Knowledge (XXG)

Dramaturgy

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dramaturgy is sometimes known as Production Dramaturgy. Institutional or production dramaturges may make files of materials about a play's history or social context, prepare program notes, lead post-production discussions, or write study guides for schools and groups. These actions can assist a director in integrating textual and acting criticism, performance theory, and historical research into a production before it opens.
93:, in the 18th century. The Theater of Hamburg engaged him for some years for a position today known as a "dramaturge". He was the first to occupy this role in European theater and described his task as that of a "dramatic judge" ("dramatischer Richter"), one who must assess the most compelling and appropriate means of staging a particular theatrical work. From 1767 to 1770, Lessing published a series of critical commentaries, 267:
Dramaturgy is a comprehensive exploration of the context in which the play resides. The dramaturge is tasked to obtain expertise on: the physical, social, political, and economic environment in which the action takes place; the psychological underpinnings of the characters; the various metaphorical
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Institutional dramaturges may participate in many phases of play production including: casting of the play; offering in-house criticism of productions-in-progress; and informing the director, the cast, and the audience about a play’s history and its current importance. In America, this type of
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and Lynn Thomson, the dramaturge on the production. Thomson claimed that she was a co-author of the work and that she never assigned, licensed or otherwise transferred her rights. She asked that the court declare her a co-author of
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Since dramaturgy is defined in a general way and the function of a dramaturge may vary from production to production, the copyright issues regarding it in the United States have very vague borders.
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and that she was not entitled to royalties. The case was ultimately settled out of court with Thomson receiving an undisclosed sum after she threatened to remove her material from the production.
312:'s dramaturge. On June 19, 1998, the United States Court of Appeals for the Second Circuit affirmed the original court's ruling that Thomson was not entitled to be credited with co-authorship of 198:, action, and speech, gives examples of good plots, and considers the role of audience response as an aspect of theatrical form. His "rules" are referred to today as "Aristotelian drama". In 268:
expressions in the play of thematic concerns; as well as the technical consideration of the play as a piece of writing (structure, rhythm, flow, and even individual word choices).
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through cross-cultural signs, theater- and film-historical references to genre, ideology, questions of gender and racial representation, etc., in the dramatization.
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In 1996, there was debate on the question of the extent to which a dramaturge can claim ownership of a production, as in the case involving the estate of
694: 221:. Many of the innovations associated with Brecht as a theorist and writer for the stage, including the concept of the "estrangement effect" (or 684:
Tuchmann, Kai (ed.) Postdramatic Dramaturgies - Resonances between Asia and Europe. transcript Verlag, Bielefeld 2022. ISBN 978-3-8376-5997-9
125: 97:. These works analyzed, criticized and theorized the current state of German theater, making Lessing the father of modern dramaturgy. 73:
Dramaturgy may also be broadly defined as "adapting a story to actable form." Dramaturgy gives a performance work foundation and
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and grant her 16 per cent of the author's share of the royalties. Although she made her claim only after the show became a
62:. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some 591: 400: 90: 55: 47: 259:, which describes the elements, forms, and narrative elements of the ten major types of ancient Indian drama. 609:
Castagno, Paul (May 1993). "Varieties of Monologic Strategy: the Dramaturgy of Len Jenkin and Mac Wellman".
50:. Lessing composed this collection of essays on the principles of drama while working as the world's first 117: 20: 34: 156: 202:, Aristotle discusses many key concepts of Greek drama, including the moment of tragic recognition ( 176: 638:
Castagno, Paul (March 1993). "Informing the New Dramaturgy: Critical Theory to Creative Process".
655: 626: 380: 325: 222: 171:, refers to European and German traditions of dramaturgy and understanding dramatic composition. 152: 137: 74: 42: 304: 244: 121: 66:
combine writing and dramaturgy when creating a drama. Others work with a specialist, called a
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hit, the case is not without precedent. For instance, 15 per cent of the royalties of
77:. Often the dramaturge's strategy is to manipulate a narrative to reflect the current 723: 659: 630: 331: 133: 704: 309: 256: 214: 194:(c. 429 BCE) as the quintessential dramatic work. He analyzes the relations among 89:
Dramaturgy as a practice-based as well as practice-led discipline was invented by
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is often considered the blueprint for the first Hollywood screenwriting manuals.
