4567:
4577:
534:, the pagan emperor, who instructed his priests to "abstain not only from impure and lascivious acts but also from speech and reading of the same character...No initiate shall read Archilochus or Hipponax or any of the authors who write the same kind of thing." Moreover, Hipponax's Ionic dialect and his extensive use of foreign words made his work unsuited to an ancient education system that promoted
4587:
1191:
1682:
20:
237:
but which, in
Hipponax's day, seems rather to have had the purpose of entertainment. In both cases, the genre featured scornful abuse, a bitter tone and sexual permissiveness. Unlike Archilochus, however, he frequently refers to himself by name, emerging as a highly self-conscious figure, and his
399:
Hipponax remains a mystery. We have lost the matrix of these fascinating but puzzling fragments; ripped from their frame they leave us in doubt whether to take them seriously as autobiographical material (unlikely, but it has been done), as complete fiction (but there is no doubt that
Bupalus and
382:
Eating, defecating and fornicating are frequent themes and often they are employed together, as in fragment 92, a tattered papyrus which narrates a sexual encounter in a malodorous privy, where a Lydian-speaking woman performs some esoteric and obscene rites on the narrator, including beating his
193:
on
Hipponax in another fragment and, elsewhere, Hipponax complains "Why did you go to bed with that rogue Bupalus?", again apparently referring to Arete (whose name ironically is Greek for 'virtue'). The poet is a man of action but, unlike Archilochus, who served as a warrior on Thasos, his
261:
In his desire to abuse his enemies he shattered the meter, making it lame instead of straightforward, and unrhythmical, i.e. suitable for vigorous abuse, since what is rhythmical and pleasing to the ear would be more suitable for words of praise than blame.
529:
Few fragments of his work survived through the
Byzantine period despite his earlier popularity with Alexandrian poets and scholars. The Christian fathers disapproved of his abusive and obscene verses and he was also singled out as unedifying by
331:) were influenced by the Ionian epic tradition, as represented in the work of Homer. Except for parody, Hipponax composed as if Homer never existed, avoiding not only heroic sentiment but even epic phrasing and vocabulary. He employed a form of
413:(fr. 115-118) but the authorship is disputed by many modern scholars, who attribute them to Archilochus on various grounds, including for example the earlier poet's superior skill in invective and the fragments' resemblance to the tenth
213:
when you paint the serpent on the trireme's full-oared side, quit making it run back from the prow-ram to the pilot. What a disaster it will be and what a sensation—you low-born slave, you scum—if the snake should bite the pilot on the
89:
Ancient authorities record the barest details about his life (sometimes contradicting each other) and his extant poetry is too fragmentary to support autobiographical interpretation (a hazardous exercise even at the best of times).
564:
and
Aristophanes, the master of Old Comedy, certainly borrowed inspiration from Hipponax: "Someone ought to give them a Bupalus or two on the jaw—that might shut them up for a bit" the men's chorus says about the women's chorus in
404:
or something similar), or as dramatic scripts for some abusive proto-comic performance. Whatever they were, they are a pungent reminder of the variety and vitality of archaic Greek literature and of how much we have lost." —B.M.
421:(an avowed imitator of Archilochus). Archilochus might also have been the source for an unusually beautiful line attributed to Hipponax (a line that has also been described "as clear, melodious and spare as a line of
169:, an earlier iambic poet, who reportedly drove a certain Lycambes and his daughters to hang themselves after he too was rejected in marriage. Such a coincidence invites scepticism. The comic poet
702:"The best marriage for a sensible man is to get a woman's good character as a wedding gift: for this dowry alone preserves the household..."—fr. 182, translated and annotated by Douglas Gerber,
77:
who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit, especially for his attacks on some contemporary sculptors,
269:
Little of his work survives despite its interest to
Alexandrian scholars, who collected it in two or three books. Most of the surviving fragments are in choliambs but others feature
238:
poetry is more narrow and insistently vulgar in scope: "with
Hipponax, we are in an unheroic, in fact, a very sordid world", amounting to "a new conception of the poet's function."
179:
The life of
Hipponax, as revealed in the poems, resembles a low-life saga centred on his private enmities, his amorous escapades and his poverty but it is probable he was another
648:'Euromedontiades' means 'son of Euromedon', who was a king of giants mentioned by Homer (Odyssey 7.58f.); Charybdis is also mentioned by Homer (Odyssey 12.104); Aristotle named
465:
Here lies the poet
Hipponax. If you are a scoundrel, do not approach the tomb; but if you are honest and from worthy stock, sit down in confidence and, if you like, fall asleep,
487:
Ancient literary critics credited him with inventing literary parody and "lame" poetic meters suitable for vigorous abuse, as well as with influencing comic dramatists such as
157:
recorded two differing accounts of the dispute with
Bupalus, characterized however as "a painter in Clazomenae": Hipponax sought to marry Bupalus's daughter but was rejected
229:
tradition which, in the work of Archilochus, a hundred years earlier, appears to have functioned as ritualized abuse and obscenity associated with the religious cults of
125:, inscribed with the names Micciades and Achermus and dated to 550-30 BC. The poet therefore can be safely dated to the second half of the sixth century BC. According to
1714:
495:, who was mainly interested in its linguistic aspects (many of the extant verses were preserved for us by lexicographers and grammarians interested in rare words):
165:
to provoke laughter. According to the same scholiast, Hipponax retaliated in verse so savagely that Bupalus hanged himself. Hipponax in that case closely resembles
1211:
3314:
4636:
538:, the dialect of classical Athens. Today the longest fragment of complete, consecutive verses comprises only six lines. Archeologists working at
801:
as "...one who often retires to defecate in the midst of a meal so that he may fill himself up again."—cited and translated by Douglas Gerber,
183:, depicting low-life characters while actually moving in higher social circles. In one fragment, Hipponax decries "Bupalus, the mother-fucker (
1306:
849:
4621:
2702:
829:
53:
1707:
1206:
3324:
3014:
2707:
2641:
2712:
2687:
1633:
1141:
1055:
1021:
987:
885:
4521:
3270:
2697:
2692:
3164:
3024:
3019:
2296:
113:, had the very greatest fame in that art at the time of the poet Hipponax who was clearly alive in the 60th Olympiad (540-37).—
29:
1299:
4548:
3189:
1700:
1660:
1643:
456:, and his colourful reputation as an acerbic, social critic also made him a popular subject for verse, as in this epigram by
293:
quoted this diatribe against a glutton 'Euromedontiades', composed in dactylic hexameter in mock-heroic imitation of Homer's
4100:
4626:
4543:
3593:
3109:
3029:
2727:
2437:
81:
and Athenis. Hipponax was reputed to be physically deformed, which might have been inspired by the nature of his poetry.
