1119:(1960), an excursion into England's underworld that functions as a perfectly constructed parable about the new middle class's fear of fallingâa kitchen-sink noir. The problem wasn't so much the disdain of new wave hipsters, as it was one of the director's attitude. Guillermin is something of a melancholic: In his coolly unflinching cinema, tired, traumatized men in desperate situations fight with dour determination for a few shreds of dignity. There's nothing conventionally uplifting about his films; his tales of violence, grimy glory, and defeat conceded with stoicism, don't make for easy viewing experiences. At their finest, Guillermin's films are howls from the soul's darker recessesâtheirs is a savage heart.
317:
stylistic constants, an expert use of handheld camera to add grit and muscle to key scenes, may be rooted in those early efforts, and they function as counterweights to
Guillermin's penchant for forceful lines, a very plastic sense of interior spaces, and use of overhead shots...Guillermin's interest in conveying how people and spaces relate to one another and how decisions are reached and carried out suggests a spark to his filmmaking that one might call Griersonian even if the grandfather of British documentary focused on social development and progress as opposed to collapse."
849:"The original 'Kong' was part of my childhood and I loved it," said Guillermin. "I dreamed about it. What I wanted to do was to re-create what I'd felt about it the first time I saw it, but still adapt the story to our own day. I didn't think and still don't that you could simply remake it...We all wanted and tried to get back to that lyrical childhood idea of the beauty and the beast. It was tricky trying to balance all the jokes on the one hand and the danger of bathos on the other, but I wanted it to be obvious that we regarded the material with sincerity."
870:"I'm tired of being anonymous," he said around this time. "I admit I've been antagonistic towards the press and publicity. You must admit directors were not taking seriously for a long time." He added that "I've outlived most of my contemporaries who are either destitute or gone on to other things. I may have been anonymous but I've been working with quiet satisfaction and I've made a lot of money. My price per film now is one million dollars plus ten percent of the gross."
846:
effects. And then, he believe in the story; he believe in the love story. And if he believes in it, it works. Because John
Guillermin believes in this fantastically human love story...Every director at one point jump from one category to another category. No director can be genius from first movie. You must give a chance when people are talented. And I recognize in John some quality. And he did it with KONG. He surprised you, surprised all critics."
1033:(1969). When some members of the Czech crew were late for the first day of filming in 1968, Guillermin screamed at them. He was told by a crew member if he did this again, the entire crew would walk off the set. Guillermin later told Wolper he could not set foot on the set one day because of the complexity of the filming. Wolper told Guillermin he was therefore sacked. Guillermin apologised and was re-employed immediately.
3168:
1003:. Guillermin in time became known more as a general entertainment director than as an auteur director, and in his later career as a director for films with big budgets and spectacular effects. He also became known as a pipe-smoking exacting perfectionist, filming and refilming scenes to get exactly what he wanted. Unusual camera angles and hand-held camera shots were among his preferred options.
1045:(1976) after a nice conversation with Guillermin. Winters described the director as "A skinny guy, dark, with very sharp features." In the screening room, Winters witnessed a frustrated Guillermin kicking the seat in front until it broke; Winters got an apologetic phone call the next day. Twenty-three years after the film was released, Guillermin called to compliment him on his work on
44:
958:
cookie and uncompromising in his vision. He either says 'That's a pile of crap and it won't be in my picture' or he goes for it. I think John...takes fantastic stories and then grounds them in a reality he finds a lot of time in the geographic locations." Guillermin's son
Michael-John died in a car accident during the making of
536:(1957), starring John Mills as a detective investigating a small-town murder. Maureen Connell had a small role; she would soon marry Guillermin. According to the BFI, "Detractors have too often accused Guillermin of being merely a journeyman, lacking any real style of his own. The defence would do worse than to offer
957:
who recalled: "John screams until you get it right. He shouted at me to be 'honestâ, and he wouldn't let up until I was. I'd be upset, but I worked harder until he was satisfied. He did his research, and he got sustained performances out of all of us.â Her co-star Ted Wass said
Gullermin was "a tough
273:
According to one obituary, "Regardless of whether he was directing a light comedy, war epic or crime drama, Mr. Guillermin had a reputation as an intense, temperamental perfectionist, notorious for screaming at cast and crew alike. His domineering manner often alienated producers and actors...But Mr.
316:
at the cinema when he was seven. After mustering out of the Royal Air Force at the age of 22, Guillermin's directorial career began in France with documentary filmmaking, some of which was for the perfume company his father worked for. According to a critical review of
Guillermin's work, "One of his
845:
before going with
Guillermin. "To me John Guillermin is a talent guy," said De Laurentis. "He is a strange character, but this don't mean anything to me. All directors are strange characters. Bergman is a strange character, Fellini is a strange character - all directors. He was very open to special
1106:
Why has
Guillermin's career gone unrecognized? Easy: bad timing. Guillermin hit his stride at the end of the Fifties, just as a post-studio system style of filmmaking was arising with the French New Wave, Britain's Free Cinema, and so on. For the admirers of these idioms, Guillermin's meticulously
792:. Allen got most of the critical kudos which annoyed the director. "I wanted to fight it because dammit I made that picture," said Guillermin. "But I let the studio talk me out of it.They said it would only hurt business. But I was wrong. I should have fought."
716:. Peppard said working with Guillermin was "the most exciting, creative experience I've ever had." Zanuck was a mentor to Guillermin. "If he'd said he'd wanted a picture on a lab technician in the Sahara, I'd have done it eagerly", said Guillermin.
966:. He occasionally left the set halfway through a day's shooting to go sailing. After one argument with the production staff, he stayed away for days. Filming was completed by uncredited, 21-year-old documentary film-maker Charles McCracken.
1020:, described Guillermin as a "demanding director, indifferent to people getting hurt as long as he got realistic action...he was a hard-working, overly critical man whom the crew disliked. However, Guillermin was a master at camera setup."
294:("one of those towns you drive through and never stop at on your way to the coast"), where he attended St Anne's School for Boys. Later he studied at St John's Secondary School For Boys, then for three years at the City of London School.
2142:
Laura Mayne (2017) Whatever happened to the
British âBâ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s, Historical Journal of Film, Radio and Television, 37:3, 559-576, DOI:
282:
Guillermin was born Yvon Jean
Guillermin in London on 11 November 1925. His parents, Joseph and GeneviĂšve, were French. Joseph Guillermin worked in the perfume industry. "I have a British passport but actually I'm a bloody
466:. This was described as "the first example of prime Guillermin...a 70-minute programmer so tautly directed that every image counts, every detail matters, every actor's movement feels perfectly timedâa true gem."
855:
stars Jeff
Bridges who recalled "so many problems" on the film. "Every week or so John Guillermin would just explode, yelling at everybody. It got to the point where we waited for his blow ups." Writer
195:(11 November 1925 – 27 September 2015) was a French-British film director, writer and producer who was most active in big-budget, action-adventure films throughout his lengthy career.
