1123:(god of the sea) and is washed up on a Cretan beach. There he recalls the vow he made to Neptune: to sacrifice, if he should arrive safely on land, the first living creature he should meet. Idamante approaches him, but because the two have not seen each other for a long time, recognition is difficult. When Idomeneo finally realizes the youth that he must sacrifice for the sake of his vow is his own child, he orders Idamante never to seek him out again. Grief-stricken by his father's rejection, Idamante runs off. Cretan troops disembarking from Idomeneo's ship are met by their wives, and all praise Neptune.
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asks his father why he sends him away, Idomeneo can only reply that the youth must leave. Ilia asks for consolation from
Electra, who is preoccupied with revenge. Arbace comes with news that the people, led by the High Priest of Neptune, are clamoring for Idomeneo. The High Priest tells the king of the destruction caused by Neptune's monster, urging Idomeneo to reveal the name of the person whose sacrifice is demanded by the god. When the king confesses that his own son is the victim, the populace is horrified.
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ready to die. After an agonizing farewell, Idomeneo is about to sacrifice his son when Ilia intervenes, offering her own life instead. The Voice of
Neptune is heard. Idomeneo must yield the throne to Ilia and Idamante. Everyone is relieved except Electra, who longs for her own death. Idomeneo presents Idamante and his bride as the new rulers. The people call upon the god of love and marriage to bless the royal pair and bring peace.
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555:. The opera apparently owed much of its success at its first performance to the set designs: a notice in the Munich press did not mention Mozart by name but said (translation): "The author, composer and translator are all natives of Salzburg; the decors, among which the view of the port and Neptune's temple were outstanding, were masterpieces by our renowned theatre designer, court Councillor
186:
1104:, has been taken to Crete after the war. She loves Prince Idamante, son of the Cretan King Idomeneo, but hesitates to acknowledge her love. Idamante frees the Trojan prisoners in a gesture of good will. He tells Ilia, who is rejecting his love, that it is not his fault that their fathers were enemies. Trojans and Cretans together welcome the return of peace, but
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575:, he demonstrated a mastery of orchestral color, accompanied recitatives, and melodic line. Mozart fought with the librettist, the court chaplain Varesco, making large cuts and changes, even down to specific words and vowels disliked by the singers (too many "i"s in "rinvigorir", which in Italian are pronounced as in b
1135:. Idomeneo's kind words to Ilia move her to declare that since she has lost everything, he will be her father and Crete her country. As she leaves, Idomeneo realizes that sending Idamante into exile has cost Ilia her happiness as well as his own. Electra welcomes the idea of going to Argos with Idamante.
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Outside the temple, the king and High Priest join
Neptune's priests in prayer that the god may be appeased. Arbace brings news that Idamante has killed the monster. As Idomeneo fears new reprisals from Neptune, Idamante enters in sacrificial robes, saying he understands his father's torment and is
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In the royal garden, Ilia asks the breezes to carry her love to
Idamante, who appears, explaining that he must go to fight the serpent. When he says he would rather die than suffer the torments of his rejected love, Ilia confesses her love. They are surprised by Electra and Idomeneo. When Idamante
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s premiere placed some major
European opera houses in a quandary: commemorative performances of so magnificent and historically important a score seemed obligatory, but, at the same time, how dared they mount an opera that 1930/31 audiences were bound to reject as hopelessly unstageworthy? The
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At the port of Sidon (a fictional city of Crete), Idomeneo bids his son farewell and urges him to learn the art of ruling while he is away. Before the ship can sail, however, a storm breaks out, and a sea serpent appears. Recognizing it as a messenger from
Neptune, the king offers himself as
1112:, is jealous of Ilia and does not approve of Idamante's clemency toward the enemy prisoners. Arbace, the king's confidant, brings news that Idomeneo has been lost at sea while returning to Crete from Troy. Electra, fearing that Ilia, a Trojan, will soon become Queen of Crete, feels the
705:". A few major changes to the plot were made as well, such as changing princess Elettra to priestess Ismene. Critics have noted that Strauss's additions contain an interesting blend of the classical style of composition and Strauss's own characteristic sound. In 1984, New York's
245:; much of what we see in Varesco's most dramatic passages is the latest French style, mediated by Calzabigi. It is thanks to Mozart, though, that this mixture of French styles (apart from a few choruses) moves away from Gluck and France and returns to its more Italian (
678:
that was partially a translation of the original
Italian libretto, but with some changes to reflect the rearranging of the music. Strauss replaced about 1/3 of Mozart's score with some of his own music (even introducing the "Fall of Troy" motif from his own 1928 opera
481:
passages. Throughout the manuscript, Mozart wrote the dancers who would be partaking in a specific section of the ballet; id est, "Pas seul de Mad. Falgera", or "Pas seul de Mr. Le Grand", who was the main choreographer for the opera's Munich premiere.
