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in Lyon. The instrument bears several hallmarks of
Parisian instruments, including a half-curved/half-straight bentside. The full five octave rage presents at an earlier date in this instrument than in any extant instrument from Donzelague's more cosmopolitan contemporaries in Paris, opening the
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and singer at the opera in Lyon as well as an instrument maker. The last archival reference to Pierre is a 1750 advertisement offering several grand harpsichords by
Donzelague for sale in Lyon, and it has been speculated that this represents liquidation of the Donzelague estate after his death.
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The 1716 instrument is the only instrument that can definitively be attributed to a member of the
Donzelague family, but a further seven instruments have been possibly attributed to them as well, most of which are in private collections.
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A well known, and often copied, double manual instrument dated 1716 by Pierre
Donzelague is preserved in the
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1747), the son of
Francois, set up shop in Lyon in 1688. He was known to be a performing cellist,
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List of surviving French instruments at www.harpsichordphoto.org
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question of whether he was one of the instrument's innovators.
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Annotated List of French
Instruments by Dr. R. Dean Anderson
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to practice his trade. Otherwise, little is known of him.
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makers in southern France in the 17th and 18th centuries.
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A harpsichord by Pierre
Donzelague of Lyon, dated 1716
199:The Harpsichord and Clavichord: an encyclopedia
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217:19 (2001) 69–171 and 20 (2002) 107–195.
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109:(born in Aix-en-Provence 1668, died in
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172:, 2003, Indiana University Press, p275
145:List of historical harpsichord makers
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256:Belgian musical instrument makers
80:The Donzelagues were a family of
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183:A History of the Harpsichord
170:A History of the Harpsichord
88:Known builders of the family
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128:Musée des Arts Décoratifs
99:, Flanders, but moved to
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122:Surviving instruments
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139:See also
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35:orphan
33:is an
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190:^
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