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Crooner

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314: 136: 211: 39: 198: 310:, was promoted with the line, "Men Hate Him! Women Love Him!" while his success brought press warnings of the "Vallee Peril": this "punk from Maine" with the "dripping voice" required mounted police to "beat back crowds of screaming and swooning females" at his vaudeville shows. 543:
emerged in the early 2000s as a key figure in continuing this revival for a new generation. Bublé brought a modern sensibility to his interpretations, blending traditional swing and jazz with pop influences, which resonated with both older and younger
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In his popular radio program, which began with his floating greeting, "Heigh ho, everybody," beamed in from a New York City night club, he stood like a statue, surrounded by clean-cut collegiate band musicians and cradling a saxophone in his
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has also made significant contributions to the contemporary crooner movement. Beginning in the early 2010s, MacFarlane released several albums that showcase his strong affinity for traditional pop standards and big band jazz. Albums like
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predicted that crooning would be just a passing fad. The newspaper wrote, "They sing like that because they can't help it. Their style is begging to go out of fashion…. Crooners will soon go the way of tandem bicycles,
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played a pivotal role in bringing the crooner style back into mainstream media during the late 1980s and 1990s, particularly with his work on the soundtrack for
790: 336:(NYSTA) both publicly denounced the vocal form, O'Connell calling it "base", "degenerate", "defiling" and un-American, with the NYSTA adding "corrupt". Even 1182: 220: 818: 263:, singers had to project to the rear seats of a theater, which made for a very loud vocal style. The microphone made a more personal style possible. 228: 467: 563:
stands as a prominent figure in the modern revival of the crooner tradition, known for his deep commitment to preserving and interpreting the
313: 333: 414:"; Crosby, who had an enormous influence on Como, covered this song and took it to the number 3 position in the US chart that same year. 615: 986: 723: 150:
is a singer who performs with a smooth, intimate style that originated in the 1920s. The crooning style was made possible by better
122: 403: 767: 487: 162:. This suggestion of intimacy was supposedly wildly attractive to women, especially a youth subculture known at the time as " 60: 865: 1109: 661: 718:. Studies and Documentation in the History of Popular Entertainment, No. 2. Lanham, MD: The Scarecrow Press. p. 32. 713: 368: 103: 75: 1331: 620: 553: 494:", another song already made famous by Price in 1954. In 1970, Price had a number 1 US country hit and a number 11 411: 325: 499: 762: 479: 163: 159: 82: 56: 394:
Due to the country songs popularized by Bing Crosby, the crooning style of singing became an enduring part of
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The Rise of the Crooners: Gene Austin, Russ Columbo, Bing Crosby, Nick Lucas, Johnny Marvin, and Rudy Vallee
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that picked up quieter sounds and a wider range of frequencies, allowing the singer to access a greater
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Bing Crosby, "I'm an Old Cowhand," original mono recordings from 1933–1944, ASV Mono, Living Era, 1995.