4611:
4516:
3045:
2499:
3571:
3179:
3055:
2717:
2671:
2626:
2402:
2091:
1668:
4110:
590:"There are two days when a woman is a pleasure: the day one marries her and the day one carries out her dead body." (
4646:
4616:
4232:
4105:
3238:
3233:
3209:
3119:
2636:
1734:
542:
have added to the meagre collection with tattered scraps of papyrus, of which the longest, published in 1941, has
4590:
4533:
3489:
3292:
3277:
3199:
3134:
2603:
2454:
2349:
1823:
1757:
383:
genitals with a fig branch and inserting something up his anus, provoking incontinence and finally an attack by
4641:
3287:
3250:
3184:
2850:
2737:
1686:
573:, while trying to disguise the pain inflicted on himself during a flogging. A quote attributed to Hipponax by
728:
173:
took the similarity between the two iambic poets even further, representing them as rival lovers of the poet
4570:
3694:
3494:
3479:
3282:
3265:
3245:
3214:
3114:
3050:
2666:
2651:
2621:
2582:
2459:
2311:
1813:
114:
143:, and that he wrote verses satirising Bupalus and Athenis because they made insulting likenesses of him. A
4528:
3531:
3302:
3260:
3194:
3159:
2611:
2595:
2291:
2232:
2081:
2076:
825:
41:
4631:
4580:
3809:
3799:
3789:
3774:
3464:
3204:
3174:
3129:
3124:
2755:
2722:
2524:
2429:
2415:
2071:
1942:
1906:
1425:
Theocritus, translated into verse by C.S.Calverley, DEIGHTON, BELL, AND CO. LONDON: BELL AND DALDY. 1869
263:
241:
He was considered the inventor of a peculiar metre, the scazon ("halting iambic" as Murray calls it) or
199:
Take my cloak, I'll hit Bupalus in the eye! For I have two right hands and I don't miss with my punches.
189:) with Arete", the latter evidently being the mother of Bupalus, yet Arete is presented as performing
109:
a sculptor Melas who was succeeded by his son Micciades and his grandson Achermus; the latter's sons,
4052:
4046:
4032:
3516:
3474:
3446:
3331:
3144:
2374:
2170:
656:
1448a12) but he meant thereby that Hegemon was the first to make parody a profession—Douglas Gerber,
448:
Hipponax influenced Alexandrian poets searching for alternative styles and uses of language, such as
346:, as for example here where he addresses Zeus with the outlandish Lydian word for 'king' (nominative
24:
4183:
4153:
3541:
3436:
3431:
2868:
2183:
2096:
2066:
2020:
1783:
531:
270:
97:, only partially preserved in the relevant place, dates him to 541/40 BC, a date supported by
4576:
4400:
4297:
4203:
3847:
3764:
3652:
3154:
2978:
2494:
2474:
2331:
2202:
2086:
1881:
1808:
282:
4475:
4062:
3611:
3459:
3411:
3255:
3224:
3169:
3086:
2963:
2835:
2656:
2489:
2442:
2382:
2256:
2238:
2214:
2196:
2106:
2101:
1752:
1629:
1621:
1302:
1137:
1051:
1017:
983:
881:
845:
841:
649:
492:
977:
4405:
3937:
3902:
3719:
3576:
3454:
3341:
3336:
2661:
2616:
2447:
2354:
1970:
1803:
1788:
1778:
1617:
1196:
One or more of the preceding sentences incorporates text from a publication now in the
837:
780:, in this case gaping all the way to the shoulders)—cited and translated by Douglas Gerber,
669:
The Hipponax fragment 119 might have been a contamination of the Archilochus fragments 118 (
4445:
4420:
4178:
3966:
3779:
3521:
3387:
3319:
2646:
2244:
2226:
2134:
2111:
1985:
1896:
1856:
1793:
1664:
1651:
516:
What navel-snipper wiped and washed you as you squirmed about, you crack-brained creature?
414:
340:
274:
153:
98:
4302:
4242:
4237:
4193:
3974:
3922:
3912:
3892:
3882:
3626:
3621:
3616:
3101:
3081:
2469:
2279:
2268:
2262:
2250:
2050:
2025:
1937:
1798:
1723:
1639:
557:
400:
Athenis were real people), as part of a literary adaptation of some ritual of abuse (a
226:
71:
1539:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), note 2 page 363
4605:
4538:
4455:
4430:
4120:
4042:
3724:
3667:
3566:
3556:
3526:
3508:
3382:
2534:
2316:
2208:
2164:
2126:
1965:
1886:
1202:
1197:
332:
94:
68:
121:
Archeological corroboration for these dates is found on the pedestal of a statue in
4355:
4307:
4173:
4027:
3897:
3536:
3372:
2878:
2840:
2539:
956:
570:
488:
384:
19:
1655:
770:
Mimnes was a painter, here addressed hyperbolically as a sodomite (wide-arse, or
4375:
4267:
4247:
4080:
4075:
3583:
3561:
3551:
3546:
3469:
3426:
2973:
2883:
2873:
2760:
2750:
2514:
1891:
1866:
905:, Loeb Classical Library (1999), including archeological notes 1 and 2, page 343
547:
539:
449:
278:
166:
74:
1591:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 162
1510:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 158
1497:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 158
1373:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 164
1347:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 164
1334:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 163
1285:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 158
1272:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 159
1157:, P. Easterling and B. Knox (ed.s), Cambridge University Press (1985), page 159
1110:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 160
1084:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 160
1003:, P. Easterling and B. Knox (eds.), Cambridge University Press (1985), page 159
253:
for the final iambus of an iambic senarius, and is an appropriate form for the
4312:
4282:
4277:
4262:
4148:
4115:
3784:
3754:
3421:
3149:
2983:
2825:
2820:
2810:
2795:
2780:
2770:
2745:
2121:
1876:
1831:
578:
566:
553:
457:
285:, imitating epic poetry. Ancient scholars in fact credited him with inventing
140:
64:
4287:
4213:
4198:
4168:
4163:
4095:
4019:
4004:
3989:
3932:
3832:
3484:
3416:
2988:
2968:
2938:
2933:
2928:
2893:
2888:
2858:
2805:
2765:
2544:
2410:
2364:
2344:
2151:
1975:
1846:
1681:
794:
561:
388:
328:
303:
290:
254:
180:
144:
126:
204:
Hipponax's quarrelsome disposition is also illustrated in verses quoted by
4337:
4327:
4317:
4292:
4158:
4090:
4070:
4037:
3999:
3942:
3857:
3842:
3699:
3689:
3606:
3601:
2998:
2993:
2953:
2948:
2923:
2830:
2785:
2775:
2631:
2529:
2464:
2392:
2000:
732:
715:(Attribution to Hipponax is not accepted by all scholars—Douglas Gerber,
574:
343:
336:
242:
234:
190:
170:
129:, he was small, thin and surprisingly strong The Byzantine encyclopaedia
1215:. Vol. 13 (11th ed.). Cambridge University Press. p. 522.
