361:
486:
416:” (black people of Buenos Aires) to perform candombe in public, even encouraged and visited by Rosas and his daughter, Manuela. Rosas was defeated at the battle of Caseros in 1852, and Buenos Aires began a profound and rapid cultural shift which saw a bigger emphasis on European culture. In this context, afroporteños replicated their ancestral cultural patterns increasingly into their private life. For this reason, onwards from 1862, the press, intellectuals and politicians began to assert the misconception of Afro-Argentine disappearance that has remained in the imagination of ordinary people from Argentina.
556:
695:”. The Argentine Candombe is a vocal-instrumental practice, all the same to be played sitting or street parade. There is a large repertoire of songs in African languages archaic, in Spanish or in a combination of both. They are usually structured in the form of dialogue and are interpreted solo, responsorial, antiphonal or in group. Although singing is usually a feminine practice, men may be involved. Where there is more than one voice, they are always in unison.
449:
704:
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348:
380:, Anziqua, Nyong, Quang and others, mainly by Portuguese slave traders. The same cultural carriers of candombe colonized Brazil (especially in the area of Salvador de Bahia), Cuba, and the Río de la Plata with its capital Buenos Aires and Montevideo. The different histories and experiences in these regions branched out from the common origin, giving rise to different rhythms.
798:, members of the comparsa often wear costumes that reflect the music's historical roots in the slave trade, such as sun hats and black face-paint. The monetary prizes are modest; more important aspects include enjoyment, the fostering of a sense of pride and the winning of respect from peers. Intense performances can cause damage to red blood cells, which manifests as
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38:
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Recently, due to a change in strategy by the Afro-Argentines to move from concealment to visibility, there are increased efforts to perform it in public places, onstage and in street parades. Among the groups who play
Afroargentine Candombe are: “Tambores del Litoral” (union of “Balikumba” from Santa
493:
Lately, some artists have incorporated this genre to their compositions, and have also created groups and NGOs of Afro-descendants, as the
Misibamba Association, Afro-Argentines of Buenos Aires Community. However, it is important to note that the Uruguayan Candombe is the most practiced in Argentina,
627:
at a minimum needs three drummers, one on each part. A full cuerda will have 50–100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be piano-chico-repique-chico-piano, with the row behind having repique-chico-piano-chico-repique and
497:
While the
Argentine variety had less local diffusion (compared with the diffusion that occurred in Uruguay), mainly by the decrease of population of black African origin, its mixing with white immigrants and the prohibition of the carnival during the last dictatorship. The Afroargentine Candombe is
431:
Initially, the practice of
Candombe was practiced exclusively by black people, who had designed special places called “Tangós”. This word originated sometime in the 19th century the word "Tango", but at that time not yet with its present meaning. Today, candombe is still practiced by Afro-Argentine
687:
The first type are hung with a strap on the shoulder and are played in a street parade. The latter are higher than those, and played for granted. Both types of drums, are played only with both hands. Sometimes others drums are played: the "macú" and the "sopipa". Both are made from hollowed tree
683:
The Afro-Argentine
Candombe is played with two types of drums, played exclusively by men. Those drums are: “llamador” (also called "base", "tumba", "quinto" or "tumba base"), and "repicador" (also called "contestador", "repiqueteador" or "requinto"). The first is a bass drum, and the second is a
494:
both due to immigration from
Uruguay and to the seductiveness of the rhythm that captivates the Argentines. For this reason they learn the music, dance and characters and recreate something similar. Uruguayan Candombe is played much in the neighborhoods of San Telmo, Montserrat and La Boca.
