126:, projecting over the ground storey, surmounted by a parapet and the large, stone-faced gable. The porch incorporates a pointed arch. Webb positioned Howard's studio on the north side of the top residential storey, with its own staircase which led down to the garden, opening into a two-storey pointed-arch recess. In 1873â74 Webb returned to add a schoolroom next to the studio, over another tall pointed-arch recess, in the south elevation.
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103:. Pennethorne could not understand the Arts and Crafts architect's nonconformance to any traditional style or period of architecture, and thought the design vulgar compared to those of neighbouring developments, which Webb in turn despised. After a long dispute which grew to include other prominent architects, Webb agreed to add some more
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The L-plan house was tall compared to the neighbouring properties, having a kitchen basement level and three residential levels, with gables above. On the front
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worked on decorating the ceiling and walls of the house's dining room until 1881. This room also featured
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Widowed in 1911, Rosalind Howard sold the house in 1920, moving along and across the street to
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Webb saw his design as a return to London building traditions. His use of plain red brick,
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of 12 canvases started by Burne-Jones in 1870, based on the story in Morris's epic poem
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The
Howards later employed the company to decorate their other residences,
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dressings and redesign the gable. The house was constructed over 1868â70.
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The Last Pre-Raphaelite: Edward Burne-Jones and the
Victorian Imagination
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was entirely based around the hanging of his large 1879 painting
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hung in the drawing room. The decoration of
Rosalind Howard's
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The north side, showing the arched recess below the studio
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The
Holland Park Circle: Artists and Victorian Society
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Houses in the Royal
Borough of Kensington and Chelsea
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1 Palace Green, east front with porch and bay window
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97:Commissioners of Woods, Forests and Land Revenues
40:, Kensington, London, England. It was built by
91:on the street front provoked opposition from
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76:of artists, and close friends of the artist
60:Webb designed the house over 1867â68 as a
424:Parry, Linda (1996). Parry, Linda (ed.).
16:House on Palace Green, Kensington, London
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136:Morris, Marshall, Faulkner & Company
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532:Arts and Crafts architecture in London
72:. The couple were associated with the
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522:Houses decorated by Morris & Co.
428:. London: Philip Wilson Publishers.
368:. New Haven: Yale University Press.
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527:Howard family (English aristocracy)
237:National Heritage List for England
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502:Grade II* listed houses in London
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329:MacCarthy (2011), pp. 265â270.
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387:. Chichester: Wiley-Academy.
197:13 Kensington Palace Gardens
185:St Martin's Church, Brampton
409:. London: Faber and Faber.
320:Dakers (1999), pp. 101â102.
134:The house was furnished by
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232:"1 Palace Green (1065945)"
360:Dakers, Caroline (1999).
311:MacCarthy (2011), p. 268.
302:Dakers (1999), pp. 97â98.
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512:Houses completed in 1870
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140:South Kensington Museum
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122:there is a two-storey
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517:Philip Webb buildings
457:at Wikimedia Commons
383:Kirk, Sheila (2005).
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478:51.50284°N 0.18942°W
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157:The Earthly Paradise
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394:0470868082
354:References
124:bay window
64:house for
44:architect
469:0°11â˛22âłW
243:28 August
120:elevation
36:house on
405:(2011).
166:boudoir
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152:frieze
62:studio
210:Notes
89:gable
32:is a
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389:ISBN
370:ISBN
245:2014
179:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