4480:
4470:
4425:
4415:
4410:
4395:
4385:
4370:
4365:
4252:
4140:
4130:
4009:
3984:
3979:
3952:
3947:
3927:
3917:
3907:
3872:
3862:
3852:
3804:
3794:
3769:
3739:
3734:
3729:
3704:
3357:
3139:
2800:
2790:
2549:
2519:
2509:
2504:
2484:
2479:
2359:
2306:
2220:
2015:
2005:
1995:
1990:
1980:
1268:
fragment 128, translated by B.M. Knox, 'Elegy and Iambus: Hipponax' in
453:
294:
250:
246:
230:
208:, where the bard abuses a painter called Mimnes, and advises him thus:
205:
136:
110:
78:
60:
1080:
fragment 15, translated by B.M. Knox, 'Elegy and Iambus: Hipponax' in
4450:
4380:
4360:
4322:
4188:
3994:
3887:
3824:
3814:
3759:
3377:
3362:
2958:
2943:
2918:
2913:
2898:
2559:
2554:
2321:
2301:
2045:
2035:
2030:
1901:
1861:
1851:
1836:
757:(to pull up one's clothes)."—cited and translated by Douglas Gerber,
535:
422:
418:
286:
174:
148:
593:δύ᾿ ἡμέραι γυναικός εἰσιν ἥδισται, ὅταν γαμῇ τις κἀκφέρῃ τεθνηκυῖαν
4460:
4435:
4332:
4272:
4257:
4125:
4085:
3837:
3749:
3744:
3714:
3709:
3684:
3367:
2908:
2863:
2815:
2387:
2339:
2040:
2010:
1957:
1932:
1871:
1841:
1636:, cf. Chapter 5, "Elegy and Iambus", pp. 158–164 on Hipponax.
745:"Hipponax calls her 'opening of filth' as one who is impure, from
556:, as a medium for invective and abuse, was a natural successor to
491:. His witty, abusive style appears for example in this passage by
410:
122:
106:
1692:
1296:
A History of Ancient Greek: from the beginnings to late antiquity
1106:
Fr. 28, translated by B.M. Knox, 'Elegy and Iambus: Hipponax' in
4465:
4440:
4390:
3877:
3867:
131:
4505:
3647:
3076:
2580:
1927:
1747:
1696:
1589:
The Cambridge History of Classical Literature: Greek Literature
1537:
The Cambridge History of Classical Literature: Greek Literature
1508:
The Cambridge History of Classical Literature: Greek Literature
1495:
The Cambridge History of Classical Literature: Greek Literature
1371:
The Cambridge History of Classical Literature: Greek Literature
1345:
The Cambridge History of Classical Literature: Greek Literature
1332:
The Cambridge History of Classical Literature: Greek Literature
1283:
The Cambridge History of Classical Literature: Greek Literature
1270:
The Cambridge History of Classical Literature: Greek Literature
1155:
The Cambridge History of Classical Literature: Greek Literature
1108:
The Cambridge History of Classical Literature: Greek Literature
1082:
The Cambridge History of Classical Literature: Greek Literature
1001:
The Cambridge History of Classical Literature: Greek Literature
438:
If only I might have a maiden who is both beautiful and tender.
387:—a wild scene that possibly inspired the 'Oenothea' episode in
327:
Most archaic poets (including the iambic poets Archilochus and
321:
under a rain of stones, on the beach of the barren salt ocean''
1067:
fragments 12, 17, translated and annotated by Douglas Gerber,
470:
or in this 19th century rhyming translation by C.S.Calverley:
316:
sing how, condemned by public decree, he will perish obscenely
1493:
48, translated by B.M. Knox, 'Elegy and Iambus: Hipponax' in
771:
752:
746:
680:
670:
627:
618:
609:
591:
506:
499:
429:
363:
356:
347:
311:
his belly a sharp-slicing knife, his table manners atrocious;
184:
1548:
Lysistrata lines 360-61, translated by Alan H. Sommerstein,
1464:
Tzetzes on Aristophanes, 'Plutus', cited by Douglas Gerber,
693:, Loeb Classical Library (1999), note 1 for fr. 119 page 159
161:
of his physical ugliness, and Bupalus portrayed him as ugly
617:"Mimnes, you who gape open all the way to the shoulders." (
257:
character of his poems. As an ancient scholar once put it:
1298:, A.F.Christidis (ed.), Cambridge University Press (2001)
660:, Loeb Classical Library (1999), notes 4, 6, 8 page 459
569:, and "Wonderful poet, Hipponax!" Dionysus exclaims in
139:
by the tyrants Athenagoras and Comas, then settled in
1550:
Aristophanes: Lysistrata, The Acharnians, The Clouds
1477:
Herodian 'On Inflections', cited by Douglas Gerber,
1399:, Douglas E. Gerber (ed.), Brill (1997) pages 80, 82
335:
Greek that included an unusually high proportion of
4346:
4223:
4212:
4139:
4061:
4018:
3965:
3823:
3675:
3666:
3592:
3507:
3445:
3400:
3350:
3301:
3223:
3100:
3038:
3007:
2849:
2736:
2680:
2602:
2428:
2401:
2373:
2330:
2278:
2120:
2059:
1956:
1822:
1771:
677:Would that I might thus touch Neoboule on her hand
1093:fragments 120, 121 translated by Douglas Gerber,
1071:, Loeb Classical Library (1999), page 363 and 367
867:, Douglas E. Gerber (ed.), Brill (1997) pages 84
397:
371:Zeus, father Zeus, sultan of the Olympian gods,
259:
210:
196:
103:
927:Athenaeus 12.552c-d, cited by Douglas Gerber,
1708:
1561:Frogs line 660, translated by David Barrett,
1451:301, cited and translated by Douglas Gerber,
1229:301, cited and translated by Douglas Gerber,
8:
1535:1449a2ff, cited by E.W. Handley 'Comedy' in
1434:Athenaeus 15.698b, cited by Douglas Gerber,
1382:Fragment 119, translated by Douglas Gerber,
793:A comic word coined by Hipponax, defined by
577:actually appears to have been composed by a
302:Muse, sing of Eurymedontiades, sea-swilling
1587:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1506:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1369:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1343:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1330:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1317:fragment 38, translated by Douglas Gerber,
1281:B.M. Knox, 'Elegy and Iambus: Hipponax' in
1153:B.M. Knox, 'Elegy and Iambus: Hipponax' in
999:B.M. Knox, 'Elegy and Iambus: Hipponax' in
521:where 'navel-snipper' signifies a midwife.