1195:
From the dream of a
European Argentina, to the reality of American Argentina: the assumption of African ethno-cultural component and its (our) musical heritage/ Del sueño de la Argentina blancaeuropea a la realidad de la Argentina americana: la asunción del componente étnico-cultural afro y su
662:
Among the most important and traditional
Montevidean rhythms are: Cuareim, Ansina and Cordon. There are several master drummers who have kept Candombe alive uninterrupted for two hundred years. Some of highlights are: in Ansina school: Wáshington Ocampo, Héctor Suárez, Pedro "Perico" Gularte,
292:
African-Uruguayans organized candombe dances every Sunday and on special holidays such as New Year's Eve, Christmas, Saint
Baltasar, Rosary Virgin and Saint Benito. They would set a fire to heat the drums and play candombe music, especially during the night in certain neighborhoods such as
502:
Fe, and “Candombes del
Litoral” from Parana, Entre Ríos), “Bakongo” (these, have their own web page), the “Comparsa Negros Argentinos” and "Grupo Bum Ke Bum (both from Asociación Misibamba). The latter two are in Gran Buenos Aires (Buenos Aires City and its surroundings).
575:, the candombe is a source of pride and a symbol of the identity of communities of African descent in Montevideo, embraced by younger generations and favouring group cohesion, while expressing the communities’ needs and feelings with regard to their ancestors.
130:
289:. Following this new twist, other Uruguayans began to imitate the steps and movements. Calling themselves Los Negros, upper class porteños in the 1860s and 1870s performed blackface and formed one of the carnival processions each year.
304:
The typical characters on the parade represent the old white masters during slavery in old Montevideo city. It was a mockery to their lifestyle with a rebel spirit for freedom and a way to remember the African origins.
419:
Many researchers agree that the Candombe, through the development of the Milonga, is an essential component in the genesis of Argentine tango. This musical rhythm influenced, especially the "Sureña Milonga". In fact,
3095:
343:
danced milonga, not rural gauchos. Thompson notes that the population of city toughs dancing milonga would have included blacks and mulattoes, and that it would not have been danced as a mockery by all the dancers.
663:
Eduardo "Cacho" Giménez, Julio Giménez, Raúl "Pocho" Magariños, Rubén Quirós, Alfredo Ferreira, "Tito" Gradín, Raúl "Maga" Magariños, Luis "Mocambo" Quirós, Fernando "Hurón" Silva, Eduardo "Malumba" Gimenez,
150:
778:
Candombe is performed regularly in the streets of old Montevideo's south neighbourhood in January and February, during Uruguay's Carnival period, and also in the rest of the country. All the
2619:
688:
trunk, the first is performed lying on the floor, as it is the largest and deepest drum; and the "Sopipa" which is small and acute, is played hung on the shoulder or held between the knees.
383:
The African influence was not foreign to Argentina, where the candombe also has been developed with specific characteristics. A population of black African slaves had been present in
631:
Tamboriles are made of wood with animal skins that are rope-tuned or fire-tuned minutes before the performance. They are worn at the waist with the aid of a shoulder strap called a
2612:
514:. The origin of this genre was largely said to be the work of Eduardo Mateo, a Uruguayan singer, songwriter and musician together with other musicians such as
1214:
335:
of the city, who have created it as a mockery of the dances the blacks hold in their own places". Lynch's report was interpreted by Robert Farris Thompson in
392:
360:
1449:
1151:
2628:
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183:
98:
1412:
572:
308:
In 1913, an anonymous dance historian identified only as "Viejo Tanguero" ("Old Tangoer") wrote about the 1877 creation of a dance referred to as a
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Among the idiophones that always accompany the drums are the "taba" and "mazacalla", being able to add: the "quijada", the "quisanche", and the "
485:
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1003:
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240:
This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during
1255:
1135:
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word meaning "pertaining to blacks," and was originally used in Buenos Aires to refer to dancing societies formed by members of the
510:
In the late 1960s and early 1970s candombe was mixed with elements from 60s pop music and bossa nova to create a new genre called
1833:
1094:
891:
472:
fused multiple African dance traditions into a complex choreography. Movements are energetic, and steps are improvised to suit.
