788:
1072:
490:
5142:
2302:
1483:
1823:
1597:
2171:
447:
1152:
2155:
1966:
1499:
741:
816:
1439:
2195:
1514:
1773:
2103:
2032:
1719:
1116:
848:
706:
1621:
509:
1371:
4765:
1741:
1455:
686:
1084:
1534:
2239:
2255:
1387:
2091:
1808:
32:
2275:
2016:
721:
529:
2060:
1132:
1403:
832:
2219:
1419:
1096:
1467:
800:
871:
5683:
753:
545:
1574:
769:
91:
1644:
2000:
1789:
467:
2127:
1058:
1985:
1761:
5415:
1554:
2076:
1044:
2143:
787:
2320:
4611:
1071:
3139:, despite efforts to raise awareness among buyers, many of whom are foreign tourists. Since 2013, it is illegal to demolish buildings in Portugal with tile-covered façades. The highest number of thefts occurs in Lisbon and authorities estimate that 25% of artistic tiles in that city was lost between 1980 and 2000.
2170:
1036:
between 1687 and 1698, the workshop of
Gabriel del Barco took over the production. The last major production from Holland was delivered in 1715. Soon large, home-made blue-and-white figurative tiles, designed by academically trained Portuguese artists, became the dominant fashion, superseding the
376:
When former
Moorish-controlled territories came under Spanish rule in Spain, new techniques of tilemaking developed from the older Andalusi traditions. As wealthy Spaniards favoured the Mudéjar style to decorate their residences, the demand for mosaic tilework in this style increased beyond what
389:("ridge"). In this technique, motifs were formed by pressing a metal or wooden mould over the unbaked tile, leaving a motif delineated by thin ridges of clay that prevented the different colours in between from bleeding into each other during baking. This was similar to the older
1596:
2031:
1718:
1822:
1870:, where he created many of the pottery designs for which this city is known. In this factory he has his own a museum São Rafael devoted to his fantastically imaginative work, especially the decorative plates and his satirical stone figures, such as the
948:), imitating precious altar cloths, is typical for Portugal. The panel may be in one piece, or composed of two or three sections. They were used in the 16th, 17th and 18th centuries. Some antependia of the 17th century imitate oriental fabrics (
908:
When the diagonal tiles were replaced by a repetitive pattern of horizontal polychrome tiles, one could obtain a new design with different motifs, interlacing
Mannerist drawings with representations of roses and camellias (sometimes roses and
489:
1620:
3511:
Coentro, Susana; Trindade, Rui A. A.; Mirão, José; Candeias, António; Alves, Luís C.; Silva, Rui M. C.; Muralha, Vânia S. F. (1 January 2014). "Hispano-Moresque ceramic tiles from the
Monastery of Santa Clara-a-Velha (Coimbra, Portugal)".
705:
446:
2194:
1151:
4274:
1482:
685:
847:
3153:
In August 2017, a new law was put in place in order to prevent both the demolition of tile-covered buildings and renovation work that includes the removal of tiles, even if they affect only the building's interior.
815:
2154:
5141:
740:
2301:
2102:
1418:
1370:
1772:
1498:
1115:
2254:
2274:
1513:
831:
3751:
1402:
1999:
1965:
679:
azulejos were used as decoration for large surfaces, such as in churches and monasteries. Diagonally placed plain white tiles were surrounded by blue square ones and narrow border tiles.
4009:
1438:
3131:, neglect, and theft due to their prevalence and relative ease of access in historic and often decaying buildings across Portugal. In Lisbon, tiles can sometimes be found for sale in
1356:, in Brazil, preserves the largest urban agglomeration of azulejos from the 18th and 19th centuries, throughout Latin America. In 1997, the Historic Center of São Luís was declared a
720:
1893:
of the 20th century. The façades of the churches of Santo
Ildefonso and Congregados equally attest to the artistic mastery of Jorge Colaço. Other artists from this period include
3150:), which collects and stores around 30 thousand tiles from demolished or condemned buildings and from donations. Similar projects exist in the cities of Aveiro, Porto, and Ovar.
1533:
528:
1179:. Large one-off orders were replaced by the less expensive use of repetitive tile patterns. Churches, monasteries, palaces and even houses were covered inside and outside with
4567:
1466:
4644:
4339:
2218:
4676:
870:
577:
in the
Alcazar of Seville. Under the influence of the Renaissance style introduced by Italians artists, most azulejos were polychrome tile panels depicting allegorical or
1131:
5528:
3884:
508:
4253:
1318:, was built in 1737 for the Count and Countess of El Valle de Orizaba. Ceramic making traditions were imported to Mexico in the early 16th century and have flourished.
411:
in
Seville. This type of tile was produced well into the 17th century and was widely exported from Spain to other European countries and to the Spanish colonies in the
4368:
1701:. Luis Ferreira was the director of the Lisbon factory Viúva Lamego and covered the whole façade of this factory with allegorical scenes. He produced panels, known as
1386:
752:
1740:
4446:
3146:, has identified the limitation and control of the sale of ancient tiles in those markets as their main goal. The city of Lisbon has created the 'Banco do Azulejo' (
248:
to this day and are fixtures of buildings across
Portugal, Spain and their former territories. Many azulejos chronicle major historical and cultural aspects of both
4963:
4876:
1057:
569:
techniques which allowed the artists to represent a much larger number of figurative themes in their compositions. The first
Italian potter to move into Spain was
422:
after a visit to
Seville in 1503. They were applied on walls and used for paving floors, such as can be seen in several rooms, and especially the Arab Room of the
6370:
2852:
António Ségui, Artur Boyd, Errö, Hundertwasser, Yayoi Kusama, Joaquim Rodrigo, Abdoulaye Konaté, Sean Scully, Raza, Zao Wou Ki, & Magdalena Abakanowicz, 1998
3325:
1095:
578:
2090:
1881:-azulejos made their appearance with their principal artist António Costa. The monumental decorations, consisting of 20,000 azulejos, in the vestibule of the
1001:('birds and branches'), came into vogue between 1650 and 1680. They were influenced by the representations on printed textiles that were imported from India:
3879:
Aportaciones arqueológicas al análisis del arte decorativo murario en Panamá del siglo XVI - Azulejería sevillana del convento de Santo Domingo, Panamá Viejo
2059:
2238:
4394:
3436:
2015:
1158:
991:
1972:
6354:
5150:
1083:
5662:
1573:
774:
768:
4186:
Digby Wyatt, May 26, 1858, Journal of the Society of Arts, On the influence exercised on ceramic manufacturers by the late Mr. Herbert Minton, p.442
3681:
799:
6407:
2265:
1833:
2066:
1454:
466:
6327:
5604:
4809:
4058:
2126:
1553:
1292:
4420:
4814:
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2685:
1325:
designs started to appear with more subdued colours. These themes were introduced in Portugal by the engravings of Robert and James Adams. The
4490:
5825:
5451:
4799:
4171:
3601:
3407:
2698:
2367:
1252:
In the 1740s the taste of Portuguese society changed from the monumental narrative panels to smaller and more delicately executed panels in
1043:
1024:
created large tile panels with historical scenes for their rich Portuguese clients, such as for the Palace of the Marqueses da Fronteira in
956:). The golden fringes of the altar cloth were imitated by yellow motifs on the painted border tiles. Excellent examples can be found in the
6455:
5254:
4714:
1175:). Mass production was started not just because of a greater internal demand, but also because of large orders came in from the Portuguese
4764:
1425:
6334:
5249:
5031:
4956:
4719:
2792:
2776:
1520:
965:
544:
5245:
4699:
3885:
https://www.docdroid.net/yeiy6a3/aportaciones-arqueologicas-al-analisis-del-arte-decorativo-murario-en-panama-durante-el-siglo-xvi.pdf
3662:
3065:
2896:
2737:
1788:
3026:
3013:
1807:
6375:
6255:
6235:
6224:
4925:
4662:
4597:
4583:
4561:
4543:
4530:
4512:
4290:
3962:
3854:
3691:
3574:
3495:
3446:
2909:
1889:, show in its historical themes the narrative style of the romantic 'picture-postcard'. This one of the most notable creations with
1311:
822:
75:
53:
5285:
4199:
3209:
1643:
925:
and borders, were produced in great numbers during the 17th century. The best examples are to be found in the Igreja do Salvador,
395:
technique but more efficient for mass production. The motifs on these tiles imitated earlier Islamic and Mudéjar designs from the
6261:
5540:
5081:
5061:
5046:
4861:
4724:
4641:
3000:
1760:
1693:
While these industrialized methods produced simple, stylized designs, the art of hand-painting tiles was not dead, as applied by
1678:. While these factories produces high-relief tiles in one or two colours, the Lisbon factories started using another method: the
1607:
898:
3896:
2184:, Portugal, around twenty thousand tiles (551 square meters) installed in the building were created in the 1930s by the painter
6220:
5011:
4729:
4310:
2607:
2448:
1310:—a Mexican maiolica, there are several instances of the use of azulejos on buildings and mansions. One particular mansion, the
1122:
961:
793:
Azulejos made by Hernando de Santiago and Juan de Víllalba in 1575 in Sala Nova, Palau de la Generalitat Valenciana, Valencia.
6465:
6189:
5418:
5230:
5026:
4949:
4835:
4794:
4704:
4626:
4245:
3935:
3827:
3378:
3189:
1631:
1107:
838:
613:
3634:
2075:
563:
Potters from Italy came into Seville in the early 16th century and established workshops there. They brought with them the
6214:
6199:
5731:
5493:
5300:
5175:
5086:
4892:
3184:
3039:
1940:(between 1957 and 1972). Through these works she became a driving force in the revival and the updating of the art of the
1611:
225:
6397:
6392:
6241:
6204:
5569:
5498:
5200:
5160:
5096:
4866:
4779:
4139:
3724:
3708:
3091:
2935:
2646:
2371:
2142:
1984:
1686:. In the last decades of the 19th century, the Lisbon factories started to use another type of transfer-printing: using
1670:
and later to social and economic changes. When around 1840 immigrant Brazilians started an industrialized production in
1666:
In the first half of the 19th century, there was a stagnation in the production of decorative tiles, owing first to the
987:. These were still free-standing in the 17th century, but they would be used in repetitive modules in the 18th century.
457:
496:
6365:
6277:
6209:
5523:
5190:
5051:
4789:
4784:
4187:
3979:
2805:
2711:
2633:
2620:
2568:
2555:
2474:
1712:
Mid-19th century, in England, in addition to encaustic tiles and mosaics, the Mintons factory also produced azulejos.
269:
3315:
2081:
1349:
1199:
714:
in Seville has around 150 different azulejo designs of the 1530s, one of the largest antique collections in the world
6293:
6251:
6120:
5295:
5270:
5220:
3214:
2750:
2201:
2177:
1882:
1855:
1334:
1195:
1171:
The late 17th and early 18th centuries became the 'Golden Age of the Azulejo', the so-called Cycle of the Masters (
1138:
929:, Igreja de S. Quintino, Obral de Monte Agraço, Igreja de S. Vicente, Cuba (Portugal) and the university chapel in
861:
857:
350:
1709:
technique. These hand-painted panels are fine examples of the eclectic Romantic culture of the late 19th century.