431:εἴ μοι γένοιτο παρθένος καλή τε καὶ τέρεινα
409:The extant work also includes fragments of
277:, the latter sometimes in combination with
101:in this comment on the theme of sculpture:
4502:
4220:
3672:
3663:
3644:
3404:
3307:
3097:
3073:
2590:
2577:
2284:
1953:
1924:
1768:
1744:
1715:
1701:
1693:
1523:, Bristol Classical Press (1982), page 373
1360:, Bristol Classical Press (1982), page 157
1246:, Bristol Classical Press (1982), page 374
1170:, Bristol Classical Press (1982), page 374
1037:, Bristol Classical Press (1982), page 373
918:, Bristol Classical Press (1982), page 373
743:Descriptions of a woman, recorded by Suda:
731:was used nearly a thousand years later by
1626:Cambridge History of Classical Literature
1604:, Loeb Classical Library (1999), page 471
1578:, Loeb Classical Library (1999), page 481
1481:, Loeb Classical Library (1999), page 367
1468:, Loeb Classical Library (1999), page 383
1455:, Loeb Classical Library (1999), page 351
1438:, Loeb Classical Library (1999), page 459
1416:, Loeb Classical Library (1999), page 347
1386:, Loeb Classical Library (1999), page 451
1321:, Loeb Classical Library (1999), page 385
1233:, Loeb Classical Library (1999), page 351
1123:, Loeb Classical Library (1999), pags 1-3
1097:, Loeb Classical Library (1999), page 453
967:, Loeb Classical Library (1999), page 351
947:, Loeb Classical Library (1999), page 345
931:, Loeb Classical Library (1999), page 347
805:, Loeb Classical Library (1999), page 437
784:, Loeb Classical Library (1999), page 375
761:, Loeb Classical Library (1999), page 467
719:, Loeb Classical Library (1999), page 405
706:, Loeb Classical Library (1999), page 497
1136:, Douglas E. Gerber (ed.), BRILL, 1997.
1050:, Douglas E. Gerber (ed.), BRILL, 1997.
1016:, Douglas E. Gerber (ed.), BRILL, 1997.
982:, Douglas E. Gerber (ed.), BRILL, 1997.
834:Oxford Research Encyclopedia of Classics
18:
1259:, Loeb Classical Library (1999), page 8
880:, Douglas E. Gerber (ed), BRILL, 1997.
842:10.1093/acrefore/9780199381135.013.3125
817:
641:
1563:Aristophanes: The Frogs an Other Plays
358:Ὦ Ζεῦ, πάτερ Ζεῦ, θεῶν Ὀλυμπίων πάλμυ,
1645:A History of Ancient Greek Literature
976:Christopher G. Brown, 'Hipponax', in
876:Christopher G. Brown, 'Hipponax', in
672:εἴ μοι γένοιτο χεῖρα Νεοβούλης θιγεῖν
135:, recorded that he was expelled from
7:
4116:Illicitanus Limin/Portus Illicitanus
1395:Christopher G. Brown, 'Hipponax' in
1134:A Companion to the Greek Lyric Poets
1048:A Companion to the Greek Lyric Poets
1014:A Companion to the Greek Lyric Poets
979:A Companion to the Greek Lyric Poets
878:A Companion to the Greek Lyric Poets
863:Christopher G. Brown, 'Hipponax' in
1565:, Penguin Classics (1964), page 180
1552:, Penguin Classics (1973), page 194
1132:Christopher G. Brown, 'Hipponax' in
1046:Christopher G. Brown, 'Hipponax' in
1012:Christopher G. Brown, 'Hipponax' in
608:"opening of filth...self-exposer" (
602:"croaking like a raven in a privy."
483:Sit down—and sleep, if so inclined.
480:Ye who rank high in birth and mind
376:why have you not given me gold...?
14:
1412:19 Gow, cited by Douglas Gerber,
751:(filth), and 'self-exposer' from
599:"drank like a lizard in a privy."
4637:Ancient Greek political refugees
4585:
4575:
4566:
4565:
1680:
1657:Hipponax: Creating the Pharmakos
1397:A Companion to Greek Lyric Poets
1294:J.Adiego 'Greek and Lydian', in
1189:
943:, translated by Douglas Gerber,
901:, translated by Douglas Gerber,
865:A Companion to Greek Lyric Poets
477:Let no base rascal venture near.
474:Tuneful Hipponax rests him here.
194:battlefields are close to home:
4586:
1628:, v.I, Greek Literature, 1985.
501:τίς ὀμφαλητόμος σε τὸν διοπλῆγα
30:Promptuarii Iconum Insigniorum
1:
2187:
2174:
2155:
2138:
508:ἔψησε κἀπέλουσεν ἀσκαρίζοντα;
225:Hipponax composed within the
105:There lived in the island of
3315:Funeral and burial practices
2500:Military of Mycenaean Greece
4622:6th-century BC Greek people
1669:Center for Hellenic Studies
963:, cited by Douglas Gerber,
836:, Oxford University Press,
4663:
3239:Greek Revival architecture
772:
753:
747:
687:a beautiful, tender maiden
681:
671:
652:as the founder of parody (
628:
619:
611:βορβορόπιν...ἀνασυρτόπολιν
610:
592:
525:Transmission and reception
507:
500:
430:
365:τί μ᾽ οὐκ ἔδωκας χρυσόν...