468:
and their descendants. It came to refer to the dance style in general, and the term was adopted in Uruguay as well. In Uruguay,
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3085:
1442:
2579:
222:
993:
966:
939:
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376:, where it was taken to South America during the 17th and 18th centuries by people who had been sold as slaves in the
1384:
1083:"Los negros y negras en la Argentina: entre la barbarie, la exotización, la invisibilización y el racismo de Estado"
489:
Afro-Argentine Candombe drummers at a party of the Association Misibamba -Afro-Argentines Community of Buenos Aires.
2800:
1218:
684:
sharp drum. There are two models of each of the drums: one made in hollowed trunk, and the other made with staves.
498:
only played by the Afro-Argentines in the privacy of their homes, mainly located in the outskirts of Buenos Aires.
3100:
2078:
1435:
270:
2586:
214:
2400:
1688:
555:
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1271:
Tobal D, Olascoaga A, Moreira G, Kurdian M, Sanchez F, Rosello M, Alallon W, Martinez FG, Noboa O (2008).
294:
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2597:
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623:(very large, very low timbre, accent on the fourth beat), was once common but is now declining in use. A
3020:
2805:
2493:
1668:
1367:
Músicas populares : Aproximaciones teóricas, metodológicas y analíticas en la musicología argentina
965:
Nouzeilles, Gabriela; Montaldo, Graciela; Montaldo, Graciela R.; Kirk, Robin; Starn, Orin (2002-12-25).
760:: the Herb doctor. an ancient black man, dressed in top hat and frock coat, carrying a bag of herbs.
2670:
2063:
1640:
1597:
841:
799:
588:
531:
409:
171:
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747:, and several stock characters, each with their own specific dances. The stock characters include:
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and candombe form a musical triptych from the same African roots, but with different developments.
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266:
210:
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241:
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2005:
1991:
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2715:
2483:
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2013:
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1818:
1753:
1718:
1713:
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1292:
1284:
821:
782:, of which there are 80 or 90 in existence, participate in a massive Carnival parade called
465:
377:
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1252:
316:. This dance, which later became known as "soft tango," was created by African Argentines.
2750:
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2457:
2445:
2430:
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2241:
2221:
2191:
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2139:
2093:
2048:
1981:
1961:
1956:
1933:
1500:
1388:
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425:
328:
327:("tough guys") who apparently frequented Afro-Argentine dance venues. Lynch wrote, "the
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3000:
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2018:
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are experimenting with fusing candombe with classical genres, jazz, blues and milonga.
515:
402:
397:
1417:
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2201:
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2073:
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1523:
1152:"Corrientes celebra a San Baltasar, el santo popular que hermana diferentes culturas"
866:
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771:
527:
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51:
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2216:
1427:
1082:
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1966:
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234:
206:
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273:, after the middle of the 19th century younger black people began to abandon the
22:
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2900:
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2835:
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1976:
1948:
1880:
1875:
1823:
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1548:
1480:
1273:"Rust Urine after Intense Hand Drumming Is Caused by Extracorpuscular Hemolysis"
547:
421:
282:
226:
347:
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2558:
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2053:
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1708:
1678:
1650:
1543:
856:
519:
218:
1378:
Afrodescendencia. Aproximaciones contemporáneas de América Latina y el Caribe
1327:
Race versus Class Association: The Afro-Argentines of Buenos Aires, 1800–1900
1253:
Candombe's repique/Luis Jure University School of Music , Montevideo Uruguay.
1239:
1102:
364:
Afro-Argentines playing Candombe Porteño near a bonfire in St. John's night (
3030:
2885:
2845:
2322:
2156:
2109:
2068:
1986:
1795:
1785:
1763:
1683:
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1607:
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611:, largest size, its function similar to that of the upright or electric bass
194:
3060:
2745:
2533:
2513:
2452:
2236:
1306:
650:(in 3–2 form). It is played on the side of the drum, a procedure known as "
1381:
675:
2965:
2695:
2650:
2266:
2246:
2231:
2211:
2166:
1971:
1895:
1885:
1848:
1808:
1770:
1612:
1573:
1538:
1533:
1495:
1485:
1288:
692:
198:
733:(composed of blackened white people, traditionally with burnt corks) or
563:
37:
2940:
2935:
2930:
2925:
2895:
2690:
2665:
2523:
2503:
1870:
1843:
1775:
1748:
1475:
461:
286:
167:
110:
1326:
559:
Colonia del Sacramento art representing candombe characters in Uruguay
3040:
2960:
2905:
2890:
2815:
2785:
2780:
2765:
2337:
2196:
2151:
2124:
1902:
1890:
1858:
1490:
1369:. Córdoba: Universidad Nacional de Córdoba, pages 81–134 and 249–277.
