from 1: 7992:Who Can I Be Now? (1974–1976) 7869:The Deram Anthology 1966–1968 6884:British Phonographic Industry 6522:Uncut: The Archive Collection 6155:– via Rock's Backpages. 6080:– via Rock's Backpages. 5845:– via Rock's Backpages. 5449:– via Rock's Backpages. 4817:– via Rock's Backpages. 4658:– via Rock's Backpages. 4586:– via Rock's Backpages. 4464:– via Rock's Backpages. 3958:A Bowie tribute album titled 3687:Certifications and sales for 3174:"Thru' These Architects Eyes" 3046:"Segue – Algeria Touchshriek" 2247:The Rolling Stone Album Guide 2063:Encyclopedia of Popular Music 1416:suites in the development of 8642:Albums produced by Brian Eno 8175:Bowie – The Video Collection 8006:Loving the Alien (1983–1988) 7566:Serious Moonlight (Live '83) 6793:"David Bowie Chart History ( 6540:David Bowie Official Website 6186:David Bowie Official Website 5552:David Bowie Official Website 5481:David Bowie Official Website 4565:"David Bowie on the Outside" 4428:, pp. 408–409, 421–423. 3672: 3658: 3643: 3631: 3619: 3604: 3592: 3580: 3568: 3556: 3532: 3520: 3508: 3415:Kevin Metcalfe – mixing 2846:Sung from the perspective of 2631:and utilised them to create 2444:... quite simply, rubbish." 987:characters and setting, 1995 983:—David Bowie explaining the 846:program, which mirrored the 513:, performed well in the UK. 6332:– via www.algonet.se. 6041:. No. 720. p. 28. 6005:– via Newspapers.com. 5819:Doyle, Tom (October 1995). 5736:– via Newspapers.com. 3314:David Bowie – vocals, 1730:form featuring English duo 1337:("Leon Takes Us Outside"), 304:Released: 11 September 1995 65:25 September 1995 8718: 7257:The Man Who Sold the World 7028:Greenwood Publishing Group 6922:: CS1 maint: url-status ( 6805:. Retrieved 25 July 2020. 6703:. Retrieved 25 July 2020. 6687:. Retrieved 25 July 2020. 6439:"The Thin White Earthling" 6026:. No. 44. p. 32. 5899:(2004). "David Bowie". In 3828:Minotaur Myths and Legends 2820:All lyrics are written by 2451: 2317:Bowie's best record since 1697:The Man Who Sold the World 1678:peaked at number 8 on the 1088:". Described by some as a 943:; Tin Machine contributor 679:magazine. His interest in 636:psychiatric hospital near 547:Background and inspiration 471:Released at the height of 334:Released: 19 February 1996 317:Released: 20 November 1995 8601: 8041:Brilliant Live Adventures 7184: 7110:Little, Brown and Company 7016:Perone, James E. (2007). 6182:"Ouvrez Le Chien out now" 5525:, pp. 181, 268, 785. 4957:, pp. 129, 299, 316. 3739: 3719: 3708: 3700: 3697: 3694: 3663: 3648: 3636: 3624: 3609: 3597: 3585: 3573: 3561: 3549: 3537: 3525: 3513: 3501: 3489: 3482: 3479: 3260: 3252: 3249: 3204: 3187: 3170: 3149: 3132: 3115: 3098: 3083:"Segue – Ramona A. Stone" 3079: 3059: 3042: 3025: 3008: 2991: 2970: 2953: 2933: 2912: 2892: 2853: 2845: 2842: 2839: 2650:Retrospective assessments 2568:Brilliant Live Adventures 1981: 1978: 1711:. Due to advance orders, 1267:and ambient. Writers for 655:, a mythical figure from 530:(1997). Retrospectively, 389:following the late 1970s 373:in the United States and 342: 291: 276: 239: 39: 8515:Angie Bowie (first wife) 8479:Symphony No. 12 "Lodger" 8189:Jump: Interactive CD-ROM 8013:Spying Through a Keyhole 7785:The World of David Bowie 7545:Live Nassau Coliseum '76 6994:The Complete David Bowie 6942:Buckley, David (2005) . 6816:"Il Duca Bianco in noir" 6701:GfK Entertainment Charts 6681:David Bowie: 1. Outside" 6415:, pp. 441–442, 494. 5642:(2011). "Bowie, David". 4833:"Reviews & Previews" 3907:An early version of the 3682:Certifications and sales 2918:The Hearts Filthy Lesson 2722:The Complete David Bowie 2707:Several have criticised 2565:, as part of the series 1951:A History of British Art 1682:and number 21 on the US 1664:Excerpts From 1. Outside 1639:and number 92 on the US 1515:The Silence of the Lambs 1196:, including elements of 723:Recording and production 495:The Hearts Filthy Lesson 299:The Hearts Filthy Lesson 8472:Symphony No. 4 "Heroes" 7971:The Platinum Collection 7051:Bowie: Loving the Alien 6965:O'Leary, Chris (2019). 6781:Official Charts Company 6741:Official Charts Company 3915:I'm Afraid of Americans 3564:Suomen virallinen lista 3336: – bass, keyboards 3240:Japanese CD bonus track 2857:"Leon Takes Us Outside" 2699:have made reactions to 2638:In 2016, one day after 2540:I'm Afraid of Americans 1325:, recognised styles of 759:began in March 1994 at 8677:Industrial rock albums 8300:Serious Moonlight Tour 8020:Clareville Grove Demos 7985:Five Years (1969–1973) 7855:The Singles Collection 7725:BBC Sessions 1969–1972 7369:The Buddha of Suburbia 7199:Awards and nominations 7084:Crown Publishing Group 3866:The Buddha of Suburbia 3860:After contributing to 3472:Chart performance for 3210:Strangers When We Meet 3197:Detective Nathan Adler 3191:"Segue – Nathan Adler" 3142:Detective Nathan Adler 3136:"Segue – Nathan Adler" 3035:Detective Nathan Adler 2937:"A Small Plot of Land" 2926:Detective Nathan Adler 2666: 2609: 2488:Serious Moonlight Tour 2474: 1754:featuring English duo 1738: 1578:Virgin America Records 1562: 1446:The Buddha of Suburbia 1171: 1073: 980: 927:", and reworkings of " 925:Strangers When We Meet 779:The Buddha of Suburbia 752: 720: 612: 601:The Buddha of Suburbia 499:Strangers When We Meet 312:Strangers When We Meet 8702:Virgin Records albums 8652:Arista Records albums 8570:Heteropoda davidbowie 8444:Statue of David Bowie 8399:The Spiders from Mars 8249:Black Tie White Noise 8182:Black Tie White Noise 8154:Jazzin' for Blue Jean 8140:Love You till Tuesday 7732:Earthling in the City 7679:Love You till Tuesday 7517:Live Santa Monica '72 7362:Black Tie White Noise 7046:Sandford, Christopher 7024:Westport, Connecticut 6542:. 