364:
357:
348:
185:
57: late 6th century BC
45:
4561:
4512:
4501:
3662:
3643:
3407:
3310:
3096:
3072:
2647:Attalid kings of Pergamon
2593:
2589:
2576:
2455:Antigonid Macedonian army
2287:
1952:
1923:
1767:
1743:
1730:
585:Some Hipponactean sayings
281:and even on their own in
729:A variant of these lines
626:"interprandial pooper" (
460:rendered here in prose:
1212:Encyclopædia Britannica
2681:Artists & scholars
2596:List of ancient Greeks
2233:Second Athenian League
2082:Greco-Bactrian Kingdom
1907:Ancient Greek colonies
1685:Quotations related to
1648:, 1897. Cf. p. 88
1179:Cf. Murray, 1897, p.88
605:"sister of cow manure"
560:from the viewpoint of
407:
267:
245:, which substitutes a
218:
202:
119:
34:
3800:Sybaris on the Traeis
2525:Sacred Band of Thebes
2265:(c. 300 BC–c. 300 AD)
1779:Cycladic civilization
682:καλὴ τέρεινα παρθένος
264:Demetrius of Phalerum
22:
4627:6th-century BC poets
3325:mythological figures
3046:Ancient Greek tribes
2171:Peloponnesian League
167:Archilochus of Paros
4612:Ancient Greek poets
3437:Tunnel of Eupalinos
3432:Theatre of Dionysus
3056:Ancient Macedonians
2672:Tyrants of Syracuse
2184:Amphictyonic League
1784:Minoan civilization
1602:Greek Iambic Poetry
1576:Greek Iambic Poetry
1519:David A. Campbell,
1479:Greek Iambic Poetry
1466:Greek Iambic Poetry
1453:Greek Iambic Poetry
1436:Greek Iambic Poetry
1414:Greek Iambic Poetry
1384:Greek Iambic Poetry
1356:David A. Campbell,
1319:Greek Iambic Poetry
1257:Greek Iambic Poetry
1242:David A. Campbell,
1231:Greek Iambic Poetry
1166:David A. Campbell,
1121:Greek Iambic Poetry
1095:Greek Iambic Poetry
1069:Greek Iambic Poetry
1033:David A. Campbell,
965:Greek Iambic Poetry
945:Greek Iambic Poetry
929:Greek Iambic Poetry
914:David A. Campbell,
903:Greek Iambic Poetry
803:Greek Iambic Poetry
799:On Defamatory Words
782:Greek Iambic Poetry
759:Greek Iambic Poetry
717:Greek Iambic Poetry
704:Greek Iambic Poetry
691:Greek Iambic Poetry
658:Greek Iambic Poetry
532:Julian the Apostate
271:trochaic tetrameter
111:Bupalus and Athenis
4111:Menestheus's Limin
3765:Pandosia (Lucania)
3653:Greek colonisation
3015:Athenian statesmen
2776:Diogenes of Sinope
2637:Kings of Macedonia
2627:Kings of Commagene
2495:Macedonian phalanx
2475:Hellenistic armies
2223:(c. 424–c. 395 BC)
2087:Indo-Greek Kingdom
1809:Hellenistic Greece
1663:2017-06-26 at the
1521:Greek Lyric Poetry
1358:Greek Lyric Poetry
1244:Greek Lyric Poetry
1168:Greek Lyric Poetry
1035:Greek Lyric Poetry
916:Greek Lyric Poetry
689:)—Douglas Gerber,
629:μεσσηγυδορποχέστης
283:dactylic hexameter
35:
16:Ancient Greek poet
4647:Ionic Greek poets
4617:Ancient Ephesians
4599:
4598:
4557:
4556:
4497:
4496:
4493:
4492:
4489:
4488:
4063:Iberian Peninsula
3995:Lipara/Meligounis
3961:
3960:
3639:
3638:
3635:
3634:
3612:Cypriot syllabary
3503:
3502:
3412:Athenian Treasury
3396:
3395:
3068:
3067:
3064:
3063:
2657:Ptolemaic dynasty
2617:Archons of Athens
2572:
2571:
2568:
2567:
2443:Athenian military
2424:
2423:
2257:League of Corinth
2239:Thessalian League
2215:Chalcidian League
2197:Acarnanian League
2107:Ptolemaic Kingdom
1919:
1918:
1915:
1914:
1622:Bernard M.W. Knox
1620:(Series Editor),
1307:978-0-521-83307-3
851:978-0-19-938113-5
650:Hegemon of Thasos
339:and particularly
25:Guillaume Rouillé
4654:
4589:
4588:
4579:
4569:
4568:
4503:
4221:
3720:Heraclea Lucania
3673:
3664:
3645:
3405:
3337:Twelve Olympians
3308:
3098:
3074:
2662:Seleucid dynasty
2642:Kings of Paionia
2591:
2578:
2448:Scythian archers
2355:Graphe paranomon
2285:
2192:
2189:
2179:
2176:
2160:
2157:
2147:
2143:
2140:
1954:
1925:
1804:Classical Greece
1789:Mycenaean Greece
1769:
1745:
1717:
1710:
1703:
1694:
1684:
1618:Easterling, P.E.
1605:
1600:Douglas Gerber,
1598:
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1574:Douglas Gerber,
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620:Μιμνῆ κατωμόχανε
613:
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4642:Lydian language
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4485:
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4225:
4216:
4208:
4179:Melaina Korkyra
4135:
4057:
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3967:Aeolian Islands
3957:
3819:
3677:
3658:
3657:
3631:
3588:
3499:
3441:
3392:
3346:
3297:
3219:
3210:Wedding customs
3092:
3091:
3060:
3051:Thracian Greeks
3034:
3025:Olympic victors
3003:
2845:
2732:
2676:
2667:Kings of Sparta
2652:Kings of Pontus
2622:Kings of Athens
2598:
2585:
2564:
2460:Army of Macedon
2420:
2397:
2369:
2326:
2274:
2247:(370–c. 230 BC)
2245:Arcadian League
2229:(c. 400–188 BC)
2227:Aetolian League
2221:Boeotian League
2203:Hellenic League
2190:
2177:
2167:(c. 650–404 BC)
2158:
2152:Italiote League
2145:
2141:
2135:Doric Hexapolis
2125:
2116:
2112:Seleucid Empire
2055:
1948:
1947:
1911:
1818:
1794:Greek Dark Ages
1763:
1762:
1739:
1726:
1721:
1677:
1665:Wayback Machine
1652:Todd M. Compton
1640:Murray, Gilbert
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899:Natural History
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826:West, Martin L.