1029:"The return of "exiled" Candombe/ El regreso del Candombe desterrado"
744:
373:
202:
175:
120:
679:
Tambores del Litoral—a group of Afro-litoraleño Argentine Candombe.
391:
with an increasingly white population (as Argentina received up to
184:
Representative List of the Intangible Cultural Heritage of Humanity
2980:
2910:
2880:
2875:
2865:
2855:
2810:
2790:
2775:
2760:
2755:
2528:
2508:
2380:
2317:
2312:
2161:
1938:
1923:
1580:
1505:
846:
790:("calls") and vie with each other in official competitions in the
702:
674:
562:
554:
546:
484:
447:
359:
346:
278:
233:
retains its religious character and can be found in the states of
770:
and graceful dancer, who performs extraordinary feats and of
2770:
2680:
2655:
2543:
605:, medium, embellishes candombe's rhythm with improvised phrases
176:
United Nations Educational, Scientific and Cultural Organization
61:
2601:
1431:
1130:(in Spanish). Buenos Aires: Ediciones de la Flor. p. 196.
1330:. Journal of Latin American Studies, May 1979, Vol. 11, No. 1.
1060:(in Spanish). Buenos Aires: Ediciones de la Flor. p. 41.
892:"Candombe and Its Socio-Cultural Space: A Community Practice"
719:
dancers (oil on canvas 75×105 cm) Costantini Collection.
3096:
Masterpieces of the Oral and Intangible Heritage of Humanity
1128:
Los afroargentinos de Buenos Aires. Aquí mismo y hace tiempo
1058:
Los afroargentinos de Buenos Aires. Aquí mismo y hace tiempo
592:, have specific names according to their size and function:
221:. In Paraguay, this tradition continues in Camba Cuá and in
91:
Candombe and its socio-cultural space: a community practice
1403:
Candombe (Dutch/English/French/Italian/Portuguese/Spanish)
1402:
1407:
401:
policies) led to the progressive invisibilization of the
323:
described the influence of Afro-Argentine dancers on the
599:, small, high timbre, serving as the rhythmic pendulum
1277:
Clinical Journal of the American Society of Nephrology
667:, Daniel Gradín, Sergio Ortuño y José Luis Giménez.
2567:
2476:
2413:
2336:
2182:
2102:
2004:
1947:
1911:
1832:
1794:
1734:
1701:
1659:
1621:
1514:
1466:
1363:
Ausente con aviso. ¿Qué es la música afroargentina?
277:in favor of practicing European dances such as the
149:
141:
136:
126:
116:
106:
90:
67:
57:
47:
30:
395:) and structural racism (such as state-sponsored
166:is a style of music and dance that originated in
1374:Hacia una definición de la cultura afroargentina
1365:. In Federico Sammartino y Héctor Rubio (Eds.),
968:The Argentina Reader: History, Culture, Politics
372:The seeds of candombe originated in present-day
2629:UNESCO Oral and Intangible Heritage of Humanity
567:Painting of a crowd participating in a candombe
432:and non-black populations across Argentina. In
408:In Buenos Aires, during the two governments of
42:Painting of a crowd participating in a candombe
351:Comparsa on Candombe Day in Montevideo Uruguay
319:Writing in 1883, dance scholar and folklorist
2613:
1443:
582:is performed by a group of drummers called a
436:, candombe is part of the religious feast of
8:
2587:Hispanic-influenced music in the Philippines
1413:Candombe and tango dinner show at Montevideo
739:(composed of black people), constitutes the
440:, a folk patron saint for Black Argentines.