585:
was performed three times in Munich. Later in 1781 Mozart considered (but did not put into effect) revisions that would have brought the work closer into line with Gluck's style; this would have meant a bass
Idomeneo and a tenor Idamante.
2784:: Mozart wrote forceful letters expressing his wishes to his father, who communicated in person with Varesco. Spaethling describes the working arrangements and provides in translation the text of Mozart's letters.
472:
The ballet is scored for the opera's full orchestra of flutes, oboes, clarinets (only present in the passacaille), bassoons, horns, trumpets, timpani, and strings. It showcases the many famous techniques of the
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212:. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act 1 is almost identical to the structure and dramatic working-out of a similar scene in
647:
adapted for modern tastes, but to show due reverence to Mozart's genius by entrusting the adaptations to famous twentieth-century opera composers with impeccable credentials as
Mozarteans. Thus
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At the king's palace, Idomeneo seeks counsel from Arbace, who says another victim could be sacrificed if
Idamante were sent into exile. Idomeneo orders his son to escort Electra to her home,
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691:" is mostly intact with a few changes to the long introductory recitative, but when Idamante (specifically written to be sung by a tenor in this version) enters, he sings Mozart's
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in E-flat. Due to the separation from the first half of the ballet, as well as the incomplete status of them, Daniel Heartz speculates that they were simply never performed.
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was Mozart's first mature opera, in which he – unique among composers – for the first time and continuing this for all his subsequent operas, ended the work in the
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of the underworld rise up in her heart (aria: "Tutte nel cor vi sento, furie del crudo averno" – "I feel you all in my heart, furies of the cruel underworld").
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As per French tradition, the opera uses ballet to its advantage. Mozart wrote one to be performed in the opera (K. 367) which he considered more of a
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states that it must have been performed after the final chorus of the third and last act, citing the majesty and pomposity of the D major
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251:) roots; the singers were all trained in the classical Italian style, after all, and the recitatives are all classically Italian.
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for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the
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transitions, the manuscript is bound with three other dances; a passepied in B-flat, a gavotte in G (which is rather famous;
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in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the
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is part of the standard operatic repertoire. There are several recordings of it (see below), and it is regularly performed.
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Gluck's influence on Mozart is demonstrated as the Chaconne begins with a musical quotation from Gluck's ballet from
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1172:"Tutte nel cor vi sento furie del cupo averno" ("I can feel you all in my heart, furies of the dark hell"), Electra
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in Vienna. For this, Mozart wrote some new music, made some cuts, and changed Idamante from a castrato to a tenor.
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The structure is as follows. The first four dances transition into each other, while the last three are separate.
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It is unclear exactly where Mozart had intended the divertissement to occur in the opera. In the
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935:. B clarinets (an instrument that is now obsolete) are used in No. 15 (pp. 283ff in
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Unusually for composer–librettist interactions, there is strong documentation, since
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In 2006 there was a controversy over the cancelling of a 2003 production directed by
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ending in D major chords. These chords, soft and tentative, turn out not to be a
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Title pages (Italian and German) from the first version of the original libretto
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Library of Essays in Opera Studies (reprint ed.). Routledge. p. 216.
1056:. Other conventional hallmarks of the sonata form are apparent: the exposition
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1213:"No, la morte io non pavento" ("No, I am not afraid of dying"), Idamante
1210:"Se colà ne' fati è scritto" ("If it is written in the destiny"), Arbace
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2876:. Cambridge Opera Handbooks. Cambridge University Press. pp. 5–8.
2583:, New York and Philadelphia: 1866. #137 Munich, December 30, 1780 (via
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in 1934. The first performance in the United States was produced by
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presented a distinctively interventionist version of the score by
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1084:, which is the home key of the scene that immediately follows.
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Kurt Kramer, "Antike und christliches Mittelalter in Varescos
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2013:
1665:
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1166:"Padre, germani, addio" ("Father, brothers, farewell"), Ilia
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of the overture in the tonic but chords in the dominant of
969:(only accompanying the off-stage voice of Neptune in act 3)
266:. It is in several parts and lasts around fifteen minutes.