6303:
6231:
5518:
5508:
5444:
5240:
5225:
5106:
4912:
2724:
2594:
2581:
2490:
2432:
2225:
1956:
1330:
1276:. The mass-produced tiles acquired a more stereotypic design with predominant polychrome irregular shell motifs.
1009:
377:
tilemakers could produce, requiring them to consider new methods. Towards the late 15th and early 16th centuries
5280:
5235:
5180:
3052:
2818:
2348:
596:
Until the mid-16th century the Portuguese continued to rely on foreign imports, mostly from Spain, such as the
46:
40:
3271:
3143:
1859:
1342:
1191:
290:), zellij meaning "polished stone" because the original idea was to imitate the Byzantine and Roman mosaics.
5071:
4088:
3591:
1694:
5305:
4685:
4522:
3881:, Patronage Panamá Viejo, Association of Independent Professionals of the Archeology of Asturias, p. 12
3219:
3169:
2987:
2974:
2883:
2461:
2375:
1851:
1627:
957:
362:
241:
190:
3917:
3809:
3142:
The main azulejo protection group in Portugal, SOS Azulejo, created in 2007 and working as a dependency of
430:
tiles with the armillary sphere, symbol of king Manuel I). The Portuguese adopted the Moorish tradition of
6450:
5375:
4930:
4871:
4005:
2844:
2831:
2659:
2542:
2529:
2516:
2419:
2406:
2261:
2006:
1540:
1489:
1377:
1280:
1273:
1017:
984:
727:
535:
423:
57:
4622:
A catalog with many of the historical azulejos in Spain and Portugal with their creation date and details
2319:
1898:
1249:), patios and stair landings. Their purpose was to welcome visitors. They can only be found in Portugal.
1211:
1207:
6320:
5800:
5594:
5121:
5016:
4897:
4754:
3368:
3085:
2961:
2870:
2857:
2763:
2672:
2378:. Following on from this, many artists have been commissioned to decorate new and refurbished stations.
2022:
1256:
style. These panels depict gallant and pastoral themes as they occur in the works of the French painter
1219:
1215:
645:
629:
570:
96:
4066:
2354:
A new expansion, completed in 1988, featured works by more contemporary Portuguese artists: Rolando de
2284:
2109:
1505:
1237:), invented by the Master PMP and produced in the 18th and 19th centuries. These are cut-out panels of
902:
692:
551:
500:
366:
5340:
4246:"Azulejos, Traditional Spanish and Portuguese Tiles, Provide Inspiration For Modern Vinyl Floor Tiles"
1246:
6283:
6093:
5589:
5584:
5574:
5564:
5559:
5549:
5544:
5503:
5483:
5468:
5437:
5210:
5021:
4986:
4972:
4615:
3521:
3179:
2503:
2280:
1779:
1579:
1429:
1029:
806:
759:
621:
419:
346:
245:
4227:
2865:
Maria Keil, 1959 & Françoise Schein, 1994 & Federica Matta, 1994 & João Cutileiro, 1995
1909:
1260:. Fine examples are the façade and the gardens of the Palace of the Dukes de Mesquitela in Carnide (
6047:
6004:
5554:
5533:
5215:
4902:
4845:
4749:
3927:
3902:
3819:
3174:
2948:
2922:
1698:
1357:
249:
194:
120:
3753:
PLAN ESPECIAL DE LOS ENTORNOS DE LOS BIENES DE INTERÉS CULTURAL DE LA ZONA CENTRAL DE CIUTAT VELLA
609:
6360:
6022:
6012:
5856:
5810:
5513:
5345:
4804:
2719:
Maria Keil, 1959, 1973, & Bartolomeu Cid dos Santos, 1993, & José de Santa Bárbara, 1993
2292:
1409:
1307:
1223:
432:
20:
1730:
1706:
1674:, the Portuguese took over the Brazilian fashion of decorating the façades of their houses with
1649:
1203:
90:
6424:
5994:
5989:
5971:
5928:
5682:
5335:
5330:
4593:
4579:
4557:
4539:
4526:
4508:
4167:
3958:
3931:
3850:
3823:
3687:
3597:
3570:
3547:
3491:
3442:
3403:
3395:
3374:
2363:
201:
174:
4397:[In Lisbon, 'Banco do Azulejo' is already operational and its inventory is halfway].
4113:
1227:
6445:
6271:
6267:
6107:
5979:
5946:
5866:
5657:
5390:
5275:
5066:
5041:
3871:
3537:
3529:
3112:
3106:
2042:
1867:
1794:
1747:
1603:
1560:
1445:
1393:
1102:
1025:
308:
253:
129:
1905:
for his work on the Almas Chapel (imitating the style of the 18th century), both in Porto.
6460:
6298:
6179:
6174:
6169:
5984:
5918:
5820:
5787:
5704:
5488:
5185:
5111:
5101:
5091:
4734:
4648:
2784:
2161:
1288:
1257:
1176:
880:
711:
665:
408:
404:
276:
182:
3785:
3034:
Maria Keil, 2009 & Catarina Almada Negreiros, 2009 & Rita Almada Negreiros, 2009
2693:
Manuel Cargaleiro (Transposition in azulejo of a 1940 painting by Vieira da Silva), 1988
2482:
2185:
1894:
1886:
349:. Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form
101:
4203:
3525:
407:. Fine examples of these tiles can be found in the early 16th-century decoration of the
6247:
6151:
6037:
5913:
5815:
5772:
5767:
5395:
5131:
5056:
5036:
4996:
4744:
3618:
3299:
3223:
2930:
Vieira da Silva (transposed to azulejo by Manuel Cargaleiro), & Arpad Szènés, 1997
2359:
2355:
1976:
1921:
1913:
1679:
1667:
617:
205:
186:
6439:
6164:
6052:
5933:
5923:
5903:
5805:
5290:
4739:
4295:
2943:
Maria Keil, 1959, 1977, Luiz Ventura, 1994, Nadir Afonso & Lagoa Henriques, 1998
2288:
1990:
1917:
1902:
1322:
1245:, noblemen or elegantly dressed ladies), usually placed in entrances of palaces (see
1142:
648:, probably the nephew and pupil of Marçal de Matos. Both drew their inspiration from
213:
209:
6412:
6057:
5760:
5750:
5742:
5579:
5001:
4621:
4032:
3769:
3320:
3136:
2995:
Maria Keil, 1959, 1977, Jorge Vieira, 1996, 1997, Luis Filipe de Abreu, 1996, 1997
2340:
1937:
1190:
The most prominent master-designers in these early years of the 18th century were:
3952:
3921:
3844:
3813:
3438:
Architecture of the Islamic West: North Africa and the Iberian Peninsula, 700–1800
1337:, became in this period an important manufacturer of the characteristic so-called
4636:
4161:
6129:
5938:
5908:
5727:
5721:
5713:
5709:
5647:
5460:
5126:
5076:
3132:
2440:
2038:
1847:
1583:
1353:
1315:
649:
391:
217:
160:
3957:. Travaux de l'IFEA. Institut français d’études andines. 1641. pp. 81–98.
3849:. Travaux de l'IFEA. Institut français d’études andines. 1641. pp. 81–98.
983:. They were probably inspired by Flemish paintings of flower vases, such as by
893:
Shortly afterwards, these plain white tiles were replaced by polychrome tiles (
399:
mosaic tradition or blended them with contemporary European influences such as
6418:
6402:
5777:
5632:
5617:
5315:
5165:
5116:
3730:
3533:
2344:
2133:
2117:
1933:
1929:
1299:
panels started to appear on buildings as protection against future disasters.
1242:
941:
905:
with one of the most outstanding tile-based interior decorations in Portugal.
731:
582:
400:
229:
4342:[The law protects azulejos, but there are still some who sell them].
3551:
2813:
Maria Keil, 1966, & Gracinda Candeias, 1997, & José João Brito, 1997
1077:
Kings Gallery fountain, Palace of the Marquess of Fronteira, Lisbon, Portugal
6380:
6115:
5717:
4709:
3128:
1829:
1687:
1021:
1013:
657:
653:
590:
586:
5195:
4369:"Câmaras apertam regras para proteger azulejos mas furtos estão a aumentar"
2037:
Panel by Jorge Colaço (circa 1922) depicting an episode from the battle of
1936:
designed the large abstract panels in the initial nineteen stations of the
4654:
4610:
1959:
in Lisbon houses the largest collection of Portuguese tiles in the world.
573:
who settled in Seville in 1498. Examples of his work can still be admired
6385:
6159:
6042:
6032:
5795:
5652:
5365:
5360:
5310:
5170:
5006:
4991:
4574:
Sabo, Rioleta; Falcato, Jorge. N. and photographs by Nicolas Lemonnier –
2229:
2050:
2005:
One of the several tiled benches of the Plaza 25 de Julio built in 1917,
1949:
1878:
1751:
1002:
926:
778:
601:
593:
style, with its bizarre representations, had much influence on azulejos.
565:
477:
412:
354:
152:
4941:
4423:[Demolition of façades with tiles banned all over the country].
3246:"Azulejos: gallery and history of handmade Portuguese and Spanish tiles"
620:(Alentejo). One of the early Portuguese masters of the 16th century was
6083:
6062:
5642:
5400:
5380:
5350:
5325:
4907:
4486:, Calouste Gulbenkian Foundation, 2nd ed., Lisbon, 1990 (in Portuguese)
4160:
Terán Bonilla, José Antonio; Velázquez Thierry, Luz de Lourdes (2010).
3954:
PAYMENT LETTER: PEDRO RODRÍGUEZ TO MARCOS IBÁÑEZ (Xaramillo, 1640-1641a
3846:
PAYMENT LETTER: PEDRO RODRÍGUEZ TO MARCOS IBÁÑEZ (Xaramillo, 1640-1641a
3726:
THE CASA DE PILATOS – A DREAM ANDALUSIAN PALACE IN THE HEART OF SEVILLE
3542:
3245:
3097:
2311:
2307:
1863:
1473:
1408:
Albarrada, flower vase by Valentim de Almeida (between 1729 and 1731);
1184:
930:
910:
605:
519:
481:
378:
370:
358:
304:
163:
6287:
6135:
6067:
6017:
5887:
5882:
5861:
5846:
5637:
5205:
3596:. order of the trustees, Hispanic Society of America. pp. xiii.
