31:
272:, manipulated with whatever delivered inspiration. Objects such as crocodile clips, battery operated hand fans, cello bows, tin toys, gear stick knobs, remote controls on the pick ups were all used for experimentation which for Lawrie, turned the guitar into a fresh instrument, causing him to think differently and develop new pathways.
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The album has received positive reception and is considered to be an underrated cult classic among music journalists and how it is representative of The
Telescopes continued exploration of noise, feedback and the soundscapes developed from such boundary pushing.
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Part of the musical virtuosity and innovation demonstrated by Lawrie's composing skills included playing the guitar in a non-traditional way thereby disguising the instrument through distortion of sound. As Lawrie explained in an interview with
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surrender to graceful beauty, as on #4's "All the Leaves". These poised, charming melodies recall their untitled second album, where quiescent songs flickered from within a heat chamber, walls glossed with steam and
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Recorded at The
Experimental Health Unit, Wired Studio, Jerry's House, & Far Heath Studio between 2002 & 2004. Mixed at The Experimental Health Unit, 2004–2005. Vinyl pressing by Zenith, 2022.
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in 2022 on a limited edition of 300. To commemorate its 20th anniversary on the basis of when recording began, the album was manufactured by longstanding
Australian pressing plant
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composed and recorded between 2002 and 2004. It was initially released on CD by their own label
Antenna Records in 2005, later reissued by
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564:, Banjo, Vocals, Recorded By, engineer, Mixed By, producer, Arranged By, Lyrics By, Music By, Artwork – Stephen Lawrie.
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269:
108:
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240:. Mindscapes of merge and misheard whispers. Death rattles pulse driven twangs and broken bones
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381:"on a dead man's bones by the light of the moon, skeletons dance a demon dance of the doomed"
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Songs are written. Even when they seem to fall from nowhere. But I think and dream in noise
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The album is notable for
Stephen Lawrie's further exploration of unconventional methods in
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which contributed to the deep throbbing sound present throughout the album.
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in another universe...creating some incredible and genuinely scary music.
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768:"Part Two of our interview with Stephen Lawrie of The Telescopes"
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to draw out the subtleties and expansiveness of the sound.
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749:"The Telescopes | Interview with Stephen Lawrie"
296:'s Nathaniel Cramp has described the record as "
525:Recorded By, engineer, Arranged By, Music By –
592:"The Telescopes | Interview | New Album, '#4'"
730:"Interview: Stephen Lawrie of The Telescopes"
684:"The Telescopes #4 image (Weisskalt Records)"
275:The majority of the songs were written on an
264:s Klemen Breznikar, some of the guitars were
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824:"The Telescopes – #4 / Auditory Illusions"
29:
20:
359:"the hypnotic pulse of the motor driven"
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636:"The Telescopes #4 (Weisskalt Records)"
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18:2022 studio album by The Telescopes
223:." The release has been described as "
179:is the fourth studio album by English
613:"The Telescopes #4 (Antenna Records)"
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532:Synthesizer, Effects, Keyboards,
753:It's Psychedelic, Baby! Magazine
596:It's Psychedelic, Baby! Magazine
540:, Percussion, Acoustic Guitar,
260:It's Psychedelic Baby! Magazine
500:, Synthesizer – Lorin Halsall.
425:"fear the eye became the tone"
343:
1:
863:Weisskalt Records Discography
330:All music by Stephen Lawrie.
474:Artwork By – Andrea Edwards.
199:on translucent red vinyl at
503:Mastered By – Phil England.
304:Dusted Magazine's Jon Dale
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845:The Telescopes Discography
268:laid flat in experimental
485:, Synthesizer – Jo Doran.
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54:21 October 2022
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403:"a measure of imbalance"
805:"#4 by The Telescopes"
787:"Meet: The Telescopes"
306:highlighted the track
896:The Telescopes albums
245:In an interview with
225:shape shifting audio
785:Rogatchevski, Ilia.
24:The Telescopes No. 4
747:Breznikar, Klemen.
702:"The Telescopes #4"
661:"The Telescopes #4"
590:Breznikar, Klemen.
548:, Organ, Theremin,
492:, Noises, Effects,
339:
168:and Antenna Records
334:
283:Critical reception
104:Free Improvisation
872:Weisskalt Records
766:Hammond, Andrew.
734:When The Sun HIts
488:Electric Guitar,
477:Electric Guitar,
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464:
266:table top guitars
247:When The Sun Hits
189:Weisskalt Records
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166:Weisskalt Records
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392:"all the leaves"
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74:Alternative rock
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479:Acoustic guitar
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308:All the Leaves,
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839:External links
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791:Backseat Mafia
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665:Norman Records
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447:"winter No. 4"
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436:"the yearning"
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277:EDP Wasp synth
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554:Electric Bass
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524:
522:– Jerry Hope.
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414:"singularity"
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338:track listing
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326:Track listing
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109:Improvisation
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772:Isolation UK
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711:23 September
709:. Retrieved
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664:
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645:23 September
643:. Retrieved
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514:, Trombone,
483:Slide guitar
370:"link No. 1"
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94:experimental
39:Studio album
15:
901:2022 albums
822:Dale, Jon.
562:Tin whistle
498:Double bass
494:Electronics
458:"it bleeds"
312:"Sometimes
219:David Lynch
155:50 minutes
124:Psychedelia
89:Electronica
890:Categories
706:Clear Spot
577:References
558:Tambourine
546:Turntables
536:, Noises,
508:Flugelhorn
481:, Vocals,
238:repetition
221:soundtrack
217:a missing
207:Background
181:noise rock
144:Soundtrack
139:Space Rock
119:Noise Rock
58:2022-10-21
560:, Piano,
556:, Drums,
538:Xylophone
231:stone age
134:Sound Art
858:Bandcamp
506:Noises,
490:Theremin
310:writing
129:Shoegaze
51:Released
41: by
881:Discogs
867:Discogs
849:Discogs
688:Discogs
640:Discogs
617:Discogs
550:Maracas
516:Bodhrán
469:Credits
270:tunings
227:druidry
79:Ambient
56: (
520:Shanai
351:Length
197:Zenith
152:Length
569:Notes
542:Loops
512:Banjo
348:Title
235:drone
233:free
201:45rpm
193:vinyl
183:band
161:Label
114:Noise
84:Drone
67:Genre
713:2023
647:2023
534:Tape
461:5:52
450:5:03
439:1:35
428:9:22
417:4:26
406:0:43
395:2:41
384:8:40
373:5:05
362:6:12
229:and
99:Folk
879:at
865:at
856:at
847:at
809:NME
455:10.
344:No.
317:fog
293:NME
253:."
242:."
191:on
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721:^
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673:^
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594:.
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510:,
496:,
444:9.
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422:7.
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400:5.
389:4.
378:3.
367:2.
356:1.
336:#4
300:"
176:#4
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321:"
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60:)
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