262:
is a violent attack on a contemporary Dutch literary criticism that was less and less appreciative of
Hamelink's work. Hamelink especially reproached his contemporaries for their lack of knowledge of the classics and their complacent admiration of "experimental" poetry.
189:, was that poetry should try to speak the impossible, and that its failure to do this constitutes its greatness. This was perhaps most effectively enunciated in the speech "Op weg naar de poëzie" ("On the Way to Poetry"), published in the significantly titled
145:) revolve around the interplay between man and nature, where the former is always inferior to the latter. Main characters in these stories often disappear or die faced with the amoral and omnipresent force of life. The poetry, collected in such books as
247:: for Hamelink, the writer who tries to capture the "mystery" has to be thoroughly familiar with both human history and the literary tradition. In doing this Hamelink consciously placed himself in a tradition that stretches from
274:") his work became highly allusive, with personal and "general" history fusing in ever more rigidly constructed poems. The language of these poems heightens their difficulty: the author riffs on existing words, creating
180:
and shoved to the side. Despite his growing unpopularity, Hamelink continued on his set course, which would become more and more mystical as the years progressed. His growing belief, borrowed from poets such as
630:
This is not to say that
Hamelink's poetry is not fairly experimental in its own right. However, he protests against easy experimentation, where innovation becomes a mask for a total lack of content.
125:, while at the same time not neglecting the sound value of his verse. These two factors have gradually alienated him from an initially enthusiastic audience.
751:
766:
761:
756:
781:
771:
161:"), is in a very similar vein, and both poetry and prose were enthusiastically received by audience and critics alike.
703:
De Coux, Anneleen. “ ‘De ornamentenversierde cither heraangeraakt’: Kinksteen van Ch'in van ::Jacques
Hamelink”.
101:, was a Dutch poet, novelist, and literary critic, who is best known for his early short story collections such as
776:
289:
have written positive reviews on his later works and two of his publications were nominated for the prestigious
220:"), where he dealt with the history of his own family and the particular surroundings (the Dutch province of
85:
286:
54:
176:, bare of all personal involvement but still maintaining the same themes. His work was quickly branded
746:
741:
177:
647:
5 (2003): 62-65. and
Elshout, Ron. “Eeuwig, dagelijks: Over Tweede Gedichten van Jacques Hamelink”.
221:
204:
Hamelink's poetry became more instead, less personal. This is most obvious in books such as
661:
248:
227:
These years (the 1980s) also feature the publication of two important critical texts:
735:
696:---. “Opgeslokt door schriftloosheid: Jacques Hamelink: ‘The cloud of unknowing’”.
173:
186:
252:
118:
710:
Elshout, Ron. “Eeuwig, dagelijks: Over Tweede
Gedichten van Jacques Hamelink”.
275:
182:
122:
121:
prose and chose to write more and more poetry full of historical and literary
279:
639:
cf. De Coux, Anneleen. “ ‘De ornamentenversierde cither heraangeraakt’:
17:
258:
Similarly to the poet, high demands are made on the reader and critic.
133:
Hamelink was born in
Driewegen. His early stories (as collected in
686:. 2 delen. Unpublished Dissertation Free University of Brussels
290:
660:
Pfeijffer, Ilja
Leonard. “De boogschutter kan niet missen”.
117:", 1968). Later on in his career he gradually abandoned his
717:
Pfeiffer, Ilya
Leonard. “De boogschutter kan niet missen”.
689:---.'Is de wereld niet mooi soms?' Hamelinks koningsgraf”.
164:
This initial success would be short-lived: starting with
243:"). The former is a wider treatment of the trend set by
691:
97:(12 January 1939 – 17 November 2021), better known as
542:
Zeegezang inclusief gesternten van
Frederik de Zeeman
27:
Dutch poet, novelist, and literary critic (1939–2021)
81:
73:
61:
39:
32:
346:Ranonkel of de geschiedenis van een verzelving
8:
677:All references are to texts written in Dutch
549:Liedboek der oorlogen en feesten van al-Haqq
285:Prominent Dutch critics and poets such as
172:") Hamelink's poetry became more and more
29:
724:Van Domselaar, Kees. “Jacques Hamelink”.
617:Van Domselaar, Kees. "Jacques Hamelink".
530:(poetry) (published under pseudonym A.D.)
523:(poetry) (published under pseudonym A.D.)
516:(poetry) (published under pseudonym A.D.)
684:De poëzie van Jacques Hamelink 1961-1976
200:Paradoxically, after the publication of
610:
458:Ceremoniële en particuliere madrigalen
206:Ceremoniële en particuliere madrigalen
278:while at the same time reintroducing
7:
693:. Brussels: VUBpress, 1999. 281-302.
