73:
180:). "It became so popular among opium addicts that they made listening to stories an important element of their gatherings," wrote Ansari. "The prolonged intoxication and prolonged stories narrated by professional story-tellers was mostly combined. Each afeem khana had its own story-teller to entertain the clients; whereas, among the rich, every household used to appoint a dastango as a member of its staff." According to Abdul Halim Sharar, the noted author and historian of nineteenth century Lucknow, the Art of dastangoi, was divided under the following headings:"War", "Pleasure, "Beauty", "Love" and "Deception".
98:
85:
20:
355:
from three dastangos, Mohammed Husain Jah, Ahmed Husain Qamar, and Sheikh
Tasadduq Husain. Over a period of twenty five years, the trio produced a collection of 46 volumes. Each volume could be read individually or as a part of the complete
851:
447:
843:
576:
507:
54:
in the Indian sub-continent in the 19th century and is said to have died with the demise of Mir Baqar Ali in 1928. Dastangoi was revived by historian, author and director
41:
evolved in 16th century. One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled
530:
437:
72:
69:
or the story. Notable 19th-century dastangos included Amba Prasad Rasa, Mir Ahmad Ali
Rampuri, Muhammad Amir Khan, Syed Husain Jah, and Ghulam Raza.
626:
971:
705:
916:
881:
669:
469:
787:
1000:
65:
At the centre of dastangoi is the dastango, or storyteller, whose voice is his main artistic tool in orally recreating the
734:
765:
417:
675:
908:
168:
In
Lucknow, dastangoi was popular across all classes, and was regularly performed at diverse locations including
601:
183:
The early dastango's told tales of magic, war and adventure, and borrowed freely from other stories such as the
196:
162:
902:
93:(sitting on high table), the common title for Indian oral storytellers, reciting epics among villagers, 1913
995:
520:
97:
990:
636:
631:
340:
332:
309:
84:
396:
is a sequel to earlier book. It contains the collection of modern dastans written and adapted, by
138:
442:
313:
142:
818:
339:
published an Urdu version of the dastaan of Amir Hamza in the beginning of the 19th century.
967:
912:
877:
701:
665:
34:
398:
347:, began publishing the dastaans by the 1850s. A few publications were also done in Persian.
317:
118:
55:
727:
Context: Journal of the
Development and Research Organisation for Nature, Arts and Heritage
195:. From the 14th century, Persian dastangois started focusing on the life and adventures of
939:
Context: Journal of the
Development and Research Organisation for Nature Arts and Heritage
374:
291:
146:
102:
59:
963:
295:
184:
77:
984:
795:
31:
386:
321:
299:
259:
250:
223:
192:
165:, during which several artists, writers and dastangos moved from Delhi to Lucknow.
904:
The
Romance Tradition in Urdu : Adventures from the Dastan of Amir Hamzah
285:
577:"Persian art of storytelling festival brings delight for Delhi theatre buffs"
438:"Walk Back In Time: Experience life in Nizamuddin Basti, the traditional way"
958:
Ghalib
Lakhnavi & Abdullah Bilgram, trans Musharraf Ali Farooqi (2012).
271:
265:
177:
43:
470:"How a collective of storytellers is reviving the ancient art of dastangoi"
757:
351:
In 1881, Nawal
Kishore commissioned the print edition of the entire Hamza
552:
369:
200:
51:
19:
659:
525:
344:
336:
158:
412:
364:
203:. The Indian stream of dastangoi added storytelling elements such as
66:
38:
934:
722:
154:
96:
89:
83:
71:
18:
700:(seventh ed.). Delhi: Oxford University Press. p. 92.
188:
150:
62:
has amalgamated
Dastangoi with music & singing in 2010.