2626:
1006:
Memoirs of actors, editors and producers indicate that Guillermin was a difficult man to work with. He is described in Norma Barzman's book where he is mentioned in connection with the shooting of
680:(1964) was an adventure-drama set in the last days of British colonialism. It was meant to be made by the Boulting Brothers, but they dropped out, and Guillermin took over. The film, starring
1027:
wrote that Guillermin was "the most difficult director with whom I'd ever worked." Wolper further described Guillermin as "a real pain in the ass." Guillermin was directing Wolper's
1135:. They had two children, Michelle and Michael-John, the latter of whom died in 1984 in a car accident in Truckee, California. They resided in the Los Angeles area beginning 1968.
508:(1957â58). According to the BFI, "it was a modest beginning but he soon hit his stride with a string of films that transcended their meagre budgets to reveal a genuine talent."
863:
Guillermin said in a 1976 interview "I've been directing all over the bloody world for 27 years, learning my craft, and by now it's dripping from my fingers. I was ready for
3217:
883:
shot in Egypt. "In Britain they seem to have run out of things to film," he said. "Over here there's an extraordinary freedom to take on an enormous variety of subjects."
751:(1969) was a movie set in the Second World War, shot in Czechoslovakia and produced by David Wolper. It was a difficult shoot, complicated by the 1968 Soviet invasion.
1093:
project in 1989, wrote that Guillermin was "one of those megalomaniacal directors who have to be given the gates of Heaven before they consider doing a project."
3222:
1161:
540:
as its Exhibit A, drawing particular attention to its breathtaking PoV shot of the killer stalking a second victim that anticipates the camera gymnastics of
890:, who had a small role in the film. "On my very first day when I questioned a direction I didn't understand, he stood there swearing at me. It was awful."
3202:
2666:
616:(1959), now regarded as one of the best Tarzan movies. One writer called it "the most relentless and brutal Tarzan film ever made - it's Guillermin's
270:(1986). In the 1980s, he worked on much less prestigious projects, and his final films consisted of lower-budgeted theatrical releases and TV movies.
2816:
1427:
1123:"You know, there's really nothing like an exciting film on a big screen," he said in a 1990 interview. "Hopefully, I've made a few in my career."
1072:
after Guillermin requested more time and equipment, particularly aeroplanes, than the budget allowed. Guillermin was also replaced as director on
631:
3003:
982:
274:
Guillermin's impeccable eye and ability to capture both intimate moments and large-scale action scenes usually overcame that reputation."
3212:
1949:
496:
The market for British B films was growing tighter due to competition from television; Guillermin directed episodes of shows such as
2068:
2606:
2329:
2129:
REPORTS ON BRITAIN'S VARIED MOVIE FRONTS: Industry Shaken by Television Deal -- Stars on the Ascendant -- Awards by Stephen Watts.
2585:
867:
and it was a lovely opportunity. It could've been better if we'd had more time. Still I'm damned proud. It works. It ain't bad."
2058:
3207:
2704:
2808:
2800:
2441:
1412:
1398:
612:
561:
206:
200:
2936:
2832:
2659:
1634:
1453:
875:
650:
476:
254:
224:
999:(1957) showed his early craftsmanship, with Guillermin managing to obtain a menacing performance from the usually benign
3146:
2485:
2195:
Champlin, Charles (23 January 1977). "GuillerminâHidden in the Movie Jungle: Guillermin Wants to Make Presence Known".
2792:
2696:
1387:
1222:
578:
365:
2615:
2511:
2635:
3171:
2880:
2760:
1971:âKing Kongâ directed by a cloaked âFrogâ by Ian Brodie 23 Dec. 1976, ;;The Daily Telegraph;; (London, England)
1535:
1345:
739:
471:
3141:
2744:
1315:
1239:
458:
387:
2996:
2824:
2652:
1438:
640:
212:
3153:
2968:
1823:
1780:
1713:
498:
336:
302:
2752:
2620:
2516:
1300:
1115:(1969), were anathema. The only Guillermin film that was somewhat in synch with the fashion of the day is
895:
439:
392:
306:
2944:
2928:
2888:
2720:
2688:
1648:
1620:
1550:
1261:
1207:
1041:
1029:
825:
747:
522:(1956), shot in Spain for British Lion starring Carlos Thompson. Two of the (uncredited) producers were
406:
355:
347:
Guillermin and Hill then wrote and produced two films starring the cockney character actor Ben Wrigley:
248:
236:
3054:
2115:
Schallert, Edwin (22 August 1957). "'Insurrection' to Call Siobhan McKenna; Ray Milland in New Deal".
3197:
3192:
2920:
2840:
1606:
1471:
1464:
784:
681:
663:
566:
242:
218:
2989:
2856:
2776:
1764:
1497:
1359:
1139:
694:
570:
518:
449:
434:
378:
93:
1728:
1079:
1074:
1060:
974:
811:
658:
play, which reunited him with Sellers. The latter was particularly successful at the box office.
349:
331:
860:
said there was "a creative tension" between Guillermin and De Laurentiis which "helped us all".
556:
309:
in Mesa, Arizona. "The war basically saved me," he said later. "It got me away from my mother."
2597:
2236:
Murphy, Mary (10 December 1973). "Movie Call Sheet: 'Partizan'âRod Taylor and Cast of 10,000".
3097:
3078:
3070:
3046:
3013:
2575:
2064:
1996:
Guillermin, Mary (2020). "CHAPTER 1 THE EARLY FILMS 1950 TO 1966". In Guillermin, Mary (ed.).
1795:
1149:
On 27 September 2015, Guillermin died in Topanga, California, from a heart attack. He was 89.
857:
820:
618:
504:
284:
2266:
Mann, Roderick (24 December 1978). "Movies: Jeff Bridges and the Raising of 'Winter Kills'".
3132:
2904:
2896:
2712:
2591:
2299:
Mann, Roderick (30 October 1983). "Movies: Actress Lois ChilesâWhere Did It All Go Wrong?".
2153:
2101:
1863:
1578:
1564:
1250:
1036:
830:
764:
755:
737:), a detective movie for Universal. It was followed by another with Peppard shot in Europe,
689:
685:
397:
360:
301:
in 1942 at the age of 17, lying about his age. This involved studying for six months at the
1055:
described Guillermin as an "imaginative and skillful director" with an "irascible streak."
3062:
2960:
2912:
2768:
2736:
1676:
1592:
1334:
1286:
1132:
1052:
1024:
945:
930:
770:
648:
and Peter Sellers; Guillermin also wrote the story. For the same company, Guillermin made
587:
527:
485:
429:
298:
266:
136:
1927:
834:
3031:
2848:
1483:
1322:
1143:
1065:
842:
838:
709:
699:
676:
591:
523:
291:
3186:
3024:
2952:
2784:
2728:
1662:
1373:
1275:
1013:
995:
954:
939:
541:
532:
424:
412:
260:
2644:
2864:
1511:
1098:
1086:
1008:
704:
655:
645:
607:
583:
552:
490:
480:
417:
341:
230:
2580:
2171:
Hendrick, Kimmis (1 February 1966). "'I'm an actor, not a star': Good director".