218:Remembrance of the Disappeared Light
493:Herinnering aan het verdwenen licht
444:In een lege kamer een garen draadje
214:Herinnering aan het verdwenen licht
260:In een lege kamer een garendraadje
241:In an Empty Room a Piece of String
237:In een lege kamer een garendraadje
25:
752:Constantijn Huygens Prize winners
210:Ceremonial and Specific Madrigals
556:Zilverzonnige en onneembare maan
767:20th-century Dutch male writers
402:Een reis door het demiurgenrijk
360:Geest van spraak en tegenspraak
528:Folklore imaginaire de Flandre
1:
465:Uit een nieuwe Akasha-kroniek
762:20th-century Dutch novelists
381:Afdalingen in de ingewanden
798:
726:Kritisch literatuurlexicon
619:Kritisch Literatuurlexicon
584:Vigerende oudelandse grond
570:De Dame van de Tapisserie
353:De betoverde bruidsnacht
95:Jacobus Marinus Hamelink
43:Jacobus Marinus Hamelink
591:Oden voor komende nacht
107:The Vegetative Dominion
77:Novelist, poet, teacher
757:Dutch literary critics
423:De droom van de poëzie
388:Witvelden, inskripties
311:Het plantaardig bewind
287:Ilja Leonard Pfeijffer
229:De droom van de poëzie
135:Het plantaardig bewind
103:Het plantaardig bewind
86:Het plantaardig bewind
782:People from Terneuzen
430:Gehandhaafde verhalen
374:Windwaarts, wortelher
245:Op weg naar de poëzie
129:Writing and reception
772:Dutch male novelists
332:De rudimentaire mens
143:De rudimentaire mens
111:De rudimentaire mens
641:Kinksteen van Ch'in
577:Germania, een canto
563:Kinksteen van Ch'in
416:Stenen voor mijzelf
233:The Dream of Poetry
714:2 (1994): 264-266.
682:Bartosik, Michel.
651:2 (1994): 264-266.
222:Zeelandic Flanders
678:
514:Runen van de ruin
488:(selected poetry)
411:(selected poetry)
409:Niemandsgedichten
202:Niemandsgedichten
191:Niemandsgedichten
92:
91:
16:(Redirected from
789:
777:Dutch male poets
707:5 (2003): 62-65.
700:6 (2003): 42-45.
676:
665:
658:
652:
637:
631:
628:
622:
615:
598:Solituden, songs
486:Eerste gedichten
432:(selected prose)
325:Een koude onrust
291:VSB poetry prize
224:) of his youth.
155:Een koude onrust
99:Jacques Hamelink
68:
65:17 November 2021
51:
49:
34:Jacques Hamelink
30:
21:
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719:NRC Handelsblad
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662:NRC Handelsblad
659:
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638:
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500:Sacrale komedie
467:(short stories)
367:De boom Goliath
334:(short stories)
313:(short stories)
299:
268:Sacrale komedie
249:Dante Alighieri
151:The Eternal Day
131:
115:Rudimentary Man
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52:12 January 1939
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721:(6 June 2003).
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339:Oudere gronden
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328:
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304:De eeuwige dag
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166:Oudere gronden
159:A Cold Anxiety
147:De eeuwige dag
130:
127:
90:
89:
83:
79:
78:
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71:
70:
69:(aged 82)
63:
59:
58:
41:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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472:Gemengde tijd
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280:archaic words
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273:
272:Sacral Comedy
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109:", 1964) and
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96:
87:
84:
82:Notable works
80:
76:
72:
64:
60:
57:, Netherlands
56:
42:
38:
31:
19:
725:
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711:
704:
698::Poeziekrant
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664:(06.06.2003)
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535:Boheems glas
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521:Groot eiland
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507:Asael's rust
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464:
457:
450:
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408:
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395:Hersenopgang
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366:
359:
352:
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338:
331:
324:
318:Horror vacui
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139:Horror vacui
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114:
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102:
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67:(2021-11-17)
747:2021 deaths
742:1939 births
712:Ons Erfdeel
705:Poëziekrant
649:Ons Erfdeel
645:Poëziekrant
481:(criticism)
479:Vuurproeven
451:Responsoria
446:(criticism)
253:T. S. Eliot
195:Nobodypoems
170:Older soils
119:pessimistic
736:Categories
728:27 (1987).
672:References
276:neologisms
183:Paul Celan
123:references
74:Occupation
48:1939-01-12
621:27 (1987)
187:Hölderlin
55:Driewegen
600:(poetry)
593:(poetry)
586:(poetry)
579:(poetry)
572:(poetry)
565:(poetry)
558:(poetry)
551:(poetry)
544:(poetry)
537:(poetry)
509:(poetry)
502:(poetry)
495:(poetry)
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460:(poetry)
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439:(poetry)
418:(poetry)
397:(poetry)
390:(poetry)
376:(poetry)
362:(poetry)
341:(poetry)
327:(poetry)
306:(poetry)
178:hermetic
174:abstract
18:Hamelink
596:2020 -
589:2016 -
582:2013 -
575:2010 -
568:2007 -
561:2003 -
554:2001 -
547:1999 -
540:1997 -
533:1995 -
526:1994 -
519:1992 -
512:1990 -
505:1988 -
498:1987 -
491:1986 -
484:1986 -
477:1985 -
470:1984 -
463:1983 -
456:1982 -
449:1980 -
442:1980 -
437:Het rif
435:1979 -
428:1979 -
425:(essay)
421:1978 -
414:1977 -
407:1976 -
404:(prose)
400:1976 -
393:1975 -
386:1974 -
383:(prose)
379:1974 -
372:1973 -
369:(prose)
365:1973 -
358:1971 -
355:(drama)
351:1970 -
348:(novel)
344:1969 -
337:1969 -
330:1968 -
323:1967 -
320:(prose)
316:1966 -
309:1964 -
302:1964 -
235:") and
212:") and
153:") and
266:After
88:(1964)
605:Notes
297:Work
197:").
185:and
141:and
62:Died
40:Born
643:".
251:to
738::
293:.
282:.
270:("
255:.
239:("
231:("
216:("
208:("
193:("
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50:)
46:(
20:)
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