435:
133:
36:
196:
157:
921:
1204:
492:(the ability to play a notated piece of music without preparing it) is important for many types of musicians, it is essential for professional accompanists. In auditions for musical theater and orchestras, an accompanist will often have to sight read music.
732:
bass part, the introduction and melody ("head") to a tune may have a fully notated bassline, but then for the improvised solos, the arranger may just write out chord symbols (e.g., Bb G7/c min F7), with the expectation that the bassist improvise her own
289:
guitarist can play chords and a bassline simultaneously on guitar). A solo singer can accompany themself by playing guitar or piano while they sing, and in some rare cases, a solo singer can even accompany themself just using their voice and body (e.g.,
444:
opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is
184:
697:(or "tab"), a notation system which shows the musician where on the instrument to play the notes. Drummers can play accompaniment by following the lead sheet, a sheet music part in music notation, or by playing by ear.
692:
and solos from the chord chart. It is rare for chords to be fully written out in music notation in pop and traditional music. Some guitarists, bassists and other stringed instrumentalists read accompaniment parts using
145:
453:
281:. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and
140:
melody, which is usually in triple meter, is often supported by an "oom-pah-pah"-style accompaniment, which consists of a bass note in beat one followed by a chord that is played twice in beats two and three.
673:". To achieve a stylistic correct sound the accompaniment pattern should remind or imitate the original version using similar rhythms and patterns.
845:
802:
1098:
814:
514:
is used, and hence, the title "collaborative pianist" (or collaborative artist) is replacing the title accompanist, because in many
119:
408:
chords in a traditional folk song) to so complex that only an advanced player or singer can perform them (e.g., the piano parts in
621:
The accompaniment instrumentalists and/or singers can be provided with a fully notated accompaniment part written or printed on
242:
or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In
57:
53:
100:
269:
The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as
72:
519:
440:
838:
79:
1168:
728:. In. some arranged music parts, there is a mix of written-out accompaniment and improvisation. For example, in a
534:—but who does not necessarily participate in the ensemble that plays for the final performance (which might be an
46:
598:
496:
86:
1228:
666:
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also refers to a musician (typically a pianist) who plays for singers, dancers, and other performers at an
1223:
831:
68:
1091:
522:
songs, the piano part is complex and demands an advanced level of musicianship and technique. The term
285:
simultaneously (chords and a bassline are easier to play simultaneously on keyboard instruments, but a
164:", so-named because they rise and fall in a regular pattern, are a widely used style of accompaniment
1188:
650:
511:
469:
862:
404:
Accompaniment parts range from so simple that a beginner can play them (e.g., simple three-note
449:(i.e., a chord in which the notes are played one after the other, rather than simultaneously).
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810:
646:
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263:
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Alternatively, the accompaniment to a vocal melody or instrumental solo can be provided by a
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have found success as accompanists rather than soloists; arguably the best known example is
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262:, the accompaniment parts typically provide the "beat" for the music and outline the
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in which the lead and accompaniment alternate, the accompaniment playing during the
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712:, depending on the style of music, are usually expected to be able to improvise a
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Origins of the
Popular Style: The Antecedents of Twentieth-Century Popular Music
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389:, the accompaniment to a vocal solo can be provided by other singers in the
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from a chord chart or learn the song from a recording. In some cases, an
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is a musician who plays an accompaniment part. Accompanists often play
1203:
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235:
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is a musical gesture used repeatedly in an accompaniment, such as:
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1080:
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may give a bassist a bass part that is fully written out in
1076:
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In pop and traditional music, bass players, which may be
1036:
928:
861:
669:
or Roman numerals, such as I, ii, V7, etc.) or by "
353:in jazz); all the way to larger ensembles, such as
250:, a clear vocal melody is supported by subordinate
60:. Unsourced material may be challenged and removed.
510:accompanist. In some American schools, the term
305:(e.g., cello and piano; guitar and double bass;
571:figures (repeated lines) or, in popular music,
484:) or, in folk music and traditional styles, a
1092:
839:
676:Chord-playing musicians (e.g., those playing
8:
419:from the 19th century or vocal parts from a
649:, the accompaniment instrumentalists often
381:solo instrumentalist or to solo singers in
1099:
1085:
1077:
846:
832:
824:
629:and in most large ensemble writing (e.g.,
246:, the main accompaniment approach used in
665:or piece (e.g., C Major, d minor, G7, or
120:Learn how and when to remove this message
433:
795:
653:their accompaniment, either based on a
578:Notated accompaniment may be indicated
377:, can also provide accompaniment to a
309:and percussion); a trio (e.g., a rock
609:or silence during the main melody or
7:
266:of the song or instrumental piece.
58:adding citations to reliable sources
657:or chord chart which indicates the
809:, p.320. Oxford: Clarendon Press.
25:
708:, or another instrument, such as
1202:
919:
373:, which, in addition to playing
34:
45:needs additional citations for
688:, etc.) can improvise chords,
1:
27:Part of a musical composition
605:of the lead and providing a
520:contemporary classical music
1245:
1169:List of chord progressions
617:Notation and improvisation
215:'s Cello concerto in 2008.