3163:
2245:
2113:
2046:
1798:
1725:
1635:
1587:
1564:
1544:
1524:
1361:
1303:
1261:
1253:
972:
953:
949:
922:
914:
660:
from Italy and Flanders. A fine collection of 16th-century azulejos (
341:
181:, ordinary houses, schools, and nowadays, restaurants, bars and even
178:
146:
134:
1901:, who decorated in 1912 the lateral façade of the Carmo Church, and
1295:, who was put in charge of rebuilding the country. Small devotional
837:
Altarpiece of Our Lady of Life, painted in 1580 by Marçal de Matos,
4631:
4590:
Portuguese Tiles and Art Nouveau / O Azulejo Portugués ea Arte Nova
4484:
Azulejaria em Portugal nos séculos XV e XVI : introdução geral
4395:"Em Lisboa, o Banco do Azulejo já funciona e inventário vai a meio"
4371:[Cities tighten rules but number of thefts is increasing].
6125:
6088:
6027:
5841:
5755:
5612:
5370:
5355:
2758:
Rolando Sá Nogueira (in collaboration with Fernando Conduto) 1988
2326:
2205:
2181:
1925:
1814:
1705:, with flower vases, trees, and allegorical figures, applying the
1671:
1653:
976:
945:
640:(in the Church of S. Roque, Lisbon) is the first dated Portuguese
381:
became an important production center for a type of tile known as
233:
156:
89:
3348:, Asociación Española de Fabricantes de Azulejos, Castellón, 2000
2427:
Costa Pinheiro, Alberto Carneiro, & Juahana Bloomstedt, 1998
1944:, which had gone in some decline. Her decorations of the station
1472:
Checkered azulejos on the façade of the Igreja Matriz de Cambra,
5851:
5627:
5622:
5385:
4840:
3373:. Translated by Radzinowicz, David. Flammarion. pp. 64–65.
696:
166:
5433:
4945:
4658:
4163:
Templo de San Francisco Acatepec. Antología del Barroco Poblano
3710:
Los azulejos de la Casa de Pilatos de los hermanos Pulido – 152
1424:
Azulejos by Willem van der Kloet (1708) in the transept of the
1233:
During this same period appear the first 'invitation figures' (
436:('fear of empty spaces') and covered the walls completely with
5429:
2956:
Maria Keil, 1972, Lourdes de Castro & René Bertholo, 2006
2209:
1376:
Azulejos of the walls of Sala dos Brasões (ca. 18th century),
221:
25:
4421:"Demolição de fachadas com azulejos interdita em todo o país"
2982:
Almada Negreiros (transposed by José Almada Negreiros), 2009
2969:
Maria Keil, 1963 & Artur Rosa & Helena Almeida, 1998
695:(Spain) covered with tin-glazed tiles painted in 1504 by the
4340:"A lei protege os azulejos mas há quem os continue a vender"
2800:
Maria Keil, João Cutileiro, & Charters de Almeida, 1995
2096:
Capela de Santa Catarina, Porto; façade was covered in 1929.
1037:
former taste for repeated patterns and abstract decoration.
913:). An inset votive usually depicts a scene from the life of
746:
16th-century azulejos in Convent of Santa Isabel, Valladolid
2469:
Maria Keil, 1972, Bela Silva, 2006, & Maria Keil, 2007
1728:, building built between 1849 and 1865 with its respective
1287:. This bare and functional style would become known as the
1008:
In the second half of the 17th century, the Spanish artist
975:
was introduced: floral vases flanked by birds, dolphins or
1341:-tiles. Another important tile painter in this period was
418:
The same techniques were introduced into Portugal by King
2339:
Azulejo tiles are present in almost every station in the
1630:
and Lisbon before the 1755 earthquake. ca. 18th century.
1283:
gave rise to a more utilitarian role for decoration with
1226:(1706–1750), the style of this period is also called the
2771:
António Moutinho, Marta Lima, & Susete Rebelo, 2004
1828:
Portuguese Azulejo depicting the arrival of a ship with
315:
in the 13th century were panels of tile-mosaic known as
200:
There is also a tradition of their production in former
193:
form, but also had a specific functional capacity, like
1602:
Azulejos of the facade made between 1650 and 1750 with
1222:. As their production coincided with the reign of King
4449:[Law 79/2017 - Protecting the tile heritage].
3930:: Institut français d’études andines. pp. 81–98.
3870:
Mirta Linero Baroni; Juan Ramón Muñíz Álvarez (2015),
3822:: Institut français d’études andines. pp. 81–98.
3466:. Paris: Arts et métiers graphiques. pp. 414–415.
3394:
Jonathan Bloom; Sheila S. Blair; Sheila Blair (2009).
2351:(1910–1975) created the works for the Metro stations.
1016:
in the Netherlands. The workshops of Jan van Oort and
4311:"Thieves target historic Portuguese decorative tiles"
2654:
Maria Keil, 1959, 1979, & Francisco Simões, 1994
4642:
Introduction to the azulejos by the Instituto Camoes
4505:
Portuguese tiles from the National Museum of Azulejo
4479:, Arte Hispalense, Diputación de Sevilla, 1977, 1991
3620:
Cuarto Real Plaza de los Campos s/n Realejo. Granada
3400:
Grove Encyclopedia of Islamic Art & Architecture
2878:
Maria Keil, 1959, 1982, & Martins Correia, 1995
1724:
Casa do Ferreira das Tabuletas, in Rua da Trindade,
636:(in the National Museum of Azulejos in Lisbon). The
327:
285:
143:
6344:
6312:
6188:
6150:
6106:
6076:
6003:
5970:
5961:
5896:
5875:
5834:
5786:
5741:
5697:
5690:
5603:
5476:
5467:
5263:
5149:
4979:
4885:
4854:
4823:
4772:
4692:
3951:"Capítulo VII. Azulejos en el claustro e iglesia".
3843:"Capítulo VII. Azulejos en el claustro e iglesia".
1364:. São Luís is also known as "Cidade dos Azulejos".
1206:(only known by his monogram) and his collaborators
664:) can be found in the Museu da Rainha D. Leonor in
365:in Spain (e.g. in the 14th-century sections of the
4222:
4220:
1065:Church of Nossa Senhora da Graça; Sagres, Portugal
897:) often giving a complex framework such as in the
4447:"Lei n.º 79/2017 - Protege o património azulejar"
1850:azulejos started to appear from artists such as
1266:
921:), as they were called, elaborately framed with
534:(Christian) Azulejos of the 15th century of the
109:
4877:Seven Wonders of Portuguese Origin in the World
3663:"Preserving Portuguese culture through tattoos"
3272:"At home with Brazilian artist Adriana Varejão"
2615:António Dacosta, 1998 & Pedro Morais, 1998
2224:Azulejos in Parc du Portugal, founded in 1953,
1874:(a representation of the worrying common man).
6371:Islamic world contributions to Medieval Europe
3652:, Arte Hispalense, Diputación de Sevilla, 1991
3569:. Oxford University Press. pp. 293, 471.
2839:Nuno de Siqueira & Cecília de Sousa, 1998
2414:Maria Keil, 1972, & Noronha da Costa,1998
5445:
4957:
4670:
3771:ÍNDICE CIVIL CERÁMICA ARQUITECTÓNICA. ZÓCALOS
2917:Joana Rosa, 2004 & Manuel Baptista, 2004
2511:Maria Keil, 1966 & Rogério Ribeiro, 1982
1348:With great Portuguese influence, the city of
992:Basilica and Convent de San Francisco de Lima
361:. This tradition was continued for a time in
8:
4493:, Accessible Travel Magazine, September 2006
3683:Jornadas Científicas sobre Cerámica y Vidrio
3210:"azulejo – definition of azulejo in Spanish"
2347:(1914–2012), wife of metro system architect
1948:is considered a masterpiece of contemporary
1862:. In 1885 Rafael Bordalo Pinheiro founded a
1766:Façade of a grand house in Aveiro, Portugal.
1089:Palace of the Marquess of Fronteira, Lisbon.
997:Another type of azulejo composition, called
279:
137:
3980:"A HERANÇA LUSITANA DA CIDADE DOS AZULEJOS"
2745:Maria Keil, 1959 & Júlio Resende, 1995
2524:Maria Keil, 1972 & Júlia Ventura, 2013
2108:Portuguese Azulejos depicting the image of
369:), and has been perpetuated to this day in
334:
6355:Islamic Art: Mirror of the Invisible World
5967:
5694:
5473:
5452:
5438:
5430:
4964:
4950:
4942:
4677:
4663:
4655:
4232:PortugalVisitor - Travel Guide To Portugal
2385:
726:Panel of Hernando de Loaysa, around 1590,
173:are found on the interior and exterior of
4588:Barros Veloso, A. J.; Almasqué, Isabel –
3567:The Grove Encyclopedia of Decorative Arts
3541:
3118:El Puente del Arzobispo pottery (Spanish)
1321:As a reaction, simpler and more delicate
1121:Detail of the azulejos (ca. 1606) at the
1051:Museu da Rainha D. Leonor; Beja, Portugal
775:Real Colegio Seminario del Corpus Christi
632:, Azeitão, is attributed, as well as the
76:Learn how and when to remove this message
6408:Oriental carpets in Renaissance painting
4363:
4361:
3402:. Oxford University Press. p. 201.
2148:Art Nouveau azulejos on a shop in Porto.
1539:Galería Dorada (c. early-18th century),
971:During the same period another motif in
119:
39:This article includes a list of general
6328:Heaven on Earth: Art from Islamic Lands
4334:
4332:
3396:"Architecture; X. Decoration; B. Tiles"
3367:Degeorge, Gérard; Porter, Yves (2001).
3201:
1961:
1714:
1682:method on blue-and-white or polychrome
1366:
1279:The reconstruction of Lisbon after the
1039:
917:or a saint. These carpet compositions (
681:
442:
4010:"Palácio Nacional de Sintra - detalhe"
4006:Government of the Republic of Portugal
3617:City Hall of Granada, Tourism office,
3441:. Yale University Press. p. 172.
758:Basílica de Nuestra Señora del Prado,
644:composition (1584). It is the work of
608:(Flanders), such as the two panels by
353:. Many examples can be admired in the
4632:An illustrated history of the azulejo
3923:Nueva visión de San Francisco de Lima
3815:Nueva visión de San Francisco de Lima
3481:
3479:
3477:
3475:
3473:
2204:, in the former Portuguese colony in
1488:Azulejos (ca. 1785) of refrectory of
1194:, Manuel dos Santos, the workshop of
1005:symbols, flowers, animals and birds.
990:Azulejos dating from 1642 are in the
581:, scenes from the lives of saints or
128:
7:
4578:, New York, London and Paris, 1998;
4500:, Alfa, Lisbon, 1988 (in Portuguese)
3872:"Restos de azulejería. Los Azulejos"
3362:
3360:
3358:
3356:
3354:
2260:Californian Azulejos, at one of the
1063:Antependium decorated with azulejos
16:Portuguese and Spanish painted tiles
6335:Hajj: Journey to the Heart of Islam
4637:The over-glaze decoration technique
4093:Portugal em 360º Distrito de Leiria
3978:Bogéa, Isabella (9 November 2012).
3490:. V&A Publishing. p. 102.