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2369:, Pavol Breslik (singing the tenor version of Idamante),
241:
and therefore the work of Gluck, especially the latter's
237:
Kurt Kramer has suggested that Varesco was familiar with
222:. The sacrifice and oracle scenes are similar to Gluck's
165:
in 1712. Mozart and Varesco were commissioned in 1780 by
495:
suggests that it was performed after the first act, but
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Source of recordings: operadis-opera-discography.org.uk
1175:"Vedrommi intorno" ("I shall see around me"), Idomeneo
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is but a very short transition section connecting the
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1207:"Zeffiretti lusinghieri" ("Zephyrs caressing"), Ilia
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Mitteilungen der Internationalen Stiftung Mozarteum
2399:Festival Edition. Conducted by Nikolaus, staged by
2250:(1993). 50-minute version for children, with actor
551:on 29 January 1781, under the musical direction of
81:
67:
59:
49:
21:
1191:"Se il padre perdei" ("If I lost my father"), Ilia
1178:"Il padre adorato" ("My beloved father"), Idamante
1139:atonement for having violated his vow to the god.
695:(which was added to Mozart's original revision of
3062:San Diego OperaTalk! with Nick Reveles: Mozart's
2561:, dem Libretto zu Mozarts gleichnamiger Oper" in
643:solution hit on in Munich and Vienna was to have
2683:Haydn, Mozart and the Viennese School: 1740–1780
2335:(2006). Decca. Part of the M22 Project from the
1758:Chorus & Zurich Opera House Mozart Orchestra
1219:"Torna la pace" ("Peace comes again"), Idomeneo
589:A concert performance was given in 1786 at the
2748:"Musing on Mozart and Studying with Boulanger"
2537:. University of California Press. p. 36.
2200:'s first production of the work. See details:
596:The British premiere was given by the amateur
3983:
3518:
3103:
2780:was living in Salzburg, near Mozart's father
1100:. Ilia, daughter of the defeated Trojan King
700:
686:
108:
8:
2339:. Staged by Ursel and Karl-Ernt Herrmann at
1908:Bavarian Radio Symphony Orchestra and Chorus
1169:"Non ho colpa" ("I am not guilty"), Idamante
956:
197:The libretto clearly draws inspiration from
1194:"Fuor del mar" ("Out of the sea"), Idomeneo
659:, performed in 1931, and the same year the
559:, and everyone admired them tremendously."
110:Idomeneo, re di Creta ossia Ilia e Idamante
22:Idomeneo, re di Creta ossia Ilia e Idamante
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2638:"Program notes: Mozart: Ballet Music from
2104:Recorded at the Immanuelskirche, Wuppertal
1377:Glyndebourne Festival Chorus and Orchestra
1335:Glyndebourne Festival Chorus and Orchestra
997:(period performance practice often uses a
38:
18:
3030:International Music Score Library Project
2225:(singing the tenor version of Idamante),
1188:"Se il tuo duol" ("If your pain"), Arbace
638:The approach of the 150th anniversary of
608:at Tanglewood during the summer of 1947.
1232:
739:
674:, Strauss employed a German libretto by
4301:
2506:
1956:Metropolitan Opera Orchestra and Chorus
3793:Der Hölle Rache kocht in meinem Herzen
2827:"Music: Strauss's Setting of Mozart's
2764:
2576:The Letters of Wolfgang Amadeus Mozart
2427:. Includes all original ballet scenes.
2128:(1969, distribution, 2008). BBC. With
1611:Italian Radio Symphony Orchestra Rome,
477:, including stupefying crescendos and
189:Page from Mozart's original score for
119:, King of Crete, or, Ilia and Idamante
4362:Cultural depictions of the Trojan War
2516:
2355:, Ekaterina Siurina, Jeffrey Francis.
2286:; Angeles Blancas Gulin; Iano Tamar;
1197:"Idol mio" ("My sweetheart"), Electra
44:Front page of a bilingual vocal score
16:1781 opera by Wolfgang Amadeus Mozart
7:
1339:CD: Urania Records (live recording),
510:, which form a consistent whole via
2855:. L'Almanacco di Gherardo Casaglia
867:The voice of the Oracle of Neptune
503:, perfect for concluding an opera.