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115:Natural History
99:Pliny the Elder
87:
56:
17:
12:
11:
5:
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3920:
3915:
3913:Megara Hyblaea
3910:
3905:
3900:
3895:
3893:Hybla Gereatis
3890:
3885:
3883:Heraclea Minoa
3880:
3875:
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3627:Attic numerals
3624:
3622:Greek numerals
3619:
3617:Greek alphabet
3614:
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3305:
3299:
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3285:
3280:
3275:
3274:
3273:
3271:Musical system
3263:
3258:
3253:
3248:
3243:
3242:
3241:
3230:
3228:
3221:
3220:
3218:
3217:
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3017:
3011:
3009:
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2725:
2720:
2715:
2710:
2705:
2703:Mathematicians
2700:
2695:
2690:
2684:
2682:
2678:
2677:
2675:
2674:
2669:
2664:
2659:
2654:
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2639:
2634:
2629:
2624:
2619:
2614:
2612:Kings of Argos
2608:
2606:
2600:
2599:
2594:
2587:
2586:
2581:
2574:
2573:
2570:
2569:
2566:
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2547:
2542:
2537:
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2527:
2522:
2517:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2470:Cretan archers
2467:
2462:
2457:
2452:
2451:
2450:
2440:
2434:
2432:
2426:
2425:
2422:
2421:
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2319:
2314:
2309:
2304:
2299:
2294:
2288:
2282:
2276:
2275:
2273:
2272:
2269:Achaean League
2266:
2263:Euboean League
2260:
2254:
2251:Epirote League
2248:
2242:
2236:
2230:
2224:
2218:
2212:
2206:
2200:
2199:(c. 500–31 BC)
2194:
2181:
2168:
2162:
2149:
2131:
2129:
2127:Confederations
2118:
2117:
2115:
2114:
2109:
2104:
2099:
2094:
2089:
2084:
2079:
2074:
2069:
2063:
2061:
2057:
2056:
2054:
2053:
2051:Lissus (Crete)
2048:
2043:
2038:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1962:
1960:
1950:
1949:
1946:
1945:
1940:
1935:
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1920:
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1799:Archaic Greece
1796:
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1760:
1755:
1749:
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1724:Ancient Greece
1722:
1720:
1719:
1712:
1705:
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1691:
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1676:
1675:External links
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1203:Chisholm, Hugh
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1144:. pages 80, 83
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679:) and 196a.6 (
662:
640:
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635:
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624:
615:
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583:
546:of over fifty
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222:
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147:commenting on
86:
83:
52:. Ἱππώνακτος;
23:Hipponax from
15:
13:
10:
9:
6:
4:
3:
2:
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4117:
4114:
4112:
4109:
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4104:
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4099:
4097:
4094:
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4091:Hemeroscopion
4089:
4087:
4084:
4082:
4079:
4077:
4074:
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4069:
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4011:
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3668:Magna Graecia
3665:
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3542:Arcadocypriot
3540:
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3530:
3528:
3525:
3523:
3520:
3518:
3515:
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3510:
3506:
3496:
3495:Zeus, Olympia
3493:
3491:
3488:
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3483:
3481:
3480:Hera, Olympia
3478:
3476:
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3389:
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3383:Mount Olympus
3381:
3379:
3376:
3374:
3371:
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3366:
3364:
3361:
3359:
3356:
3355:
3353:
3351:Sacred places
3349:
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3333:
3330:
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3318:
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3201:
3198:
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3186:
3183:
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3178:
3176:
3175:Olympic Games
3173:
3171:
3168:
3166:
3165:Homosexuality
3163:
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3158:
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3153:
3151:
3148:
3146:
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3141:
3138:
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2648:
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2640:
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2609:
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2597:
2592:
2588:
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2575:
2561:
2558:
2556:
2553:
2551:
2548:
2546:
2543:
2541:
2538:
2536:
2535:Seleucid army
2533:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2503:
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2498:
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2449:
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2441:
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2436:
2435:
2433:
2431:
2427:
2417:
2414:
2412:
2409:
2408:
2406:
2404:
2400:
2394:
2391:
2389:
2386:
2384:
2381:
2380:
2378:
2376:
2372:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2337:
2335:
2333:
2329:
2323:
2320:
2318:
2315:
2313:
2310:
2308:
2305:
2303:
2300:
2298:
2295:
2293:
2290:
2289:
2286:
2283:
2281:
2277:
2270:
2267:
2264:
2261:
2258:
2255:
2252:
2249:
2246:
2243:
2240:
2237:
2234:
2231:
2228:
2225:
2222:
2219:
2216:
2213:
2210:
2209:Delian League
2207:
2204:
2201:
2198:
2195:
2185:
2182:
2172:
2169:
2166:
2165:Ionian League
2163:
2153:
2150:
2146: 560 BC
2136:
2133:
2132:
2130:
2128:
2123:
2119:
2113:
2110:
2108:
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2064:
2062:
2058:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1963:
1961:
1959:
1955:
1951:
1944:
1941:
1939:
1936:
1934:
1931:
1930:
1926:
1922:
1908:
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1887:Magna Graecia
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1829:
1827:
1825:
1821:
1815:
1812:
1810:
1807:
1805:
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1785:
1782:
1780:
1777:
1776:
1774:
1770:
1766:
1759:
1756:
1754:
1751:
1750:
1746:
1742:
1736:
1733:
1732:
1729:
1725:
1718:
1713:
1711:
1706:
1704:
1699:
1698:
1695:
1688:
1683:
1679:
1678:
1674:
1670:
1666:
1662:
1659:
1658:
1653:
1650:
1647:
1646:
1641:
1638:
1635:
1634:0-521-21042-9
1631:
1627:
1623:
1619:
1616:
1615:
1611:
1603:
1597:
1594:
1590:
1584:
1581:
1577:
1571:
1568:
1564:
1558:
1555:
1551:
1545:
1542:
1538:
1534:
1529:
1526:
1522:
1516:
1513:
1509:
1503:
1500:
1496:
1492:
1487:
1484:
1480:
1474:
1471:
1467:
1461:
1458:
1454:
1450:
1444:
1441:
1437:
1431:
1428:
1422:
1419:
1415:
1411:
1405:
1402:
1398:
1392:
1389:
1385:
1379:
1376:
1372:
1366:
1363:
1359:
1353:
1350:
1346:
1340:
1337:
1333:
1327:
1324:
1320:
1314:
1311:
1308:
1304:
1301:
1297:
1291:
1288:
1284:
1278:
1275:
1271:
1265:
1262:
1258:
1252:
1249:
1245:
1239:
1236:
1232:
1228:
1222:
1219:
1214:
1213:
1208:
1204:
1199:
1198:public domain
1185:
1182:
1176:
1173:
1169:
1163:
1160:
1156:
1150:
1147:
1143:
1142:90-04-09944-1
1139:
1135:
1129:
1126:
1122:
1116:
1113:
1109:
1103:
1100:
1096:
1090:
1087:
1083:
1077:
1074:
1070:
1064:
1061:
1057:
1056:90-04-09944-1
1053:
1049:
1043:
1040:
1036:
1030:
1027:
1023:
1022:90-04-09944-1
1019:
1015:
1009:
1006:
1002:
996:
993:
989:
988:90-04-09944-1
985:
981:
980:
973:
970:
966:
962:
958:
953:
950:
946:
942:
937:
934:
930:
924:
921:
917:
911:
908:
904:
900:
894:
891:
887:
886:90-04-09944-1
883:
879:
873:
870:
866:
860:
857:
853:
847:
843:
839:
835:
831:
827:
821:
818:
811:
804:
800:
796:
790:
787:
783:
779:
767:
764:
760:
740:
737:
734:
730:
725:
722:
718:
712:
709:
705:
699:
696:
692:
688:
678:
666:
663:
659:
655:
651:
645:
642:
636:
625:
616:
607:
604:
601:
598:
589:
588:
584:
582:
580:
576:
572:
568:
563:
559:
555:
551:
549:
545:
541:
537:
533:
524:
522:
517:
514:
513:
505:
498:
497:
496:
494:
490:
482:
479:
476:
473:
472:
471:
466:
463:
462:
461:
459:
455:
451:
443:
439:
436:
428:
427:
426:
424:
420:
416:
412:
406:
403:
396:
394:
390:
386:
377:
374:
372:
369:
362:
355:
354:
353:
345:
342:
338:
334:
330:
323:—fragment 128
322:
319:
317:
314:
312:
309:
307:
305:
300:
299:
298:
296:
292:
288:
284:
280:
276:
272:
266:
265:
258:
256:
252:
248:
244:
239:
236:
232:
228:
220:
217:
215:
209:
207:
201:
200:
195:
192:
182:
177:
176:
172:
168:
164:
160:
156:
155:
150:
146:
142:
138:
134:
133:
128:
124:
118:
116:
112:
108:
102:
100:
96:
95:Marmor Parium
91:
84:
82:
80:
76:
73:
70:
69:Ancient Greek
66:
62:
51:
43:
42:Ancient Greek
39:
32:
31:
26:
21:
4632:Iambic poets
4386:Dionysopolis
4356:Abonoteichos
4308:Pantikapaion
3898:Hybla Heraea
3234:Architecture
3190:Prostitution
2903:
2879:Aristophanes
2738:Philosophers
2708:Philosophers
2540:Spartan army
2271:(280–146 BC)
2259:(338–322 BC)
2253:(370–168 BC)
2241:(374–196 BC)
2235:(378–355 BC)
2217:(430–348 BC)
2211:(478–404 BC)
2205:(499–449 BC)
1892:Peloponnesus
1814:Roman Greece
1689:at Wikiquote
1656:
1644:
1625:
1601:
1596:
1588:
1583:
1575:
1570:
1562:
1557:
1549:
1544:
1536:
1532:
1528:
1520:
1515:
1507:
1502:
1494:
1490:
1486:
1478:
1473:
1465:
1460:
1452:
1448:
1443:
1435:
1430:
1421:
1413:
1409:
1404:
1396:
1391:
1383:
1378:
1370:
1365:
1357:
1352:
1344:
1339:
1331:
1326:
1318:
1313:
1295:
1290:
1282:
1277:
1269:
1264:
1256:
1251:
1243:
1238:
1230:
1226:
1221:
1210:
1184:
1175:
1167:
1162:
1154:
1149:
1133:
1128:
1120:
1115:
1107:
1102:
1094:
1089:
1081:
1076:
1068:
1063:
1047:
1042:
1034:
1029:
1013:
1008:
1000:
995:
978:
972:
964:
960:
957:Pseudo-Acron
952:
944:
940:
936:
928:
923:
915:
910:
902:
898:
893:
877:
872:
864:
859:
833:
820:
802:
798:
789:
781:
777:
766:
758:
739:
724:
716:
711:
703:
698:
690:
686:
676:
665:
657:
653:
644:
552:
543:
528:
520:
515:
489:Aristophanes
486:
469:
464:
447:
437:
408:
401:
398:
392:
385:dung beetles
381:
378:—fragment 38
375:
370:
326:
320:
315:
310:
301:
268:
260:
240:
224:
216:—fragment 28
212:
211:
203:
198:
197:
178:
162:
158:
152:
130:
120:
104:
92:
88:
49:
37:
36:
28:
4534:Place names
4446:Salmydessus
4268:Kalos Limen
4248:Chersonesus
4238:Borysthenes
3943:Tauromenion
3755:Metapontion
3517:Proto-Greek
3470:Erechtheion
3465:Athena Nike
3427:Philippeion
3256:Mathematics
3227:and science
3110:Agriculture
2974:Stesichorus
2884:Bacchylides
2874:Archilochus
2761:Antisthenes
2751:Anaximander
2723:Seven Sages
2713:Playwrights
2693:Geographers
2688:Astronomers
2515:Pezhetairos
2142: 1100
2122:Federations
2021:Megalopolis
1958:City states
1933:City states
1408:Theocritus
1300:Page 768-72
959:on Horace,
778:euryproktos
773:ευρύπρωκτος
754:ἀνασύρεσθαι
548:choliambics
540:Oxyrhynchus
450:Callimachus
186:μητροκοίτης
4606:Categories
4436:Polemonion
4313:Phanagoria
4283:Kimmerikon
4278:Kerkinitis
4263:Hermonassa
4253:Dioscurias
4149:Aspalathos
4096:Kalathousa
4071:Akra Leuke
4000:Phoenicusa
3785:Scylletium
3770:Poseidonia
3690:Brentesion
3577:Pamphylian
3572:Macedonian
3490:Samothrace
3475:Hephaestus
3422:Long Walls
3401:Structures
3342:Underworld
3288:Technology
3251:Literature
3185:Philosophy
3150:Euergetism
3039:By culture
2984:Thucydides
2826:Pythagoras
2821:Protagoras
2811:Parmenides
2796:Heraclitus
2781:Empedocles
2771:Democritus
2756:Anaximenes
2746:Anaxagoras
2698:Historians
2191: 595
2178: 550
2159: 800
2144: – c.
2072:Cappadocia
1877:Ionian Sea
1867:Hellespont
1832:Aegean Sea
1624:(Editor),
1447:Demetrius
1225:Demetrius
1058:. Cf. p.80
1024:. Cf. p.82
990:. Cf. p.50
888:. Cf. p.81
830:"Hipponax"
579:New Comedy
567:Lysistrata
554:Old Comedy
458:Theocritus
141:Clazomenae
65:Clazomenae
63:and later
4522:in Epirus
4471:Trapezous
4416:Mesambria
4401:Eupatoria
4371:Apollonia
4366:Anchialos
4328:Theodosia
4298:Nymphaion
4288:Myrmekion
4258:Gorgippia
4214:Black Sea
4199:Tragurion
4184:Nymphaion
4169:Epidauros
4164:Epidamnos
4154:Apollonia
4131:Zacynthos
4053:Ptolemais
4047:Apollonia
4020:Cyrenaica
4010:Therassía
4005:Strongyle
3985:Ereikousa
3908:Leontinoi
3848:Apollonia
3725:Hipponion
3522:Mycenaean
3485:Parthenon
3417:Lion Gate
3320:Mythology
3283:Sculpture
3246:Astronomy
3180:Pederasty
3155:Festivals
3140:Education
3020:Lawgivers
2989:Timocreon
2969:Sophocles
2964:Simonides
2939:Philocles
2934:Panyassis
2929:Mimnermus
2894:Herodotus
2889:Euripides
2859:Aeschylus
2806:Leucippus
2766:Aristotle
2545:Strategos
2411:Synedrion
2365:Ostracism
2345:Areopagus
2297:Free city
2092:Macedonia
1976:Byzantion
1882:Macedonia
1847:Cyrenaica
1824:Geography
1758:Geography
1227:de. eloc.