29 September 2021. 6462:Ultimate Classic Rock 6052:Robbins, Ira (1995). 5194:Ultimate Classic Rock 4787:Murray, Charles Shaar 4562:Gorman, Paul (1995). 4335:(10 September 1995). 3883:Black Tie White Noise 3809:was also recorded at 3357: – rhythm guitar 2753:Ultimate Classic Rock 2728:was made for fans of 2686:magazine stated that 2477:In an interview with 2461: 1862:the Chemical Brothers 1844:, British journalist 1725: 1705:the Smashing Pumpkins 1552: 1322:Ultimate Classic Rock 1170: 1067: 771:, the co-producer of 735: 595:Black Tie White Noise 448:displays styles from 85:January–February 1995 8465:Symphony No. 1 "Low" 7848:Early On (1964–1966) 6596:Ryan, Gavin (2011). 6494:Consequence of Sound 6437:Brown, Mark (1997). 5915:Simon & Schuster 5687:Entertainment Weekly 5234:, pp. 121, 299. 5164:. pp. 116–117. 4372:, pp. 426, 697. 3586:New Zealand Albums ( 3102:"Wishful Beginnings" 2805:part of the box set 2762:Consequence of Sound 2395:Entertainment Weekly 2336:Charles Shaar Murray 2308:Critical reviews of 2101:Entertainment Weekly 1969:Professional ratings 1810:Jazmin Velasco-Moore 1790:1. Outside Version 2 1301:Christopher Sandford 1149:Jean-Michel Basquiat 848:William S. Burroughs 685:Rudolf Schwarzkogler 644:". Bowie later told 444:booklet. Musically, 8389:The Thin White Duke 8280:Ziggy Stardust Tour 8066:The 1980 Floor Show 8027:The 'Mercury' Demos 7939:Nothing Has Changed 6247:Rhino Entertainment 6188:. 30 October 2020. 6171:, pp. 438–441. 6123:, pp. 442–446. 6108:, pp. 597–600. 5537:, pp. 785–786. 5513:, pp. 440–441. 5462:, pp. 318–319. 5412:, pp. 154–156. 5343:, pp. 103–104. 5289:Rock and Roll Globe 5266:, pp. 430–432. 5133:, pp. 322–330. 4972:, pp. 248–249. 4909:cite AV media notes 4879:, pp. 105–106. 4767:, pp. 236–237. 4744:, pp. 115–118. 4623:, pp. 312–313. 4611:, pp. 383–384. 4599:, pp. 128–129. 4545:, pp. 358–367. 4175:, pp. 423–430. 4088:, pp. 436–442. 4049:, pp. 426–438. 3996:, pp. 384–396. 3984:, pp. 299–302. 3691: 3639:Schweizer Hitparade 3490:Australian Albums ( 3476: 3393:David Bowie – 3318:, guitar, keyboards 3241: 3163:The Artist/Minotaur 3108:The Artist/Minotaur 3066:Bowie, Eno, Gabrels 3052:Algeria Touchshriek 2831: 2362:." Furthermore, an 2331:The Daily Telegraph 1970: 1898:" of films such as 1778:in February and on 1430:the Walker Brothers 1376:Rock and Roll Globe 1082:nonlinear narrative 875:. The material was 681:performance artists 657:classical antiquity 584:'s radio presenter 426:nonlinear narrative 82:March–November 1994 8697:RCA Records albums 8662:David Bowie albums 8520:Duncan Jones (son) 8217:The Next Day Extra 8034:Conversation Piece 7753:The Next Day Extra 7306:Station to Station 7143:(list of releases) 7079:Bowie: A Biography 6389:on 18 January 2016 6249:. 2 October 2020. 4344:The New York Times 3686: 3598:Norwegian Albums ( 3576:Offizielle Top 100 3471: 3239: 2826: 2778:Station to Station 2475: 2471:(pictured in 1994) 1968: 1964:Critical reception 1739: 1735:(pictured in 2013) 1563: 1172: 1086:The Laughing Gnome 1074: 811:Oblique Strategies 753: 745:(pictured in 2015) 8619: 8618: 8577:342843 Davidbowie 8372: 8371: 8364:It's My Life Tour 8310:Sound+Vision Tour 8305:Glass Spider Tour 8285:Diamond Dogs Tour 8108:Reality: Tour Ed. 8080:Serious Moonlight 7890:Bowie at the Beeb 7806:The Best of Bowie 7767:Is It Any Wonder? 7659: 7658: 7531:Bowie at the Beeb 7462: 7461: 7355:Never Let Me Down 7119:978-0-31603-225-4 7108:. New York City: 7093:978-0-307-71699-6 7082:. New York City: 7065:978-0-306-80854-8 7037:978-0-27599-245-3 7008:978-1-78565-365-0 6980:978-1-91224-830-8 6957:978-0-75351-002-5 6657:. 1 October 1995. 6468:on 1 October 2020 6065:Addicted to Noise 5928:978-0-7432-0169-8 5725:Los Angeles Times 5682:, by David Bowie" 5659:978-0-85712-595-8 3862:Never Let Me Down 3757: 3756: 3750: 3749: 3677: 3676: 3627:Sverigetopplistan 3502:Austrian Albums ( 3453: 3452: 3349:Sterling Campbell 3288: 3287: 3235: 3234: 2881:Sterling Campbell 2404:Los Angeles Times 2306: 2305: 2113:Los Angeles Times 1309:(1973), while in 1299:. The biographer 1216: 1187: 1034:, similar to the 963:Concept and story 941:Glass Spider Tour 799:Sterling Campbell 774:Never Let Me Down 346: 345: 272: 271: 133:experimental rock 107:Westside (London) 16:(Redirected from 8709: 8609: 8608: 8438:Phillip Jeffries 8359:Tin Machine Tour 8346: 8263:Moonage Daydream 8256:Sound and Vision 8122:Glastonbury 2000 8101:VH1 Storytellers 7834:Fame and Fashion 7792:Images 1966–1967 7700:Moonage Daydream 7629: 7573:Glastonbury 2000 