3553:Die Schuldigkeit des ersten Gebots
2176:(1982). Deutsche Grammophon. With
506:Along with the Chaconne up to the
14:
4352:Operas set in mythological places
4337:Operas by Wolfgang Amadeus Mozart
4163:(1909, Strauss/von Hofmannsthal)
3802:Dies Bildnis ist bezaubernd schön
2790:. New York: Norton. p. 208.
2467:, David Portillo,Annett Fritsch,
742:Roles, voice types, premiere cast
709:presented Strauss's version with
155:, which had been set to music by
4304:
3865:O zittre nicht, mein lieber Sohn
3487:
3486:
3347:Maria Anna Thekla Mozart (Bäsle)
2752:The Boston Musical Intelligencer
1708:Sächsische Staatskapelle Dresden
1656:Sächsische Staatskapelle Dresden
923:(only in the storm of act 2), 2
121:; usually referred to simply as
3464:Beethoven–Haydn–Mozart Memorial
2788:Mozart's Letters, Mozart's Life
2636:; James M. Keller (June 2019).
2361:(2008). Medici Arts. Staged by
3838:Madamina, il catalogo è questo
2471:, Orchestra and chorus of the
2385:, Steven Humes. Live from the
1464:Orchestre Lyrique de l'O.R.T.F
941:) and No. 19 (pp. 352ff).
768:daughter of King Priam of Troy
756:Premiere cast, 29 January 1781
543:It was first performed at the
1:
3903:Die Entführung aus dem Serail
3683:Die Entführung aus dem Serail
2685:. W. W. Norton. p. 708.
2312:, Emma Bell, Monica Bacelli,
2205:(Luciano Pavarotti recording)
1509:London Philharmonic Orchestra
1108:, daughter of the Greek King
693:Non piu, tutto ascoltai, K490
522:concerts), and an unfinished
4357:Operas set in ancient Greece
3856:O, wie will ich triumphieren
3373:(paternal great-grandfather)
3216:Concert arias, songs, canons
2213:(1983). NVC Arts. Staged by
1466:Chorale Lyrique de l'O.R.T.F
1434:CD: Walhall Eternity Series,
131:366) is an Italian-language
3353:Franz Xaver Wolfgang Mozart
3335:Maria Anna Mozart (Nannerl)
3038:Ballet, K. 367, to Idomeneo
2786:Spaethling, Robert (2005).
2274:(2004). Dynamic. Staged by
1513:Glyndebourne Festival Opera
812:, later rewritten as tenor
598:Glasgow Grand Opera Society
518:conducted it at one of his
4378:
2899:Retrieved 21 February 2013
2847:Casaglia, Gherardo (2005).
2715:Essays on Opera, 1750–1800
2603:, tchaikovsky-research.net
2097:Freiburger Barockorchester
2049:Orchestra of the Antipodes
2008:Scottish Chamber Orchestra
1252:opera house and orchestra
151:, based on a 1705 play by
3482:
3459:Mozart in popular culture
3271:Relationship with G minor
2917:Netherlands Film Festival
2668:, Richard Lawrence (2006)
2565:, xxviii/1–2 (1980), 6.20
2495:2006 Idomeneo controversy
2261:playing almost all roles.
2073:Alexandrina Pendatchanska
2004:Edinburgh Festival Chorus
1810:Vienna State Opera Chorus
1613:Italian Radio Chorus Rome
1288:Vienna State Opera Chorus
701:
687:
628:2006 Idomeneo controversy
389:— Piu allegro (attacca),
374:— Piu Allegro (attacca),
334:, then goes to D major),
86:29 January 1781
37:
26:
4258:Mourning Becomes Electra
4183:Mourning Becomes Electra
4061:Mourning Becomes Electra
3188:Appearance and character
2817:, Houghton Mifflin, 1979
2579:, vol. 1, translated by
2490:List of operas by Mozart
2455:Metropolitan Opera House
1858:English Baroque Soloists
951:(in D, in C, in B-flat (
908:The instrumentation is:
606:Berkshire Music Festival
4327:Italian-language operas
4085:The Forgotten Pistolero
3535:Wolfgang Amadeus Mozart
3474:Mozart Monument, Vienna
3119:Wolfgang Amadeus Mozart
2421:Arnold Schoenberg Choir
1985:Lorraine Hunt Lieberson
1652:Hans Schmidt-Isserstedt
854:High priest of Neptune
634:Richard Strauss version
520:Russian Musical Society
193:, showing cancellations
137:Wolfgang Amadeus Mozart
32:Wolfgang Amadeus Mozart
4229:(c. 405 BC, Sophocles)
4221:(c. 408 BC, Euripides)
4213:(c. 413 BC, Euripides)
4101:The Travelling Players
3930:The Marriage of Figaro
3723:The Marriage of Figaro
3713:Der Schauspieldirektor
3593:Mitridate, re di Ponto
3367:(paternal grandfather)
2874:W. A. Mozart: Idomeneo
2646:San Francisco Symphony
2613:"Balletmusik zur Oper
2514:Italian pronunciation:
2425:Concentus Musicus Wien
2148:et al., OCLC 676295503
1627:Anneliese Rothenberger
1561:BBC Symphony Orchestra
1523:Cat: 920715 (Notablu)
1280:Meinhard von Zallinger
1020:
957:
848:Domenico de' Panzacchi
802:Idamante (Idamantes),
784:Idomeneo (Idomeneus),
737:
707:Mostly Mozart Festival
688:Padre, germani, addio!