372:, has been performed by many artists around the globe, by
553:"Dastangoi - The Re-discovered Art of Urdu Storytelling"
495:"Dastangoi - the Re-discovered Art of Urdu Storytelling"
494:
960:
The
Adventures of Amir Hamza: Special Abridged Edition
935:"Dastangoi: Revival of the Mughal art of storytelling"
819:"On the art of storytelling: Dastango Syed Sahil Agha"
723:"Dastangoi: Revival of the Mughal Art of Storytelling"
508:اردو میں تاریخ گوئی اور داستان گوئی کی روایت اور فن
231:Nau ā'īn-i hindī (Qissa-i Malik Mahmūd Gīti-Afroz)
76:A female dastango standing and reciting from the "
157:in India. From Delhi, dastangoi made its way to
698:Lucknow the Last Phase of an Oriental Culture
521:"Dastangoi magic revives lost medieval tales"
382:Toh Hazireen Hua Yun... Dastan-e-Ankit Chadha
8:
199:, the paternal uncle of the Islamic prophet
245:- Muhammad Hādī a.k.a. Mirzā Mughal Ghāfil
191:, and storytelling traditions such as the
80:" while the audience sits around her, 1911
933:Farooqui, Mahmood (Autumn–Winter 2011).
721:Farooqui, Mahmood (Autumn–Winter 2011).
625:Sayeed, Vikram Ahmed (14 January 2011).
172:(city squares), private households, and
429:
129:makes the word mean "to tell a tale".
30:(Urdu: داستان گوئی) is a 13th century
854:from the original on 22 December 2018
7:
519:Thakur, Arnika (30 September 2011).
384:- A collection of dastans woven, by
141:ascribed the origin of dastangoi to
664:. Leiden: Brill. pp. 335–336.
602:"Dastangoi: Bringing stories alive"
23:Amir Khusrow teaching his disciples
794:. 12 December 2017. Archived from
161:in the 18th century, aided by the
14:
788:"DastanGoi, Dastan-e-Amir kusrow"
756:Krishnan, Nandini (4 May 2012).
145:, and detailed how the eastward
117:Dastangoi has its origin in the
768:from the original on 2012-11-14
737:from the original on 2016-07-22
678:from the original on 2013-11-14
533:from the original on 2011-10-03
450:from the original on 2013-03-18
101:21st century, dastangoi artist
37:art form. The Persian style of
16:Urdu oral storytelling art form
901:Pritchett, Frances W. (1991).
306:five classical romances dastan
1:
137:Indian urban anthropologist
823:www.purplepencilproject.com
207:(trickery) to these tales.
1017:
418:List of Urdu prose dastans
304:Khamsa (Khamsa-e-Khusrau)
211:List of early Urdu Dastans
909:Columbia University Press
227:- Husain ‘Atā Khān Tahsīn
125:means a tale; the suffix
50:The art form reached its
848:epaper.indianexpress.com
658:Nas, Peter J.M. (1993).
600:Syeda Eba (2020-02-08).
474:The Sunday Guardian Live
290:- (Romantic dastan of a
262:(Qissa-i chahār darwesh)
163:Indian Rebellion of 1857
817:prakruti (2019-11-30).
320:and Aaina-Sikandari. -
281:- Rajab Ali Baig Suroor
275:- Khalīl ‘Alī Khān Ashk
255:- Haidar Bakhsh Haidarī
187:, storytellers such as
872:Chadha, Ankit (2018).
842:Indian Express Delhi.
696:Harcourt, E.S (2012).
581:The New Indian Express
109:
94:
81:
24:
1001:Urdu-language culture
758:"Dastaan-e-Dastangoi"
627:"Return of dastangoi"
362:, is a collection of
294:princess and Delhi's
239:- Shāh Husain Haqīqat
149:carried dastangoi to
107:Dastan-e-Amir Khusrau
100:
87:
75:
22:
876:. SAKSHI PRAKASHAN.
874:To Hazreen Hua Yun..
446:. 29 November 2012.