456:
Guillermin went to another low-budget outfit, Nettleford, to direct the thriller
2872:
2284:
Lee, Grant (20 September 1978). "Film Clips: Life on the Nile with Guillermin".
1525:
1307:
1069:
914:
887:
816:
789:
729:
713:
444:
382:
2538:
Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
2459:
2011:
Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
1981:
Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
727:
Guillermin received an offer to work in Hollywood, reuniting him with Peppard:
369:(1950), a thriller. He went to Hollywood in 1950 to study film-making methods.
3115:
1899:, 5 June 1981, page D2 (includes information about Maureen Connell Guillermin)
1000:
905:
900:
768:(1972), a popular thriller with Charlton Heston. For the same studio, he made
595:
43:
340:(1948) which Guillermin helped produce; it was directed by Hill and featured
2552:
880:
463:
2314:
Mann, Roderick (14 April 1981). "Back-to-Back Spying in Roger Moore Film".
381:, a company run by Roger and Nigel Proudlock. Two were based on scripts by
17:
2363:
The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate.
692:
became a fan of Guillermin and signed him for two more films. These were
626:
305:; when he was 18, he became a British citizen. He also studied flying at
359:(1949), directed by Hill and Guillermin. Both films were distributed by
2571:
2489:
2156:(24 April 1966). "How Zanuck Brought Life to Ailing 20th Century-Fox".
638:
Guillermin was hired by Independent Artists to make the crime thriller
493:, which was an attempt by Adelphi to enter bigger budgeted filmmaking.
334:
he set up a small production company, Advent Films. Together they made
75:
2347:
Scott, Jay (10 August 1984). "After the cackling, Wass is won over".
71:
530:. Setton hired Guillermin for what would be his breakthrough movie:
1152:
Guillermin attributed much of his famed bad temper to depression.
2512:"John Guillermin, Director of 'The Towering Inferno,' Dies at 89"
2486:"John Guillermin, Director of 'The Towering Inferno,' Dead at 89"
2430:. Madison: University of Wisconsin Press, 2008. pp. 332â333.
2556:
1858:. (includes marriage date and names of children with Guillermin)
1213:
co-directed, co-written and co-produced with Robert Jordan Hill
2985:
2648:
2404:. Lanham, Massachusetts: Scarecrow Press, 2001. pp. 105â6.
559:. Instead Guillermin made another movie with Mills and Setton,
2209:
MOVIE CALL SHEET: 'Criss Cross' for Guillermin Martin, Betty.
1892:. New York: Barnes & Noble Books, 1983. pp. 124â125.
1849:
The One Voice of James Dickey: His Letters and Life 1970â1997
27:
French-British film director, writer and producer (1925â2015)
1885:. Edinburgh: Edinburgh University Press, 2006. p. 156.
909:(1980). After this, he was briefly connected to a movie of
1950:"John Guillermin, 'Towering Inferno' Director, Dies at 89"
2378:. Jefferson, NC: McFarland and Company, 2006. p. 199
2981:
610:
to help re-invigorate the Tarzan series. The result was
2417:. New York: Simon & Schuster, 1995. pp. 464â5.
2057:
Chibnall, Stephen; McFarlane, Brian (23 October 2009).
1131:
On 20 July 1956, Guillermin married actress and author
1107:
executed and unapologetically classical works, such as
573:
playing himself; it was made for Associated British.
2402:
Some Cutting Remarks: Seventy Years as a Film Editor
3124:
3108:
3089:
3038:
2365:
New York: Thunder's Mouth Press, 2003. p. 394.
933:. There were two attempts to repeat the success of
893:In the late 1970s, Guillermin was attached to make
759:(1970) was a Western shot in Spain with Jim Brown.
547:Following this, Guillermin announced he would make
182:
125:
117:
109:
101:
82:
53:
34:
423:Guillermin received an offer from the short-lived
377:Guillermin made several movies for the low-budget
2083:The Crowded Day/Song of Paris, Johnston, Trevor.
1895:Wood, Susan. "A Feminist Tale of Two Continents"
1851:. University of Missouri, 2005. pp. 435â436.
873:He received an offer to direct the all-star film
823:who was looking for a director for his remake of
1012:(1966) as having a "cold, stiff-lipped manner."
661:In between the two movies, Guillermin directed
2540:John Guillermin: The Man, The Myth, The Movies
2013:John Guillermin: The Man, The Myth, The Movies
1998:John Guillermin: The Man, The Myth, The Movies
1983:John Guillermin: The Man, The Myth, The Movies
1876:John Guillermin: The Man, the Myth, the Movies
2997:
2660:
2255:. No. 13.1 Jan/Feb 1977. pp. 18â21.
2046:. No. 50.1 Jan/Feb 2014. pp. 20â21.
962:. Guillermin was still grieving while making
899:and worked on a script with Dean Reisner and
312:He wanted to be a director since he had seen
8:
2428:I Thought We Were Making Movies, Not History
2330:"John Guillermin, film director - obituary"
983:La Révolution française: Les Années lumiÚre
886:"Guillermin was not very nice to me," said
363:for whom Guillermin would write and direct
3004:
2990:
2982:
2667:
2653:
2645:
2222:Film Contract for Reynolds Martin, Betty.
1943:
1941:
1744:
1691:
1444:also story writer (with Peter De Sarigny)
1186:
708:(1966), an expensive aerial epic starring
174: 1999–2015)
151: 1956–1999)
42:
31:
3218:Royal Air Force personnel of World War II
2553:Evening Standard British Film Awards 1980
2087:; London Vol. 21, Iss. 4, (Apr 2011): 85.
2037:
2035:
2033:
2031:
719:The film was a huge commercial success.
576:In between the two, Guillermin directed
113:Film director, producer and screenwriter
2817:The Day They Robbed the Bank of England
2279:
2277:
2190:
2188:
2186:
2184:
2182:
1967:
1965:
1963:
1909:
1890:The Illustrated Guide to Film Directors
1810:Death on the Nile: Making of Featurette
1428:The Day They Robbed the Bank of England
980:For TV, he was one of the directors on
632:The Day They Robbed the Bank of England
330:In 1948, he moved back to London. With
2095:
2093:
1089:, who worked with him on the unfilmed
667:(1962), another popular Tarzan movie.
410:(1951), a thriller with Reynolds, and
2484:Burchette, John (30 September 2015).
2391:New York: Scribner, 2003. p. 169
1948:Slotnik, Daniel E. (1 October 2015).
1921:
1919:
1917:
1915:
1913:
1734:co-written and co-produced with Hill
1418:also screenwriter (with Berne Giler)
625:It was followed by a heist film with
516:Guillermin returned to features with
404:Also for Vandyke Guillermin directed
7:
447:. He made episodes of the TV series
3223:20th-century English businesspeople
2251:Byron, Stuart. "Kong Is Nice Guy".
