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spoke, foreshadowing the foundation of the
Situationist International in 1957 by members of both groups, including Pinot-Gallizio. At this conference, the Italian artists withdrew from the Laboratory, and after the formation of the SI only Pinot-Gallizio and his son, Giors Melanotte, remained. He
184:. It was held in Pinot-Gallizio's studio, a monastery from the seventeenth century, and was attended by such artists as Enrico Baj who experimented with nuclear painting techniques, Walter Olmo, who experimented with musical interventions,
215:, prepared in 1957 after the formation of the SI. It was composed of 145 metre canvases which were painted by hand or with the aid of spray guns and machines using resins invented by Pinot-Gallizio himself. It was displayed at the
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Many of Pinot-Gallizio's works were industrial paintings. Rather than a small image to be interpreted, these huge canvases were intended to cover a large area. The first of these was the
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He left the SI in 1960 as it became focused on political, rather than artistic, action. He died in Alba in 1964, and the laboratory continued its work until his death.
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Pinot-Gallizio drew from his background as a chemist in developing new painting techniques. In 1956 he, along with Jorn, organized the
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On the passage of a few people through a rather brief moment in Time: The
Situationist International 1957-1972
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On the passage of a few people through a rather brief moment in Time: The
Situationist International 1957-1972
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Italian industrial painter, botanist, archaeologist, scholar and
Situationist founder
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helped to make the SI known in the art world with an exhibition in Paris in 1959.
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an enormous and unknown chemical reaction: the EXPERIMENTAL LABORATORY in ALBA
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Bitter
Victory: The Art and Politics of the Situationist International
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in 1959, draped around the gallery and sold by the meter.
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178:Bauhaus
133:in 1960
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152:Life
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