3464:L'architecture musulmane d'Occident
3270:Magazine, Wallpaper* (2021-05-06).
1504:Azulejos (ca. 18th century) of the
1460:Azulejos vault in Óbidos, Portugal.
604:, but also on a smaller scale from
320:
280:
138:
4556:, Amsterdam, 9th ed., August 1999
3590:Frothingham, Alice Wilson (1969).
3316:"Kapla bütün sokaklarımı azulejo!"
2136:; façade was covered in the 1940s.
2041:(1385) between the Portuguese and
1846:At the start of the 20th century,
962:Convent of Santa Maria de Almoster
45:it lacks sufficient corresponding
14:
6236:Museum for Islamic Art, Jerusalem
4627:National Azulejo Museum, Portugal
4592:, Edições Inapa, Portugal, 2000;
4519:Tile – History and Uses, Portugal
3633:artencordoba.com (10 July 2020),
3514:Journal of Archaeological Science
1426:Church of Nossa Senhora da Nazaré
1241:with life-size figures (footmen,
1157:Azulejos (dating to 1642) in the
5681:
5414:
5413:
5140:
4862:Portuguese Colonial architecture
4815:Tallest buildings and structures
4763:
4609:
2400:Artist(s) and date of completion
2318:
2300:
2273:
2253:
2237:
2217:
2193:
2169:
2160:Iglesia de San Juan Bautista de
2153:
2141:
2125:
2101:
2089:
2074:
2058:
2030:
2014:
1998:
1983:
1964:
1821:
1806:
1787:
1771:
1759:
1739:
1717:
1668:incursion of the Napoleonic army
1642:
1619:
1608:Church of San Francisco Acatepec
1595:
1572:
1559:Convent of Saint-Francis, 1702,
1552:
1532:
1512:
1497:
1481:
1465:
1453:
1437:
1417:
1401:
1392:Azulejos in Rococo-style in the
1385:
1369:
1150:
1130:
1114:
1094:
1082:
1070:
1056:
1042:
966:Convento de Santa Cruz do Buçaco
899:Igreja de Santa Maria de Marvila
879:tile, with newer motifs, in the
869:
846:
830:
823:Palacio de la Condesa de Lebrija
814:
798:
786:
767:
751:
739:
719:
704:
684:
543:
527:
507:
488:
465:
445:
30:
4453:(in Portuguese). 18 August 2017
4427:(in Portuguese). 21 August 2017
4346:(in Portuguese). 23 August 2017
4256:from the original on 2021-11-16
4149:. Robarts Toronto. p. 201.
4138:Gonzalez Obregón, Luis (1909).
4065:(in Portuguese). Archived from
3680:Guillermo García Ramos (1978).
3636:Mudejar Chapel of San Bartolomé
3593:Tile Panels of Spain, 1500-1650
3328:from the original on 2020-12-03
1200:Policarpo de Oliveira Bernardes
1159:Basilica of San Francisco, Lima
1123:Basilica of Santo Domingo, Lima
1014:blue-and-white tiles from Delft
307:became the major centre of the
121:[ɐzuˈle(j)ʒu,ɐzuˈlɐjʒu]
19:For the Portuguese review, see
4503:Castel-Branco Pereira, João –
4451:Diário da República Eletrónico
4401:(in Portuguese). 18 April 2017
4375:(in Portuguese). 19 April 2015
4118:Palau Ducal dels Borja website
3565:Campbell, Gordon, ed. (2006).
3190:National Museum of the Azulejo
3166: – Mosaic tile decoration
2065:ABC Serrano Building built by
1632:National Museum of the Azulejo
1108:Museum of Fine Arts of Seville
839:National Museum of the Azulejo
1:
5301:Spanish Colonial architecture
4550:Portugal, um guia para amigos
3185:Spanish Colonial architecture
3021:Maria Keil, 1959, 1977, 2009
2283:Azulejos depicts an image of
1908:20th-century artists include
1778:Jardines del Prado garden in
1335:Francisco de Paula e Oliveira
1327:Real Fábrica de Louça do Rato
1196:António de Oliveira Bernardes
1012:introduced into Portugal the
240:constitute a major aspect of
6393:Mathematics and architecture
4867:Sino-Portuguese architecture
4538:– 11th edition March 2005 –
3486:Rosser-Owen, Mariam (2010).
3314:Duvar, Gazete (2019-06-30).
3092:Talavera de la Reina pottery
2550:Rogério Ribeiro, 1959, 1982
2372:Maria Helena Vieira da Silva
2200:Portuguese Azulejos, at the
458:Cuarto Real de Santo Domingo
339:'to cut'), known as
311:tile industry. The earliest
6456:Types of pottery decoration
5176:Cantabrian defensive towers
4576:Portuguese Decorative Tiles
4554:Portugal – De Arbeiderspers
4536:The Rough Guide to Portugal
4482:dos Santos Simões, J. M. –
3435:Bloom, Jonathan M. (2020).
3423:Les Métamorphoses de l’azur
3370:The Art of the Islamic Tile
2343:system. Initially, painter
1331:Sebastião Inácio de Almeida
1329:, with the master-designer
1010:Gabriel del Barco y Minusca
858:traditional geometric motif
328:
286:
144:
6482:
3901:Centro Virtual Cervantes,
3750:City Council of Valencia,
3707:MARATANIA (5 April 2013),
3215:Oxford Living Dictionaries
2202:Instituto Menezes Bragança
862:Metropolitan Museum of Art
675:In the late 16th century,
662:azulejos Hispano-mouriscos
634:Adoration of the Shepherds
456:(ca. 13th century) in the
18:
6376:Influences on Western art
5679:
5409:
5138:
4921:
4913:Seven Wonders of Portugal
4761:
4477:Francisco Niculoso Pisano
4147:México viejo y anecdótico
4140:"La casa de los azulejos"
3786:"Panel of 4 cuenca tiles"
3686:. University of Seville.
3650:Francisco Niculoso Pisano
3534:10.1016/j.jas.2013.07.031
3462:Marçais, Georges (1954).
3425:, Ars Latina, Paris, 1994
3103:Paterna pottery (Spanish)
3008:José Santa-Bárbara, 2007
2266:Recreation Park bandshell
2178:São Bento railway station
2021:Azulejos made in 1918 in
1957:Museu Nacional do Azulejo
1883:São Bento railway station
883:in Seville (16th century)
864:, from 16th-century Spain
600:by Francisco Niculoso in
4552:– in Dutch translation:
4548:Rentes de Carvalho J. –
4063:mosteirojeronimos.gov.pt
3127:Tiles are vulnerable to
2732:Maria Keil, 1966 e 1977
2706:Manuel Cargaleiro, 1988
2667:José de Guimarães, 1997
2349:Francisco Keil do Amaral
2082:Plaza de España, Seville
1860:José António Jorge Pinto
1626:Large panel showing the
1343:Francisco Jorge da Costa
1281:great earthquake of 1755
1192:António Pereira (artist)
1049:Carpet-style decoration
497:Capilla de San Bartolomé
4686:Portuguese architecture
4523:Grove Dictionary of Art
4033:"Sé Catedral de Lisboa"
3897:"Puebla de los Ángeles"
3667:www.theportugalnews.com
3488:Islamic Arts from Spain
3220:Oxford University Press
3170:Portuguese architecture
3047:José Pedro Croft, 2004
2904:Maria Keil, 1959, 1980
2602:David de Almeida, 1998
2325:21st-century azulejos (
2244:Portuguese Azulejos in
1852:Rafael Bordalo Pinheiro
1813:Portuguese Azulejos in
1782:, Spain. Built in 1864.
1734:azulejos in the facade.
1695:Manuel Joaquim de Jesus
1519:Azulejos (ca. 1760) of
1103:Saints Justa and Rufina
1032:stopped all imports of
958:Hospital de Santa Marta
668:, Portugal (the former
242:Portuguese architecture
60:more precise citations.
6366:Indo-Saracenic Revival
5281:Andalusian White Towns
4931:Portuguese Renaissance
4569:The Azulejos of Lisbon
4475:Morales, Alfredo J. –
4089:"MOSTEIRO DE ALCOBAÇA"
4031:Porto Editora (2003).
3648:Morales, Alfredo J. –
3346:La Ruta de la Ceramica
3060:Eduardo Batarda, 2002
2576:Ângelo de Sousa, 1998
2563:Ângelo de Sousa, 1998
2132:Santa Maria Church in
2007:Santa Cruz de Tenerife
1703:Ferreira das Tabuletas
1541:Ducal Palace of Gandia
1521:Igreja da Misericórdia
1378:Sintra National Palace
1306:, a large producer of
1274:Queluz National Palace
1267:
1183:, many with exuberant
985:Jan Brueghel the Elder
940:for the decoration of
728:Palacio de Fabio Nelli
626:Susanna and the Elders
536:Sintra National Palace
426:(including the famous
424:Sintra National Palace
299:13th to 15th centuries
275:) is derived from the
110:
105:
6466:Portuguese traditions
6321:Empire of the Sultans
5122:Valencian Art Nouveau
4973:Architecture of Spain
4755:Soft Portuguese style
4498:O Azulejo em Portugal
4250:Zazous Vinyl Flooring
3918:Antonio San Cristóbal
3810:Antonio San Cristóbal
3774:, retabloceramico.net
3294:Cf. the Italian noun
3086:Hispano-Moresque ware
2362:in Alto dos Moinhos,
1993:, Barcelona, of 1914.
1885:in Porto, created by
1139:Chapel of the Rosario
670:Convento da Conceição
585:, or hunting scenes.
550:(Christian) Tiles in
100:by Portuguese artist
97:Battle of Aljubarrota
93:
6284:Arab World Institute
6094:Ottoman illumination
4618:at Wikimedia Commons
4200:"Jardines del Prado"
3180:Spanish architecture
2826:Manuel Bastos, 2012
2686:Cidade Universitária
2680:Jorge Martins, 1998
2589:Querubim Lapa, 1998
2498:Irene Buarque, 2004
2376:Cidade Universitária
2264:Historic Landmarks,
1856:Júlio César da Silva
1780:Talavera de la Reina
1580:Casa de los Azulejos
1312:Casa de los Azulejos
1137:Azulejos inside the
1018:Willem van der Kloet
960:, Lisbon, or in the
760:Talavera de la Reina
638:Miracle of St. Roque
363:Mudéjar architecture
347:Islamic architecture
303:The Spanish city of
246:Spanish architecture
4810:Reservoirs and dams
4750:Summer architecture
4525:, MacMillan, 1996,
4228:"São Bento Station"
3928:University of Texas
3903:Instituto Cervantes
3820:University of Texas
3526:2014JArSc..41...21C
3175:Portuguese pavement
3123:State of protection
2891:Jacinto Luís, 1997
2699:Colégio Militar/Luz
2641:Eduardo Nery, 1993
2628:Eduardo Nery, 1993
2368:Colégio Militar/Luz
1899:Silvestre Silvestri
1490:Jerónimos Monastery
1358:World Heritage Site
1268:Corredor das Mangas
1212:Valentim de Almeida
1208:Teotónio dos Santos
1028:, Lisbon. But when
825:(ca. 1585), Seville
807:Santa Cruz Hospital
699:Francesco Niculoso.