2063:. Palgrave Macmillan. p. 123.
2042:Möller, Olaf. "Savage Spectacles".
1162:Evening Standard British Film Award
903:. He made the Canadian horror film
829:(1976). He had been turned down by
743:(1968). Neither were that popular.
489:(1954), a shop girl melodrama with
2542:. Precocity Press. pp. 13â15.
2510:Barnes, John (30 September 2015).
1985:. Precocity Press. pp. 18â20.
1926:Vagg, Stephen (17 November 2020).
598:; it was distributed by Columbia.
25:
2440:Goldman, Lowell (November 1990).
2376:Elmo Williams: A Hollywood Memoir
1862:Goldman, Lowell (November 1990).
606:Guillermin was hired by producer
551:about the 1916 Easter Rising for
437:. Back at Vandyke, he codirected
3203:English people of French descent
3167:
3166:
2000:. Precocity Press. pp. 1â2.
762:Guillermin returned to MGM with
475:(1954), made for Vandyke by the
290:Yvon Jean Guillermin grew up in
2100:Lyons, Kevin (2 October 2015).
1722:Directed by Robert Jordan Hill
799:but was replaced by Don Sharp.
582:(1958), a thriller produced by
198:His better-known films include
171:
148:
2415:In the Arena: An Autobiography
2015:. Precocity Press. p. 20.
973:(1988), a TV western starring
502:(15 TV episodes, 1956â57) and
353:(1949), directed by Hill, and
1:
2464:The Hollywood Fringe Festival
2173:The Christian Science Monitor
2143:10.1080/01439685.2016.1220765
2102:"John Guillermin (1925-2015)"
1928:"John Guillermin: Action Man"
1883:John Mills and British Cinema
1096:His work was re-appraised in
698:(1965), shot in France with
391:(1951), a thriller starring
2809:Tarzan's Greatest Adventure
1874:Guillermin, Mary (editor).
1856:Contemporary Authors Online
1413:Tarzan's Greatest Adventure
1039:was employed as editor for
969:Guillermin's last film was
815:(1976) but was replaced by
688:, whose head of production
635:(1960), also made for MGM.
613:Tarzan's Greatest Adventure
602:MGM and Independent Artists
207:Tarzan's Greatest Adventure
3239:
3213:Film directors from London
2761:Adventure in the Hopfields
2581:John Guillermin photograph
1346:Adventure in the Hopfields
1230:Also producer (with Hill)
1058:Before filming started on
733:(1968) (formerly known as
477:Children's Film Foundation
472:Adventure in the Hopfields
433:(1952), a comedy starring
3162:
3021:
2683:
2594:at British Film Institute
2104:. British Film Institute.
1721:
1708:
1520:
1448:
1422:
1382:
1329:
1295:
1270:
1234:
1068:replaced Guillermin with
819:. His next job came from
41:
1842:American Cinematographer
1470:also screenwriter (with
1321:also screenwriter (with
2351:. Toronto. p. E.1.
2213:, 26 November 1966: 18.
1781:The Adventures of Aggie
1127:Personal life and death
809:He was meant to direct
499:The Adventures of Aggie
303:University of Cambridge
48:John Guillermin in 1970
3208:English film producers
2833:Waltz of the Toreadors
2621:The Hollywood Reporter
2517:The Hollywood Reporter
1878:. Precocity Press 2020
1454:Waltz of the Toreadors
1121:
896:The Godfather Part III
782:He had a big hit with
651:Waltz of the Toreadors
416:(1952), a comedy with
225:Waltz of the Toreadors
2889:The Bridge at Remagen
2689:High Jinks in Society
1854:"Maureen Connell" in
1814:TV short documentary
1551:The Bridge at Remagen
1208:High Jinks in Society
1113:The Bridge at Remagen
1104:
1030:The Bridge at Remagen
795:He was meant to make
748:The Bridge at Remagen
565:(1958), the story of
356:High Jinks in Society
237:The Bridge at Remagen
2921:The Towering Inferno
2841:Tarzan Goes to India
2801:I Was Monty's Double
2060:The British 'B' Film
1607:The Towering Inferno
1472:Robert Hardy Andrews
1465:Tarzan Goes to India
1399:I Was Monty's Double
1138:His second wife was
788:(1974) for producer
785:The Towering Inferno
682:Richard Attenborough
664:Tarzan Goes to India
567:Operation Copperhead
562:I Was Monty's Double
555:based on a story by
287:," said Guillermin.
243:The Towering Inferno
219:Tarzan Goes to India
201:I Was Monty's Double
58:Yvon Jean Guillermin
2389:Producer: A Memoir.
1746:
1741:Television director
1719:associate producer
1188:
925:He was replaced on
654:(1962), based on a
629:and Peter O'Toole,
571:M. E. Clifton James
469:It was followed by
450:Your Favorite Story
435:Margaret Rutherford
379:Vandyke Productions
373:Vandyke Productions
344:in his film debut.
94:Topanga, California
3055:Shaft's Big Score!
2745:Operation Diplomat
2675:Films directed by
2442:"Lord of Disaster"
2413:Heston, Charlton.
2400:Winters, Ralph E.
2349:The Globe and Mail
2131:The New York Times
1954:The New York Times
1864:"Lord of Disaster"
1766:Your Favorie Story
1745:
1729:Melody in the Dark
1316:Operation Diplomat
1187:
1080:Andrew V. McLaglen
975:Kris Kristofferson
684:, was released by
459:Operation Diplomat
401:(1951), a comedy.
350:Melody in the Dark
332:Robert Jordan Hill
326:Robert Jordan Hill
3180:
3179:
2979:
2978:
2937:Death on the Nile
2640:Los Angeles Times
2460:"Mary Guillermin"
2426:Mirisch, Walter.
2336:. 1 October 2015.
2316:Los Angeles Times
2301:Los Angeles Times
2286:Los Angeles Times
2268:Los Angeles Times
2238:Los Angeles Times
2224:Los Angeles Times
2211:Los Angeles Times
2197:Los Angeles Times
2158:Los Angeles Times
2154:Champlin, Charles
2117:Los Angeles Times
1870:. pp. 59â70.
1833:
1832:
1796:Sailor of Fortune
1738:
1737:
1685:
1684:
1635:Death on the Nile
1306:co-directed with
1228:also screenwriter
1166:Death on the Nile
1064:(1976), producer
876:Death on the Nile
858:Lorenzo Semple Jr
821:Dino De Laurentis
619:Heart of Darkness
505:Sailor of Fortune
255:Death on the Nile
190:
189:
118:Years active
86:27 September 2015
16:(Redirected from
3230:
3170:
3169:
3006:
2999:
2992:
2983:
2713:Two on the Tiles
2669:
2662:
2655:
2646:
2559:
2550:
2544:
2543:
2535:
2529:
2528:
2526:
2524:
2507:
2501:
2500:
2498:
2496:
2481:
2475:
2474:
2472:
2470:
2456:
2450:
2449:
2437:
2431:
2424:
2418:
2411:
2405:
2398:
2392:
2385:
2379:
2374:Williams, Elmo.