812:Citations
795:Suetonius
562:Aristotle
444:Influence
393:Satyricon
389:Petronius
344:loanwords
337:Anatolian
329:Semonides
304:Charybdis
291:Athenaeus
273:and even
255:burlesque
181:Petronius
145:scholiast
127:Athenaeus
67:, was an
4571:Category
4549:Theatres
4476:Tripolis
4411:Kerasous
4406:Heraclea
4338:Tyritake
4293:Nikonion
4204:Thronion
4126:Salauris
4081:Emporion
4038:Berenice
4028:Balagrae
3980:Euonymos
3953:Tyndaris
3938:Syracuse
3933:Selinous
3903:Kamarina
3858:Casmenae
3843:Akrillai
3760:Neápolis
3695:Caulonia
3676:Mainland
3607:Linear B
3602:Linear A
3532:Dialects
3509:Language
3303:Religion
3261:Medicine
3195:Religion
3160:Folklore
3145:Emporium
3120:Clothing
3115:Calendar
2999:Xenophon
2994:Tyrtaeus
2979:Theognis
2954:Polybius
2949:Plutarch
2924:Menander
2904:Hipponax
2831:Socrates
2786:Epicurus
2632:Diadochi
2530:Sciritae
2490:Hetairoi
2465:Ballista
2430:Military
2393:Gerousia
2383:Ekklesia
2350:Ecclesia
2332:Athenian
2280:Politics
2193:–279 BC)
2180:–366 BC)
2161:–389 BC)
2097:Pergamon
2067:Bithynia
2060:Kingdoms
2001:Pergamon
1943:Military
1938:Politics
1735:Timeline
1687:Hipponax
1661:Archived
1449:de eloc.
1207:Hipponax
828:(2015),
748:βορβορος
733:Palladas
575:Stobaeus
493:Herodian
434:—fr. 119
243:choliamb
235:Dionysus
191:fellatio
171:Diphilus
163:in order
38:Hipponax
4591:Outline
4544:Temples
4481:Zaliche
4461:Thèrmae
4451:Sesamus
4421:Odessos
4396:Cytorus
4391:Cotyora
4141:Illyria
4106:Mainake
4101:Kypsela
3990:Hycesia
3948:Thermae
3928:Segesta
3918:Messana
3873:Helorus
3853:Calacte
3833:Akragas
3795:Sybaris
3780:Rhegion
3735:Krimisa
3685:Alision
3594:Writing
3567:Locrian
3557:Epirote
3527:Homeric
3460:Artemis
3447:Temples
3388:Olympia
3358:Eleusis
3293:Theatre
3278:Pottery
3205:Warfare
3200:Slavery
3135:Economy
3130:Cuisine
3125:Coinage
3102:Society
3087:Culture
3082:Society
3030:Tyrants
2869:Alcaeus
2851:Authors
2801:Hypatia
2791:Gorgias
2728:Writers
2550:Toxotai
2520:Sarissa
2510:Peltast
2505:Phalanx
2485:Hoplite
2480:Hippeis
2403:Macedon
2375:Spartan
2360:Heliaia
2307:Proxeny
2016:Larissa
2011:Kerkyra
2006:Eretria
1996:Miletus
1991:Ephesus
1986:Corinth
1981:Chalcis
1902:Taurica
1772:Periods
1753:History
1667:at the
1612:Sources
1533:Poetics
1200::
897:Pliny,
654:Poetics
454:Herodas
295:Odyssey
275:dactyls
251:trochee
247:spondee
231:Demeter
206:Tzetzes
159:because
137:Ephesus
117:36.4.11
79:Bupalus
61:Ephesus
46:Ἱππῶναξ
4581:Portal
4529:People
4517:Cities
4456:Sinope
4441:Rhizos
4431:Phasis
4381:Bathus
4376:Athina
4361:Amisos
4323:Tanais
4318:Pityus
4243:Charax
4194:Pharos
4189:Orikon
4086:Helike
4076:Alonis
4043:Cyrene
3975:Didyme
3888:Himera
3863:Catana
3825:Sicily
3815:Thurii
3810:Terina
3775:Pixous
3730:Hydrus
3705:Croton
3537:Aeolic
3455:Aphaea
3378:Dodona
3363:Delphi
3332:Temple
3008:Others
2959:Sappho
2944:Pindar
2919:Lucian
2914:Ibycus
2899:Hesiod
2836:Thales
2604:Rulers
2583:People
2560:Xyston
2555:Xiphos
2416:Koinon
2322:Tyrant
2312:Stasis
2302:Koinon
2102:Pontus
2077:Epirus
2046:Sparta
2036:Rhodes
2031:Megara
2026:Thebes
1971:Athens
1897:Pontus
1862:Epirus
1852:Cyprus
1837:Aeolis
1632:
1305:
1194:
1140:
1054:
1020:
986:
961:Epodes
884:
848:
581:poet.
558:iambus
423:Sappho
419:Horace
411:epodes
349:πάλμυς
341:Lydian
287:parody
227:Iambus
175:Sappho
154:Epodes
149:Horace
72:iambic
59:), of
33:(1553)
4539:Stoae
4507:Lists
4426:Oinòe
4349:coast
4347:South
4333:Tyras
4303:Olbia
4273:Kepoi
4226:coast
4224:North
4217:basin
4159:Aulon
4121:Rhode
4033:Barca
3923:Naxos
3878:Henna
3838:Akrai
3805:Taras
3790:Siris
3750:Medma
3745:Locri
3710:Cumae
3700:Chone
3678:Italy
3584:Koine
3562:Ionic
3552:Doric
3547:Attic
3368:Delos
3266:Music
2909:Homer
2864:Aesop
2816:Plato
2718:Poets
2388:Ephor
2340:Agora
2317:Tagus
2292:Boule
2041:Samos
1966:Argos
1872:Ionia
1857:Doris
1842:Crete
1410:epig.
637:Notes
571:Frogs
544:parts
536:Attic
425:"):
415:epode
402:komos
333:Ionic
279:iambs
123:Delos
107:Chios
4466:Tium
4233:Akra
4174:Issa
3868:Gela
3740:Laüs
3715:Elea
3373:Dion
3225:Arts
3215:Wine
2841:Zeno
2438:Wars
1630:ISBN
1303:ISBN
1138:ISBN
1052:ISBN
1018:ISBN
984:ISBN
941:Suda
882:ISBN
846:ISBN
452:and
405:Knox
289:and
233:and
221:Work
214:shin
132:Suda
93:The
85:Life
75:poet
3170:Law
1491:Ep.
1209:".
838:doi
797:in
623:):
417:of
395:.
391:'s
352:):
249:or
151:'s
54:fl.
50:gen
27:'s
4608::
2188:c.
2175:c.
2156:c.
2139:c.
1654:,
1642:,
844:,
832:,
776:,
685:/
675:/
596:)
550:.
297::
48:;
44::
4049:)
4045:(
2186:(
2173:(
2154:(
2148:)
2137:(
2124:/
1716:e
1709:t
1702:v
840::
632:)
614:)
306:,
262:—
40:(
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