579:mythological scenes
195:temperature control
6361:Aniconism in Islam
6299:Toronto (Aga Khan)
6256:Khalili Collection
6121:Geometric patterns
5529:Bahmani and Deccan
5346:Corral de comedias
5255:Destroyed heritage
4647:2016-02-06 at the
4566:Mucznik, Sonia. –
4291:"Parc du Portugal"
4198:www.talavera.org.
3144:Polícia Judiciária
3073:João Vieira, 2007
2910:Quinta das Conchas
2456:Júlio Pomar, 1988
2285:Our Lady of Fátima
2110:Our Lady of Fátima
2023:Font de Santa Anna
1938:Lisbon Underground
1877:Around the 1930s,
1612:San Andrés Cholula
1582:palace, ca. 1737,
1506:Alcobaça Monastery
1410:Cathedral of Porto
1291:, named after the
1220:Nicolau de Freitas
1216:Bartolomeu Antunes
903:Santarém, Portugal
693:Alcázar of Seville
646:Francisco de Matos
630:Quinta da Bacalhoa
571:Francisco Niculoso
552:Alcázar of Segovia
367:Alcázar of Seville
351:geometric patterns
130:[aθuˈlexo]
106:
21:Azulejos (journal)
6433:
6432:
6102:
6101:
5957:
5956:
5929:Hardstone carving
5826:Chinese influence
5677:
5676:
5663:Stucco decoration
5427:
5426:
5286:Aragonese Mudéjar
5246:Tallest buildings
4939:
4938:
4800:Football stadiums
4614:Media related to
4315:The Straits Times
4279:, webtenerife.com
4276:Plaza 25 de julio
4173:978-607-7525-42-4
3883:. read online at
3723:loveofspain.com,
3603:978-0-87535-110-0
3409:978-0-19-530991-1
3301:Il nuovo De Mauro
3077:
3076:
2793:Marquês de Pombal
2777:Marquês de Pombal
2537:Maria Keil, 1972
2364:Manuel Cargaleiro
1561:Salvador de Bahia
1293:Marquis of Pombal
1235:figura de convite
1173:Ciclo dos Mestres
919:azulejo de tapete
809:in Toledo, Spain.
338:
326:
86:
85:
78:
6473:
6272:Majorelle Garden
5968:
5801:Hispano-Moresque
5695:
5685:
5494:Anatolian Seljuk
5474:
5454:
5447:
5440:
5431:
5417:
5416:
5341:Casona montañesa
5276:Andalusian patio
5144:
5067:Valencian Gothic
5042:First Romanesque
4966:
4959:
4952:
4943:
4767:
4679:
4672:
4665:
4656:
4613:
4507:, Lisbon, 1995,
4463:
4462:
4460:
4458:
4443:
4437:
4436:
4434:
4432:
4417:
4411:
4410:
4408:
4406:
4391:
4385:
4384:
4382:
4380:
4365:
4356:
4355:
4353:
4351:
4336:
4327:
4326:
4324:
4322:
4307:
4301:
4300:
4287:
4281:
4280:
4271:
4265:
4264:
4262:
4261:
4242:
4236:
4235:
4224:
4215:
4214:
4212:
4211:
4202:. Archived from
4195:
4189:
4184:
4178:
4177:
4157:
4151:
4150:
4144:
4135:
4129:
4128:
4126:
4124:
4110:
4104:
4103:
4101:
4099:
4085:
4079:
4078:
4076:
4074:
4055:
4049:
4048:
4046:
4044:
4028:
4022:
4021:
4019:
4017:
4002:
3996:
3995:
3993:
3991:
3975:
3969:
3968:
3948:
3942:
3941:
3914:
3908:
3907:
3893:
3887:
3882:
3876:
3867:
3861:
3860:
3840:
3834:
3833:
3806:
3800:
3799:
3797:
3796:
3782:
3776:
3775:
3766:
3760:
3759:
3758:
3747:
3741:
3740:
3739:
3738:
3729:, archived from
3720:
3714:
3713:
3704:
3698:
3697:
3677:
3671:
3670:
3659:
3653:
3646:
3640:
3639:
3630:
3624:
3623:
3614:
3608:
3607:
3587:
3581:
3580:
3562:
3556:
3555:
3545:
3508:
3502:
3501:
3483:
3468:
3467:
3459:
3453:
3452:
3432:
3426:
3420:
3414:
3413:
3391:
3385:
3384:
3364:
3349:
3343:
3337:
3336:
3334:
3333:
3311:
3305:
3292:
3286:
3285:
3283:
3282:
3267:
3261:
3260:
3258:
3256:
3242:
3236:
3235:
3233:
3231:
3222:. Archived from
3206:
3113:Uriarte Talavera
3107:Talavera pottery
3066:Terreiro do Paço
2897:Praça de Espanha
2738:Jardim Zoológico
2449:Alto dos Moinhos
2386:
2358:in Laranjeiras,
2322:
2304:
2277:
2257:
2241:
2221:
2197:
2176:Interior of the
2173:
2157:
2145:
2129:
2105:
2093:
2078:
2062:
2034:
2018:
2009:, Canary Islands
2002:
1987:
1968:
1868:Caldas da Rainha
1825:
1810:
1795:Uriarte Talavera
1791:
1775:
1763:
1743:
1721:
1646:
1628:Terreiro do Paço
1623:
1604:Talavera pottery
1599:
1576:
1556:
1536:
1516:
1501:
1485:
1469:
1457:
1446:Lisbon Cathedral
1444:Azulejos of the
1441:
1421:
1405:
1394:Palace of Queluz
1389:
1373:
1333:and the painter
1270:
1247:Palácio da Mitra
1177:colony of Brazil
1154:
1134:
1118:
1098:
1086:
1074:
1060:
1046:
979:, the so-called
895:enxaquetado rico
873:
850:
834:
821:Azulejos of the
818:
802:
790:
771:
755:
743:
723:
708:
688:
547:
531:
511:
492:
480:(14th century),
469:
449:
336:
333:
331:
325:romanized:
324:
322:
309:Hispano-Moresque
289:
283:
282:
268:(as well as the
226:Lusophone Africa
150:
141:
140:
132:
127:
123:
118:
113:
81:
74:
70:
67:
61:
56:this article by
47:inline citations
34:
33:
26:
6481:
6480:
6476:
6475:
6474:
6472:
6471:
6470:
6436:
6435:
6434:
6429:
6398:Moorish Revival
6346:
6340:
6308:
6225:Calligraphy Art
6191:
6184:
6146:
6098:
6072:
5999:
5963:
5953:
5919:Enamelled glass
5892:
5871:
5830:
5782:
5737:
5698:Regional styles
5686:
5673:
5599:
5570:Sudano-Sahelian
5477:Regional styles
5463:
5458:
5428:
5423:
5405:
5296:Gaudí buildings
5259:
5152:
5145:
5136:
5102:Churrigueresque
4975:
4970:
4940:
4935:
4917:
4881:
4850:
4819:
4768:
4759:
4688:
4683:
4651:(in Portuguese)
4649:Wayback Machine
4606:
4489:Costa, Vania –
4472:
4467:
4466:
4456:
4454:
4445:
4444:
4440:
4430:
4428:
4419:
4418:
4414:
4404:
4402:
4393:
4392:
4388:
4378:
4376:
4367:
4366:
4359:
4349:
4347:
4338:
4337:
4330:
4320:
4318:
4317:. 8 August 2017
4309:
4308:
4304:
4289:
4288:
4284:
4273:
4272:
4268:
4259:
4257:
4244:
4243:
4239:
4226:
4225:
4218:
4209:
4207:
4197:
4196:
4192:
4185:
4181:
4174:
4159:
4158:
4154:
4142:
4137:
4136:
4132:
4122:
4120:
4112:
4111:
4107:
4097:
4095:
4087:
4086:
4082:
4072:
4070:
4069:on 12 June 2018
4057:
4056:
4052:
4042:
4040:
4039:(in Portuguese)
4030:
4029:
4025:
4015:
4013:
4012:(in Portuguese)
4004:
4003:
3999:
3989:
3987:
3986:(in Portuguese)
3977:
3976:
3972:
3965:
3950:
3949:
3945:
3938:
3916:
3915:
3911:
3895:
3894:
3890:
3874:
3869:
3868:
3864:
3857:
3842:
3841:
3837:
3830:
3808:
3807:
3803:
3794:
3792:
3784:
3783:
3779:
3768:
3767:
3763:
3756:
3749:
3748:
3744:
3736:
3734:
3722:
3721:
3717:
3706:
3705:
3701:
3694:
3679:
3678:
3674:
3661:
3660:
3656:
3647:
3643:
3632:
3631:
3627:
3616:
3615:
3611:
3604:
3589:
3588:
3584:
3577:
3564:
3563:
3559:
3510:
3509:
3505:
3498:
3485:
3484:
3471:
3461:
3460:
3456:
3449:
3434:
3433:
3429:
3421:
3417:
3410:
3393:
3392:
3388:
3381:
3366:
3365:
3352:
3344:
3340:
3331:
3329:
3313:
3312:
3308:
3293:
3289:
3280:
3278:
3269:
3268:
3264:
3254:
3252:
3250:www.azulejos.fr
3244:
3243:
3239:
3229:
3227:
3226:on 8 April 2019
3208:
3207:
3203:
3198:
3160:
3125:
3098:Manises pottery
3082:
2384:
2337:
2330:
2323:
2314:
2305:
2296:
2295:, United States
2278:
2269:
2258:
2249:
2248:, Guinea-Bissau
2242:
2233:
2226:Little Portugal
2222:
2213:
2198:
2189:
2174:
2165:
2158:
2149:
2146:
2137:
2130:
2121:
2106:
2097:
2094:
2085:
2079:
2070:
2069:in 1926, Madrid
2067:Aníbal González
2063:
2054:
2035:
2026:
2019:
2010:
2003:
1994:
1988:
1979:
1973:Grace Cathedral
1969:
1844:
1837:
1826:
1817:
1811:
1802:
1792:
1783:
1776:
1767:
1764:
1755:
1744:
1735:
1722:
1697:and especially
1664:
1657:
1650:Palácio do Raio
1647:
1638:
1624:
1615:
1600:
1591:
1577:
1568:
1557:
1548:
1537:
1528:
1517:
1508:
1502:
1493:
1486:
1477:
1470:
1461:
1458:
1449:
1442:
1433:
1422:
1413:
1406:
1397:
1390:
1381:
1374:
1289:Pombaline style
1258:Antoine Watteau
1169:
1162:
1155:
1146:
1135:
1126:
1119:
1110:
1099:
1090:
1087:
1078:
1075:
1066:
1064:
1061:
1052:
1050:
1047:
999:aves e ramagens
891:
884:
881:Casa de Pilatos
874:
865:
851:
842:
835:
826:
819:
810:
805:Azulejo of the
803:
794:
791:
782:
772:
763:
756:
747:
744:
735:
724:
715:
712:Casa de Pilatos
709:
700:
689:
622:Marçal de Matos
561:
554:
548:
539:
532:
523:
512:
503:
493:
484:
470:
461:
450:
409:Casa de Pilatos
301:
296:
262:
254:Spanish history
187:subway stations
151:) is a form of
125:
116:
82:
71:
65:
62:
52:Please help to
51:
35:
31:
24:
17:
12:
11:
5:
6479:
6477:
6469:
6468:
6463:
6458:
6453:
6448:
6438:
6437:
6431:
6430:
6428:
6427:
6425:Topkapı Scroll
6422:
6415:
6410:
6405:
6400:
6395:
6390:
6389:
6388:
6383:
6373:
6368:
6363:
6358:
6350:
6348:
6342:
6341:
6339:
6338:
6331:
6324:
6316:
6314:
6310:
6309:
6307:
6306:
6301:
6296:
6291:
6280:
6275:
6264:
6259:
6248:British Museum
6244:
6239:
6232:Islamic Museum
6228:
6217:
6212:
6207:
6202:
6196:
6194:
6186:
6185:
6183:
6182:
6177:
6172:
6167:
6162:
6156:
6154:
6148:
6147:
6145:
6144:
6138:
6133:
6123:
6118:
6112:
6110:
6104:
6103:
6100:
6099:
6097:
6096:
6091:
6086:
6080:
6078:
6074:
6073:
6071:
6070:
6065:
6060:
6055:
6050:
6045:
6040:
6035:
6030:
6025:
6020:
6015:
6009:
6007:
6001:
6000:
5998:
5997:
5992:
5987:
5982:
5976:
5974:
5965:
5959:
5958:
5955:
5954:
5952:
5951:
5950:
5949:
5943:Stained glass
5941:
5936:
5931:
5926:
5921:
5916:
5914:Damascus steel
5911:
5906:
5900:
5898:
5894:
5893:
5891:
5890:
5885:
5879:
5877:
5873:
5872:
5870:
5869:
5864:
5859:
5854:
5849:
5844:
5838:
5836:
5832:
5831:
5829:
5828:
5823:
5818:
5813:
5808:
5803:
5798:
5792:
5790:
5784:
5783:
5781:
5780:
5775:
5770:
5765:
5764:
5763:
5753:
5747:
5745:
5739:
5738:
5736:
5735:
5725:
5707:
5701:
5699:
5692:
5688:
5687:
5680:
5678:
5675:
5674:
5672:
5671:
5665:
5660:
5655:
5650:
5645:
5640:
5635:
5630:
5625:
5620:
5615:
5609:
5607:
5601:
5600:
5598:
5597:
5592:
5587:
5582:
5577:
5572:
5567:
5562:
5557:
5552:
5547:
5538:
5537:
5536:
5531:
5526:
5516:
5511:
5506:
5501:
5496:
5491:
5486:
5480:
5478:
5471:
5465:
5464:
5459:
5457:
5456:
5449:
5442:
5434:
5425:
5424:
5422:
5421:
5410:
5407:
5406:
5404:
5403:
5398:
5396:Spanish garden
5393:
5388:
5383:
5378:
5373:
5368:
5363:
5358:
5353:
5348:
5343:
5338:
5336:Casa montañesa
5333:
5331:Cabaña pasiega
5328:
5323:
5318:
5313:
5308:
5303:
5298:
5293:
5288:
5283:
5278:
5273:
5267:
5265:
5261:
5260:
5258:
5257:
5252:
5243:
5238:
5233:
5228:
5223:
5218:
5213:
5208:
5203:
5198:
5193:
5188:
5183:
5178:
5173:
5168:
5163:
5157:
5155:
5153:and structures
5147:
5146:
5139:
5137:
5135:
5134:
5129:
5124:
5119:
5114:
5109:
5104:
5099:
5094:
5089:
5084:
5079:
5074:
5069:
5064:
5059:
5057:Catalan Gothic
5054:
5049:
5044:
5039:
5034:
5029:
5024:
5019:
5014:
5009:
5004:
4999:
4994:
4989:
4983:
4981:
4977:
4976:
4971:
4969:
4968:
4961:
4954:
4946:
4937:
4936:
4934:
4933:
4928:
4922:
4919:
4918:
4916:
4915:
4910:
4905:
4900:
4895:
4889:
4887:
4883:
4882:
4880:
4879:
4874:
4869:
4864:
4858:
4856:
4852:
4851:
4849:
4848:
4843:
4838:
4833:
4827:
4825:
4821:
4820:
4818:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4776:
4774:
4770:
4769:
4762:
4760:
4758:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4707:
4702:
4696:
4694:
4690:
4689:
4684:
4682:
4681:
4674:
4667:
4659:
4653:
4652:
4639:
4634:
4629:
4624:
4619:
4605:
4604:External links
4602:
4601:
4600:
4586:
4572:
4564:
4546:
4533:
4515:
4501:
4494:
4487:
4480:
4471:
4468:
4465:
4464:
4438:
4412:
4386:
4357:
4328:
4302:
4282:
4266:
4252:. 2020-09-10.
4237:
4216:
4190:
4179:
4172:
4166:. El Errante.
4152:
4130:
4105:
4080:
4050:
4023:
3997:
3970:
3963:
3943:
3936:
3909:
3888:
3875:(PDF download)
3862:
3855:
3835:
3828:
3801:
3777:
3761:
3742:
3715:
3699:
3692:
3672:
3654:
3641:
3625:
3609:
3602:
3582:
3575:
3557:
3503:
3496:
3469:
3454:
3447:
3427:
3415:
3408:
3386:
3379:
3350:
3338:
3324:(in Turkish).
3306:
3287:
3262:
3237:
3200:
3199:
3197:
3194:
3193:
3192:
3187:
3182:
3177:
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3119:
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3110:
3104:
3101:
3095:
3089:
3081:
3078:
3075:
3074:
3071:
3068:
3062:
3061:
3058:
3055:
3049:
3048:
3045:
3042:
3040:Senhor Roubado
3036:
3035:
3032:
3029:
3023:
3022:
3019:
3016:
3010:
3009:
3006:
3003:
3001:Santa Apolónia
2997:
2996:
2993:
2990:
2984:
2983:
2980:
2977:
2971:
2970:
2967:
2964:
2958:
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2954:
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2815:
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2808:
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2801:
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2760:
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2756:
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2721:
2720:
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2708:
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2701:
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2539:
2538:
2535:
2532:
2526:
2525:
2522:
2519:
2513:
2512:
2509:
2506:
2500:
2499:
2496:
2493:
2487:
2486:
2480:
2477:
2471:
2470:
2467:
2464:
2458:
2457:
2454:
2451:
2445:
2444:
2438:
2435:
2429:
2428:
2425:
2422:
2416:
2415:
2412:
2409:
2403:
2402:
2397:
2392:
2383:
2380:
2336:
2333:
2332:
2331:
2324:
2317:
2315:
2306:
2299:
2297:
2279:
2272:
2270:
2259:
2252:
2250:
2243:
2236:
2234:
2223:
2216:
2214:
2199:
2192:
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2100:
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2080:
2073:
2071:
2064:
2057:
2055:
2036:
2029:
2027:
2020:
2013:
2011:
2004:
1997:
1995:
1989:
1982:
1980:
1970:
1963:
1914:Carlos Botelho
1910:Jorge Barradas
1843:
1840:
1839:
1838:
1836:, Canada, 1892
1827:
1820:
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1805:
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1723:
1716:
1680:transfer-print
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1218:and his pupil
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766:
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691:Chapel of the
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656:paintings and
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533:
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487:
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462:
451:
444:
385:("hollow") or
319:(from Arabic:
300:
297:
295:
292:
261:
258:
191:ornamental art
189:. They are an
84:
83:
38:
36:
29:
15:
13:
10:
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6:
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2:
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6451:Wallcoverings
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5934:Ivory carving
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5399:
5397:
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5389:
5387:
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5379:
5377:
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5364:
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5339:
5337:
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5332:
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5319:
5317:
5314:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5291:Catalan vault
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5272:
5269:
5268:
5266:
5262:
5256:
5253:
5251:
5247:
5244:
5242:
5239:
5237:
5234:
5232:
5231:Indoor arenas
5229:
5227:
5224:
5222:
5219:
5217:
5214:
5212:
5209:
5207:
5204:
5202:
5199:
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5018:
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4988:
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4857:
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4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4777:
4775:
4771:
4766:
4756:
4753:
4751:
4748:
4746:
4743:
4741:
4740:Neo-Manueline
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4708:
4706:
4703:
4701:
4698:
4697:
4695:
4691:
4687:
4680:
4675:
4673:
4668:
4666:
4661:
4660:
4657:
4650:
4646:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4617:
4612:
4608:
4607:
4603:
4599:
4598:972-8387-64-4
4595:
4591:
4587:
4585:
4584:0-7892-0481-9
4581:
4577:
4573:
4571:
4570:
4565:
4563:
4562:90-295-3466-4
4559:
4555:
4551:
4547:
4545:
4544:1-84353-438-X
4541:
4537:
4534:
4532:
4531:0-19-517068-7
4528:
4524:
4520:
4517:Turner, J. –
4516:
4514:
4513:0-302-00661-3
4510:
4506:
4502:
4499:
4496:Meco, José –
4495:
4492:
4488:
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4481:
4478:
4474:
4473:
4469:
4452:
4448:
4442:
4439:
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4416:
4413:
4400:
4396:
4390:
4387:
4374:
4370:
4364:
4362:
4358:
4345:
4341:
4335:
4333:
4329:
4316:
4312:
4306:
4303:
4298:
4297:
4296:Lonely Planet
4292:
4286:
4283:
4278:
4277:
4270:
4267:
4255:
4251:
4247:
4241:
4238:
4233:
4229:
4223:
4221:
4217:
4206:on 2017-03-23
4205:
4201:
4194:
4191:
4188:
4183:
4180:
4175:
4169:
4165:
4164:
4156:
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4134:
4131:
4119:
4115:
4109:
4106:
4094:
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4064:
4060:
4054:
4051:
4038:
4034:
4027:
4024:
4011:
4007:
4001:
3998:
3985:
3981:
3974:
3971:
3966:
3964:9782821826533
3960:
3956:
3955:
3947:
3944:
3939:
3933:
3929:
3925:
3924:
3919:
3913:
3910:
3906:(in Spanish).