135: 840: 1336: 795: 483: 454: 445: 423: 399: 383: 256: 71: 185:, although Sinatra did not consider himself or Crosby to be "crooners". Other performers, such as 1388: 1017: 503: 338: 306: 1383: 1130: 923: 729: 719: 560: 522: 495: 437: 791:"billboard.com: A Tribute to Country Crooner Jim Reeves on the 50th Anniversary of His Death" 1326: 1293: 1198: 1071: 1027: 1012: 972: 915: 577: 540: 507: 463: 1203: 547: 433: 375: 280: 27: 1316: 1288: 1278: 1022: 432:
is associated with the country music he recorded in the period when he was working for
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By the early 1930s, the term "crooner" had taken on a pejorative connotation. Cardinal
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This dominant popular vocal style coincided with the advent of radio broadcasting and
1377: 1238: 1165: 1135: 890:"From 'Family Guy' to Sinatra: Seth MacFarlane to perform jazz with Seattle Symphony" 459: 448:. Regular, non-country crooners also scored hits with pop versions of country songs: 395: 182: 155: 139: 96: 1298: 1263: 1258: 1155: 1049: 1044: 475: 449: 360: 297: 186: 371:", called upon men to fight "these public enemies" brought into homes via radio. 227: 1362: 1352: 1283: 1223: 1213: 1034: 557:(2011) received critical acclaim further solidifying crooning in the modern era. 471: 441: 429: 415: 364: 348: 276: 272: 268: 235: 201: 178: 174: 151: 38: 1321: 1233: 1208: 1125: 1076: 1054: 1007: 602: 419: 407: 317: 260: 247: 927: 1268: 1243: 1160: 1145: 841:"Harry Connick Jr. Remembers How 'When Harry Met Sally...' Changed His Life" 733: 386:, Helen Rowland and Abi Carter have been cited in the category of crooners. 344: 264: 197: 1228: 1140: 1064: 356: 167: 398:. Crosby achieved a million seller with his 1940 rendition of the song " 1253: 1170: 1059: 1039: 1273: 329: 1357: 1150: 1099: 1094: 819:"dallasnews.com: Influential country crooner Ray Price dies at 87" 352: 312: 196: 134: 506:; subsequently, Como's rendition reached number 7 in 1973 on the 166:". The crooning style developed among singers who performed with 1177: 1104: 968: 426:
are especially well known for their country crooner standards.
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Bing Crosby: A Pocketful of Dreams: The Early Years, 1903–1940
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Crooning is epitomized by jazz vocalists of the era such as
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crooner Como recorded several albums with country producer
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are often credited as inventors of the crooning style, but
964: 466:"; Como had a number 1 hit in 1953 with his version of " 170:, and reached its height in the 1940s to late 1960s. 531:(1989). His interpretations of jazz standards like " 1345: 1307: 1191: 1118: 1087: 1000: 687:
Father of Radio: The Autobiography of Lee de Forest
