59:
2038:
713:– and adored by a small fan base, mainstream success eluded the band throughout the 1990s. Though this may have been connected, in part, to lingering association with Game Theory's connections to the no-longer-hip 1980s "college rock" scene, it was more likely due to the group's complex, unpredictable song structures, and to Miller's cryptic lyrics, which tended to place rock's standard lyrical concerns (love, heartbreak, alienation, nascent spirituality, etc.) within the much-wider contexts of
413:
was also a period where I got laid off from my job. I was hitting rock bottom, nothing was working out in my life at all. It seems like I was always in some state of trying to get things together, trying to get my situation out of some state of brokenness and hopelessness. I missed everything – I missed having a record deal and making records; I missed playing live."
764:, the Loud Family was cited as "perhaps the most sophisticated 'pop' band that ever lived." According to author Joe Harrington, "the songs are beautiful, but they inevitably lampoon some aspect of the culture with biting accuracy. It's the perfect juxtaposition between old/new Pop/Punk that makes the Loud Family simply too good to be true in this day and age."
569:, praised the band's "usual blend of finely crafted pop hooks, elusive yet resonant lyrics ... and more self-depreciation", citing the album's opening medley with "dark, ominous keyboards ... and a throat-shredding Miller vocal; it's the sound of a band who'd explode if they hadn't gotten to play those songs at that minute."
756:
was criticized as "not as consistently strong as some earlier outings," and drew praise for its "supple melodies" that contrasted with "dense, often opaque lyrics ... whether exploring the lush orchestral contours of 'One Will Be the
Highway,' the nearly avant-garde interludes of 'Save Your Money' or
738:
categorized the music as "pop of the most depraved variety," and wrote, "There's always some jarring detail added or subtracted, some unsettling minor component that takes these tunes out of the realm of the normal. Gently plucked acoustic guitars will suddenly be ripped apart by a mutinous fuzzbox,
534:
Although the Loud Family took a six-year hiatus from recording for a variety of career and family related reasons, Miller signed with 125 Records during 2001. The independent recording label, then newly formed, was founded by Joe Mallon and Sue
Trowbridge, who had a long acquaintance with Miller and
491:
on piano and keyboards, bringing a softer edge and more mature feel to the music. Describing Levy's contribution, Miller stated, "To me she brought in that classic 1967 to '74 way of doing piano pop–rock that I'm all in favor of but can't accomplish because I don't play piano. She had the most sheer
412:
noted that "Miller's songs and voice are immediately identifiable. Interpersonal relationships are discussed in sweet, brusque terms." According to Miller, those songs reflected a "depressing time" of his life, a three-year period in which "I'd lost my girlfriend ... and I'd lost my band. There
646:
and Miller's wife
Kristine Chambers, who enlisted Miller's past bandmates and musical collaborators to turn Miller's incomplete set of recorded guitar and vocal tracks, sound notes, acoustic demos, and other materials into a finished album. Miller had long intended the album to be a collaborative
360:
described the name as both "a hip allusion to the mid-Seventies PBS series" and "a clever way to describe the sound and feel of the band. Either way, it's a great hook – smart, funny and instantly memorable. All of which, appropriately enough, are qualities shared by Miller's songs."
739:
seemingly at random." The review continued, "If pop's purpose is to soothe and delight, then this is either half-pop or fullblooded mutation/mutilation, as there's nothing soothing about this in the least. It's disturbing, but the sort of disturbance you'll be whistling at work.
573:
magazine wrote that the live CD showed the band's "rough, antagonistic power ... which made the fundamental prettiness of the music seem more touching and fragile," calling the concluding songs "a closing salvo that left me breathless and punching the replay button."
58:
344:
Game Theory." According to Poor, the members of This Very Window had each signed on individually to join Game Theory, and the group had rehearsed several times before Miller "decided that the energy and sound of the band was different enough to warrant a new name."
354:. Miller later described the intended reality-show metaphor: "Going through life is a lot like having cameras on you and you have to perform, but there's no script; you just have to do the normal kind of bumbling thing. Besides, it had the word 'loud' in it."
