Knowledge (XXG)

Harikatha

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involves the narration of a story, intermingled with various songs relating to the story. Usually, the narration involves numerous sub-plots and anecdotes, which are used to emphasize various aspects of the main story. The main storyteller is usually assisted by one or more co-signers, who elaborate
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Sriram V. records F.G. Natesa Iyer (in 1939) as saying: "Saraswati Bai is a pioneer, and today, as a result of her sacrifices…. Brahmins and non-Brahmins walk freely over the once forbidden ground. C. Saraswati Bai has achieved this
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Paruthiyur Krishna Sastri started out as a Harikatha exponent and then changed to Pravachan style. One of the best harikatha renderings is on the life of saint Tyagaraja by Mullukutla Sadasiva Sastry from Tenali.
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Following Krishna Bhagavatar, other great exponents of this art form such as Pandit Lakshmanachar, Tirupazhanam Panchapakesa Bhagavatar, Mangudi Chidambara Bhagavatar,
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is to imbue truth and righteousness in the minds of people and sow the seeds of devotion in them. Another of the aims is to educate them about knowledge of
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was a popular medium of entertainment, which helped transmit cultural, educational and religious values to the masses. The main aim of
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traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian
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This is an ancient form that took current form during the Bhakti movement in around 12th century. Many famous Haridasa are
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Harikatha is a composite art form composed of storytelling, poetry, music, drama, dance, and philosophy most prevalent in
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was the originator of the Telugu Harikatha tradition, and with his Kavyas and Prabandhas has made it a special art form.
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Recent practitioners of Harikatha include Veeragandham Venkata Subbarao, Kota Sachchidananda Sastri,
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going round villages singing devotional songs is an age-old tradition during Dhanurmaasam preceding
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The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
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was a pioneering woman Harikatha exponent. She broke the monopoly of
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during the 19th century. Harikatha Kalakshepam is most prevalent in
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The Encyclopaedia Of Indian Literature (Devraj To Jyoti), Volume 2
353: 20: 159:(the self) through stories and show them the path of liberation. 794: 242: 877: 1017:, Banni Bai, Mysore Sreekantha Shastry, Kamala Murthy, 141:. Any Hindu religious theme may be the subject for the 1246:' Contribution to the Art of Spiritual Story-Telling 908:. Unsourced material may be challenged and removed. 992:, Saraswati Bai and Padmasini Bai popularized the 25:Bhadragiri Achyuta Das performing Harikathe in 1182:"Kassebaum, Gayathri Rajapur.'Karnatak raga'" 1006:men over this art form. This was attested by 754: 8: 866:accompanist. The storyteller uses a pair of 826:The Telugu form of Harikatha originated in 91: 62: 761: 747: 533: 433: 166: 1057:Katha - The Art Of Story Telling In India 968:Learn how and when to remove this message 179:known for his extensive contributions to 1083: 564: 548: 536: 527: 498: 457: 436: 427: 197: 101:spending time to listen to Hari's story 1211:Harikatha: its origins and development 777:, the first Harikatha singer was sage 1248:by Meera Grimes. Indica Books, 2008. 