3905:
3904:
3898:
3892:
3889:
3886:
3880:
3873:
3866:
3863:
3858:
3856:9782821826533
3852:
3848:
3847:
3839:
3836:
3831:
3825:
3821:
3817:
3816:
3811:
3805:
3802:
3791:
3787:
3781:
3778:
3773:
3772:
3765:
3762:
3755:
3754:
3746:
3743:
3733:on 2017-04-21
3732:
3728:
3727:
3719:
3716:
3712:
3711:
3703:
3700:
3695:
3693:84-7405-096-0
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3586:
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3578:
3576:9780195189483
3572:
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3535:
3531:
3527:
3523:
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3507:
3504:
3499:
3497:9781851775989
3493:
3489:
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3458:
3455:
3450:
3448:9780300218701
3444:
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3405:
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3211:
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3178:
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3140:
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3117:
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3102:
3099:
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3067:
3064:
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3056:
3054:
3051:
3050:
3046:
3043:
3041:
3038:
3037:
3033:
3030:
3028:
3027:São Sebastião
3025:
3024:
3020:
3017:
3015:
3014:São Sebastião
3012:
3011:
3007:
3004:
3002:
2999:
2998:
2994:
2991:
2989:
2986:
2985:
2981:
2978:
2976:
2973:
2972:
2968:
2965:
2963:
2960:
2959:
2955:
2952:
2950:
2947:
2946:
2942:
2939:
2937:
2936:Restauradores
2934:
2933:
2929:
2926:
2924:
2921:
2920:
2916:
2913:
2911:
2908:
2907:
2903:
2900:
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2676:
2674:
2671:
2670:
2666:
2663:
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2657:
2653:
2650:
2648:
2647:Campo Pequeno
2645:
2644:
2640:
2637:
2635:
2632:
2631:
2627:
2624:
2622:
2619:
2618:
2614:
2611:
2609:
2608:Cais do Sodré
2606:
2605:
2601:
2598:
2596:
2593:
2592:
2588:
2585:
2583:
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2579:
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2533:
2531:
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2328:
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2316:
2313:
2309:
2303:
2298:
2294:
2290:
2289:The Ironbound
2286:
2282:
2281:Luso-American
2276:
2271:
2267:
2263:
2256:
2251:
2247:
2240:
2235:
2231:
2227:
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2196:
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2092:
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2077:
2072:
2068:
2061:
2056:
2052:
2048:
2044:
2040:
2033:
2028:
2024:
2017:
2012:
2008:
2001:
1996:
1992:
1986:
1981:
1978:
1974:
1967:
1962:
1960:
1958:
1953:
1951:
1947:
1943:
1939:
1935:
1931:
1927:
1923:
1919:
1918:Jorge Martins
1915:
1911:
1906:
1904:
1903:Eduardo Leite
1900:
1896:
1892:
1888:
1884:
1880:
1875:
1873:
1869:
1865:
1861:
1857:
1853:
1849:
1841:
1835:
1831:
1824:
1819:
1816:
1809:
1804:
1800:
1796:
1790:
1785:
1781:
1774:
1769:
1762:
1757:
1753:
1749:
1748:Buçaco Palace
1742:
1737:
1733:
1732:
1727:
1720:
1715:
1713:
1710:
1708:
1704:
1700:
1699:Luís Ferreira
1696:
1691:
1689:
1685:
1681:
1677:
1673:
1669:
1661:
1655:
1651:
1645:
1640:
1637:
1633:
1629:
1622:
1617:
1613:
1609:
1605:
1598:
1593:
1589:
1585:
1581:
1575:
1570:
1566:
1562:
1555:
1550:
1546:
1542:
1535:
1530:
1526:
1522:
1515:
1510:
1507:
1500:
1495:
1491:
1484:
1479:
1475:
1468:
1463:
1456:
1451:
1447:
1440:
1435:
1431:
1427:
1420:
1415:
1411:
1404:
1399:
1395:
1388:
1383:
1379:
1372:
1367:
1365:
1363:
1359:
1355:
1351:
1346:
1344:
1340:
1336:
1332:
1328:
1324:
1319:
1317:
1313:
1309:
1305:
1300:
1298:
1294:
1290:
1286:
1282:
1277:
1275:
1271:
1269:
1263:
1259:
1255:
1250:
1248:
1244:
1240:
1236:
1231:
1229:
1225:
1221:
1217:
1213:
1209:
1205:
1201:
1197:
1193:
1188:
1186:
1182:
1178:
1174:
1166:
1160:
1153:
1148:
1144:
1141:(1531-1690),
1140:
1133:
1128:
1124:
1117:
1112:
1109:
1105:
1104:
1097:
1092:
1085:
1080:
1073:
1068:
1059:
1054:
1045:
1040:
1038:
1035:
1031:
1030:King Peter II
1027:
1023:
1019:
1015:
1011:
1006:
1004:
1000:
995:
993:
988:
986:
982:
978:
974:
969:
967:
963:
959:
955:
951:
947:
944:(front of an
943:
939:
934:
932:
928:
924:
920:
916:
912:
906:
904:
900:
896:
888:
882:
878:
872:
867:
863:
859:
855:
849:
844:
840:
833:
828:
824:
817:
812:
808:
801:
796:
789:
784:
780:
776:
770:
765:
761:
754:
749:
742:
737:
733:
729:
722:
717:
713:
707:
702:
698:
694:
687:
682:
680:
678:
673:
671:
667:
663:
659:
655:
651:
647:
643:
639:
635:
631:
627:
623:
619:
615:
611:
607:
603:
599:
594:
592:
588:
584:
580:
576:
572:
568:
567:
558:
553:
546:
541:
537:
530:
525:
521:
517:
510:
505:
502:
498:
491:
486:
483:
479:
475:
468:
463:
459:
455:
448:
443:
441:
439:
435:
434:
429:
425:
421:
416:
414:
410:
406:
402:
398:
394:
393:
388:
384:
380:
374:
372:
368:
364:
360:
356:
352:
348:
344:
343:
330:
318:
314:
310:
306:
298:
293:
291:
288:
278:
274:
271:
267:
259:
257:
255:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
214:South America
211:
210:North America
207:
203:
198:
196:
192:
188:
184:
180:
176:
172:
168:
165:
162:
158:
154:
149:
148:
136:
131:
122:
114:
112:
103:
99:
98:
95:Panel of the
92:
88:
80:
77:
69:
66:February 2012
59:
55:
49:
48:
42:
37:
28:
27:
22:
6417:
6413:Pseudo-Kufic
6353:
6333:
6326:
6319:
6242:Kuala Lumpur
6140:
5667:
5519:Indo-Islamic
5509:Great Seljuk
5469:Architecture
5320:
5107:Neoclassical
4830:
4589:
4575:
4568:
4553:
4549:
4535:
4518:
4504:
4497:
4483:
4476:
4455:. Retrieved
4450:
4441:
4429:. Retrieved
4424:
4415:
4403:. Retrieved
4398:
4389:
4377:. Retrieved
4372:
4348:. Retrieved
4343:
4319:. Retrieved
4314:
4305:
4294:
4285:
4275:
4269:
4258:. Retrieved
4249:
4240:
4231:
4208:. Retrieved
4204:the original
4193:
4182:
4162:
4155:
4146:
4133:
4121:. Retrieved
4117:
4108:
4096:. Retrieved
4092:
4083:
4071:. Retrieved
4067:the original
4062:
4053:
4041:. Retrieved
4036:
4026:
4014:. Retrieved
4000:
3988:. Retrieved
3983:
3973:
3953:
3946:
3922:
3912:
3900:
3891:
3878:
3865:
3845:
3838:
3814:
3804:
3793:. Retrieved
3789:
3780:
3770:
3764:
3752:
3745:
3735:, retrieved
3731:the original
3725:
3718:
3709:
3702:
3682:
3675:
3666:
3657:
3649:
3644:
3635:
3628:
3619:
3612:
3592:
3585:
3566:
3560:
3517:
3513:
3506:
3487:
3463:
3457:
3437:
3430:
3422:
3418:
3399:
3389:
3369:
3345:
3341:
3330:. Retrieved
3321:Gazete Duvar
3319:
3309:
3300:
3295:
3290:
3279:. Retrieved
3275:
3265:
3253:. Retrieved
3249:
3240:
3228:. Retrieved
3224:the original
3213:
3204:
3152:
3147:
3141:
3137:black market
3133:street fairs
3126:
2806:Martim Moniz
2712:Entre Campos
2634:Campo Grande
2621:Campo Grande
2569:Baixa-Chiado
2556:Baixa-Chiado
2483:Graça Morais
2475:Amadora Este
2399:
2394:
2389:
2353:
2341:Lisbon Metro
2338:
2335:Lisbon Metro
2186:Jorge Colaço
1954:
1945:
1941:
1907:
1895:Mário Branco
1890:
1887:Jorge Colaço
1876:
1871:
1845:
1842:20th century
1797:, ca. 1824,
1746:Azulejos at
1731:trompe-l'œil
1729:
1711:
1707:trompe-l'œil
1702:
1692:
1683:
1675:
1665:
1662:19th century
1347:
1338:
1326:
1323:Neoclassical
1320:
1301:
1296:
1284:
1278:
1265:
1251:
1238:
1234:
1232:
1198:and his son
1189:
1180:
1172:
1170:
1167:18th century
1106:, ca. 1600,
1101:
1033:
1007:
998:
996:
989:
980:
970:
937:
935:
918:
907:
894:
892:
889:17th century
876:
853:
676:
674:
669:
661:
641:
637:
633:
625:
610:Jan Bogaerts
598:Annunciation
597:
595:
574:
564:
562:
559:16th century
518:, ca. 1420,
515:
514:(Christian)
499:(ca. 1410),
495:(Christian)
473:
453:
437:
433:horror vacui
431:
427:
417:
396:
390:
386:
382:
375:
340:
316:
312:
302:
272:
265:
263:
237:
208:colonies in
199:
170:
108:
107:
102:Jorge Colaço
94:
87:
72:
63:
44:
6345:Principles,
6313:Exhibitions
6266:Marrakech (
6262:Los Angeles
6230:Jerusalem (
6192:collections
6143:Calligraphy
6023:Indo-Muslim
6005:Calligraphy
5939:Mosque lamp
5897:Other media
5816:Mina'i ware
5705:Bangladeshi
5461:Islamic art
5216:Royal sites
5211:Monasteries
5201:Lighthouses
5161:Roman sites
5132:Neo-Mudéjar
5127:Noucentisme
5082:Renaissance
5077:Plateresque
5032:Repoblación
5002:Celtiberian
4745:Neo-Mudéjar
4715:Renaissance
4457:9 September
4114:"Monumento"
4059:"Refectory"
3543:10174/13806
3304:dictionary.
2751:Laranjeiras
2441:Ana Vidigal
2360:Júlio Pomar
2356:Sá Nogueira
2164:, Valencia.
2039:Aljubarrota
2025:, Barcelona
1971:Inside the
1922:Sá Nogueira
1866:factory in
1848:Art Nouveau
1754:, Portugal.
1584:Mexico City
1448:, ca. 1755.
1432:, Portugal.
1412:, Portugal.