317:
Miller had produced "For
Beginners Only," a 12-inch single released by This Very Window in 1988. He described Poor and Wieneke as "hypermusically educated guys from Stanford," noting that Wieneke had earned a Ph.D. in music there.
602:. Members of the Loud Family also contributed to the album, and at the label's request, the album was credited to "The Loud Family and Anton Barbeau," to avoid confusion between Miller and a similarly named country musician. The
241:(also known as ALRN), his first band to release commercial recordings, along with future Loud Family bandmate Jozef Becker. Alternate Learning released a self-titled 7-inch EP in 1979, and a full-length LP called
312:
Miller and Becker were joined by three members of This Very Window: guitarist
Zachary Smith, keyboard player Paul Wieneke, and bassist R. Dunbar Poor, who had at various times been co-workers with Miller at
492:
musicianly keyboard chops of anyone I've played with. And her vocals are pretty distinctive. More toward the soul end of things than other female singers I've had in the band. So that line-up had more of a
694:
magazine's Kim Cooper, "Just because you write the smartest pop lyrics of your generation, and have a master angler's facility with hooks, and a few thousand people love what you do, that doesn't mean
1391:
273:
The early Game Theory was described as a "pseudo-psychedelic pop quartet" for which Miller sang and wrote almost all of the material. The group, a college-rock favorite associated with the
543:
featured performances recorded live in San
Francisco on October 5, 1996, and August 8, 1998, featuring band members Miller, Kessel, Levy, Ray, Wieneke, and Tittel, with guest vocals from
1507:
2114:
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213:. The Loud Family released six studio LPs and one live LP from 1991 through 2006. After Miller's death in 2013, three Loud Family members participated in recording sessions for
2165:
666:
in 2015 and 2016, which included a song co-written by Levy as a posthumous collaboration with Miller. Other partially-completed Miller songs were posthumously co-written with
752:
as a "quirky visionary" contemplating "real-life riddles" such as the "facts of entropy," and quoting the line "I don't know what the radio wants when the radio taunts."
474:
that he was unwilling to compromise artistic purity in return for stardom and riches, but still hungered for an opportunity to make his living as a full-time musician.
1740:
256:
Game Theory was founded by Miller later in 1982. From 1982 to 1990, Game Theory released seven studio albums (including two EPs), distributed from 1985 to 1988 by
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798:
417:
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referred to the Loud Family as a more evolved version of Game Theory, with "a bunch of interspersed jangle and woof" and a "more guitar-heavy approach."
642:, intending to revive the name Game Theory, rather than release it under the Loud Family name. The album was completed after Miller's death by producer
2297:
1998:
340:
Miller stated that he had chosen not to use the name Game Theory out of deference to its past members, rather than "passing off this lineup as
64:
2051:
1497:
230:, founder of the group, was a singer, songwriter and guitarist. Prior to forming the Loud Family, he was best known as the leader of the band
2082:
1283:
371:
280:
In 1989 and 1990, Game Theory's final touring line-up introduced several of the songs that would later appear on the Loud Family's debut LP.
283:
Miller nominally disbanded Game Theory in 1990, and continued to perform shows as a solo artist in the Bay Area until forming his new band.
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434:, was released later in 1993. It included songs that had previously been recorded as demos by the final line-up of Game Theory, including
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264:. Initially formed in Davis, the group changed personnel and moved its base to the San Francisco area after recording the album
698:. Scott learned that in the nineties, and left the gentle fields of Game Theory for pricklier experiments as the Loud Family."
1790:"Keeping the Music in Mind: Scott Miller's Loud Family Goes for the Cerebral—Whether Playing Quietly or Living Up to Its Name"
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954:
539:
321:
Zachary Smith became lead guitarist for the Loud Family, with Miller moving to rhythm guitar until Smith's departure after
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466:, included the song "Don't Respond, She Can Tell," for which the band recorded a black-and-white music video inspired by
1813:
1630:
305:
Drummer Jozef Becker stayed on from the final 1989–1990 line-up of Game Theory; Becker had previously been a member of
234:. Miller and his bands were often described as cult favorites, finding critical acclaim but little commercial success.
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appeared in 2000, and was expected by Miller to be the final one for the group. After touring in 2000 in support of
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2003:
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described it as a "terrific album... by one of underground pop-rock's best-kept secrets, the Loud Family."