924:
922:
2620:
2606:
2598:
2333:
1944:
1656:
1450:
1436:
1428:
941:Tango And The Political Economy Of Passion
766:: the Broomsman, He has to be an expert
36:
27:
1333:Collier, Cooper, Azzi and Martin (1995).
1296:
1240:"Raspa, pega y enciende - Brecha digital"
1337:. Thames and Hudson, Ltd. pages 44, 45.
639:and played with one stick and one hand.
573:UNESCO Intangible Cultural Heritage List
571:Inscribed in 2009 on the Representative
1382:http://www.cinu.mx/AFRODESCENDENCIA.pdf
883:
87:
1335:Tango! The Dance, the Song, the Story
743:, a group of female dancers known as
16:Style of music and dance from Uruguay
7:
1423:Uruguay gets a Female Beat (English)
1418:Al rescate del candombe afroporteño
896:UNESCO Intangible Cultural Heritage
205:. In Argentina, it can be found in
170:among the descendants of liberated
99:UNESCO Intangible Cultural Heritage
518:. This style was later adopted by
271:black communities in Latin America
14:
3059:
1347:Thompson, Robert Farris (2005).
1215:"Mateo Alone Licks Himself Well"
1081:Ocoró Luango, Anny (July 2010).
992:Thompson, Robert Farris (2006).
938:Savigliano, Marta (2018-02-06).
928:Collier et al., 1995. pp. 44–45.
538:Instruments and musical features
727:group, collectively known as a
131:Latin America and the Caribbean
1372:Cirio, Norberto Pablo (2011).
1361:Cirio, Norberto Pablo (2008).
995:Tango: The Art History of Love
699:Uruguayan Candombe performance
654:" (literally, "making wood").
586:. The barrel-shaped drums, or
526:. Contemporary musicians like
250:desfile inaugural del carnaval
1:
1349:Tango The Art History of Love
1324:Andrews, George Reid (1919).
1196:(nuestro) patrimonio musical.
1158:(in Spanish). 6 February 2022
393:6 million European immigrants
312:but featuring ideas from the
1380:. México: ONU, pages 23–32.
1018:Thompson, 2006, pp. 129–130.
802:immediately after drumming.
615:An even larger drum, called
522:and also heavily influenced
387:since around 1580. However,
2706:Bumba-meu-boi from Maranhão
2646:Albanian folk iso-polyphony
1185:Collier et al, 1995. p. 43.
774:and balance with his broom.
452:Candombe Montevideo Uruguay
3117:
1176:Thompson, 2005. pp. 96–97.
1087:La manzana de la discordia
20:
3057:
2636:
971:. Duke University Press.
642:A key rhythmic figure in
551:Candombe drums in Uruguay
95:
72:
35:
2801:Georgian vocal polyphony
658:Master candombe drummers
244:at dance parades called
21:Not to be confused with
628:so on to the last row.
237:and Rio Grande do Sul.
3091:Afro-Argentine culture
3086:Afro-Uruguayan culture
720:
680:
568:
560:
552:
490:
453:
369:
352:
337:Tango: The Art of Love
331:is danced only by the
242:carnival in Montevideo
3021:The Song of the Sibyl
1095:Universidad del Valle
706:
678:
566:
558:
550:
488:
451:
412:, it was common for “
363:
350:
339:as meaning that city
2671:Ashiqs of Azerbaijan
1458:Music genres in the
1289:10.2215/cjn.04491007
1124:Reid Andrews, George
1054:Reid Andrews, George
916:Andrews, 1979, p. 32
842:Culture of Argentina
410:Juan Manuel de Rosas
189:To a lesser extent,
2421:Afro-Peruvian music
1744:Afro-Peruvian music
434:Corrientes Province
267:George Reid Andrews
223:Fernando de la Mora
178:(UNESCO) inscribed
137:Inscription history
58:Typical instruments
2327:Charanga-vallenata
1759:Son de los Diablos
1387:2016-08-18 at the
1351:. Pantheon Books.
