Knowledge

Ducking

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is reduced by the presence of another signal. In radio this can typically be achieved by lowering (ducking) the volume of a secondary audio track when the primary track starts, and lifting the volume again when the primary track is finished. A typical use of this effect in a daily radio production
108:. The ducker is inserted into the reverb and delay line and keyed to a dry track to duck its own reverb and delay so that when the dry track exceeds the ducker's threshold by reaching a certain amplitude the reverb and delay are attenuated. Clear examples include 89:, for example with the bass guitar ducked under the kick drum, resembling subtle side-chain pumping. A ducking system may be created where one track ducks another, which ducks another, and so on. Examples include 81:" effect. The difference between ducking and side-chain pumping is that in ducking the attenuation is by a specific range while side-chain compression creates variable attenuation. Ducking may be used in place of 74:. In other words, one track is made quieter (the ducked track) whenever another (the ducking track) gets louder. This may be done with a gate with its ducking function engaged or by a dedicated ducker. 66:
In music, the ducking effect is applied in more sophisticated ways where a signal's volume is delicately lowered by another signal's presence. Ducking here works through the use of a "
63:: a foreign language original sound is dubbed (and ducked) by a professional speaker reading the translation. Ducking becomes active as soon as the translation starts. 200: 607: 317: 113: 156: 448: 100:
Used most often to turn down the music when the DJ speaks, ducking may be used to combat the muffling and distancing effect of
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A typical application is to achieve an impression similar to the "
43: 182: 514: 23:. For the ducking stool, a public humiliation device, see 172:, p.374. Focal Press. Cited in Hodgson (2010), p.95. 570: 477: 416: 306: 216: 194: 8: 201: 187: 179: 608:Music technology (electronic and digital) 143: 141: 139: 137: 133: 7: 14: 449:Recording studio as an instrument 625: 54:. In ducking, the level of one 19:For the more common usage, see 1: 632:Record production portal 603:Music technology (electric) 673: 59:routine is for creating a 18: 621: 520:Ghostwriters in music 168:Izhaki, Roey (2008). 149:Understanding Records 147:Hodgson, Jay (2010). 83:mirrored equalization 21:Duck (disambiguation) 657:Dynamics processing 434:Hip hop production 639: 638: 241:Critical distance 157:978-1-4411-5607-5 114:The Power Of Love 42:commonly used in 32:audio engineering 664: 630: 629: 628: 545:Session musician 210:Music production 203: 196: 189: 180: 173: 166: 160: 145: 672: 671: 667: 666: 665: 663: 662: 661: 642: 641: 640: 635: 626: 624: 617: 566: 535:Record producer 488: 484: 473: 427: 423: 412: 353:Double tracking 309: 302: 293:Sound recording 231:Audio mastering 212: 207: 177: 176: 167: 163: 146: 135: 130: 28: 17: 12: 11: 5: 670: 668: 660: 659: 654: 644: 643: 637: 636: 622: 619: 618: 616: 615: 610: 605: 600: 595: 590: 585: 580: 574: 572: 568: 567: 565: 564: 559: 558: 557: 547: 542: 540:Rhythm section 537: 532: 527: 522: 517: 512: 507: 502: 500:Audio engineer 497: 491: 489: 487: 486: 482: 478: 475: 474: 472: 471: 466: 461: 456: 451: 446: 444:Overproduction 441: 436: 430: 428: 426: 425: 421: 417: 414: 413: 411: 410: 405: 400: 395: 390: 385: 380: 375: 373:Exciter effect 370: 365: 360: 350: 345: 335: 330: 325: 320: 314: 312: 304: 303: 301: 300: 295: 290: 285: 280: 275: 270: 265: 264: 263: 258: 248: 243: 238: 233: 228: 222: 220: 214: 213: 208: 206: 205: 198: 191: 183: 175: 174: 161: 132: 131: 129: 126: 15: 13: 10: 9: 6: 4: 3: 2: 669: 658: 655: 653: 652:Audio effects 650: 649: 647: 634: 633: 620: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 583:Interpolation 581: 579: 576: 575: 573: 569: 563: 560: 556: 553: 552: 551: 550:Backup singer 548: 546: 543: 541: 538: 536: 533: 531: 528: 526: 523: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 492: 490: 483: 480: 479: 476: 470: 467: 465: 464:Wall of Sound 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 431: 429: 422: 419: 418: 415: 409: 406: 404: 401: 399: 396: 394: 391: 389: 386: 384: 383:Octave effect 381: 379: 376: 374: 371: 369: 366: 364: 361: 358: 354: 351: 349: 346: 343: 339: 336: 334: 331: 329: 328:Chorus effect 326: 324: 321: 319: 316: 315: 313: 311: 305: 299: 296: 294: 291: 289: 286: 284: 281: 279: 276: 274: 271: 269: 266: 262: 261:Wah-wah pedal 259: 257: 254: 253: 252: 249: 247: 244: 242: 239: 237: 234: 232: 229: 227: 224: 223: 221: 219: 215: 211: 204: 199: 197: 192: 190: 185: 184: 181: 171: 165: 162: 158: 154: 150: 144: 142: 140: 138: 134: 127: 125: 123: 122:Cold Shoulder 119: 115: 111: 107: 103: 98: 96: 92: 88: 84: 80: 75: 73: 69: 64: 62: 57: 53: 50:, especially 49: 45: 41: 37: 33: 26: 25:Cucking stool 22: 623: 588:Loudness war 555:Ghost singer 530:Orchestrator 525:Horn section 408:Reverse echo 368:Equalization 362: 338:Delay effect 288:Punch in/out 283:Ping-ponging 251:Effects unit 246:Effects loop 236:Audio mixing 226:Audio filter 170:Mixing Audio 169: 164: 148: 99: 76: 65: 56:audio signal 40:audio effect 35: 29: 16:Audio effect 578:Click track 562:Vocal coach 505:Backup band 485:professions 459:Turntablism 333:Compression 318:Pitch shift 278:Overdubbing 218:Engineering 110:Céline Dion 52:dance music 646:Categories 510:Bandleader 469:Xenochrony 424:aesthetics 388:Noise gate 348:Distortion 310:processing 273:Microphone 91:Portishead 85:to combat 68:side chain 61:voice-over 420:Practices 323:Auto-Tune 298:Tape loop 268:Diffusion 48:pop music 495:Arranger 454:Sampling 378:Flanging 256:Talk box 398:Pumping 363:Ducking 308:Signal 128:Sources 95:Biscuit 87:masking 79:pumping 36:ducking 598:Medley 593:Mashup 403:Reverb 393:Phaser 155:  102:reverb 38:is an 613:Remix 571:Other 481:Roles 439:Lo-fi 342:STEED 118:Adele 106:delay 44:radio 153:ISBN 120:'s " 112:'s " 104:and 93:'s " 72:gate 46:and 357:ADT 124:". 97:". 30:In 648:: 515:DJ 151:, 136:^ 70:" 34:, 359:) 355:( 344:) 340:( 202:e 195:t 188:v 159:. 27:.

Index

Duck (disambiguation)
Cucking stool
audio engineering
audio effect
radio
pop music
dance music
audio signal
voice-over
side chain
gate
pumping
mirrored equalization
masking
Portishead
Biscuit
reverb
delay
Céline Dion
The Power Of Love
Adele
Cold Shoulder




ISBN
978-1-4411-5607-5
v
t

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