2372:
2366:
2361:Barzman, Norma.
2359:
2353:
2352:
2344:
2338:
2337:
2326:
2320:
2319:
2311:
2305:
2304:
2296:
2290:
2289:
2281:
2272:
2271:
2263:
2257:
2256:
2248:
2242:
2241:
2233:
2227:
2226:7 Aug 1967: d28.
2220:
2214:
2207:
2201:
2200:
2192:
2177:
2176:
2168:
2162:
2161:
2150:
2144:
2140:
2134:
2133:24 Jan 1960: X7.
2127:
2121:
2120:
2112:
2106:
2105:
2097:
2088:
2081:
2075:
2074:
2054:
2048:
2047:
2039:
2026:
2023:
2017:
2016:
2008:
2002:
2001:
1993:
1987:
1986:
1978:
1972:
1969:
1958:
1957:
1945:
1936:
1935:
1923:
1888:Quinlan, David.
1871:
1844:, 1977, vol. 58.
1747:
1692:
1251:Two on the Tiles
1189:
1144:family therapist
1037:Ralph E. Winters
831:Steven Spielberg
723:Hollywood career
690:Darryl F. Zanuck
686:20th Century Fox
671:20th Century Fox
398:Two on the Tiles
361:Adelphi Pictures
175:
173:
152:
150:
89:
68:11 November 1925
67:
65:
46:
32:
21:
3238:
3237:
3233:
3232:
3231:
3229:
3228:
3227:
3183:
3182:
3181:
3176:
3158:
3154:2000 soundtrack
3148:Shaft in Africa
3142:1971 soundtrack
3120:
3104:
3085:
3063:Shaft in Africa
3034:
3017:
3010:
2980:
2975:
2961:King Kong Lives
2913:Shaft in Africa
2793:The Whole Truth
2769:The Crowded Day
2753:Strange Stories
2737:Miss Robin Hood
2679:
2677:John Guillermin
2673:
2631:Washington Post
2586:John Guillermin
2572:John Guillermin
2568:
2563:
2562:
2551:
2547:
2537:
2536:
2532:
2522:
2520:
2509:
2508:
2504:
2494:
2492:
2483:
2482:
2478:
2468:
2466:
2458:
2457:
2453:
2439:
2438:
2434:
2425:
2421:
2412:
2408:
2399:
2395:
2387:Wolper, David.
2386:
2382:
2373:
2369:
2360:
2356:
2346:
2345:
2341:
2328:
2327:
2323:
2313:
2312:
2308:
2298:
2297:
2293:
2283:
2282:
2275:
2265:
2264:
2260:
2250:
2249:
2245:
2235:
2234:
2230:
2221:
2217:
2208:
2204:
2194:
2193:
2180:
2170:
2169:
2165:
2152:
2151:
2147:
2141:
2137:
2128:
2124:
2114:
2113:
2109:
2099:
2098:
2091:
2085:Sight and Sound
2082:
2078:
2071:
2056:
2055:
2051:
2041:
2040:
2029:
2024:
2020:
2010:
2009:
2005:
1995:
1994:
1990:
1980:
1979:
1975:
1970:
1961:
1947:
1946:
1939:
1925:
1924:
1911:
1906:
1897:Washington Post
1861:
1847:Dickey, James.
1838:
1836:Further reading
1743:
1690:
1677:King Kong Lives
1593:Shaft in Africa
1388:The Whole Truth
1335:The Crowded Day
1301:Strange Stories
1287:Miss Robin Hood
1229:
1185:
1180:
1175:
1158:
1140:Mary Guillermin
1133:Maureen Connell
1129:
1053:Charlton Heston
1025:David L. Wolper
992:
964:King Kong Lives
946:King Kong Lives
931:Andrew McLaglen
923:
807:
780:
771:Shaft in Africa
725:
673:
604:
588:Stewart Granger
579:The Whole Truth
557:Liam O'Flaherty
528:Mike Frankovich
514:
486:The Crowded Day
440:Strange Stories
430:Miss Robin Hood
375:
328:
323:
314:Treasure Island
299:Royal Air Force
280:
267:King Kong Lives
193:John Guillermin
178:
177:
169:
165:
162:
161:Mary Guillermin
154:
146:
142:
139:
137:Maureen Connell
97:
91:
87:
78:
69:
63:
61:
60:
59:
49:
37:
36:John Guillermin
28:
23:
22:
15:
12:
11:
5:
3236:
3234:
3226:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3185:
3184:
3178:
3177:
3175:
3174:
3163:
3160:
3159:
3157:
3156:
3151:
3144:
3139:
3128:
3126:
3122:
3121:
3119:
3118:
3112:
3110:
3106:
3105:
3103:
3102:
3093:
3091:
3087:
3086:
3084:
3083:
3075:
3067:
3059:
3051:
3042:
3040:
3036:
3035:
3032:Ernest Tidyman
3022:
3019:
3018:
3011:
3009:
3008:
3001:
2994:
2986:
2977:
2976:
2974:
2973:
2965:
2957:
2949:
2941:
2933:
2925:
2917:
2909:
2901:
2893:
2885:
2881:House of Cards
2877:
2869:
2861:
2853:
2849:Guns at Batasi
2845:
2837:
2829:
2821:
2813:
2805:
2797:
2789:
2781:
2773:
2765:
2757:
2749:
2741:
2733:
2725:
2717:
2709:
2701:
2693:
2684:
2681:
2680:
2674:
2672:
2671:
2664:
2657:
2649:
2643:
2642:
2633:
2624:
2613:
2604:
2595:
2589:
2583:
2578:
2567:
2566:External links
2564:
2561:
2560:
2545:
2530:
2502:
2476:
2451:
2432:
2419:
2406:
2393:
2380:
2367:
2354:
2339:
2321:
2306:
2291:
2273:
2258:
2243:
2228:
2215:
2202:
2178:
2163:
2145:
2135:
2122:
2107:
2089:
2076:
2069:
2049:
2027:
2025:Guillermin p 5
2018:
2003:
1988:
1973:
1959:
1937:
1908:
1907:
1905:
1902:
1901:
1900:
1893:
1886:
1879:
1872:
1859:
1852:
1845:
1837:
1834:
1831:
1830:
1827:
1820:
1816:
1815:
1812:
1807:
1803:
1802:
1799:
1792:
1788:
1787:
1784:
1777:
1773:
1772:
1769:
1762:
1758:
1757:
1754:
1751:
1742:
1739:
1736:
1735:
1732:
1724:
1723:
1720:
1717:
1710:
1706:
1705:
1702:
1699:
1696:
1689:
1686:
1683:
1682:
1680:
1673:
1669:
1668:
1666:
1659:
1655:
1654:
1652:
1645:
1641:
1640:
1638:
1631:
1627:
1626:
1624:
1617:
1613:
1612:
1610:
1603:
1599:
1598:
1596:
1589:
1585:
1584:
1582:
1575:
1571:
1570:
1568:
1561:
1557:
1556:
1554:
1547:
1543:
1542:
1540:
1537:House of Cards
1532:
1531:
1529:
1522:
1518:
1517:
1515:
1508:
1504:
1503:
1501:
1494:
1490:
1489:
1487:
1484:Guns at Batasi
1480:
1476:
1475:
1468:
1460:
1459:
1457:
1450:
1446:
1445:
1442:
1434:
1433:
1431:
1424:
1420:
1419:
1416:
1409:
1405:
1404:
1402:
1394:
1393:
1391:
1384:
1380:
1379:
1377:
1370:
1366:
1365:
1363:
1356:
1352:
1351:
1349:
1341:
1340:
1338:
1331:
1327:
1326:
1323:A.R. Rawlinson
1319:
1311:
1310:
1304:
1297:
1293:
1292:
1290:
1282:
1281:
1279:
1272:
1268:
1267:
1265:
1257:
1256:
1254:
1246:
1245:
1243:
1236:
1232:
1231:
1226:
1219:
1215:
1214:
1211:
1204:
1200:
1199:
1196:
1193:
1184:
1181:
1179:
1176:
1174:
1171:
1170:
1169:
1157:
1154:
1128:
1125:
1066:Walter Mirisch
1016:, producer of
991:
988:
922:
919:
843:Sydney Pollack
839:Roman Polanski
806:
801:
779:
776:
740:House of Cards
724:
721:
710:George Peppard
700:Melvyn Douglas
677:Guns at Batasi
672:
669:
603:
600:
592:George Sanders
524:Maxwell Setton
513:
512:Maxwell Setton
510:
483:. He also did
393:Peter Reynolds
374:
371:
327:
324:
322:
319:
297:He joined the
292:Purley, Surrey
279:
276:
188:
187:
184:
180:
179:
167:
163:
160:
159:
158:
157:
144:
140:
135:
134:
133:
132:
129:
127:
123:
122:
119:
115:
114:
111:
107:
106:
105:French-British
103:
99:
98:
92:
90:(aged 89)
84:
80:
79:
70:
57:
55:
51:
50:
47:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3235:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3190:
3188:
3173:
3165:
3164:
3161:
3155:
3152:
3150:
3149:
3145:
3143:
3140:
3137:
3136:
3130:
3129:
3127:
3123:
3117:
3114:
3113:
3111:
3107:
3100:
3099:
3095:
3094:
3092:
3088:
3081:
3080:
3076:
3073:
3072:
3068:
3065:
3064:
3060:
3057:
3056:
3052:
3049:
3048:
3044:
3043:
3041:
3037:
3033:
3029:
3027:
3020:
3016:
3015:
3007:
3002:
3000:
2995:
2993:
2988:
2987:
2984:
2971:
2970:
2966:
2963:
2962:
2958:
2955:
2954:
2950:
2947:
2946:
2942:
2939:
2938:
2934:
2931:
2930:
2926:
2923:
2922:
2918:
2915:
2914:
2910:
2907:
2906:
2902:
2899:
2898:
2894:
2891:
2890:
2886:
2883:
2882:
2878:
2875:
2874:
2870:
2867:
2866:
2862:
2859:
2858:
2854:
2851:
2850:
2846:
2843:
2842:
2838:
2835:
2834:
2830:
2827:
2826:
2822:
2819:
2818:
2814:
2811:
2810:
2806:
2803:
2802:
2798:
2795:
2794:
2790:
2787:
2786:
2785:Town on Trial
2782:
2779:
2778:
2774:
2771:
2770:
2766:
2763:
2762:
2758:
2755:
2754:
2750:
2747:
2746:
2742:
2739:
2738:
2734:
2731:
2730:
2729:Song of Paris
2726:
2723:
2722:
2718:
2715:
2714:
2710:
2707:
2706:
2702:
2699:
2698:
2694:
2691:
2690:
2686:
2685:
2682:
2678:
2670:
2665:
2663:
2658:
2656:
2651:
2650:
2647:
2641:
2637:
2634:
2632:
2628:
2625:
2623:
2622:
2617:
2614:
2612:
2611:The Telegraph
2608:
2605:
2603:
2599:
2596:
2593:
2590:
2587:
2584:
2582:
2579:
2577:
2573:
2570:
2569:
2565:
2558:
2554:
2549:
2546:
2541:
2534:
2531:
2519:
2518:
2513:
2506:
2503:
2491:
2487:
2480:
2477:
2465:
2461:
2455:
2452:
2448:. p. 70.
2447:
2443:
2436:
2433:
2429:
2423:
2420:
2416:
2410:
2407:
2403:
2397:
2394:
2390:
2384:
2381:
2377:
2371:
2368:
2364:
2358:
2355:
2350:
2343:
2340:
2335:
2331:
2325:
2322:
2317:
2310:
2307:
2302:
2295:
2292:
2287:
2280:
2278:
2274:
2270:. p. 44.
2269:
2262:
2259:
2254:
2247:
2244:
2239:
2232:
2229:
2225:
2219:
2216:
2212:
2206:
2203:
2198:
2191:
2189:
2187:
2185:
2183:
2179:
2174:
2167:
2164:
2159:
2155:
2149:
2146:
2139:
2136:
2132:
2126:
2123:
2118:
2111:
2108:
2103:
2096:
2094:
2090:
2086:
2080:
2077:
2072:
2070:9781844575749
2066:
2062:
2061:
2053:
2050:
2045:
2038:
2036:
2034:
2032:
2028:
2022:
2019:
2014:
2007:
2004:
1999:
1992:
1989:
1984:
1977:
1974:
1968:
1966:
1964:
1960:
1955:
1951:
1944:
1942:
1938:
1933:
1929:
1922:
1920:
1918:
1916:
1914:
1910:
1903:
1898:
1894:
1891:
1887:
1884:
1881:Plain, Gill.