7524:VH1 Storytellers 7496:Santa Monica '72 7432: 7171: 7164: 7157: 7148: 7123: 7097: 7069: 7041: 7012: 6984: 6961: 6928: 6927: 6921: 6913: 6911: 6909: 6894: 6888: 6887: 6876: 6870: 6869: 6867: 6865: 6844: 6838: 6837: 6835: 6833: 6812: 6806: 6790: 6784: 6774: 6768: 6762: 6756: 6750: 6744: 6734: 6728: 6722: 6716: 6710: 6704: 6694: 6688: 6677: 6671: 6665: 6659: 6658: 6644: 6638: 6632: 6626: 6620: 6614: 6608: 6602: 6601: 6593: 6587: 6586: 6584: 6582: 6562: 6556: 6555: 6553: 6551: 6532: 6526: 6525: 6517: 6511: 6510: 6508: 6506: 6484: 6478: 6477: 6475: 6473: 6464:. Archived from 6453: 6447: 6446: 6441:. Archived from 6434: 6428: 6422: 6416: 6410: 6399: 6398: 6396: 6394: 6385:. Archived from 6373: 6367: 6366: 6364: 6362: 6340: 6334: 6333: 6331: 6329: 6308: 6302: 6301: 6291: 6285: 6284: 6282: 6280: 6269: 6263: 6262: 6260: 6258: 6239: 6233: 6232: 6230: 6228: 6208: 6202: 6201: 6199: 6197: 6178: 6172: 6166: 6157: 6156: 6154: 6152: 6138: 6130: 6124: 6118: 6109: 6103: 6082: 6081: 6079: 6077: 6061: 6049: 6043: 6042: 6034: 6028: 6027: 6013: 6007: 6006: 6004: 6002: 5990: 5982: 5973: 5972: 5970: 5968: 5942: 5933: 5932: 5905:Hoard, Christian 5901:Brackett, Nathan 5893: 5887: 5886: 5884: 5882: 5858: 5847: 5846: 5844: 5842: 5828: 5816: 5807: 5806: 5804: 5802: 5776: 5767: 5766: 5764: 5762: 5744: 5738: 5737: 5735: 5733: 5721: 5713: 5704: 5703: 5701: 5699: 5673: 5664: 5663: 5636: 5630: 5629: 5627: 5625: 5620:on 4 August 2009 5616:. Archived from 5600: 5594: 5593: 5591: 5589: 5574: 5568: 5567: 5565: 5563: 5544: 5538: 5532: 5526: 5520: 5514: 5508: 5497: 5496: 5494: 5492: 5469: 5463: 5457: 5451: 5450: 5448: 5446: 5434:Music Connection 5430: 5422: 5413: 5407: 5392: 5386: 5380: 5374: 5368: 5362: 5356: 5350: 5344: 5338: 5329: 5323: 5317: 5311: 5305: 5304: 5302: 5300: 5276: 5267: 5261: 5252: 5246: 5235: 5229: 5223: 5217: 5211: 5210: 5208: 5206: 5184: 5178: 5177: 5175: 5173: 5147: 5134: 5128: 5109: 5108: 5106: 5104: 5078: 5049: 5048: 5046: 5044: 5024: 5018: 5017: 5015: 5013: 4991: 4985: 4979: 4973: 4967: 4958: 4952: 4946: 4940: 4931: 4925: 4919: 4918: 4912: 4904: 4897: 4880: 4874: 4861: 4860: 4858: 4856: 4850: 4837: 4828: 4819: 4818: 4816: 4814: 4798: 4789:(October 1995). 4783: 4768: 4762: 4745: 4739: 4704: 4703: 4701: 4699: 4678:Parisien, Roch. 4675: 4660: 4659: 4657: 4655: 4641: 4633: 4624: 4618: 4612: 4606: 4600: 4594: 4588: 4587: 4585: 4583: 4567: 4559: 4546: 4540: 4517: 4516: 4504: 4495: 4494: 4484: 4478: 4472: 4466: 4465: 4463: 4461: 4447: 4435: 4429: 4423: 4417: 4416: 4406: 4400: 4394: 4385: 4379: 4373: 4367: 4361: 4360: 4358: 4356: 4340: 4329: 4318: 4317: 4315: 4313: 4289: 4272: 4266: 4209: 4208: 4206: 4204: 4182: 4176: 4170: 4089: 4083: 4050: 4044: 3997: 3991: 3985: 3979: 3963: 3960:.2 Contamination 3956: 3950: 3947: 3941: 3933: 3927: 3905: 3899: 3896: 3890: 3879: 3873: 3858: 3852: 3841: 3835: 3824: 3818: 3804: 3796: 3790: 3783:(both 1977) and 3770: 3720:United Kingdom ( 3692: 3625:Swedish Albums ( 3562:Finnish Albums ( 3526:Belgian Albums ( 3514:Belgian Albums ( 3477: 3467: 3403: – producer 3304: 3281: 3247: 3242: 3228: 3085:"I Am with Name" 2837: 2832: 2798:Columbia Records 2676: 2617:2. Contamination 2600: 2580:Proposed sequels 2549:in London, with 2528: 2443: 2439: 2435: 2420: 2400: 2341: 2278: 2277: 2276: 2272: 2271: 2267: 2266: 2262: 2261: 2257: 2256: 2240: 2239: 2238: 2234: 2233: 2229: 2228: 2224: 2223: 2219: 2218: 2202: 2201: 2200: 2196: 2195: 2191: 2190: 2186: 2185: 2181: 2180: 2139: 2138: 2137: 2133: 2132: 2128: 2127: 2123: 2122: 2094: 2093: 2092: 2088: 2087: 2083: 2082: 2078: 2077: 2073: 2072: 2056: 2055: 2054: 2050: 2049: 2045: 2044: 2040: 2039: 2035: 2034: 2018: 2017: 2016: 2012: 2011: 2007: 2006: 2002: 2001: 1997: 1996: 1971: 1868:at the time was 1674:. Commercially, 1637:UK Singles Chart 1583:Music Connection 1571: 1442:We Will Rock You 1347:avant-garde jazz 1317:progressive rock 1218: 1217: 1189: 1188: 1169: 1100: 1025: 988: 918: 859: 830: 761:Mountain Studios 728:Initial sessions 712: 616: 591: 335: 332: 318: 315: 305: 302: 241: 240: 172: 171: 167: 143:avant-garde jazz 72: 70: 44: 32: 21: 8717: 8716: 8712: 8711: 8710: 8708: 8707: 8706: 8672:Cyberpunk music 8667:Dystopian music 8622: 8621: 8620: 8615: 8597: 8583:Tao Jones Index 8498: 8411: 8405: 8368: 8344: 8268: 8222: 8127: 8053: 7951: 7813:Changestwobowie 7799:Changesonebowie 7772: 7705: 7655: 7627: 7580:ChangesNowBowie 7503:LiveAndWell.com 7458: 7430: 7299:Young Americans 7228: 7180: 7175: 7131: 7126: 7120: 7100: 7094: 7072: 7066: 7044: 7038: 7015: 7009: 6987: 6981: 6964: 6958: 6941: 6937: 6932: 6931: 6914: 6907: 6905: 6896: 6895: 6891: 6878: 6877: 6873: 6863: 6861: 6846: 6845: 6841: 6831: 6829: 6814: 6813: 6809: 6791: 6787: 6775: 6771: 6763: 6759: 6751: 6747: 6735: 6731: 6723: 6719: 6711: 6707: 6695: 6691: 6678: 6674: 6666: 6662: 6646: 6645: 6641: 6633: 6629: 6621: 6617: 6609: 6605: 6595: 6594: 6590: 6580: 6578: 6571:The Second Disc 6564: 6563: 6559: 6549: 6547: 6534: 6533: 6529: 6519: 6518: 6514: 6504: 6502: 6486: 6485: 6481: 6471: 6469: 6455: 6454: 6450: 6436: 6435: 6431: 6423: 6419: 6411: 6402: 6392: 6390: 6375: 6374: 6370: 6360: 6358: 6342: 6341: 6337: 6327: 6325: 6324:on 16 June 2013 6310: 6309: 6305: 6293: 6292: 6288: 6278: 6276: 6271: 6270: 6266: 6256: 6254: 6241: 6240: 6236: 6226: 6224: 6210: 6209: 6205: 6195: 6193: 6180: 6179: 6175: 6167: 6160: 6150: 6148: 6132: 6131: 6127: 6119: 6112: 6104: 6085: 6075: 6073: 6051: 6050: 6046: 6036: 6035: 6031: 6015: 6014: 6010: 6000: 5998: 5984: 5983: 5976: 5966: 5964: 5959:. p. 107. 