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1304:
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442:
323:
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2008:
348:
The Loud Family was named after a real-life family that was the subject of the television documentary
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457:
In 1995, Zachary Smith and R. Dunbar Poor left the band. Poor was replaced by bassist Kenny Kessel.
397:
425:
as "one of the five best records ever made" and "a record that I listened to like a million times."
67:, San Francisco, about 1999. Left to right: Alison Faith Levy, Scott Miller, Gil Ray, Kenny Kessel.
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710:
274:
2092:
1532:"Miller Genuine Craft: Scott Miller makes a subtle move from his Game Theory into the Loud Family"
2414:
2409:
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1339:
music video, directed by Sondra
Russell, produced by Jeff Orgill for Giant Tarantula Productions
906:
590:
446:(1994) took its name from a legendary bootleg concert recording of the isolated backup vocals of
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31:
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project; he had approached
Stringfellow several years earlier, and had co-written one song with
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585:, included live performances of 20 songs, along with band interviews and tour footage.
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1382:"Crowdfunded Final Game Theory Album Features Members of the Posies, R.E.M., The Both"
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his bands. As its fifth release, 125 Records released a live CD by the Loud Family.
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1681:"Exploded View: With the Loud Family, Scott Miller Engineers a Brand New Theory"
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Punk Diary: The
Ultimate Trainspotter's Guide to Underground Rock, 1970-1982
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92:
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For
Discriminating Tastes: The Alternative Distribution Alliance CD Sampler
547:. Three of the songs on this CD were covers ("Here Come the Warm Jets" by
17:
682:, Anton Barbeau, and Stringfellow. The album was released in August 2017.
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470:. While touring with Aimee Mann in support of the album, Miller told the
299:
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At the time of Miller's death in 2013, he had begun work on the album
400:") established the Loud Family as "critics' faves" upon its release.
298:
By late 1991, Miller had formed the Loud Family, which began playing
333:(1987), and had previously played guitar in a short-lived band with
2275:
608:
called the album "a mixture of sweet pop and jangly rock," as if "
34:. For the animated series starring a family of the same name, see
588:
Scott Miller was persuaded by 125 Records to record the 2006 CD
2279:
577:
In 2003, the label released a concert tour documentary on DVD,
2216:
2137:
1741:"The Loud Family: Plants & Birds & Rocks & Things"
1498:"Scott Miller, Game Theory and Loud Family Singer, Dead at 53"
730:
245:
in 1981, on Rational Records. Alternate Learning was based in
2251:
2244:
521:, the band's recording contract with Alias Records expired.
277:
scene of L.A. and Davis, developed a strong cult following.
30:
For the television show that inspired this band's name, see
1655:"The Loud Family – Plants and Birds and Rocks and Things"
337:
called No Matter What, before Thayer joined Game Theory.
187:
309:, as well as Miller's earlier band Alternate Learning.
757:
the acid metal roar of 'Nice When I Want Something.'"
379:, who had produced Game Theory's records since 1986's
369:
The Loud Family debuted on Alias Records in 1993 with
392:, the band's debut album (named after a phrase from
2392:
2374:
2313:
253:. Miller dissolved Alternate Learning in May 1982.
182:
178:
142:
138:
127:
102:
88:
80:
75:
49:
2183:
2157:"Loud Family Attractive Nuisance (Alias) Scott..."
594:, a final studio collaboration between Miller and
327:(1994). Smith had appeared as a guest musician on
2221:(official video). Vimeo. Total running time 4:03
2186:Sonic Cool: The Life & Death of Rock 'n' Roll
1475:. Hal Leonard Corp./Backbeat Books. p. 676.
762:Sonic Cool: The Life & Death of Rock 'n' Roll
1560:"Interview with Scott Miller of the Loud Family"
1241:The 26th Commandment: Thou Shalt Expand Thy Mind
748:noted the group's more mature direction, citing
725:and contemporary academic sociocultural theory.
260:, with later CD compilations and re-releases on
205:band formed in 1991 by songwriter and guitarist
2022:
2020:
2018:
219:(2017), Miller's posthumous Game Theory album.