63:. Unsourced material may be challenged and removed. 959:Real Men Don't Sing: Crooning in American Culture 866:"Michael Buble, A crooner who curses and charms" 238:demonstrates how to croon in this 1933 recording 289: 470:", a chart-topping country hit for its author 374:Some female singers, such as Vaughn De Leath, 980: 916:"It Brings Back the Sound of Music So Tender" 8: 758:"NASHVILLE SKYLINE: Remembering Eddy Arnold" 367:). Still, a 1931 record by Dick Robertson, " 605:recording of It Was A Very Good Year (1965) 458:number 1 hit in 1951 with his rendition of 26:"Croon" redirects here. For the rower, see 987: 973: 965: 961:. Durham, NC: Duke University Press, 2015. 655: 653: 651: 649: 647: 645: 643: 641: 639: 474:and a number 4 country hit for Ray Price; 287:brought the style widespread popularity. 123:Learn how and when to remove this message 712:Pitts, Michael; Hoffman, Frank (2002). 594: 954:. Boston: Little, Brown and Co., 2001. 490:achieved a 1967 UK number 1 hit with " 245: 817:Wilonsky, Robert (16 December 2013). 702:, p. 58, Grosset & Dunlap (1967). 334:New York Singing Teachers Association 7: 468:Don't Let the Stars Get in Your Eyes 61:adding citations to reliable sources 404:Bob Wills & His Texas Playboys 382:(at the beginning of her career), 14: 789:Dauphin, Chuck (1 August 2014). 666:Survey of American Popular Music 478:scored a number 1 in 1959 with " 246:Problems playing this file? See 225: 37: 48:needs additional citations for 914:Holden, Stephen (2008-09-03). 839:Kolgraf, Jackie (2024-07-19). 668:. Sam Houston State University 1: 700:A Pictorial History of Radio 662:"The Coming of the Crooners" 616:"Russ Columbo Doesn't Croon" 351:." Voice range shifted from 756:Flippo, Chet (8 May 2008). 514:Modern-day crooners of the 369:Crosby, Columbo, and Vallee 259:. Before the advent of the 1405: 1332:Sound reinforcement system 1192:Concepts · Techniques 554:Music Is Better Than Words 412:Deep in the Heart of Texas 402:", originally recorded by 189:, also rejected the term. 25: 18: 864:Bream, Jon (2007-08-19). 763:Country Music Television 480:Heartaches by the Number 565:Great American Songbook 516:Great American Songbook 279:, and by some accounts 410:had a smash hit with " 321: 302: 214: 204: 143: 488:Engelbert Humperdinck 482:", a country hit for 316: 213: 200: 138: 1119:Voice classification 603:"Sinatra The Legend" 528:When Harry Met Sally 436:, whilst his fellow 257:electrical recording 57:improve this article 1183:Non-classical music 1088:Forms · Genres 957:Allison McCracken, 498:hit with the song " 1018:Extended technique 920:The New York Times 504:Kris Kristofferson 500:For the Good Times 339:The New York Times 322: 307:The Vagabond Lover 215: 205: 144: 19:For the film, see 1371: 1370: 894:The Seattle Times 870:The Seattle Times 689:, 1950, page 351. 624:. 1 November 1931 621:Milwaukee Journal 561:Michael Feinstein 523:Harry Connick Jr. 326:William O'Connell 230: 133: 132: 125: 107: 1396: 1327:Pitch correction 1294:Vocal resonation 1072:Vocal percussion 1028:Overtone singing 1013:Bathroom singing 989: 982: 975: 966: 938: 937: 935: 934: 911: 905: 904: 902: 901: 886: 880: 879: 877: 876: 861: 855: 854: 852: 851: 836: 830: 829: 827: 825: 814: 808: 807: 805: 803: 786: 780: 779: 777: 775: 766:. Archived from 753: 747: 744: 738: 737: 709: 703: 696: 690: 684: 678: 677: 675: 673: 657: 634: 633: 631: 629: 612: 606: 599: 578:List of crooners 534:It Had to Be You 508:UK Singles Chart 486:; and Britain's 464:Cold, Cold Heart 438:Italian-American 400:San Antonio Rose 390:Country crooners 304:His first film, 300: 232: 231: 221:"Learn to Croon" 212: 160:proximity effect 158:and exploit the 128: 121: 117: 114: 108: 106: 65: 41: 33: 1404: 1403: 1399: 1398: 1397: 1395: 1394: 1393: 1374: 1373: 1372: 1367: 1341: 1337:Monitor speaker 1310:(popular music) 1309: 1308:Sound equipment 1303: 1187: 1114: 1083: 996: 993: 945:Further