5944: 5943: 5936: 5929: 5895: 5894: 5890: 5880: 5878: 5860: 5859: 5850: 5840: 5838: 5818: 5817: 5810: 5800: 5798: 5778: 5777: 5770: 5760: 5758: 5746: 5745: 5741: 5731: 5729: 5715: 5714: 5707: 5697: 5695: 5678:"Music Review: 5675: 5674: 5667: 5660: 5638: 5637: 5633: 5623: 5621: 5602: 5601: 5597: 5587: 5585: 5576: 5575: 5571: 5561: 5559: 5558:on 11 June 1998 5546: 5545: 5541: 5533: 5529: 5521: 5517: 5509: 5500: 5490: 5488: 5471: 5470: 5466: 5458: 5454: 5444: 5442: 5424: 5423: 5416: 5408: 5395: 5387: 5383: 5375: 5371: 5363: 5359: 5351: 5347: 5339: 5332: 5324: 5320: 5312: 5308: 5298: 5296: 5278: 5277: 5270: 5262: 5255: 5247: 5238: 5230: 5226: 5218: 5214: 5204: 5202: 5186: 5185: 5181: 5171: 5169: 5149: 5148: 5137: 5129: 5112: 5102: 5100: 5080: 5079: 5052: 5042: 5040: 5026: 5025: 5021: 5011: 5009: 5001:The Independent 4993: 4992: 4988: 4980: 4976: 4968: 4961: 4953: 4949: 4941: 4934: 4926: 4922: 4905: 4899: 4898: 4883: 4875: 4864: 4854: 4852: 4848: 4835: 4830: 4829: 4822: 4812: 4810: 4785: 4784: 4771: 4763: 4748: 4740: 4707: 4697: 4695: 4677: 4676: 4663: 4653: 4651: 4635: 4634: 4627: 4619: 4615: 4607: 4603: 4595: 4591: 4581: 4579: 4561: 4560: 4549: 4541: 4520: 4506: 4505: 4498: 4486: 4485: 4481: 4473: 4469: 4459: 4457: 4437: 4436: 4432: 4424: 4420: 4408: 4407: 4403: 4395: 4388: 4380: 4376: 4368: 4364: 4354: 4352: 4331: 4330: 4321: 4311: 4309: 4291: 4290: 4275: 4267: 4212: 4202: 4200: 4184: 4183: 4179: 4171: 4092: 4084: 4053: 4045: 4000: 3992: 3988: 3980: 3976: 3971: 3966: 3957: 3953: 3948: 3944: 3934: 3930: 3906: 3902: 3897: 3893: 3880: 3876: 3859: 3855: 3842: 3838: 3825: 3821: 3811:Hansa Tonstudio 3802: 3797: 3793: 3771: 3767: 3763: 3758: 3702:Certified units 3684: 3611:Scottish Albums 3574:German Albums ( 3538:Danish Albums ( 3484: 3464: 3459: 3454: 3439:Jennifer Elster 3376:Kevin Armstrong 3294: 3289: 3279: 3236: 3226: 3084: 2963:Baby Grace Blue 2901:Kevin Armstrong 2817: 2794: 2678: 2669:—Adam Trainer, 2668: 2652: 2598: 2582: 2577: 2526: 2496:Gail Ann Dorsey 2464:Nine Inch Nails 2456: 2450: 2441: 2437: 2433: 2418: 2398: 2339: 2321:. A writer for 2274: 2269: 2264: 2259: 2236: 2231: 2226: 2221: 2198: 2193: 2188: 2183: 2135: 2130: 2125: 2090: 2085: 2080: 2075: 2052: 2047: 2042: 2037: 2014: 2009: 2004: 1999: 1966: 1938:". Tracks from 1818: 1801: 1781:Top of the Pops 1741:Bowie promoted 1701:Nine Inch Nails 1680:UK Albums Chart 1569: 1547: 1467: 1451:The Joshua Tree 1434:The Electrician 1270:The Independent 1265:industrial rock 1250: 1249: 1241: 1239: 1238: 1237: 1236: 1219: 1212: 1209: 1203: 1202: 1201: 1190: 1183: 1180: 1173: 1167: 1162: 1098: 1023: 992:The concept of 990: 982: 965: 945:Kevin Armstrong 916: 908: 887:The Black Album 857: 828: 730: 725: 710: 676:Modern Painters 618: 614: 589: 549: 454:industrial rock 338: 333: 322: 321: 316: 309: 308: 303: 296: 295: 267: 258: 249: 169: 165: 164: 138:industrial rock 113:(New York City) 111:The Hit Factory 68: 66: 57: 28: 23: 22: 15: 12: 11: 5: 8715: 8713: 8705: 8704: 8699: 8694: 8689: 8684: 8679: 8674: 8669: 8664: 8659: 8654: 8649: 8644: 8639: 8634: 8624: 8623: 8617: 8616: 8614: 8613: 8602: 8599: 8598: 8596: 8595: 8590: 8585: 8580: 8573: 8566: 8559: 8556:The Nomad Soul 8552: 8547: 8542: 8540:Berlin Trilogy 8537: 8532: 8527: 8522: 8517: 8512: 8506: 8504: 8500: 8499: 8497: 8496: 8489: 8482: 8475: 8468: 8461: 8454: 8447: 8440: 8435: 8430: 8427:David Bowie Is 8423: 8415: 8413: 8407: 8406: 8404: 8403: 8402: 8401: 8394:Ziggy Stardust 8391: 8386: 8380: 8378: 8374: 8373: 8370: 8369: 8367: 8366: 8361: 8355: 8353: 8343: 8342: 8340:A Reality Tour 8337: 8332: 8327: 8322: 8320:Earthling Tour 8317: 8312: 8307: 8302: 8297: 8292: 8287: 8282: 8276: 8274: 8270: 8269: 8267: 8266: 8259: 8252: 8245: 8238: 8230: 8228: 8224: 8223: 8221: 8220: 8213: 8206: 8199: 8192: 8185: 8178: 8171: 8164: 8161:Day-In Day-Out 8157: 8150: 8143: 8135: 8133: 8129: 8128: 8126: 8125: 8118: 8115:A Reality Tour 8111: 8104: 8097: 8090: 8083: 8076: 8069: 8061: 8059: 8058:Concert videos 8055: 8054: 8052: 8051: 8044: 8037: 8030: 8023: 8016: 8009: 8002: 7995: 7988: 7981: 7974: 7967: 7964:Sound + Vision 7959: 7957: 7953: 7952: 7950: 7949: 7942: 7935: 7928: 7921: 7918:The Collection 7914: 7907: 7900: 7893: 7886: 7879: 7872: 7865: 7862:Rarestonebowie 7858: 7851: 7844: 7837: 7830: 7823: 7816: 7809: 7802: 7795: 7788: 7780: 7778: 7774: 7773: 7771: 7770: 7763: 7756: 7749: 7742: 7735: 7728: 7721: 7713: 7711: 7707: 7706: 7704: 7703: 7696: 7689: 7682: 7675: 7667: 7665: 7661: 7660: 7657: 7656: 7654: 7653: 7646: 7638: 7636: 7626: 7625: 7618: 7611: 7604: 7597: 7590: 7583: 7576: 7569: 7562: 7555: 7548: 7541: 7538:A Reality Tour 7534: 7527: 7520: 7513: 7506: 7499: 7492: 7485: 7478: 7470: 7468: 7464: 7463: 7460: 7459: 7457: 7456: 7453:Tin Machine II 7449: 7441: 7439: 7429: 7428: 7421: 7414: 7407: 7400: 7393: 7386: 7379: 7372: 7365: 7358: 7351: 7344: 7337: 7330: 7323: 7316: 7309: 7302: 7295: 7288: 7281: 7274: 7267: 7260: 7253: 7245: 7236: 7234: 7230: 7229: 7227: 7226: 7224:Art collection 7221: 7216: 7211: 7206: 7201: 7196: 7191: 7185: 7182: 7181: 7176: 7174: 7173: 7166: 7159: 7151: 7145: 7144: 7130: 7129:External links 7127: 7125: 7124: 7118: 7098: 7092: 7070: 7064: 7042: 7036: 7013: 7007: 6989:Pegg, Nicholas 6985: 6979: 6971:Repeater Books 6962: 6956: 6938: 6936: 6933: 6930: 6929: 6889: 6871: 6839: 6807: 6785: 6769: 6757: 6745: 6729: 6717: 6705: 6689: 6683:(in Finnish). 