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attempted to synthesize the components of modern dramaturgy in his 1863 book
207: 181: 78: 63: 229:, were intended as deliberate revisions of the values upheld by Aristotle. 151:, published in English in 1894. Known for its outline of the principles of 651: 213:
Perhaps the most significant successor to Aristotelian dramaturgy is the
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A Brief History of Hollywood Dramaturgy and Modern Screenplay Structure
185: 155:, including the arc of dramatic tension and resolution referred to as 140:, reflected on the stage language of plays as a distinctive art form. 487:
Technique of the drama: an exposition of dramatic composition and art
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New Playwriting Strategies: A Language Based Approach to Playwriting
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New Dramaturgy: International Perspectives on Theory and Practice
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Mis-Directing the Play: An Argument Against Contemporary Theatre
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Soundings in the Dramaturgy of the Australian Theatre Director
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Soundings in the Dramaturgy of the Australian Theatre Director
504:. Springfield, Massachusetts: The Home Correspondence School. 243:. The earliest non-Western dramaturgic work is probably the 206:) and the purgation of audience feelings of pity and fear ( 174:
A foundational work in the Western theatrical tradition is
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developed by the twentieth century German playwright
676:TrencsĂ©nyi, Katalin; Cochrane, Bernadette (2014). 184:(written c. 335 BCE), which analyzes the genre of 534:. Melbourne: University of Melbourne. p. 37. 710:Literary Managers and Dramaturgs of the Americas 564:. Melbourne: University of Melbourne. p. 9. 116:(1835–38), many subsequent authors, including 579:. New York: Peter Lang Publishing. p. 4. 472:Dramaturgische Schriften des 19. Jahrhunderts 457:Dramaturgische Schriften des 18. Jahrhunderts 357:. New York: Peter Lang Publishing. p. 4. 95:Hamburg Dramaturgy (Hamburgische Dramaturgie) 40:The term first appears in the eponymous work 8: 37:of the main elements of drama on the stage. 459:(in German). Berlin: Henschelverlag Berlin. 385:: CS1 maint: location missing publisher ( 335:, whose original title is "La Dramaturgie" 715:Dramaturgs' network, dramaturgy in the UK 444:(1975 ed.). Oxford: Clarendon Press. 440:Hegel, G. W. F.; Knox, T. M. (1835–38). 371:Lessing, G. E.; Berghahn, K. L. (1981). 345: 442:Aesthetics : lectures on fine art 378: 366: 364: 474:(in German). Berlin: Henschel Verlag. 7: 225:) and the acting technique known as 590:Cummings, Scott T. (October 1997). 126:Friedrich Wilhelm Joseph Schelling 14: 70:, to adapt a work for the stage. 519:– via community.dur.ac.uk. 19:For the sociological term, see 671:. New York, London: Routledge. 1: 502:The Technique of Play Writing 165:The Technique of Play Writing 16:Art of dramatic composition 753: 594:– via angelfire.com. 235:is the earliest surviving 161:The Technique of the Drama 149:The Technique of the Drama 18: 700:Hub for modern dramaturgy 623:10.1017/S0266464X00007727 500:Andrews, Charles (1915). 515:Brecht, Bertolt (1964). 470:Hammer, K., ed. (1987). 455:Hammer, K., ed. (1968). 373:Hamburgische Dramaturgie 287:, author of the musical 102:Hamburgische Dramaturgie 91:Gotthold Ephraim Lessing 56:Hamburg National Theatre 48:Gotthold Ephraim Lessing 667:Castagno, Paul (2001). 575:Cardullo, Bert (2005). 425:Lessing, G. E. (1766). 