reading 942: 941: 932: 930: 913: 912: 908: 899: 897: 888: 887: 883: 874: 872: 863: 862: 858: 849: 847: 838: 837: 833: 823: 821: 816: 815: 811: 801: 799: 788: 787: 783: 773: 771: 770:on May 12, 2008 755: 754: 750: 745: 741: 726: 711: 710: 706: 698:Irving Settel, 697: 693: 685: 681: 671: 669: 660:Whitcomb, Ian. 659: 658: 637: 627: 625: 614: 613: 609: 600: 596: 586: 574: 548:Seth MacFarlane 519: 434:Reprise Records 392: 376:Annette Hanshaw 301: 296: 281:Vaughn De Leath 253: 252: 244: 242: 241: 240: 239: 233: 226: 223: 216: 210: 195: 129: 118: 112: 109: 66: 64: 54: 42: 31: 28:Bernardus Croon 24: 17: 12: 11: 5: 1402: 1400: 1392: 1391: 1386: 1376: 1375: 1369: 1368: 1366: 1365: 1360: 1355: 1349: 1347: 1343: 1342: 1340: 1339: 1334: 1329: 1324: 1319: 1317:In-ear monitor 1313: 1311: 1305: 1304: 1302: 1301: 1296: 1291: 1289:Vocal register 1286: 1281: 1279:Vocal pedagogy 1276: 1271: 1266: 1261: 1256: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1195: 1193: 1189: 1188: 1186: 1185: 1180: 1175: 1174: 1173: 1168: 1163: 1158: 1153: 1148: 1143: 1138: 1133: 1122: 1120: 1116: 1115: 1113: 1112: 1107: 1102: 1097: 1091: 1089: 1085: 1084: 1082: 1081: 1080: 1079: 1069: 1068: 1067: 1062: 1052: 1047: 1042: 1037: 1032: 1031: 1030: 1025: 1023:Throat singing 1015: 1010: 1004: 1002: 998: 997: 994: 992: 991: 984: 977: 969: 963: 962: 955: 950:Gary Giddins, 940: 939: 906: 881: 856: 831: 809: 781: 748: 739: 724: 704: 691: 679: 635: 607: 593: 592: 585: 582: 581: 580: 573: 570: 569: 568: 558: 545: 538: 518: 512: 502:", written by 391: 388: 380:Mildred Bailey 320:, October 1946 294: 243: 234: 224: 219: 218: 217: 208: 207: 206: 194: 191: 131: 130: 45: 43: 36: 21:Crooner (film) 16:Type of singer 15: 13: 10: 9: 6: 4: 3: 2: 1401: 1390: 1387: 1385: 1382: 1381: 1379: 1364: 1361: 1359: 1356: 1354: 1351: 1350: 1348: 1346:Miscellaneous 1344: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1314: 1312: 1306: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1199:Backup vocals 1197: 1196: 1194: 1190: 1184: 1181: 1179: 1176: 1172: 1169: 1167: 1166:Mezzo-soprano 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1136:Bass-baritone 1134: 1132: 1129: 1128: 1127: 1124: 1123: 1121: 1117: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1092: 1090: 1086: 1078: 1075: 1074: 1073: 1070: 1066: 1063: 1061: 1058: 1057: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1029: 1026: 1024: 1021: 1020: 1019: 1016: 1014: 1011: 1009: 1006: 1005: 1003: 1001:Singing types 999: 990: 985: 983: 978: 976: 971: 970: 967: 960: 956: 953: 949: 948: 947: 946: 929: 925: 921: 917: 910: 907: 895: 891: 885: 882: 871: 867: 860: 857: 846: 842: 835: 832: 820: 813: 810: 798: 797: 792: 785: 782: 769: 765: 764: 759: 752: 749: 743: 740: 735: 731: 727: 725:0-8108-4081-2 721: 717: 716: 708: 705: 701: 695: 692: 688: 683: 680: 667: 663: 656: 654: 652: 650: 648: 646: 644: 642: 640: 636: 623: 622: 617: 611: 608: 604: 598: 595: 591: 590: 583: 579: 576: 575: 571: 566: 562: 559: 556: 555: 549: 546: 542: 541:Michael BublĂ© 539: 536: 535: 530: 529: 524: 521: 520: 517: 513: 511: 509: 505: 501: 497: 493: 489: 485: 481: 477: 473: 469: 465: 461: 460:Hank Williams 457: 456: 451: 447: 443: 439: 435: 431: 427: 425: 421: 417: 413: 409: 405: 401: 397: 396:country music 389: 387: 385: 381: 377: 372: 370: 366: 362: 358: 354: 350: 346: 341: 340: 335: 331: 327: 319: 315: 311: 309: 308: 299: 293: 288: 286: 282: 278: 274: 270: 266: 262: 258: 251: 249: 237: 222: 203: 199: 192: 190: 188: 184: 183:Frank Sinatra 180: 176: 171: 169: 165: 161: 157: 156:dynamic range 153: 149: 141: 140:Frank Sinatra 137: 127: 124: 116: 105: 102: 98: 95: 91: 88: 84: 81: 77: 74: â€“  73: 69: 68:Find sources: 62: 58: 52: 51: 46:This article 44: 40: 35: 34: 29: 22: 1299:Vocal weight 1264:Sprechgesang 1259:Scat singing 1218: 1156:Countertenor 1050:Sign singing 1045:Scat singing 958: 951: 944: 943: 931:. Retrieved 919: 909: 898:. Retrieved 896:. 