1880:
1877:
1873:
1869:
1865:
1860:
1857:
1853:
1850:
1846:
1843:
1840:
1839:
1835:
1828:
1826:
1825:
1821:
1818:
1817:
1813:
1811:
1808:
1805:
1804:
1800:
1798:
1797:
1793:
1790:
1789:
1785:
1783:
1782:
1778:
1775:
1774:
1770:
1768:
1767:
1763:
1760:
1759:
1755:
1752:
1749:
1748:
1740:
1733:
1731:
1730:
1726:
1725:
1718:
1716:
1715:
1714:Bless 'Em All
1711:
1707:
1703:
1700:
1697:
1694:
1693:
1687:
1681:
1679:
1678:
1674:
1671:
1670:
1667:
1665:
1664:
1660:
1657:
1656:
1653:
1651:
1650:
1646:
1643:
1642:
1639:
1637:
1636:
1632:
1629:
1628:
1625:
1623:
1622:
1618:
1615:
1614:
1611:
1609:
1608:
1604:
1601:
1600:
1597:
1595:
1594:
1590:
1587:
1586:
1583:
1581:
1580:
1576:
1573:
1572:
1569:
1567:
1566:
1562:
1559:
1558:
1555:
1553:
1552:
1548:
1545:
1544:
1541:
1539:
1538:
1534:
1533:
1530:
1528:
1527:
1523:
1519:
1516:
1514:
1513:
1509:
1506:
1505:
1502:
1500:
1499:
1495:
1492:
1491:
1488:
1486:
1485:
1481:
1478:
1477:
1473:
1469:
1467:
1466:
1462:
1461:
1458:
1456:
1455:
1451:
1447:
1443:
1441:
1440:
1436:
1435:
1432:
1430:
1429:
1425:
1421:
1417:
1415:
1414:
1410:
1407:
1406:
1403:
1401:
1400:
1396:
1395:
1392:
1390:
1389:
1385:
1381:
1378:
1376:
1375:
1374:Town on Trial
1371:
1368:
1367:
1364:
1362:
1361:
1357:
1354:
1353:
1350:
1348:
1347:
1343:
1342:
1339:
1337:
1336:
1332:
1328:
1324:
1320:
1318:
1317:
1313:
1312:
1309:
1305:
1303:
1302:
1298:
1294:
1291:
1289:
1288:
1284:
1283:
1280:
1278:
1277:
1276:Song of Paris
1273:
1269:
1266:
1264:
1263:
1259:
1258:
1255:
1253:
1252:
1248:
1247:
1244:
1242:
1241:
1237:
1233:
1227:
1225:
1224:
1220:
1217:
1216:
1212:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1191:
1190:
1182:
1177:
1172:
1167:
1163:
1160:
1159:
1155:
1153:
1150:
1147:
1145:
1141:
1136:
1134:
1126:
1124:
1120:
1118:
1114:
1110:
1103:
1101:
1100:
1094:
1092:
1088:
1083:
1081:
1077:
1076:
1071:
1067:
1063:
1062:
1056:
1054:
1050:
1048:
1044:
1043:
1038:
1034:
1032:
1031:
1026:
1021:
1019:
1015:
1014:Elmo Williams
1011:
1010:
1004:
1002:
998:
997:
996:Town on Trial
989:
987:
985:
984:
978:
976:
972:
967:
965:
961:
956:
955:Tanya Roberts
952:
948:
947:
942:
941:
936:
932:
928:
920:
918:
916:
912:
908:
907:
902:
898:
897:
891:
889:
884:
882:
878:
877:
871:
868:
866:
861:
859:
854:
850:
847:
844:
840:
836:
832:
828:
827:
822:
818:
814:
813:
805:
802:
800:
798:
793:
791:
787:
786:
777:
775:
773:
772:
767:
766:
760:
758:
757:
752:
750:
749:
744:
742:
741:
736:
732:
731:
722:
720:
717:
715:
711:
707:
706:
701:
697:
696:
691:
687:
683:
679:
678:
670:
668:
666:
665:
659:
657:
653:
652:
647:
643:
642:
636:
634:
633:
628:
623:
621:
620:
615:
614:
609:
601:
599:
597:
593:
589:
585:
581:
580:
574:
572:
568:
564:
563:
558:
554:
550:
545:
543:
542:Dario Argento
539:
538:Town on Trial
535:
534:
533:Town on Trial
529:
525:
521:
520:
511:
509:
507:
506:
501:
500:
494:
492:
488:
487:
482:
478:
474:
473:
467:
465:
461:
460:
454:
452:
451:
446:
442:
441:
436:
432:
431:
426:
425:Group 3 Films
421:
419:
415:
414:
413:Song of Paris
409:
408:
402:
400:
399:
394:
390:
389:
384:
380:
372:
370:
368:
367:
362:
358:
357:
352:
351:
345:
343:
339:
338:
337:Bless 'Em All
333:
325:
321:British films
320:
318:
315:
310:
308:
304:
300:
295:
293:
288:
286:
277:
275:
271:
269:
268:
263:
262:
257:
256:
251:
250:
245:
244:
239:
238:
233:
232:
227:
226:
221:
220:
215:
214:
209:
208:
203:
202:
196:
194:
185:
181:
156:
155:
138:
131:
130:
128:
124:
120:
116:
112:
110:Occupation(s)
108:
104:
100:
95:
85:
81:
77:
73:
56:
52:
45:
40:
33:
30:
19:
3147:
3134:
3096:
3077:
3069:
3061:
3053:
3045:
3025:
3012:
2967:
2959:
2951:
2943:
2935:
2927:
2919:
2911:
2903:
2895:
2887:
2879:
2871:
2865:The Blue Max
2863:
2855:
2847:
2839:
2831:
2825:Never Let Go
2823:
2815:
2807:
2799:
2791:
2783:
2777:Thunderstorm
2775:
2767:
2759:
2751:
2743:
2735:
2727:
2719:
2711:
2703:
2695:
2687:
2676:
2639:
2630:
2619:
2610:
2602:The Guardian
2601:
2548:
2539:
2533:
2523:30 September
2521:. Retrieved
2515:
2505:
2495:30 September
2493:. Retrieved
2479:
2467:. Retrieved
2463:
2454:
2445:
2435:
2427:
2422:
2414:
2409:
2401:
2396:
2388:
2383:
2375:
2370:
2362:
2357:
2348:
2342:
2333:
2324:
2315:
2309:
2300:
2294:
2285:
2267:
2261:
2253:Film Comment
2252:
2246:
2237:
2231:
2223:
2218:
2210:
2205:
2196:
2175:. p. 4.
2172:
2166:
2157:
2148:
2138:
2130:
2125:
2116:
2110:
2084:
2079:
2059:
2052:
2044:Film Comment
2043:
2021:
2012:
2006:
1997:
1991:
1982:
1976:
1953:
1931:
1896:
1889:
1882:
1875:
1867:
1855:
1848:
1841:
1822:
1809:
1801:13 episodes
1794:
1786:15 episodes
1779:
1765:
1727:
1712:
1675:
1661:
1647:
1633:
1619:
1605:
1591:
1577:
1563:
1549:
1536:
1524:
1512:The Blue Max
1510:
1496:
1482:
1463:
1452:
1439:Never Let Go
1437:
1426:
1411:
1397:
1386:
1372:
1360:Thunderstorm
1358:
1344:
1333:
1314:
1299:
1285:
1274:
1260:
1249:
1238:
1221:
1206:
1165:
1151:
1148:
1146:and artist.