341:Munshi Nawal Kishore
333:Fort William College
844:"Stories Never Die"
272:Dāstān-i Amīr Hamza
243:Nau tarz-i murassa‘
233:- Mihr Chand Khatrī
224:Nau tarz-i murassa‘
44:Dastan e Amir Hamza
798:on 27 January 2018
639:on 18 January 2012
443:The Indian Express
328:Dastangoi in print
314:Khosrow and Shirin
251:Qissa-i Hātim Tā'ī
249:Ārā'ish-i mahfil (
143:Pre-Islamic Arabia
110:
95:
82:
25:
973:978-0-8129-7744-8
707:978-0-19-563375-7
343:, a publisher in
312:, Matlaul-Anwar,
35:oral storytelling
1008:
977:
954:
952:
950:
929:
927:
925:
888:
887:
869:
863:
862:
860:
859:
839:
833:
832:
830:
829:
814:
808:
807:
805:
803:
784:
778:
777:
775:
773:
753:
747:
746:
744:
742:
718:
712:
711:
693:
687:
686:
684:
683:
655:
649:
648:
646:
644:
635:. Archived from
622:
616:
615:
613:
612:
597:
591:
590:
588:
587:
573:
567:
566:
564:
563:
549:
543:
542:
540:
538:
516:
510:
505:
499:
498:
491:
485:
484:
482:
481:
466:
460:
459:
457:
455:
434:
399:Mahmood Farooqui
318:Layla and Majnun
119:Persian language
56:Mahmood Farooqui
1016:
1015:
1011:
1010:
1009:
1007:
1006:
1005:
981:
980:
974:
957:
948:
946:
932:
923:
921:
919:
900:
897:
892:
891:
884:
871:
870:
866:
857:
855:
841:
840:
836:
827:
825:
816:
815:
811:
801:
799:
786:
785:
781:
771:
769:
755:
754:
750:
740:
738:
720:
719:
715:
708:
695:
694:
690:
681:
679:
672:
661:Urban Symbolism
657:
656:
652:
642:
640:
624:
623:
619:
610:
608:
606:Millennium Post
599:
598:
594:
585:
583:
575:
574:
570:
561:
559:
551:
550:
546:
536:
534:
518:
517:
513:
506:
502:
493:
492:
488:
479:
477:
468:
467:
463:
453:
451:
436:
435:
431:
426:
409:
375:Syed Sahil Agha
330:
213:
147:spread of Islam
135:
115:
103:Syed Sahil Agha
60:Syed Sahil Agha
17:
12:
11:
5:
1014:
1012:
1004:
1003:
998:
993:
983:
982:
979:
978:
972:
964:Modern Library
955:
930:
917:
896:
895:External links
893:
890:
889:
882:
864:
834:
809:
779:
748:
713:
706:
688:
670:
650:
617:
592:
568:
544:
511:
500:
486:
461:
428:
427:
425:
422:
421:
420:
415:
408:
405:
404:
403:
391:
379:
357:
329:
326:
325:
324:
302:
282:
279:Fasana e Ajaib
276:
268:
256:
246:
240:
234:
228:
220:
212:
209:
185:Arabian Nights
134:
131:
114:
111:
78:Arabian Nights
15:
13:
10:
9:
6:
4:
3:
2:
1013:
1002:
999:
997:
994:
992:
989:
988:
986:
975:
969:
965:
961:
956:
944:
940:
936:
931:
920:
918:9780231071642
914:
910:
906:
905:
899:
898:
894:
885:
883:9789384456726
879:
875:
868:
865:
853:
849:
845:
838:
835:
824:
820:
813:
810:
797:
793:
789:
783:
780:
767:
763:
759:
752:
749:
736:
732:
728:
724:
717:
714:
709:
703:
699:
692:
689:
677:
673:
671:9789004098558
667:
663:
662:
654:
651:
638:
634:
633:
628:
621:
618:
607:
603:
596:
593:
582:
578:
572:
569:
558:
557:dastangoi.com
554:
548:
545:
532:
528:
527:
522:
515:
512:
509:
504:
501:
496:
490:
487:
475:
471:
465:
462:
449:
445:
444:
439:
433:
430:
423:
419:
416:
414:
411:
410:
406:
401:
400:
395:
392:
389:
388:
383:
380:
377:
376:
371:
367:
366:
361:
360:Dastan-e-Hind
358:
354:
350:
349:
348:
346:
342:
338:
334:
327:
323:
319:
315:
311:
310:Hasht-Bihisht
307:
303:
301:
297:
293:
289:
287:
283:
280:
277:
274:
273:
269:
267:
263:
261:
257:
254:
252:
247:
244:
241:
238:
235:
232:
229:
226:
225:
221:
219:- Mulla Wajhi
218:
215:
214:
210:
208:
206:
202:
198:
194:
190:
186:
181:
179:
175:
171:
166:
164:
160:
156:
152:
148:
144:
140:
132:
130:
128:
124:
120:
112:
108:
105:reciting the
104:
99:
92:
91:
86:
79:
74:
70:
68:
63:
61:
57:
53:
48:
46:
45:
40:
36:
33:
29:
21:
996:Storytelling
962:. New York:
959:
947:. Retrieved
942:
938:
922:. Retrieved
903:
873:
867:
856:. Retrieved
847:
837:
826:. Retrieved
822:
812:
800:. Retrieved
796:the original
792:karmpatr.com
791:
782:
770:. Retrieved
762:Fountain Ink
761:
751:
739:. Retrieved
733:(2): 31–37.