6672: 6660: 6639: 6627: 6615: 6603: 6588: 6557: 6527: 6512: 6479: 6448: 6429: 6427:, p. 359. 6417: 6400: 6368: 6335: 6303: 6300:. No. 44. 6286: 6264: 6234: 6203: 6173: 6158: 6125: 6110: 6083: 6055:"David Bowie: 6044: 6029: 6008: 5974: 5947:"David Bowie: 5934: 5927: 5897:Sheffield, Rob 5888: 5848: 5822:"David Bowie: 5808: 5781:"David Bowie: 5768: 5739: 5705: 5665: 5658: 5631: 5595: 5569: 5539: 5527: 5515: 5498: 5477:– David Bowie" 5464: 5452: 5414: 5393: 5391:, p. 129. 5381: 5379:, p. 117. 5369: 5367:, p. 200. 5357: 5355:, p. 188. 5345: 5330: 5328:, p. 205. 5318: 5316:, p. 299. 5306: 5268: 5253: 5251:, p. 268. 5236: 5224: 5222:, p. 156. 5212: 5179: 5152:"David Bowie: 5135: 5110: 5050: 5019: 4986: 4984:, p. 304. 4974: 4959: 4947: 4945:, p. 281. 4932: 4930:, p. 121. 4920: 4881: 4862: 4844:. p. 71. 4820: 4792:"David Bowie: 4769: 4746: 4705: 4684:– David Bowie" 4661: 4625: 4613: 4601: 4589: 4547: 4518: 4496: 4479: 4477:, p. 380. 4467: 4430: 4418: 4401: 4386: 4384:, p. 142. 4374: 4362: 4319: 4273: 4210: 4177: 4090: 4051: 3998: 3986: 3973: 3972: 3970: 3967: 3965: 3964: 3951: 3942: 3928: 3900: 3891: 3874: 3853: 3836: 3819: 3791: 3764: 3762: 3759: 3755: 3754: 3748: 3747: 3744: 3741: 3737: 3736: 3732: 3731: 3728: 3725: 3717: 3716: 3713: 3710: 3706: 3705: 3699: 3696: 3683: 3680: 3678: 3675: 3674: 3671: 3661: 3660: 3657: 3646: 3645: 3642: 3637:Swiss Albums ( 3634: 3633: 3630: 3622: 3621: 3618: 3607: 3606: 3603: 3595: 3594: 3591: 3583: 3582: 3579: 3571: 3570: 3567: 3559: 3558: 3555: 3550:Dutch Albums ( 3547: 3546: 3543: 3535: 3534: 3531: 3523: 3522: 3519: 3511: 3510: 3507: 3499: 3498: 3495: 3487: 3486: 3481: 3465: 3463: 3460: 3458: 3455: 3451: 3450: 3446: 3445: 3436: 3433: 3426: 3417: 3416: 3413: 3407:David Richards 3404: 3398: 3384: 3383: 3382: 3379: 3373: 3370: 3364: 3358: 3352: 3346: 3337: 3334:Erdal Kızılçay 3331: 3330: – guitar 3328:Reeves Gabrels 3325: 3319: 3302: 3293: 3290: 3286: 3285: 3282: 3276: 3275: 3272: 3269: 3262: 3258: 3257: 3254: 3251: 3248: 3237: 3233: 3232: 3229: 3223: 3222: 3219: 3216: 3213: 3206: 3202: 3201: 3198: 3195: 3192: 3189: 3185: 3184: 3181: 3178: 3177:Bowie, Gabrels 3175: 3172: 3168: 3167: 3164: 3161: 3158: 3151: 3147: 3146: 3143: 3140: 3137: 3134: 3130: 3129: 3126: 3123: 3120: 3119:"We Prick You" 3117: 3113: 3112: 3109: 3106: 3103: 3100: 3096: 3095: 3092: 3089: 3086: 3081: 3077: 3076: 3073: 3067: 3064: 3061: 3057: 3056: 3053: 3050: 3047: 3044: 3040: 3039: 3036: 3033: 3030: 3027: 3023: 3022: 3019: 3016: 3013: 3010: 3006: 3005: 3002: 2999: 2996: 2993: 2989: 2988: 2985: 2982: 2979: 2976:Hallo Spaceboy 2972: 2968: 2967: 2964: 2961: 2958: 2955: 2951: 2950: 2947: 2941: 2938: 2935: 2931: 2930: 2927: 2924: 2921: 2914: 2910: 2909: 2906: 2903: 2897: 2894: 2890: 2889: 2886: 2883: 2877:Erdal Kızılçay 2869:Reeves Gabrels 2858: 2855: 2851: 2850: 2847: 2844: 2841: 2838: 2818: 2816: 2813: 2793: 2790: 2653: 2651: 2648: 2581: 2578: 2576: 2573: 2518:" (1977) and " 2492:Zachary Alford 2452:Main article: 2449: 2446: 2319:Scary Monsters 2304: 2303: 2300: 2292: 2291: 2288: 2280: 2279: 2250: 2242: 2241: 2212: 2204: 2203: 2174: 2166: 2165: 2162: 2153: 2152: 2149: 2141: 2140: 2116: 2108: 2107: 2104: 2096: 2095: 2066: 2058: 2057: 2028: 2020: 2019: 1990: 1984: 1983: 1980: 1976: 1975: 1965: 1962: 1957:Scary Monsters 1842:The Last Party 1824:bands such as 1817: 1814: 1800: 1794: 1709:Marilyn Manson 1654:, stylised as 1546: 1543: 1466: 1460: 1399:Scary Monsters 1240: 1220: 1210: 1207:"We Prick You" 1205: 1204: 1191: 1181: 1176: 1175: 1174: 1165: 1164: 1163: 1161: 1160:Musical styles 1158: 1108:Ziggy Stardust 1105:a callback to 1004:In late 1994, 966: 964: 961: 929:Hallo Spaceboy 907: 906:Later sessions 904: 815:fortune cookie 813:cards – "part- 783:Erdal Kızılçay 769:David Richards 755:Recording for 749:Berlin Trilogy 729: 726: 724: 721: 662:New York Times 626:Reeves Gabrels 606: 564:Berlin Trilogy 548: 545: 507:Hallo Spaceboy 482:Scary Monsters 391:Berlin Trilogy 375:Arista Records 371:Virgin Records 359:and subtitled 344: 343: 340: 339: 337: 336: 325:Hallo Spaceboy 319: 306: 292: 289: 288: 278: 277: 274: 273: 270: 269: 260: 251: 246:Rarestonebowie 237: 236: 229: 228: 227: 226: 224:David Richards 221: 216: 211: 205: 204: 203: 202: 197: 192: 187: 180: 174: 173: 162: 158: 157: 156: 155: 150: 145: 140: 135: 130: 123: 117: 116: 115: 114: 108: 105: 93: 89: 88: 87: 86: 83: 78: 74: 73: 63: 59: 58: 53: 46: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8714: 8703: 8700: 