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2111:Supercalifragile by Scott Miller's Game Theory
1783:
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1418:Supercalifragile by Scott Miller's Game Theory
705:and fellow musicians – notably Aimee Mann and
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1774:. Vol. 104, no. 29. pp. 45–47.
1674:
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8:
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1289:music video, directed by Lucy Phillips and
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2091:. Listen Up. June 20, 2006. Archived from
2036:
1594:
1592:
46:
1321:music video, directed by Sondra Russell
1310:music video, directed by Sondra Russell
1258:
1054:
973:
932:
776:
84:San Francisco, California, United States
1679:Cohen, Jason (September–October 1993).
1570:from the original on November 12, 2013.
1369:
662:participated in recording sessions for
487:of Game Theory joining as drummer, and
2168:from the original on December 5, 2013.
2083:"Mark your calendars: Upcoming albums"
1958:from the original on October 15, 2006.
1922:(foreword). 125 Records. p. xii.
1845:from the original on November 1, 2013.
1802:from the original on November 3, 2013.
1665:from the original on December 5, 2013.
1510:from the original on October 21, 2013.
1407:
1405:
1403:
1401:
1355:concert tour documentary, directed by
2451:Musical groups disestablished in 2006
2322:Plants and Birds and Rocks and Things
2133:"Loud Family/Interbabe Concern/Alias"
1284:Plants and Birds and Rocks and Things
1158:Premium: New Music With A Golden Glow
799:Plants and Birds and Rocks and Things
418:Plants and Birds and Rocks and Things
372:Plants and Birds and Rocks and Things
365:Releases on Alias Records (1993–2000)
38:. For people of the Family Loud, see
7:
2466:2006 disestablishments in California
2190:. Hal Leonard Corporation. pp.
2117:from the original on August 9, 2017.
1715:What's in a Name?: The Book of Bands
1558:Durkin, Thomas (November 12, 2003).
483:featured more line-up changes, with
209:, who previously led the 1980s band
717:literature, politics, art history,
2446:Musical groups established in 1991
2050:Leibrock, Rachel (June 22, 2006).
1901:from the original on June 9, 2014.
1764:Russell, Deborah (July 18, 1992).
1428:from the original on June 2, 2016.
1181:Alternative Distribution Alliance
651:and several with Stéphane Schück.
25:
2461:1991 establishments in California
2441:Musical groups from San Francisco
1394:from the original on May 6, 2016.
1010:"Take Me Down" b/w "The Come On"
1864:(38). London, UK. Archived from
1831:Michelson, Noah (July 7, 2009).
1739:Considine, J.D. (May 13, 1993).
1496:Blistein, Jon (April 18, 2013).
1448:. Canongate Books. p. 345.
1380:Robinson, Collin (May 6, 2016).
1024:"It Just Wouldn't Be Christmas"
970:Singles and promotional releases
654:The Loud Family's Jozef Becker,
57:
2108:"Update #18: It's happening..."
1982:. Scram No. 16 Record Reviews.
1816:. Alias Records. Archived from
1601:"Al Einstein Meets Willie Mays"
1862:The BoB (Bucketfull of Brains)
1653:Durkin, Thomas (May 7, 2008).
1414:"Campaign: About this project"
1329:"Don't Respond, She Can Tell"
1190:Come and Get It: A Tribute to
1038:"Don't Respond, She Can Tell"
701:Although they were praised by
249:, and frequently performed at
63:The Loud Family performing at
1:
2131:Stegall, Tim (October 1996).
2106:West, B.J. (August 1, 2017).
1997:Milano, Brett (May 9, 2003).
1788:Boehm, Mike (June 22, 1996).
1583:For Beginners Only/Media Keep
2155:Kot, Greg (April 30, 2000).
2052:"Avoiding a near-tragedy..."
375:. The album was produced by
2471:Scott Miller (pop musician)
2329:Slouching Towards Liverpool
2218:Don't Respond, She Can Tell
2182:Harrington, Joe S. (2002).
1889:"125 Records Release Party"
1445:The Great Indie Discography
1279:"Jimmy Still Comes Around"
1051:Various artist compilations
817:Slouching Towards Liverpool
431:Slouching Towards Liverpool
2487:
1442:Strong, Martin C. (2003).