1258:2011-09-29 at the
1201:2011-07-06 at the
837:Music of Argentina
827:Culture of Uruguay
800:rust-colored urine
721:
681:
671:Argentine Candombe
569:
561:
553:
543:Uruguayan candombe
491:
454:
370:
353:
145:2009 (4th session)
3068:
3067:
2716:Dainichido Bugaku
2595:
2594:
2409:
2408:
2000:
1999:
1697:
1696:
1357:978-0-375-40931-8
1343:978-0-500-01671-8
1005:978-1-4000-9579-7
998:. Vintage Books.
978:978-0-8223-2914-5
951:978-0-429-96555-5
754:: the Old Mother.
532:Miguel del Aguila
366:noche de San Juan
269:, a historian of
159:
158:
86:
85:
3108:
3101:Music of Uruguay
3063:
2996:Slovácko Verbuňk
2866:Khorasan Bakhshi
2731:Cante Alentejano
2622:
2615:
2608:
2599:
2489:Canción melódica
2334:
2103:Traditional folk
1945:
1736:Peruvian coastal
1719:Paraguayan polka
1657:
1452:
1445:
1438:
1429:
1311:
1310:
1300:
1283:(4): 1022–1027.
1268:
1262:
1250:
1244:
1243:
1236:
1230:
1229:
1227:
1226:
1217:. Archived from
1211:
1205:
1192:
1186:
1183:
1177:
1174:
1168:
1167:
1165:
1163:
1148:
1142:
1141:
1120:
1114:
1113:
1111:
1109:
1078:
1072:
1071:
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1031:. Archived from
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822:Music of Uruguay
794:theatre. During
792:Teatro de Verano
466:African diaspora
378:kingdom of Kongo
193:is practiced in
88:
48:Cultural origins
40:
28:
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2931:Ojkanje singing
2831:Jongmyo Jereyak
2751:Cremona violins
2736:Cantonese opera
2711:Byzantine music
2676:Azerbaijani tar
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2446:Afro-Cuban jazz
2431:Bomba del Chota
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2178:
2098:
1996:
1992:Orquesta típica
1982:Uruguayan tango
1957:Argentine tango
1943:
1907:
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1408:candombe.com.uy
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1389:Wayback Machine
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301:in Montevideo.
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174:. In 2009, the
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3001:Song of Sana'a
2998:
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2741:Cantu a tenore
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398:blanqueamiento
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2115:Gaita zuliana
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1912:Southern Cone
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1819:Nueva canción
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1559:Flamenco jazz
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1547:
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1537:
1535:
1532:
1530:
1527:
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1524:Catalan rumba
1522:
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1516:Spaniard folk
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1460:Hispanosphere
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1221:on 2015-04-29
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1067:950-515-332-5
1063:
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1049:
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1035:on 2008-03-20
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947:
944:. Routledge.
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923:
919:
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910:
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893:
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877:
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867:Tina Ferreira
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578:The music of
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533:
529:
528:Diego Janssen
525:
524:Jorge Drexler
521:
517:
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512:candombe beat
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460:comes from a
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265:According to
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79:candombe jazz
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76:Candombe beat
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71:
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52:Bantu peoples
50:
46:
39:
34:
29:
24:
19:
3051:Xoan singing
3041:Wayang kulit
2991:Silbo Gomero
2806:Gong culture
2725:
2661:Arabic maqam
2554:Spanish jazz
2477:Other genres
2435:
2079:Puerto Rican
1918:
1377:
1373:
1366:
1362:
1348:
1334:
1325:
1318:Bibliography
1280:
1276:
1266:
1248:
1234:
1223:. Retrieved
1219:the original
1209:
1190:
1181:
1172:
1160:. Retrieved
1155:
1146:
1127:
1118:
1106:. Retrieved
1090:
1086:
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1057:
1048:
1037:. Retrieved
1033:the original
1023:
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994:
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933:
912:
900:. Retrieved
895:
886:
796:Las Llamadas
791:
786:Las Llamadas
784:
783:
779:
777:
767:
763:
757:
751:
740:
735:
734:
729:
728:
724:
722:
716:
713:Pedro Figari
709:oil painting
690:
686:
682:
665:Alvaro Salas
661:
652:hacer madera
651:
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438:San Baltasar
430:
418:
414:afroporteños
413:
407:
405:population.