8698: 8695: 8693: 8690: 8688: 8685: 8683: 8680: 8678: 8675: 8673: 8670: 8668: 8665: 8663: 8660: 8658: 8655: 8653: 8650: 8648: 8645: 8643: 8640: 8638: 8635: 8633: 8630: 8629: 8627: 8612: 8604: 8603: 8600: 8594: 8591: 8589: 8586: 8584: 8581: 8579: 8578: 8574: 8572: 8571: 8567: 8565: 8564: 8560: 8558: 8557: 8553: 8551: 8548: 8546: 8543: 8541: 8538: 8536: 8533: 8531: 8530:Junior's Eyes 8528: 8526: 8523: 8521: 8518: 8516: 8513: 8511: 8508: 8507: 8505: 8501: 8495: 8494: 8490: 8488: 8487: 8483: 8481: 8480: 8476: 8474: 8473: 8469: 8467: 8466: 8462: 8460: 8459: 8455: 8453: 8452: 8448: 8446: 8445: 8441: 8439: 8436: 8434: 8431: 8429: 8428: 8424: 8421: 8417: 8416: 8414: 8408: 8400: 8397: 8396: 8395: 8392: 8390: 8387: 8385: 8382: 8381: 8379: 8375: 8365: 8362: 8360: 8357: 8356: 8354: 8352: 8347: 8341: 8338: 8336: 8333: 8331: 8328: 8326: 8323: 8321: 8318: 8316: 8313: 8311: 8308: 8306: 8303: 8301: 8298: 8296: 8293: 8291: 8288: 8286: 8283: 8281: 8278: 8277: 8275: 8271: 8265: 8264: 8260: 8258: 8257: 8253: 8251: 8250: 8246: 8244: 8243: 8239: 8237: 8236: 8235:Cracked Actor 8232: 8231: 8229: 8227:Documentaries 8225: 8219: 8218: 8214: 8212: 8211: 8207: 8205: 8204: 8200: 8198: 8197: 8196:Best of Bowie 8193: 8191: 8190: 8186: 8184: 8183: 8179: 8177: 8176: 8172: 8170: 8169: 8165: 8163: 8162: 8158: 8156: 8155: 8151: 8149: 8148: 8144: 8142: 8141: 8137: 8136: 8134: 8130: 8124: 8123: 8119: 8117: 8116: 8112: 8110: 8109: 8105: 8103: 8102: 8098: 8096: 8095: 8091: 8089: 8088: 8084: 8082: 8081: 8077: 8075: 8074: 8070: 8068: 8067: 8063: 8062: 8060: 8056: 8050: 8049: 8045: 8043: 8042: 8038: 8036: 8035: 8031: 8029: 8028: 8024: 8022: 8021: 8017: 8015: 8014: 8010: 8008: 8007: 8003: 8001: 8000: 7996: 7994: 7993: 7989: 7987: 7986: 7982: 7980: 7979: 7975: 7973: 7972: 7968: 7966: 7965: 7961: 7960: 7958: 7954: 7948: 7947: 7943: 7941: 7940: 7936: 7934: 7933: 7929: 7927: 7926: 7922: 7920: 7919: 7915: 7913: 7912: 7908: 7906: 7905: 7904:Best of Bowie 7901: 7899: 7898: 7894: 7892: 7891: 7887: 7885: 7884: 7880: 7878: 7877: 7873: 7871: 7870: 7866: 7864: 7863: 7859: 7857: 7856: 7852: 7850: 7849: 7845: 7843: 7842: 7838: 7836: 7835: 7831: 7829: 7828: 7824: 7822: 7821: 7817: 7815: 7814: 7810: 7808: 7807: 7803: 7801: 7800: 7796: 7794: 7793: 7789: 7787: 7786: 7782: 7781: 7779: 7775: 7769: 7768: 7764: 7762: 7761: 7757: 7755: 7754: 7750: 7748: 7747: 7743: 7741: 7740: 7736: 7734: 7733: 7729: 7727: 7726: 7722: 7720: 7719: 7715: 7714: 7712: 7708: 7702: 7701: 7697: 7695: 7694: 7690: 7688: 7687: 7683: 7681: 7680: 7676: 7674: 7673: 7672:Christiane F. 7669: 7668: 7666: 7662: 7652: 7651: 7647: 7645: 7644: 7640: 7639: 7637: 7635: 7630: 7624: 7623: 7619: 7617: 7616: 7612: 7610: 7609: 7605: 7603: 7602: 7598: 7596: 7595: 7591: 7589: 7588: 7584: 7582: 7581: 7577: 7575: 7574: 7570: 7568: 7567: 7563: 7561: 7560: 7556: 7554: 7553: 7549: 7547: 7546: 7542: 7540: 7539: 7535: 7533: 7532: 7528: 7526: 7525: 7521: 7519: 7518: 7514: 7512: 7511: 7507: 7505: 7504: 7500: 7498: 7497: 7493: 7491: 7490: 7486: 7484: 7483: 7479: 7477: 7476: 7472: 7471: 7469: 7465: 7455: 7454: 7450: 7448: 7447: 7443: 7442: 7440: 7438: 7433: 7427: 7426: 7422: 7420: 7419: 7415: 7413: 7412: 7408: 7406: 7405: 7401: 7399: 7398: 7394: 7392: 7391: 7387: 7385: 7384: 7380: 7378: 7377: 7373: 7371: 7370: 7366: 7364: 7363: 7359: 7357: 7356: 7352: 7350: 7349: 7345: 7343: 7342: 7338: 7336: 7335: 7331: 7329: 7328: 7324: 7322: 7321: 7317: 7315: 7314: 7310: 7308: 7307: 7303: 7301: 7300: 7296: 7294: 7293: 7289: 7287: 7286: 7282: 7280: 7279: 7275: 7273: 7272: 7268: 7266: 7265: 7261: 7259: 7258: 7254: 7252: 7250: 7246: 7244: 7242: 7238: 7237: 7235: 7233:Studio albums 7231: 7225: 7222: 7220: 7217: 7215: 7212: 7210: 7207: 7205: 7202: 7200: 7197: 7195: 7192: 7190: 7187: 7186: 7183: 7179: 7172: 7167: 7165: 7160: 7158: 7153: 7152: 7149: 7142: 7138: 7137: 7133: 7132: 7128: 7121: 7115: 7111: 7107: 7103: 7099: 7095: 7089: 7085: 7081: 7080: 7075: 7071: 7067: 7061: 7057: 7053: 7052: 7047: 7043: 7039: 7033: 7029: 7025: 7021: 7020: 7014: 7010: 7004: 7000: 6996: 6995: 6990: 6986: 6982: 6976: 6972: 6968: 6963: 6959: 6953: 6949: 6945: 6940: 6939: 6934: 6925: 6919: 6904: 6900: 6893: 6890: 6885: 6881: 6875: 6872: 6859: 6855: 6854: 6849: 6843: 6840: 6827: 6823: 6822: 6817: 6811: 6808: 6804: 6803: 6798: 6796: 6789: 6786: 6782: 6778: 6773: 6770: 6766: 6761: 6758: 6754: 6749: 6746: 6742: 6738: 6733: 6730: 6726: 6721: 6718: 6714: 6709: 6706: 6702: 6699:(in German). 6698: 6693: 6690: 6686: 6682: 6676: 6673: 6669: 6664: 6661: 6656: 6653:(in Danish). 