1396:, Portugal.
1316:Mexico City
1243:halberdiers
1143:Puebla City
936:The use of
650:Renaissance
628:(1565), in
618:Vila Viçosa
405:Renaissance
403:or Italian
392:cuerda seca
218:Philippines
133:; from the
117:Portuguese:
58:introducing
6440:Categories
6419:Stilfragen
6347:influences
6219:Istanbul (
6152:The garden
6108:Decoration
6077:Other arts
5972:Miniatures
5857:Embroidery
5811:Lustreware
5670:Decoration
5633:Mashrabiya
5541:Indonesian
5316:Artesonado
5271:Architects
5250:structures
5191:Cathedrals
5117:Modernisme
5062:Isabelline
5047:Romanesque
5012:Visigothic
4987:Megalithic
4893:Architects
4795:Cathedrals
4773:Structures
4700:Romanesque
4260:2021-11-16
4210:2017-03-22
3937:9972623440
3829:9972623440
3795:2022-10-06
3790:MET Museum
3737:2018-04-06
3380:208010876X
3332:2021-11-16
3281:2021-11-16
3276:Wallpaper*
3196:References
3080:Traditions
2725:Intendente
2595:Cabo Ruivo
2582:Bela Vista
2491:Ameixoeira
2433:Alfornelos
2345:Maria Keil
2262:Long Beach
2118:East Timor
2084:, of 1928.
1991:Park Güell
1946:Intendente
1934:Maria Keil
1930:Paula Rego
1872:Zé Povinho
1834:St. John's
1656:, Portugal
1527:, Portugal
1476:, Portugal
1380:, Portugal
1264:) and the
1204:Master PMP
1187:elements.
981:albarradas
942:antependia
856:tile with
732:Valladolid
658:engravings
624:, to whom
614:Paço Ducal
538:, Portugal
516:Alfardones
472:(Moorish)
452:(Moorish)
317:alicatados
250:Portuguese
230:East Timor
202:Portuguese
197:in homes.
161:tin-glazed
153:Portuguese
41:references
6381:Grotesque
6294:Singapore
6278:Melbourne
6116:Arabesque
5545:Malaysian
5306:Alhóndiga
5221:Windmills
5171:Alcazabas
5151:Buildings
5092:Herrerian
5027:Mozarabic
4898:Monuments
4805:Hospitals
4735:Pombaline
4710:Manueline
4431:23 August
4405:23 August
4379:23 August
4350:23 August
4321:16 August
4037:Infopédia
3990:4 January
3984:eGov UFSC
3552:0305-4403
3520:: 21–28.
3148:tile bank
3129:vandalism
3115:(Mexican)
3109:(Mexican)
3100:(Spanish)
3094:(Spanish)
3088:(Spanish)
3053:Telheiras
2819:Moscavide
2310:tile, in
2043:Castilian
1832:cargo in
1830:Port wine
1688:creamware
1614:, Mexico.
1022:Amsterdam
994:, Peru.)
860:, at the
841:, Lisbon.
677:checkered
654:Mannerist
591:grotesque
587:Mannerism
583:the Bible
474:Alicatado
460:, Granada
454:Alicatado
287:al-zillīj
264:The word
260:Etymology
236:(China).
224:(India),
6386:Moresque
6246:London (
6190:Museums,
6175:Paradise
6160:Charbagh
6141:See also
6043:Nastaliq
6033:Muhaqqaq
5964:the book
5876:Woodwork
5835:Textiles
5796:Fritware
5668:See also
5653:Muqarnas
5648:Mocárabe
5605:Elements
5419:Category
5366:Hacienda
5361:Estipite
5311:Alqueria
5241:Stadiums
5226:Airports
5166:Alcázars
5072:Cisneros
5022:Andalusi
5017:Asturian
4926:Category
4855:Colonial
4846:Pavement
4824:Elements
4780:Airports
4645:Archived
4616:Azulejos
4254:Archived
3920:(2006).
3812:(2006).
3326:Archived
3296:laggione
3158:See also
3135:and the
2988:Saldanha
2975:Saldanha
2884:Pontinha
2462:Alvalade
2232:, Canada
2230:Montreal
2051:Portugal
2045:armies,
1977:São Tomé
1950:tile art
1891:azulejos
1879:Art Deco
1864:ceramics
1801:, Mexico
1752:Mealhada
1690:blanks.
1684:azulejos
1676:azulejos
1492:, Lisbon
1354:Maranhão
1350:São Luís
1308:Talavera
1285:azulejos
1239:azulejos
1181:azulejos
1145:, Mexico
1034:azulejos
964:and the
938:azulejos
911:garlands
781:, Spain.
779:Valencia
762:, Spain.
734:, Spain.
589:and the
566:maiolica
478:Alhambra
438:azulejos
420:Manuel I
413:Americas
355:Alhambra
313:azulejos
270:Ligurian
238:Azulejos
183:railways
175:churches
171:Azulejos
167:tilework
159:painted
126:Spanish:
6446:Azulejo
6403:Mudéjar
6304:Tripoli
6282:Paris (
6252:V&A
6180:Persian
6170:Ottoman
6084:Muraqqa
6063:Thuluth
6048:Persian
5995:Persian
5990:Ottoman
5962:Arts of
5947:Shabaka
5821:Persian
5788:Pottery
5773:Turkish
5768:Persian
5743:Carpets
5732:Ottoman
5728:Turkish
5722:Safavid
5710:Persian
5643:Minaret
5618:Banna'i
5590:Umayyad
5585:Timurid
5575:Swahili
5565:Ottoman
5560:Moorish
5550:Iranian
5524:Bengali
5504:Fatimid
5499:Chinese
5489:Ayyubid
5484:Abbasid
5401:Yeseria
5381:Palloza
5376:Mirador
5351:Cortijo
5326:Baserri
5321:Azulejo
5236:Museums
5206:Llotjes
5196:Hórreos
5186:Castros
5181:Castles
5097:Baroque
5037:Mudéjar
4992:Iberian
4908:IGESPAR
4903:Housing
4872:Sobrado
4836:Gilding
4831:Azulejo
4790:Castles
4785:Bridges
4725:Baroque
4491:Azulejo
4470:Sources
4399:Público
4373:Público
4344:Público
4123:8 April
4098:8 April
4073:8 April
4043:8 April
4016:8 April
3522:Bibcode
3298:on the
3255:8 April
3230:8 April
3044:Yellow
2992:Yellow
2927:Yellow
2914:Yellow
2875:Yellow
2845:Oriente
2832:Olivais
2787:, 1995
2781:Yellow
2768:Yellow
2716:Yellow
2690:Yellow
2660:Carnide
2651:Yellow
2625:Yellow
2543:Avenida
2530:Arroios
2517:Areeiro
2495:Yellow
2485:, 2004
2443:, 2004
2420:Alameda
2407:Alameda
2390:Station
2312:Alginet
2308:Manises
2134:Covilhã
1942:azulejo
1547:, Spain
1474:Vouzela
1297:azulejo
1272:in the
1230:style.
1228:Joanine
1185:Baroque
1161:, Peru.
1026:Benfica
973:friezes
931:Coimbra
923:friezes
642:azulejo
612:in the
606:Antwerp
575:in situ
522:, Spain
520:Manises
501:Córdoba
482:Granada
476:in the
379:Seville
371:Morocco
359:Granada
337:
305:Seville
294:History
273:laggion
266:azulejo
206:Spanish
179:palaces
164:ceramic
157:Spanish
111:Azulejo
54:improve
6461:Tiling
6288:Louvre
6268:Museum
6215:Ghazni
6200:Berlin
6165:Mughal
6136:Zellij
6068:Tughra
6018:Diwani
6013:Arabic
5985:Mughal
5980:Arabic
5888:Minbar
5883:Khatam
5867:Suzani
5862:Soumak
5847:Damask
5778:Prayer
5761:Motifs
5658:Sitara
5638:Mihrab
5595:Yemeni
5555:Mamluk
5534:Mughal
5112:Rococo
5087:Purism
5052:Gothic
4997:Celtic
4980:Styles
4886:Others
4730:Rococo
4705:Gothic
4693:Styles
4596:
4582:
4560:
4542:
4529:
4511:
4170:
3961:
3934:
3853:
3826:
3690:
3600:
3573:
3550:
3494:
3445:
3406:
3377:
3164:Zellij
3057:Green
2966:Green
2962:Rossio
2953:Green
2871:Picoas
2858:Parque
2810:Green
2764:Lumiar
2729:Green
2673:Chelas
2638:Green
2612:Green
2573:Green
2534:Green
2521:Green
2508:Green
2466:Green
2411:Green
2382:Pieces
2370:, and
2293:Newark
2246:Bissau
2114:Ermera
2047:Lisbon
1799:Puebla
1726:Lisbon
1636:Lisbon
1588:Mexico
1565:Brazil
1545:Gandia
1525:Tavira
1430:Nazaré
1362:UNESCO
1304:Mexico
1262:Lisbon
1254:Rococo
1224:João V
1202:; the
1125:, Peru
954:chintz
950:calico
915:Christ
877:Cuenca
854:Cuenca
428:cuenca
401:Gothic
397:zellij
387:arista
383:cuenca
342:zellij
329:qata'a
321:ﻗَﻄَﻊَ
281:الزليج
277:Arabic
232:, and
216:, the
147:zillīj
139:الزليج
135:Arabic
104:, 1922
43:, but
6205:Cairo
6130:tiles
6126:Girih
6089:Hilya
6058:Taliq
6038:Naskh
6028:Kufic
5924:Glass
5909:Brass
5904:Music
5842:Batik
5806:Iznik
5756:Kilim
5718:Qajar
5714:Early
5613:Ablaq
5580:Tatar
5514:Hausa
5371:Masia
5356:Finca
5264:Other
5007:Roman
4720:Plain
4143:(PDF)
3757:(pdf)
3070:Blue
3018:Blue
3005:Blue
2940:Blue
2901:Blue
2888:Blue
2862:Blue
2797:Blue
2785:Menez
2755:Blue
2742:Blue
2703:Blue
2664:Blue
2560:Blue
2547:Blue
2504:Anjos
2479:Blue
2453:Blue
2437:Blue
2327:Porto
2287:, in
2206:India
2182:Porto
2162:Chiva
1926:Menez
1815:Macau
1750:, in
1672:Porto
1654:Braga
1352:, in
1003:Hindu
977:putti
946:altar
927:Évora
697:Pisan
602:Évora
234:Macau
6221:Arts
6210:Doha
6053:Sini
5852:Ikat
5691:Arts
5628:Jali
5623:Iwan
5391:Real
5386:Pazo
5248:and
4841:Lioz
4594:ISBN
4580:ISBN
4558:ISBN
4540:ISBN
4527:ISBN
4509:ISBN
4459:2017
4433:2017
4407:2017
4381:2017
4352:2017
4323:2017
4168:ISBN
4125:2020
4100:2020
4075:2020
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