1412:West, B.J. (May 5, 2016).
995:Never Mind the Camera Crew
629:
555:, and "When You Sleep" by
201:was a San Francisco-based
29:
2456:American power pop groups
2254:– The Loud Family's label
1599:Cost, Jud (Spring 1993).
1581:This Very Window (1988).
1530:Coley, Byron (May 1993).
1302:
742:Conversely, by 2000, the
525:Releases after disbanding
460:The band's 1996 release,
56:
2405:Scott Miller discography
2215:The Loud Family (1996).
2007:. Boston. Archived from
1954:. 125 Records: Artists.
1814:"Biography: Loud Family"
1749:. Review. Archived from
1661:. Written as DJ Murphy.
1631:"Scott Miller Interview"
911:(as The Loud Family and
1856:Cost, Jay (Fall 1990).
1469:Gimarc, George (2005).
1141:Sing Hollies in Reverse
581:. The DVD, directed by
530:125 Records (2001–2006)
421:was later acclaimed by
382:The Big Shot Chronicles
237:In 1977, Miller formed
27:American power pop band
2383:From Ritual to Romance
2337:The Tape of Only Linda
1978:From Ritual to Romance
1712:Darling, John (2000).
1629:Nash, Dan (May 1998).
1305:The Tape of Only Linda
955:From Ritual to Romance
835:The Tape of Only Linda
540:From Ritual to Romance
443:The Tape of Only Linda
324:The Tape of Only Linda
76:Background information
69:(Photo: Robert Toren.)
2314:Studio albums and EPs
2138:CMJ New Music Monthly
2028:Loud Family Live 2000
1919:Music: What Happened?
1894:Berkeley Daily Planet
1753:on November 12, 2007.
1635:Salt Lake Underground
1348:Loud Family Live 2000
1318:"Marcia and Etrusca"
1255:Music videos and DVDs
1248:Ptolemaic Terrascope
773:Studio albums and EPs
731:CMJ New Music Monthly
630:Further information:
579:Loud Family Live 2000
1974:Cooper, Kim (2002).
1697:on November 6, 2013.
1641:on November 6, 2013.
1617:on November 6, 2013.
1606:Ptolemaic Terrascope
1225:Yellow Pills, Vol. 4
1076:Hot Cinnamon Churros
734:′s review of 1996's
398:A Horse with No Name
2358:Attractive Nuisance
2063:on December 5, 2013
1891:. Page One: Music.
1868:on November 8, 2013
1858:"Copy of interview"
1613:(1). Archived from
1092:Alias with a Bullet
889:Attractive Nuisance
754:Attractive Nuisance
711:The Magnetic Fields
557:My Bloody Valentine
551:, "Debaser" by the
519:Attractive Nuisance
514:Attractive Nuisance
275:Paisley Underground
2415:Alternate Learning
2011:on March 29, 2013.
1976:"The Loud Family:
1820:on August 6, 2012.
686:Critical reception
626:After Scott Miller
351:An American Family
239:Alternate Learning
32:An American Family
2436:Jangle pop groups
2423:
2422:
2365:What If It Works?
2344:Interbabe Concern
1897:. June 28, 2001.
1795:Los Angeles Times
1362:
1361:
1334:Interbabe Concern
1252:
1251:
1209:Year of the Wagon
1048:
1047:
967:
966:
926:
925:
916:
907:What If It Works?
853:Interbabe Concern
840:LP, cassette, CD
804:LP, cassette, CD
736:Interbabe Concern
660:Alison Faith Levy
591:What If It Works?
563:, writing in the
489:Alison Faith Levy
472:Los Angeles Times
463:Interbabe Concern
390:Los Angeles Times
388:According to the
302:clubs that year.
247:Davis, California
196:
195:
169:Alison Faith Levy
70:
16:(Redirected from
2478:
2393:Related articles
2300:
2293:
2286:
2277:
2248:
2247:
2245:Official website
2231:
2230:
2228:
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2179:
2170:
2169:
2152:
2143:
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2119:
2118:
2103:
2097:
2096:
2095:on May 13, 2008.
