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338:(vague style). This new method used a gradation of colors to replace the line drawings that characterized traditional Japanese-style painting. This new style, however, gained little support from Shunsō's contemporaries and was severely criticized by
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was effective in depicting such scenes as morning mist and evening glow, its color gradation technique proved good only for those limited motifs. Shunsō began integrating his original
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387:(1910) has also been designated an Important Cultural Property. In 1911, he died of kidney disease (nephritis) just before his 37th birthday.
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In the year 1951, Hishida Shunsō himself was the subject of a commemorative postage stamp under the
Cultural Leaders Series by Japan Post.
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After his return to Japan, Shunsō successfully competed in many national exhibitions in Japan, including the government-sponsored
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571:(黒き猫, 1910, property of Eisei Bunko, entrusted to Kumamoto Prefectural Museum of Art, Important Cultural Property)
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with line drawing to overcome this disadvantage, and his later works exhibit a new style which came to typify the
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565:(落葉, 1909, property of Eisei Bunko, entrusted to Kumamoto Prefectural Museum of Art, Important Cultural Property)
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genre, distinguishing it from the more restrictive styles of traditional
Japanese-style painting.
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Shunsō developed a new painting method, derogatorily named by his contemporaries as
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After graduation, Shunsō was commissioned by the
Imperial Household Museum (now the
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Tonal
Painting and Mōrōtai J. McN. Whistler, Yokoyama Taikan and Hishida Shunso
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artist Yuki
Masaaki (1834–1904). The following year, he enrolled at the
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A great man born in the hometown
Hishida Shunso - Iida City Homepage
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One of
Hishida Shunsō's works has been selected as the subject of a
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A Essay on
Hishida Shunso's "Kikujido" -constancy and impermanence-
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Nihonga: Transcending the Past: Japanese-Style
Painting, 1868-1968
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A large retrospective exhibition of his work was held at the
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Hishida Shunsō biography and artworks at
Trivium Art History
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The Way of the Brush: Painting Techniques of China and Japan
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bio site in Japanese with photos and samples of his works
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Conant, Ellen P., Rimer, J. Thomas, Owyoung, Stephen.
357:In his final years, Shunsō suffered from renal, or
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229:Shunsō was born in 1874 in what is now part of
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284:) to copy important religious paintings at
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470:(賢首菩薩), 1907. Important Cultural Property.
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535:(王昭君, 1902, property of Zenpo-ji Temple (
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455:(落葉), 1909. Important Cultural Property.
439:(落葉), 1909. Important Cultural Property.
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689:Hishida Shunso - Eisei Bunko Museum
590:"Less meant more to Shunso Hishida"
365:won the highest award at the third
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495:(六歌仙, 1899, property of
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249:(the forerunner of the
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237:. In 1889 he moved to
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547:Cat and Plum Blossoms
282:Tokyo National Museum
199:'s pupils along with
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551:Adachi Museum of Art
213:. His real name was
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261:; his teacher was
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62:1874-09-21
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398:Philately
385:Black Cat
231:Iida city
225:Biography
195:. One of
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161:Black Cat
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348:moro-tai
344:moro-tai
336:moro-tai
286:Buddhist
183:was the
141:In this
120:Movement
104:Japanese
352:Nihonga
318:and in
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151:Hishida
147:surname
124:Nihonga
114:Painter
94:, Japan
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363:Ochiba
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320:Europe
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312:India
290:Kyoto
239:Tokyo
187:of a
178:菱田 春草
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