1137:
1130:
1122:
1117:Never Let Go
1116:
1112:
1109:The Blue Max
1108:
1105:
1099:Film Comment
1097:
1095:
1090:
1087:James Dickey
1084:
1073:
1059:
1057:
1051:
1046:
1040:
1035:
1028:
1022:
1018:The Blue Max
1017:
1009:The Blue Max
1007:
1005:
994:
993:
981:
979:
970:
968:
963:
959:
950:
944:
938:
934:
926:
924:
921:Later career
910:
904:
894:
892:
885:
874:
872:
869:
864:
862:
852:
851:
848:
835:MiloĆĄ Forman
824:
810:
808:
803:
796:
794:
783:
781:
778:Blockbusters
769:
763:
761:
754:
753:
746:
745:
738:
734:
728:
726:
718:
705:The Blue Max
703:
693:
675:
674:
662:
660:
656:Jean Anouilh
649:
646:Richard Todd
644:(1960) with
641:Never Let Go
639:
637:
630:
624:
617:
611:
608:Sy Weintraub
605:
584:Jack Clayton
577:
575:
560:
553:Carl Foreman
549:Insurrection
548:
546:
537:
531:
519:Thunderstorm
517:
515:
503:
497:
495:
491:John Gregson
484:
481:Mandy Miller
470:
468:
462:(1953) with
457:
455:
448:
443:(1953) with
438:
428:
422:
418:Dennis Price
411:
405:
403:
396:
386:
376:
364:
354:
348:
346:
342:Max Bygraves
335:
329:
313:
311:
307:Falcon Field
296:
289:
281:
272:
265:
259:
253:
247:
241:
235:
231:The Blue Max
229:
223:
217:
213:Never Let Go
211:
205:
199:
197:
192:
191:
88:(2015-09-27)
29:
3198:2015 deaths
3193:1925 births
3133:Theme from
2969:The Tracker
1824:The Tracker
1771:4 episodes
1688:Other roles
1308:Don Chaffey
1173:Filmography
1070:Jack Smight
990:Personality
971:The Tracker
943:(1984) and
915:Roger Moore
888:Lois Chiles
879:(1978) for
817:Jack Smight
790:Irwin Allen
735:Criss Cross
714:James Mason
479:, starring
445:Don Chaffey
383:Alec Coppel
264:(1984) and
102:Nationality
3187:Categories
3116:John Shaft
3109:Characters
3090:Television
2705:Smart Alec
2469:4 November
1904:References
1791:1957-1958
1776:1956-1957
1240:Smart Alec
1164:1980, for
1111:(1966) or
1078:(1983) by
1001:John Mills
929:(1983) by
906:Mr. Patman
901:Mario Puzo
596:Donna Reed
388:Smart Alec
278:Early life
64:1925-11-11
18:Guillermin
3101:(1973â74)
3023:Based on
2945:Crossover
2929:King Kong
2905:Skyjacked
2897:El Condor
2721:Four Days
2334:Telegraph
1829:TV movie
1649:Crossover
1621:King Kong
1579:Skyjacked
1565:El Condor
1262:Four Days
1085:Novelist
1047:King Kong
1042:King Kong
1023:Producer
935:King Kong
881:EMI Films
853:King Kong
826:King Kong
804:King Kong
765:Skyjacked
756:El Condor
464:Guy Rolfe
407:Four Days
249:King Kong
121:1947â1988
3172:Category
2636:Obituary
2627:Obituary
2616:Obituary
2607:Obituary
2598:Obituary
2592:Obituary
1183:Director
986:(1989).
953:starred
949:(1986).
913:to star
797:Hennessy
774:(1973).
627:Aldo Ray
453:(1953).
427:to make
258:(1978),
252:(1976),
246:(1974),
240:(1969),
234:(1966),
228:(1962),
222:(1962),
216:(1960),
210:(1959),
204:(1958),
183:Children
2857:Rapture
2697:Torment
2490:TheWrap
2446:Starlog
1932:Filmink
1868:Starlog
1498:Rapture
1223:Torment
1091:Alnilam
911:Tai Pan
695:Rapture
366:Torment
176:
168:
164:
153:
145:
141:
126:Spouses
76:England
3082:(2019)
3074:(2000)
3066:(1973)
3058:(1972)
3050:(1971)
3028:(1970)
2972:(1988)
2964:(1986)
2956:(1984)
2953:Sheena
2948:(1980)
2940:(1978)
2932:(1976)
2924:(1974)
2916:(1973)
2908:(1972)
2900:(1970)
2892:(1969)
2884:(1968)
2876:(1968)
2868:(1966)
2860:(1965)
2852:(1964)
2844:(1962)
2836:(1962)
2828:(1960)
2820:(1960)
2812:(1959)
2804:(1958)
2796:(1958)
2788:(1957)
2780:(1956)
2772:(1954)
2764:(1954)
2756:(1953)
2748:(1953)
2740:(1952)
2732:(1952)
2724:(1951)
2716:(1951)
2708:(1951)
2700:(1950)
2692:(1949)
2588:at BFI
2303:. u26.
2288:. f14.
2240:. d23.
2119:. b11.
2067:
1756:Notes
1753:Title
1704:Notes
1698:Title
1663:Sheena
1198:Notes
1195:Title
1075:Sahara
1061:Midway
960:Sheena
951:Sheena
940:Sheena
927:Sahara
812:Midway
702:, and
395:, and
261:Sheena
96:, U.S.
72:London
3135:Shaft
3125:Music
3098:Shaft
3079:Shaft
3071:Shaft
3047:Shaft
3039:Films
3026:Shaft
3014:Shaft
2318:. g1.
2199:. r1.
2160:. b1.
1819:1988
1806:1978
1761:1953
1750:Year
1709:1949
1701:Role
1695:Year
1672:1986
1658:1984
1644:1980
1630:1978
1616:1976
1602:1974
1588:1973
1574:1972
1560:1970
1546:1969
1521:1968
1507:1966
1493:1965
1479:1964
1449:1962
1423:1960
1408:1959
1383:1958
1369:1957
1355:1956
1330:1954
1296:1953
1271:1952
1235:1951
1218:1950
1203:1949
1192:Year
1178:Films
1156:Award
586:with
569:with
170:(
166:
147:(
143:
2873:P.J.
2576:IMDb
2557:IMDb
2525:2015
2497:2015
2471:2021
2065:ISBN
1526:P.J.
1142:, a
865:Kong
841:and
730:P.J.
712:and
594:and
526:and
285:Frog
83:Died
54:Born
3030:by
2638:at
2629:at
2618:at
2609:at
2600:at
2574:at
2555:at
622:".
544:."
3189::
2514:.
2488:.
2462:.
2444:.
2332:.
2276:^
2181:^
2092:^
2030:^
1962:^
1952:.
1940:^
1930:.
1912:^
1866:.
1474:)
1325:)
1102:.
1082:.
1049:.
977:.
937::
917:.
837:,
833:,
590:,
420:.
385:,
172:m.
149:m.
74:,
3138:"
3131:"
3005:e
2998:t
2991:v
2668:e
2661:t
2654:v
2527:.
2499:.
2473:.
2073:.
1956:.
1934:.
1168:.
186:2
66:)
62:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