7: 906:adding citations to reliable sources 1162:Encyclopaedia of Hinduism, Volume 3 16:Form of Hindu traditional discourse 14: 1125:Deepa Ganesh (12 February 2015). 1021:, Kalyanapuram Aravamudachariar, 528:Nationalistic and patriotic songs 882: 170: 1015:Mannargudi Sambasiva Bhagavatar 893:needs additional citations for 785:, other prominent singers were 986:Ajjada Adibhatla Narayana Dasu 848:Ajjada Adibhatla Narayana Dasu 1: 491:Harivallabh Sangeet Sammelan 573:Andaman and Nicobar Islands 450:Sangeet Natak Akademi Award 1344: 1272:Art of rendering Harikatha 1104:Telugu Harikatha Sarvasvam 1019:Embar Vijayaraghavachariar 990:Embar Vijayaraghavachariar 1313:Culture of Andhra Pradesh 476:Dover Lane music festival 1323:Performing arts in India 1196:: Taylor & Francis. 466:Saptak Festival of Music 1217:Datta, Amaresh (2006). 1180:Arnold, Alison (2000). 1090: 1303:Culture of Maharashtra 1293:Indian styles of music 1227:. pp. 1551–1553. 1165:. Anmol Publications. 1031:T S Balakrishna Sastry 481:Purandaradasa Aradhana 83:Harikatha Kaalakshepam 30: 428:Media and performance 24: 1308:Culture of Karnataka 1267:Article on Harikatha 1159:Singh, N.K. (1997). 902:improve this article 834:even now along with 471:Chennai Music Season 1127:"She paved the way" 1102:Thoomati Donappa. 982:Muthiah Bhagavatar 870:to keep the beat. 486:Tyagaraja Aradhana 31: 1242:Harikatha : 1008:F. G. Natesa Iyer 978: 977: 970: 952: 771: 770: 628:Jammu and Kashmir 583:Arunachal Pradesh 560: 559: 523: 522: 391:Asian Underground 80:), also known as 1335: 1318:Hindu traditions 1238: 1207: 1176: 1146: 1145: 1139: 1137: 1122: 1116: 1115: 1099: 1093: 1088: 1027:Gururajulu Naidu 973: 966: 962: 959: 953: 951: 910: 886: 878: 874:Famous exponents 862:the songs and a 803:in his court at 763: 756: 749: 623:Himachal Pradesh 534: 434: 288:Prabhat Samgiita 268:Rabindra Sangeet 193: 174: 167: 106:), is a form of 105: 102: 99: 96: 93: 79: 76: 70: 67: 64: 42:: ಹರಿಕಥೆ : 1343: 1342: 1338: 1337: 1336: 1334: 1333: 1332: 1283: 1282: 1263: 1235: 1225:Sahitya Akademi 1216: 1204: 1179: 1173: 1158: 1155: 1150: 1149: 1135: 1133: 1124: 1123: 1119: 1101: 1100: 1096: 1089: 1085: 1080: 1043: 974: 963: 957: 954: 911: 909: 899: 887: 876: 856: 813: 797:, who sang the 775:Hindu mythology 767: 537:National anthem 458:Music festivals 445:Filmfare Awards 189: 184: 165: 163:Hindu mythology 103: 100: 97: 94: 77: 71: 68: 65: 50:: హరికథ : 17: 12: 11: 5: 1341: 1339: 1331: 1330: 1325: 1320: 1315: 1310: 1305: 1300: 1295: 1285: 1284: 1281: 1280: 1269: 1262: 1261:External links 1259: 1258: 1257: 1244:Samarth Ramdas 1239: 1233: 1214: 1208: 1202: 1177: 1171: 1154: 1151: 1148: 1147: 1117: 1094: 1091:Singh, p. 2118 1082: 1081: 1079: 1076: 1075: 1074: 1069: 1064: 1059: 1054: 1052:Carnatic music 1049: 1042: 1039: 976: 975: 890: 888: 881: 875: 872: 855: 852: 828:Coastal Andhra 812: 809: 769: 768: 766: 765: 758: 751: 743: 740: 739: 738: 737: 732: 727: 722: 717: 716: 715: 705: 700: 695: 685: 680: 675: 670: 665: 660: 655: 653:Madhya Pradesh 650: 645: 640: 635: 630: 625: 620: 615: 610: 605: 600: 590: 585: 580: 578:Andhra Pradesh 575: 567: 566: 565:Regional music 562: 561: 558: 557: 551: 550: 546: 545: 543:Jana Gana Mana 539: 538: 530: 529: 525: 524: 521: 520: 519: 518: 511: 501: 500: 496: 495: 494: 493: 488: 483: 478: 473: 468: 460: 459: 455: 454: 453: 452: 447: 439: 438: 430: 429: 425: 424: 423: 422: 417: 416: 415: 410: 400: 395: 394: 393: 383: 378: 373: 372: 371: 366: 361: 351: 350: 349: 333: 332: 327: 326: 325: 320: 310: 305: 300: 295: 290: 285: 280: 278:Dwijendrageeti 275: 270: 265: 260: 258:Shyama Sangeet 255: 250: 245: 240: 235: 230: 229: 228: 223: 218: 200: 199: 195: 194: 191:Music of India 186: 185: 181:Carnatic music 175: 164: 161: 145:. 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Index


Kannada
Kannada
Telugu
Marathi
Hari
Telugu
Hindu
epic
Andhra Pradesh
Telangana
Maharashtra
Karnataka
Tamil Nadu
Ātman

Tyagaraju
Carnatic music
Music of India
Classical
Carnatic
Odissi
Hindustani
Folk
Borgeet
Baul
Bhajan
Kirtana
Shyama Sangeet
Ramprasadi

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