396:
385:Buenos Aires
382:
371:
365:
356:In Argentina
340:
336:
332:
324:
318:
313:
309:
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291:
274:
264:
249:
245:
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235:Minas Gerais
230:
207:Buenos Aires
190:
188:
179:
162:
161:
160:
97:
18:
3046:Xi'an guyue
3036:Vedic chant
2901:Morin khuur
2861:Koodiyattam
2836:Iraqi Maqam
2575:Latin music
2499:Contradanza
2391:Tecnocumbia
2366:New Chilean
2351:Bullerengue
2207:Cha-cha-cha
2140:jalisciense
2130:Mexican Son
2014:Alternative
1977:Nuevo tango
1876:Duranguense
1824:Nueva trova
1669:Alternative
1623:Latin urban
1481:Carnavalito
902:January 18,
764:El Escobero
341:compadritos
333:compadritos
325:compadritos
283:schottische
142:Inscription
3075:Categories
3011:Sutartinės
3006:Sosso Bala
2986:Shashmaqam
2981:Seto Leelo
2871:Kumi odori
2681:Baul music
2559:Villancico
2441:Latin jazz
2414:Afro-Latin
2371:Panamanian
2301:Son cubano
2094:Venezuelan
2054:Latin rock
2049:Ecuadorian
1709:Chamarrita
1702:Litoraleña
1689:Panamanian
1679:Moombahton
1585:Isa (from
1225:2014-07-16
1162:1 February
1108:1 February
1039:2010-08-05
873:References
857:Jaime Roos
852:Rubén Rada
768:candombero
736:Candombera
715:depicting
589:tamboriles
520:Jaime Roos
444:In Uruguay
295:Barrio Sur
219:Corrientes
3031:Vallenato
2886:Long song
2846:Kgal Laox
2580:subgenres
2519:Pasacalle
2494:Christian
2484:Aguinaldo
2356:Colombian
2346:Argentine
2323:Vallenato
2294:romántica
2277:Guaguancó
2157:Zamacueca
2110:Chacarera
2089:Uruguayan
2069:Nueva ola
2044:Dominican
2034:Colombian
2019:Argentine
1987:Bandoneon
1809:Colombian
1796:Latin pop
1786:Zamacueca
1764:Toro Mata
1684:Neoperreo
1661:Reggaeton
1608:Tajaraste
1603:Pasodoble
1598:Malagueña
1103:2500-6738
780:comparsas
481:Argentina
456:The word
195:Argentina
117:Reference
68:Subgenres
23:Candomblé
3081:Candombe
2966:Rebetiko
2921:Nhã nhạc
2726:Candombe
2696:Biyelgee
2651:Angklung
2436:Candombe
2376:Peruvian
2267:Pachanga
2262:Méringue
2257:Merengue
2247:Guaracha
2232:Cuarteto
2222:Charanga
2212:Champeta
2184:Tropical
2167:Marinera
2135:huasteco
2074:Peruvian
1972:Neotango
1919:Candombe
1896:Ranchera
1886:Mariachi
1849:Conjunto
1834:Regional
1771:Marinera
1714:Guarania
1674:Bachatón
1613:Zarzuela
1554:Cantiñas
1549:Bulerías
1539:Flamenco
1534:Fandango
1496:Morenada
1486:Diablada
1385:Archived
1307:18434617
1256:Archived
1199:Archived
806:See also
772:juggling
725:Candombe
717:Candombe
693:chinesco
644:candombe
580:candombe
470:candombe
458:candombe
368:), 1938.