6652: 6651: 6650:Ekstra Bladet 6643: 6640: 6636: 6631: 6628: 6624: 6619: 6616: 6612: 6607: 6604: 6599: 6592: 6589: 6576: 6572: 6568: 6561: 6558: 6545: 6541: 6537: 6531: 6528: 6523: 6516: 6513: 6500: 6496: 6495: 6490: 6483: 6480: 6467: 6463: 6459: 6452: 6449: 6444: 6440: 6433: 6430: 6426: 6421: 6418: 6414: 6409: 6407: 6405: 6401: 6388: 6384: 6383: 6378: 6372: 6369: 6356: 6352: 6351: 6346: 6339: 6336: 6323: 6319: 6318: 6313: 6307: 6304: 6299: 6298: 6290: 6287: 6274: 6268: 6265: 6252: 6248: 6244: 6238: 6235: 6222: 6218: 6217:Rolling Stone 6214: 6207: 6204: 6191: 6187: 6183: 6177: 6174: 6170: 6165: 6163: 6159: 6146: 6142: 6137: 6129: 6126: 6122: 6117: 6115: 6111: 6107: 6102: 6100: 6098: 6096: 6094: 6092: 6090: 6088: 6084: 6071: 6067: 6066: 6060: 6058: 6048: 6045: 6040: 6039:Rolling Stone 6033: 6030: 6025: 6024: 6019: 6012: 6009: 5996: 5995: 5989: 5981: 5979: 5975: 5962: 5958: 5957: 5952: 5950: 5941: 5939: 5935: 5930: 5924: 5920: 5916: 5912: 5911: 5906: 5902: 5898: 5892: 5889: 5876: 5872: 5871:Rolling Stone 5868: 5867:Album Review" 5866: 5863:"David Bowie 5857: 5855: 5853: 5849: 5836: 5832: 5827: 5825: 5815: 5813: 5809: 5796: 5792: 5791: 5786: 5785:Album Review" 5784: 5775: 5773: 5769: 5756: 5755: 5750: 5743: 5740: 5727: 5726: 5720: 5712: 5710: 5706: 5693: 5689: 5688: 5683: 5681: 5672: 5670: 5666: 5661: 5655: 5651: 5650:Omnibus Press 5647: 5646: 5641: 5640:Larkin, Colin 5635: 5632: 5619: 5615: 5614: 5609: 5607: 5599: 5596: 5584: 5580: 5573: 5570: 5557: 5553: 5549: 5543: 5540: 5536: 5531: 5528: 5524: 5519: 5516: 5512: 5507: 5505: 5503: 5499: 5486: 5482: 5478: 5476: 5468: 5465: 5461: 5460:Sandford 1997 5456: 5453: 5440: 5436: 5435: 5429: 5421: 5419: 5415: 5411: 5406: 5404: 5402: 5400: 5398: 5394: 5390: 5385: 5382: 5378: 5373: 5370: 5366: 5361: 5358: 5354: 5349: 5346: 5342: 5337: 5335: 5331: 5327: 5322: 5319: 5315: 5310: 5307: 5294: 5290: 5286: 5284: 5275: 5273: 5269: 5265: 5260: 5258: 5254: 5250: 5245: 5243: 5241: 5237: 5233: 5228: 5225: 5221: 5216: 5213: 5200: 5196: 5195: 5190: 5183: 5180: 5167: 5163: 5162: 5157: 5155: 5146: 5144: 5142: 5140: 5136: 5132: 5131:Sandford 1997 5127: 5125: 5123: 5121: 5119: 5117: 5115: 5111: 5098: 5094: 5093: 5088: 5086: 5077: 5075: 5073: 5071: 5069: 5067: 5065: 5063: 5061: 5059: 5057: 5055: 5051: 5038: 5034: 5030: 5023: 5020: 5007: 5003: 5002: 4997: 4990: 4987: 4983: 4978: 4975: 4971: 4966: 4964: 4960: 4956: 4951: 4948: 4944: 4939: 4937: 4933: 4929: 4924: 4921: 4916: 4910: 4902: 4896: 4894: 4892: 4890: 4888: 4886: 4882: 4878: 4873: 4871: 4869: 4867: 4863: 4847: 4843: 4842: 4834: 4827: 4825: 4821: 4808: 4804: 4803: 4797: 4795: 4788: 4782: 4780: 4778: 4776: 4774: 4770: 4766: 4761: 4759: 4757: 4755: 4753: 4751: 4747: 4743: 4738: 4736: 4734: 4732: 4730: 4728: 4726: 4724: 4722: 4720: 4718: 4716: 4714: 4712: 4710: 4706: 4693: 4689: 4685: 4683: 4674: 4672: 4670: 4668: 4666: 4662: 4649: 4645: 4640: 4632: 4630: 4626: 4622: 4621:Sandford 1997 4617: 4614: 4610: 4605: 4602: 4598: 4593: 4590: 4577: 4573: 4572: 4566: 4558: 4556: 4554: 4552: 4548: 4544: 4539: 4537: 4535: 4533: 4531: 4529: 4527: 4525: 4523: 4519: 4514: 4510: 4503: 4501: 4497: 4492: 4491: 4483: 4480: 4476: 4471: 4468: 4455: 4451: 4446: 4444: 4434: 4431: 4427: 4422: 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3925: 3922: 3921: 3916: 3912: 3911: 3904: 3901: 3895: 3892: 3888: 3884: 3878: 3875: 3871: 3867: 3863: 3857: 3854: 3850: 3846: 3840: 3837: 3833: 3829: 3823: 3820: 3816: 3812: 3808: 3801: 3795: 3792: 3788: 3787: 3782: 3781: 3776: 3775: 3769: 3766: 3760: 3753: 3745: 3742: 3738: 3729: 3726: 3723: 3718: 3714: 3711: 3707: 3703: 3698:Certification 3693: 3690: 3681: 3679: 3670: 3668: 3662: 3655: 3651: 3647: 3640: 3635: 3628: 3623: 3616: 3612: 3608: 3601: 3596: 3589: 3584: 3577: 3572: 3565: 3560: 3553: 3552:Album Top 100 3548: 3544: 3541: 3536: 3529: 3524: 3517: 3512: 3505: 3500: 3496: 3493: 3488: 3480:Chart (1995) 3478: 3475: 3469: 3468: 3462:Weekly charts 3461: 3456: 3449: 3444: 3440: 3437: 3434: 3431: 3427: 3424: 3423: 3422: 3421: 3414: 3412: 3408: 3405: 3402: 3399: 3396: 3392: 3391: 3390: 3389: 3385: 3380: 3377: 3374: 3371: 3368: 3365: 3363: – drums 3362: 3359: 3356: 3355:Carlos Alomar 3353: 3351: – drums 3350: 3347: 3345: 3341: 3338: 3335: 3332: 3329: 3326: 3323: 3320: 3317: 3313: 3312: 3311: 3310: 3306: 3305: 3301: 3299: 3298:Nicholas Pegg 3291: 3283: 3280:Total length: 3273: 3270: 3267: 3263: 3259: 3243: 3230: 3227:Total length: 3220: 3217: 3214: 3211: 3207: 3203: 3199: 3196: 3193: 3190: 3186: 3182: 3179: 3176: 3173: 3169: 3165: 3162: 3159: 3156: 3152: 3148: 3144: 3141: 3138: 3135: 3131: 3127: 3124: 3121: 3118: 3114: 3110: 3107: 3104: 3101: 3097: 3093: 3090: 3087: 3082: 3078: 3074: 3072: 3068: 3065: 3062: 3058: 3054: 3051: 3048: 3045: 3041: 3037: 3034: 3031: 3028: 3024: 3020: 3017: 3014: 3011: 3007: 3003: 3000: 2997: 2994: 2990: 2986: 2983: 2980: 2977: 2973: 2969: 2965: 2962: 2959: 2956: 2952: 2948: 2946: 2942: 2939: 2936: 2932: 2928: 2925: 2922: 2919: 2915: 2911: 2907: 2904: 2902: 2898: 2895: 2891: 2887: 2884: 2882: 2878: 2874: 2870: 2866: 2862: 2859: 2856: 2852: 2833: 2830:track listing 2829: 2824: 2823: 2815:Track listing 2814: 2812: 2810: 2809: 2803: 2799: 2791: 2789: 2786: 2785: 2780: 2779: 2774: 2773: 2768: 2764: 2763: 2758: 2754: 2749: 2747: 2743: 2739: 2735: 2731: 2727: 2724:, Pegg finds 2723: 2718: 2713: 2710: 2705: 2702: 2698: 2694: 2689: 2685: 2684: 2677: 2674: 2673: 2665: 2663: 2658: 2649: 2647: 2645: 2641: 2640:Bowie's death 2636: 2634: 2630: 2626: 2622: 2618: 2614: 2608: 2606: 2605: 2604:Fin de siècle 2594: 2592: 2587: 2584:The story of 2579: 2574: 2572: 2571:(2020–2021). 