2016-04-05 893: 884: 873:. Retrieved 869: 859: 848:. Retrieved 844: 834: 822:. Retrieved 812: 800:. Retrieved 794: 784: 772:. Retrieved 768:the original 761: 751: 742: 714: 707: 699: 694: 686: 682: 670:. Retrieved 665: 626:. Retrieved 619: 610: 601:CBS Special 597: 588: 587: 552: 532: 526: 476:Guy Mitchell 453: 450:Tony Bennett 428: 393: 373: 361:Russ Columbo 355:(VallĂ©e) to 337: 323: 305: 303: 298:Ian Whitcomb 290: 254: 187:Russ Columbo 172: 164:bobby soxers 147: 145: 119: 110: 100: 93: 86: 79: 67: 55:Please help 50:verification 47: 1363:Vocal coach 1353:Vocal music 1284:Vocal range 1239:Lead vocals 1224:Death growl 1214:Chest voice 1035:Oversinging 824:6 September 802:6 September 774:5 September 472:Slim Willet 442:Chet Atkins 430:Dean Martin 416:Eddy Arnold 406:. In 1942, 384:Harriet Lee 365:Bing Crosby 349:midget golf 285:Rudy VallĂ©e 277:Art Gillham 273:Gene Austin 269:Bing Crosby 236:Bing Crosby 202:Gene Austin 179:Rudy Vallee 175:Bing Crosby 152:microphones 113:August 2024 1378:Categories 1322:Microphone 1234:Head voice 1209:Coloratura 1126:Voice type 1077:Beatboxing 1055:Sing-along 1008:A cappella 933:2024-09-02 900:2024-09-02 875:2024-09-02 850:2024-09-02 584:References 544:audiences. 492:Release Me 420:Jim Reeves 408:Perry Como 318:Perry Como 261:microphone 248:media help 83:newspapers 1389:Baritones 1269:Tessitura 1244:Passaggio 1161:Contralto 1146:Baritenor 928:0362-4331 796:Billboard 484:Ray Price 455:Billboard 446:Nashville 424:Ray Price 345:mah jongg 265:Al Bowlly 168:big bands 72:"Crooner" 1384:Crooners 1229:Falsetto 1219:Crooning 1141:Baritone 1110:Vocables 1065:Lip sync 845:SiriusXM 734:46976469 572:See also 357:baritone 332:and the 295:—  1254:Rapping 1249:Quintus 1204:Belting 1171:Soprano 1060:Karaoke 1040:Rapping 995:Singing 672:24 June 628:24 June 496:Hot 100 193:History 148:crooner 142:in 1947 97:scholar 1274:Timbre 1095:Choral 926:  732:  722:  452:had a 330:Boston 99:  92:  85:  78:  70:  1358:Choir 1151:Tenor 1100:Opera 589:Notes 353:tenor 292:arms. 104:JSTOR 90:books 1178:Fach 1131:Bass 1105:Lied 924:ISSN 826:2014 804:2014 776:2014 730:OCLC 720:ISBN 674:2010 630:2010 422:and 347:and 181:and 76:news 462:' " 444:in 328:of 59:by 1380:: 922:. 918:. 892:. 868:. 843:. 793:. 760:. 728:. 664:. 638:^ 618:. 510:. 418:, 378:, 363:, 275:, 271:, 267:, 177:, 146:A 988:e 981:t 974:v 936:. 903:. 878:. 853:. 828:. 806:. 778:. 736:. 676:. 632:. 567:. 359:( 250:. 126:) 120:( 115:) 111:( 101:· 94:· 87:· 80:· 53:. 30:. 23:.

Index

Crooner (film)
Bernardus Croon

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"Crooner"
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Frank Sinatra
microphones
dynamic range
proximity effect
bobby soxers
big bands
Bing Crosby
Rudy Vallee
Frank Sinatra
Russ Columbo

Gene Austin
"Learn to Croon"
Bing Crosby
media help
electrical recording

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