2079:
2073:
2072:
2070:
2068:
2059:. Archived from
2047:
2041:
2040:
2024:
2013:
2012:
1999:"Off the Record"
1994:
1988:
1987:
1971:
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1959:
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1693:. Archived from
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1637:. Archived from
1626:
1620:
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1409:
1396:
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1377:
1291:Glen Scantlebury
1259:
1055:
974:
933:
910:
777:
760:In a 2003 book,
664:Supercalifragile
644:Ken Stringfellow
639:Supercalifragile
632:Supercalifragile
614:the Replacements
612:were covered by
438:, in late 1989.
428:A follow-up EP,
216:Supercalifragile
192:
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123:
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115:
113:
105:
68:
61:
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2426:
2425:
2424:
2419:
2388:
2370:
2309:
2307:The Loud Family
2304:
2269:discography at
2267:The Loud Family
2243:
2242:
2239:
2234:
2224:
2222:
2214:
2213:
2209:
2202:
2181:
2180:
2173:
2161:Chicago Tribune
2154:
2153:
2146:
2130:
2129:
2122:
2113:. Kickstarter.
2105:
2104:
2100:
2081:
2080:
2076:
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2049:
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2016:
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822:CD, 10-inch EP
775:
770:
745:Chicago Tribune
707:Stephin Merritt
688:
634:
628:
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527:
477:The 1998 album
436:Michael Quercio
367:
335:Donnette Thayer
307:Thin White Rope
296:
289:
243:Painted Windows
225:
199:The Loud Family
186:
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163:Dawn Richardson
161:
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51:The Loud Family
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2238:
2237:External links
2235:
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2207:
2200:
2171:
2144:
2120:
2098:
2074:
2056:Sacramento Bee
2042:
2014:
1989:
1986:. No. 16.
1961:
1943:
1928:
1911:Lloyd, Bob in
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1564:Glorious Noise
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583:Danny Plotnick
566:Boston Phoenix
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448:Paul McCartney
366:
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295:
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287:Musical career
285:
267:Real Nighttime
258:Enigma Records
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158:R. Dunbar Poor
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40:Loud (surname)
36:The Loud House
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2351:Days for Days
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1952:"125 Catalog"
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1914:Miller, Scott
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1766:"Grass Route"
1760:
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1746:Rolling Stone
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1725:9780595096299
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1585:(back cover).
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1503:Rolling Stone
1499:
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1482:9780879308483
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1455:9781841953359
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1300:"Soul Drain"
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1128:CD, cassette
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913:Anton Barbeau
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871:Days for Days
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600:Anton Barbeau
598:pop musician
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545:Anton Barbeau
542:
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494:Todd Rundgren
490:
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480:Days for Days
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357:Rolling Stone
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330:Lolita Nation
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262:Alias Records
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154:Zachary Smith
150:
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134:, 125 Records
133:
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33:
19:
2400:Scott Miller
2381:
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2349:
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2335:
2327:
2320:
2306:
2223:. Retrieved
2217:
2210:
2185:
2159:
2136:
2110:
2101:
2093:the original
2086:
2077:
2065:. Retrieved
2061:the original
2054:
2045:
2027:
2009:the original
2002:
1992:
1983:
1977:
1946:
1918:
1907:
1892:
1883:
1870:. Retrieved
1866:the original
1861:
1851:
1838:Out Magazine
1836:
1833:"Manning Up"
1826:
1818:the original
1808:
1793:
1769:
1759:
1751:the original
1744:
1734:
1714:
1695:the original
1690:
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1639:the original
1634:
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1615:the original
1610:
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1208:
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1173:
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1139:
1123:
1107:
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994:
963:125 Records
953:
922:125 Records
905:
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869:
851:
833:
815:
797:
761:
759:
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743:
741:
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695:
691:
689:
672:Doug Gillard
663:
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637:
635:
617:
603:
589:
587:
578:
576:
570:
564:
561:Brett Milano
538:
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533:
518:
512:
510:
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468:Ernie Kovacs
461:
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387:
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377:Mitch Easter
370:
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228:Scott Miller
226:
214:
207:Scott Miller
198:
197:
160:Kenny Kessel
156:Paul Wieneke
152:Jozef Becker
149:Scott Miller
144:Past members
104:Years active
44:
2410:Game Theory
2375:Live albums
2258:Loud Family
2252:125 Records
2067:December 5,
2004:The Phoenix
1718:. Xlibris.