1200:
1114:
917:
301:, ranging in size from a
690:"fill-in" melodic lines
207:accompaniment part for
625:. This is the norm in
595:Dialogue accompaniment
590:Dialogue accompaniment
461:
329:); a quartet (e.g., a
216:
192:
153:
929:Techniques and styles
586:(at one's pleasure).
437:
337:can accompany a solo
198:
159:
135:
803:van der Merwe, Peter
552:accompaniment figure
546:Accompaniment figure
470:keyboard instruments
238:or main themes of a
54:improve this article
863:Musical instruments
512:collaborative piano
441:Piano Sonata, K 545
349:in rock and pop; a
226:which provides the
506:, well known as a
462:
217:
193:
154:
1211:
1210:
1144:Chord progression
1074:
1073:
667:Nashville Numbers
647:traditional music
599:call and response
421:Renaissance music
264:chord progression
260:traditional music
162:Walking basslines
130:
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16:(Redirected from
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1051:Musical ensemble
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770:(Basso continuo)
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299:musical ensemble
244:homophonic music
234:support for the
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1154:Harmonic rhythm
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1038:Music ensembles
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891:Electric guitar
871:Acoustic guitar
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627:Classical music
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399:countermelodies
367:musical theatre
335:Classical music
315:electric guitar
213:Antonio Vivaldi
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69:"Accompaniment"
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1229:Rhythm section
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1164:List of chords
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1066:Rhythm section
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983:Counter-melody
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956:Basso continuo
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774:Guitar picking
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763:Figure (music)
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758:Counter-melody
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753:Comping (jazz)
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726:music notation
671:playing by ear
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363:pit orchestras
347:rhythm section
331:string quartet
292:Bobby McFerrin
205:basso continuo
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18:Accompaniments
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1224:Accompaniment
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1194:Voice leading
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1159:Harmonization
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1119:Accompaniment
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1061:Pit orchestra
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1008:Harmonization
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966:Triadic chord
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901:Hammond organ
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886:Electric bass
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855:Accompaniment
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815:0-19-316121-4
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686:Hammond organ
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643:popular music
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635:pit orchestra
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597:is a form of
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582:(obliged) or
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490:sight-reading
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395:harmony parts
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355:concert bands
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248:popular music
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220:Accompaniment
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209:Baroque music
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71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
1189:Simultaneity
1124:Alberti bass
1118:
936:Alberti bass
854:
806:
798:
768:Figured bass
735:walking bass
702:upright bass
699:
675:
661:used in the
620:
594:
593:
577:
559:Alberti bass
551:
549:
523:
504:Gerald Moore
495:A number of
494:
465:
463:
439:
403:
387:choral music
351:jazz quartet
296:
268:
224:musical part
219:
218:
203:playing the
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
1046:Backup band
971:Power chord
876:Double bass
779:Hauptstimme
623:sheet music
524:accompanist
482:synthesizer
466:accompanist
447:arpeggiated
393:, who sing
361:(in jazz),
307:synthesizer
1218:Categories
1129:Banjo roll
993:Figuration
946:Banjo roll
911:Pipe organ
790:References
710:bass synth
695:tabulature
655:lead sheet
584:ad libitum
561:and other
478:pipe organ
430:Definition
375:symphonies
371:orchestras
327:organ trio
311:power trio
275:pipe organ
178:rockabilly
80:newspapers
1149:Four-part
1056:Orchestra
1013:Obbligato
749:left hand
747:Accordion
651:improvise
631:orchestra
580:obbligato
536:orchestra
532:rehearsal
516:art songs
497:classical
438:Mozart's
417:art songs
359:Big Bands
343:rock band
283:basslines
211:composer
201:guitarist
110:July 2018
1184:Sequence
1018:Ostinato
951:Bassline
941:Arpeggio
881:Drum kit
805:(1989).
741:See also
730:big band
722:composer
718:arranger
714:bassline
569:Ostinati
563:arpeggio
540:big band
528:audition
500:pianists
488:. While
410:Schubert
379:concerto
323:drum kit
232:harmonic
228:rhythmic
166:bassline
1134:Cadence
1108:Harmony
978:Comping
565:figures
472:(e.g.,
385:. With
230:and/or
222:is the
94:scholar
1003:Groove
813:
737:part.
678:guitar
659:chords
641:). In
508:Lieder
486:guitar
414:Lieder
369:; and
339:singer
279:guitar
252:chords
236:melody
96:
89:
82:
75:
67:
1179:Pitch
1139:Chord
988:Drone
961:Chord
906:Piano
784:Strum
682:piano
639:choir
611:vocal
607:drone
603:rests
573:riffs
538:or a
474:piano
424:motet
406:triad
391:choir
383:opera
325:; an
277:, or
271:piano
254:. In
174:blues
138:waltz
101:JSTOR
87:books
1174:Note
1028:Vamp
1023:Riff
998:Fill
811:ISBN
663:song
645:and
518:and
455:Play
341:; a
321:and
258:and
240:song
186:Play
176:and
170:jazz
147:Play
73:news
720:or
704:or
550:An
542:).
530:or
464:An
426:).
412:'s
401:.
397:or
365:in
345:or
333:in
313:of
303:duo
294:).
168:in
56:by
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98:·
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