353:Cardullo, Bert (2005). 560:Eckersley, M. (1997). 530:Eckersley, M. (1997). 429:. Berlin: C. F. Vosst. 188:. Aristotle considers 85:Definition and history 21:Dramaturgy (sociology) 680:. London: Bloomsbury. 611:New Theatre Quarterly 705:Dramaturgy Northwest 652:10.1353/tt.2010.0065 375:. Stuttgart, Reclam. 100:Following Lessing's 33:composition and the 577:What is Dramaturgy? 517:"Brecht on Theatre" 355:What is Dramaturgy? 118:Friedrich Hölderlin 592:"American Theatre" 326:Dramatic structure 255:), written around 253:The Art of Theatre 223:Verfremdungseffekt 153:dramatic structure 143:German playwright 138:Tennessee Williams 43:Hamburg Dramaturgy 485:Freytag, Gustav. 308:go to playwright 305:Angels in America 257:500 BCE to 500 CE 157:Freytag's Pyramid 122:Johann von Goethe 742: 681: 672: 663: 634: 596: 595: 587: 581: 580: 572: 566: 565: 557: 551: 550: 542: 536: 535: 527: 521: 520: 512: 506: 505: 497: 491: 490: 482: 476: 475: 467: 461: 460: 452: 446: 445: 437: 431: 430: 422: 416: 415: 413: 411: 397: 391: 390: 384: 376: 368: 359: 358: 350: 169:Charlton Andrews 29:is the study of 752: 751: 745: 744: 743: 741: 740: 739: 720: 719: 691: 675: 666: 637: 608: 605: 603:Further reading 600: 599: 589: 588: 584: 574: 573: 569: 559: 558: 554: 545:McCabe, Terry. 544: 543: 539: 529: 528: 524: 514: 513: 509: 499: 498: 494: 484: 483: 479: 469: 468: 464: 454: 453: 449: 439: 438: 434: 424: 423: 419: 409: 407: 399: 398: 394: 377: 370: 369: 362: 352: 351: 347: 342: 322: 285:Jonathan Larson 278: 265: 241:dramatic theory 130:Thornton Wilder 87: 24: 17: 12: 11: 5: 750: 749: 746: 738: 737: 732: 722: 721: 718: 717: 712: 707: 702: 697: 690: 689:External links 687: 686: 685: 682: 673: 664: 640:Theatre Topics 635: 617:(34): 134–46. 604: 601: 598: 597: 582: 567: 552: 537: 522: 507: 492: 477: 462: 447: 432: 417: 405:Britannica.com 392: 360: 344: 343: 341: 338: 337: 336: 328: 321: 318: 277: 274: 264: 261: 219:Bertolt Brecht 145:Gustav Freytag 86: 83: 35:representation 15: 13: 10: 9: 6: 4: 3: 2: 748: 747: 736: 733: 731: 728: 727: 725: 716: 713: 711: 708: 706: 703: 701: 698: 696: 693: 692: 688: 683: 679: 674: 670: 665: 661: 657: 653: 649: 645: 641: 636: 632: 628: 624: 620: 616: 612: 607: 606: 602: 593: 586: 583: 578: 571: 568: 563: 556: 553: 549:. p. 64. 548: 541: 538: 533: 526: 523: 518: 511: 508: 503: 496: 493: 488: 481: 478: 473: 466: 463: 458: 451: 448: 443: 436: 433: 428: 421: 418: 406: 402: 396: 393: 388: 382: 374: 367: 365: 361: 356: 349: 346: 339: 334: 333: 332:Writing Drama 329: 327: 324: 323: 319: 317: 315: 311: 307: 306: 301: 297: 292: 291: 286: 281: 275: 273: 269: 262: 260: 258: 254: 250: 249:Natya Shastra 246: 242: 238: 234: 230: 228: 224: 220: 216: 211: 209: 205: 201: 197: 193: 192: 187: 183: 179: 178: 172: 170: 166: 162: 158: 154: 150: 146: 141: 139: 135: 134:Arthur Miller 131: 127: 123: 119: 115: 111: 107: 103: 98: 96: 92: 84: 82: 80: 76: 71: 69: 65: 61: 57: 53: 49: 46:(1767–69) by 45: 44: 38: 36: 32: 28: 22: 677: 668: 646:(1): 29–42. 643: 639: 614: 610: 585: 576: 570: 561: 555: 546: 540: 531: 525: 510: 501: 495: 486: 480: 471: 465: 456: 450: 441: 435: 426: 420: 408:. 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Index

Dramaturgy (sociology)
dramatic
representation
Hamburg Dramaturgy
Gotthold Ephraim Lessing
dramaturge
Hamburg National Theatre
Abel Seyler
dramatists
dramaturge
structure
Zeitgeist
Gotthold Ephraim Lessing
Hegel
Friedrich Hölderlin
Johann von Goethe
Friedrich Wilhelm Joseph Schelling
Thornton Wilder
Arthur Miller
Tennessee Williams
Gustav Freytag
dramatic structure
Freytag's Pyramid
Charlton Andrews
Poetics
Aristotle
tragedy
Oedipus Rex
character
anagnorisis

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