1422:Kickstarter
1108:Streamlined
929:Live albums
768:Discography
610:the Beatles
508:approach."
506:Carole King
498:Cat Stevens
342:yet another
232:Game Theory
211:Game Theory
166:Mike Tittel
18:125 Records
2430:Categories
1365:References
1124:Star Power
1041:CD single
1027:CD single
723:relativity
680:Will Sheff
649:Aimee Mann
596:Sacramento
559:). Critic
511:The album
502:Rod Argent
423:Aimee Mann
315:Lucid Inc.
251:U.C. Davis
223:Background
188:loudfamily
97:jangle pop
65:Hotel Utah
2141:(38): 41.
2088:USA Today
1938:724510113
1771:Billboard
1387:Stereogum
1232:Big Deal
1192:Badfinger
999:cassette
728:In 1996,
719:semiotics
715:modernist
619:USA Today
549:Brian Eno
450:'s wife,
396:'s song "
294:Formation
203:power pop
93:Power pop
2262:AllMusic
2166:Archived
2115:Archived
1956:Archived
1916:(2010).
1899:Archived
1843:Archived
1800:Archived
1663:Archived
1568:Archived
1544:(2): 26.
1508:Archived
1426:Archived
1392:Archived
1149:eggBert
696:anything
668:Jon Auer
300:Bay Area
270:(1985).
2271:Discogs
2225:May 10,
1872:May 13,
1200:Copper
1131:Pravda
1064:Format
1013:7-inch
983:Format
942:Format
786:Format
703:critics
676:Ted Leo
656:Gil Ray
485:Gil Ray
394:America
183:Website
173:Gil Ray
118: (
110: (
2198:
2194:–544.
2035:
1936:
1926:
1722:
1686:Option
1479:
1452:
1271:Notes
1268:Album
1265:Title
1216:Alias
1165:Alias
1115:Alias
1099:Alias
1083:Alias
1067:Label
1061:Title
1044:Alias
1030:Alias
1016:Alias
1002:Alias
986:Label
980:Title
945:Label
939:Title
897:Alias
879:Alias
861:Alias
843:Alias
825:Alias
807:Alias
789:Label
783:Title
750:Miller
658:, and
553:Pixies
128:Labels
89:Genres
81:Origin
1984:Scram
1344:2003
1326:1996
1315:1994
1297:1994
1276:1993
1262:Year
1237:1999
1221:1997
1205:1997
1186:1997
1170:1996
1154:1996
1136:1995
1120:1995
1104:1994
1088:1993
1072:1993
1058:Year
1035:1997
1021:1994
1007:1993
991:1993
977:Year
950:2002
936:Year
902:2006
884:2000
866:1998
848:1996
830:1994
812:1994
794:1993
780:Year
692:Scram
571:Scram
452:Linda
132:Alias
116:–2006
2227:2016
2196:ISBN
2069:2013
2033:IMDb
1934:OCLC
1924:ISBN
1874:2014
1720:ISBN
1659:WTFF
1537:Spin
1477:ISBN
1450:ISBN
1352:DVD
410:Spin
403:Spin
190:.com
120:2006
112:1991
108:1991
2260:at
2192:543
2031:at
1245:CD
1229:CD
1213:CD
1197:CD
1178:CD
1162:CD
1146:CD
1112:CD
1096:CD
1080:CD
960:CD
919:CD
894:CD
876:CD
858:CD
709:of
616:."
2432::
2332:EP
2174:^
2164:.
2147:^
2135:.
2123:^
2085:.
2017:^
2001:.
1964:^
1932:.
1860:.
1841:.
1835:.
1798:.
1792:.
1780:^
1768:.
1743:.
1704:^
1691:52
1689:.
1683:.
1671:^
1657:.
1633:.
1609:.
1603:.
1591:^
1566:.
1562:.
1550:^
1540:.
1534:.
1516:^
1506:.
1500:.
1434:^
1424:.
1420:.
1416:.
1400:^
1390:.
1384:.
1372:^
721:,
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