314:candombe
275:candombe
246:llamadas
231:candombe
227:Asunción
211:Santa Fe
199:Paraguay
191:candombe
180:candombe
163:Candombe
31:Candombe
3016:Táncház
2946:Quan họ
2941:Pirekua
2936:Pansori
2896:Meshrep
2851:Khuumii
2691:Bigwala
2686:Bećarac
2666:Arirang
2631:: Music
2568:Related
2524:Pasillo
2504:Criolla
2458:Milonga
2401:Cachaca
2396:Villera
2361:Mexican
2306:montuno
2242:Guajira
2217:Changüí
2202:Calypso
2192:Bachata
2145:jarocho
2084:Spanish
2064:Mexican
2029:Chilean
2024:Chicano
1962:Milonga
1934:Milonga
1871:Grupera
1854:Norteño
1844:Corrido
1836:Mexican
1814:Mexican
1776:Tondero
1749:Festejo
1724:Chamamé
1646:R&B
1631:Hip hop
1544:Alboreá
1476:Bambuco
1298:2440284
1156:NEA Hoy
745:mulatas
723:A full
646:is the
603:repique
506:Uruguay
476:Present
462:Kikongo
426:milonga
329:milonga
299:Palermo
287:mazurka
256:Origins
182:in its
168:Uruguay
111:Uruguay
107:Country
2961:Reggae
2926:Nongak
2916:Nanyin
2906:Mugham
2891:Maloya
2821:Hua'er
2786:Gagaku
2781:Fujara
2766:Eshuva
2746:Ca trù
2534:Pregón
2514:Décima
2463:Tambor
2453:Mapalé
2338:Cumbia
2237:Danzón
2197:Bolero
2152:Tonada
2125:Joropo
1903:Trival
1891:Jarabe
1864:Tejano
1859:Nortec
1804:Ballad
1641:Reggae
1491:Huayno
1468:Andean
1355:
1341:
1305:
1295:
1134:
1101:
1097:: 48.
1064:
1002:
975:
948:
898:. 2009
741:cuerda
625:cuerda
584:cuerda
374:Angola
285:, and
217:, and
215:Paraná
203:Brazil
201:, and
127:Region
2956:Radif
2911:Muqam
2881:Lhamo
2876:Kunqu
2856:Klapa
2816:Gwoka
2811:Guqin
2791:Gagok
2776:Frevo
2761:Duduk
2756:Doina
2529:Plena
2509:Danza
2426:Bomba
2381:Porro
2318:Trova
2313:Timba
2284:Salsa
2272:Rumba
2252:Mambo
2227:Conga
2172:Zamba
2162:Cueca
2059:Metal
2039:Cuban
1949:Tango
1939:Murga
1924:Cueca
1881:Banda
1754:Landó
1636:House
1581:Folia
1574:Soleá
1569:Saeta
1529:Copla
1506:Tinku
1376:. In
1093:(2).
878:Notes
847:Murga
648:clave
633:talig
621:bombo
609:piano
597:chico
422:tango
310:tango
279:waltz
225:near
121:00182
2971:Sama
2771:Fado
2656:Aqyn
2544:Seis
2289:dura
2120:Gato
2006:Rock
1967:Vals
1781:Vals
1651:Trap
1593:Jota
1501:Saya
1353:ISBN
1339:ISBN
1303:PMID
1164:2023
1132:ISBN
1110:2023
1099:ISSN
1062:ISBN
1000:ISBN
973:ISBN
946:ISBN
904:2020
637:talí
617:bajo
530:and
297:and
248:and
151:List
2386:Rap
1293:PMC
1285:doi
711:of
707:An
635:or
619:or
3077::
1301:.
1291:.
1279:.
1275:.
1154:.
1126:.
1085:.
1056:.
921:^
894:.
424:,
281:,
252:.
213:,
209:,
197:,
186:.
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1437:v
1391:.
1309:.
1287::
1281:3
1242:.
1228:.
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1112:.
1091:5
1070:.
1042:.
1008:.
981:.
954:.
906:.
25:.
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