2570: 2569: 2564: 2560: 2557: 2552: 2548: 2547:Wembley Arena 2543: 2541: 2537: 2533: 2525: 2521: 2517: 2516:Subterraneans 2512: 2508: 2503: 2501: 2497: 2493: 2489: 2484: 2480: 2472: 2469: 2465: 2460: 2455: 2447: 2445: 2432: 2428: 2424: 2417: 2412: 2411: 2406: 2405: 2397: 2396: 2390: 2388: 2384: 2379: 2378: 2377:Rolling Stone 2373: 2372: 2367: 2366: 2361: 2357: 2356: 2350: 2347: 2346: 2337: 2333: 2332: 2326: 2325: 2320: 2316: 2311: 2301: 2299: 2298: 2294: 2293: 2289: 2287: 2286: 2282: 2281: 2251: 2249: 2248: 2244: 2243: 2213: 2211: 2210: 2209:Rolling Stone 2206: 2205: 2175: 2173: 2172: 2168: 2167: 2163: 2160: 2159: 2155: 2154: 2150: 2148: 2147: 2143: 2142: 2117: 2115: 2114: 2110: 2109: 2105: 2103: 2102: 2098: 2097: 2067: 2065: 2064: 2060: 2059: 2029: 2027: 2026: 2022: 2021: 1991: 1989: 1986: 1985: 1977: 1974:Review scores 1972: 1963: 1961: 1959: 1958: 1953: 1952: 1947: 1946: 1941: 1937: 1933: 1929: 1925: 1924: 1919: 1915: 1914: 1909: 1908: 1903: 1902: 1897: 1894: 1890: 1889: 1884: 1879: 1877: 1876: 1871: 1867: 1863: 1859: 1855: 1851: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1815: 1813: 1811: 1807: 1798: 1795: 1793: 1791: 1787: 1783: 1782: 1777: 1773: 1769: 1765: 1761: 1757: 1756:Pet Shop Boys 1753: 1748: 1747:double A-side 1744: 1736: 1733: 1732:Pet Shop Boys 1729: 1724: 1720: 1718: 1714: 1710: 1706: 1702: 1698: 1694: 1693: 1692:MTV Unplugged 1688: 1686: 1681: 1677: 1673: 1669: 1665: 1661: 1657: 1653: 1649: 1647: 1644: 1643: 1638: 1634: 1630: 1626: 1622: 1617: 1615: 1611: 1607: 1604:, who issued 1603: 1599: 1595: 1594: 1589: 1585: 1584: 1579: 1575: 1568: 1560: 1556: 1551: 1544: 1542: 1540: 1536: 1532: 1528: 1523: 1521: 1517: 1516: 1511: 1506: 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Retrieved 6902: 6892: 6874: 6862:. Retrieved 6851: 6842: 6830:. Retrieved 6819: 6810: 6801: 6794: 6788: 6772: 6760: 6748: 6732: 6720: 6708: 6692: 6675: 6663: 6648: 6642: 6630: 6618: 6606: 6597: 6591: 6581:30 September 6579:. Retrieved 6570: 6560: 6550:29 September 6548:. Retrieved 6539: 6530: 6521: 6515: 6503:. Retrieved 6492: 6482: 6470:. Retrieved 6466:the original 6461: 6451: 6443:the original 6432: 6420: 6391:. Retrieved 6387:the original 6380: 6371: 6359:. Retrieved 6348: 6338: 6326:. Retrieved 6322:the original 6315: 6306: 6295: 6289: 6277:. Retrieved 6267: 6255:. Retrieved 6246: 6237: 6225:. Retrieved 6216: 6206: 6194:. Retrieved 6185: 6176: 6169:Buckley 2005 6149:. Retrieved 6140: 6128: 6074:. Retrieved 6063: 6056: 6047: 6038: 6032: 6021: 6017: 6011: 5999:. Retrieved 5997:. p. 10 5994:The Guardian 5992: 5967:11 September 5965:. Retrieved 5954: 5948: 5909: 5891: 5879:. Retrieved 5870: 5864: 5839:. Retrieved 5830: 5823: 5799:. Retrieved 5788: 5782: 5759:. 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Retrieved 4190: 4180: 4047:Buckley 2005 3989: 3977: 3959: 3954: 3945: 3937: 3931: 3918: 3908: 3903: 3894: 3886: 3882: 3877: 3869: 3865: 3861: 3856: 3849:Joe the Lion 3844: 3839: 3831: 3827: 3822: 3814: 3807:Achtung Baby 3806: 3800:Achtung Baby 3799: 3794: 3784: 3778: 3772: 3768: 3751: 3688: 3666: 3473: 3447: 3429: 3419: 3418: 3387: 3386: 3369: – bass 3308: 3307: 3295: 3155:I'm Deranged 3029:"No Control" 2827: 2819: 2806: 2801: 2795: 2782: 2776: 2770: 2766: 2760: 2756: 2752: 2750: 2745: 2741: 2740:rather than 2737: 2733: 2730:Diamond Dogs 2729: 2725: 2721: 2716: 2714: 2708: 2706: 2700: 2687: 2681: 2679: 2670: 2667: 2661: 2656: 2655: 2643: 2637: 2632: 2628: 2624: 2620: 2616: 2612: 2610: 2602: 2596: 2590: 2585: 2583: 2566: 2562: 2558: 2544: 2535: 2531: 2523: 2510: 2507:Trent Reznor 2504: 2500:Outside Tour 2494:and bassist 2482: 2478: 2476: 2470: 2468:Trent Reznor 2454:Outside Tour 2430: 2426: 2422: 2415: 2408: 2402: 2393: 2391: 2386: 2382: 2375: 2369: 2363: 2355:Melody Maker 2353: 2351: 2343: 2329: 2322: 2318: 2314: 2309: 2307: 2295: 2283: 2245: 2207: 2169: 2156: 2144: 2111: 2099: 2061: 2023: 1955: 1949: 1943: 1939: 1927: 1921: 1911: 1905: 1899: 1895: 1888:Pulp Fiction 1886: 1882: 1880: 1873: 1870:Scott Walker 1865: 1841: 1819: 1805: 1802: 1796: 1789: 1785: 1779: 1772:David Mallet 1768:Space Oddity 1760:Neil Tennant 1742: 1740: 1734: 1716: 1712: 1695:version of " 1690: 1684: 1675: 1671: 1663: 1655: 1651: 1650: 1640: 1629:Samuel Bayer 1627:directed by 1618: 1609: 1605: 1597: 1591: 1587: 1581: 1573: 1566: 1564: 1558: 1555:Bill Clinton 1538: 1534: 1526: 1524: 1519: 1513: 1509: 1507: 1500: 1492: 1488: 1485: 1480: 1475: 1470: 1468: 1462: 1456:black comedy 1449: 1445: 1422: 1417: 1413: 1403: 1402:(1980), and 1397: 1391: 1388:Diamond Dogs 1387: 1383: 1380:Jacques Brel 1375: 1373: 1366: 1335:dark ambient 1320: 1310: 1306:Aladdin Sane 1304: 1282: 1268: 1252: 1251: 1230: 1193: 1152: 1147:and painter 1133: 1124: 1120: 1113:Diamond Dogs 1112: 1106: 1102: 1093: 1077: 1075: 1069: 1050: 1044: 1038: 1031: 1027: 1019: 1015: 1011: 1005: 1003: 998: 993: 991: 984: 981: 975:Diamond Dogs 974: 970: 968: 933:I'm Deranged 920: 911: 909: 899: 895: 885: 872: 862: 853:Diamond Dogs 851: 836: 833: 818: 807: 803:Dennis Davis 790: 778: 772: 756: 754: 744: 737: 708: 700: 697:Damien Hirst 693:Chris Burden 674: 670: 660: 650: 645: 642:outsider art 619: 613: 608: 599: 593: 580:(1991). 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