730:
726:
716:
697:
691:
680:. Retrieved
660:
653:
641:. Retrieved
637:the original
630:
620:
609:. Retrieved
605:
595:
584:. Retrieved
580:
571:
560:. Retrieved
556:
547:
535:. Retrieved
524:
514:
503:
489:
478:. Retrieved
476:. 2019-06-29
473:
464:
452:. Retrieved
441:
432:
397:
393:
387:Ankit Chadha
385:
381:
373:
363:
359:
352:
331:
322:Amir Khusrow
305:
300:Amir Khusrau
284:
278:
270:
260:Bāgh o bahār
258:
248:
242:
237:Jazb-i ‘ishq
236:
230:
222:
216:
204:
193:Panchatantra
182:
178:opium houses
173:
169:
167:
153:and then to
139:Ghaus Ansari
136:
126:
122:
116:
106:
88:
64:
49:
42:
27:
26:
991:Spoken word
949:19 December
924:19 December
802:12 December
772:20 December
741:20 December
643:18 December
537:18 December
454:18 December
394:Dastangoi-2
368:and Indian
288:-Khizr Khan
174:afeem khana
985:Categories
945:(2): 31–37
858:2018-12-21
828:2019-11-30
682:2012-12-19
611:2020-02-10
586:2019-08-21
562:2019-08-21
480:2019-07-30
424:References
286:Deval Devi
197:Amir Hamza
632:Frontline
266:Mīr Amman
113:Etymology
28:Dastangoi
852:Archived
766:Archived
735:Archived
676:Archived
531:Archived
448:Archived
407:See also
370:folklore
298:king) -
201:Muhammad
176:(public
58:in 2005.
526:Reuters
402:. 2019.
390:. 2019.
378:. 2010.
365:dastans
353:dastaan
345:Lucknow
337:Kolkata
292:Vaghela
217:Sab Ras
205:aiyyari
159:Lucknow
133:History
970:
915:
880:
704:
668:
413:Dastan
296:Khalji
170:chowks
123:Dastan
67:dastan
52:zenith
39:dastan
356:work.
155:Delhi
90:Vyasa
968:ISBN
951:2012
943:VIII
926:2012
913:ISBN
878:ISBN
804:2017
774:2012
743:2012
731:VIII
702:ISBN
666:ISBN
645:2012
539:2012
456:2012
189:Rumi
151:Iran
127:-goi
32:Urdu
335:in
987::
966:.
941:.
937:.
911:.
907:.
850:.
846:.
821:.
790:.
764:.
760:.
729:.
725:.
674:.
629:.
604:.
579:.
555:.
529:.
523:.
472:.
440:.
316:,
308::
264:-
121:.
47:.
976:.
953:.
928:.
886:.
861:.
831:.
806:.
776:.
745:.
710:.
685:.
647:.
614:.
589:.
565:.
541:.
497:.
483:.
458:.
253:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.