670:For his adaptation of
194:
147:from a French text by
109:
3653:Thamos, King of Egypt
3573:Bastien und Bastienne
2666:"Christian Cannabich"
2535:Mozart and His Operas
2413:Marie-Claude Chappuis
1995:Anthony Rolfe Johnson
1844:Anthony Rolfe Johnson
1396:Hildegard Hillebrecht
1119:Idomeneo is saved by
1018:
736:as Idomeneo in Munich
732:
682:Die ägyptische Helena
188:
3784:Canzonetta sull'aria
3633:La finta giardiniera
3613:Il sogno di Scipione
3563:Apollo et Hyacinthus
3266:Compositional method
3246:Works for solo piano
2746:(27 November 2008).
2393:Nikolaus Harnoncourt
2387:Bavarian State Opera
2290:; Dario Magnabosco;
1839:Anne Sofie von Otter
1754:Nikolaus Harnoncourt
1266:Gertrude Grob-Prandl
1096:, shortly after the
840:Idomeneo's confidant
657:Ermanno Wolf-Ferrari
624:Deutsche Oper Berlin
330:(Allegro, starts in
255:Ballet music, K. 367
219:Iphigénie en Tauride
177:in Munich, Germany.
145:Giambattista Varesco
54:Giambattista Varesco
4283:Orestes and Electra
4205:(458 BC, Aeschylus)
4186:(1967, Levy/Butler)
3829:Là ci darem la mano
3753:La clemenza di Tito
3365:Johann Georg Mozart
3300:Neue Mozart-Ausgabe
3293:Alte Mozart-Ausgabe
3047:Neue Mozart-Ausgabe
3018:diplomatic editions
2995:Neue Mozart-Ausgabe
2935:Met Opera on Demand
2621:Neue Mozart-Ausgabe
2518:[idomenˈeo]
2451:Elza van den Heever
2401:Philipp Harnoncourt
2296:Teatro di San Carlo
2237:, studio condition.
2182:Frederica von Stade
2170:, Alexander Oliver.
2156:Glyndebourne Chorus
2146:English Opera Group
1962:Deutsche Grammophon
1868:Deutsche Grammophon
1854:John Eliot Gardiner
1834:Hillevi Martinpelto
1806:Vienna Philharmonic
1716:Deutsche Grammophon
1711:Leipzig Radio Choir
1670:Cat: CMS 7 63990 2
1660:Leipzig Radio Choir
1565:BBC Symphony Chorus
1451:Jacqueline Sellier,
1425:Vienna Philharmonic
1387:Cat: CHS 7 63685-2
1040:, is in a modified
822:Elettra (Electra),
760:Christian Cannabich
744:
713:in the title role,
553:Christian Cannabich
539:Performance history
532:Iphigénie en Aulide
488:Neue Mozart-Ausgabe
225:Iphigénie en Aulide
3359:Karl Thomas Mozart
3057:Metropolitan Opera
2948:"Mozart: Idomeneo"
2853:(29 January 1781)"
2836:The New York Times
2435:Metropolitan Opera
2198:Metropolitan Opera
1927:Heidi Grant Murphy
1739:Trudeliese Schmidt
1532:Margherita Rinaldi
1429:Vienna State Opera
1021:
838:Arbace (Arbaces),
832:Elisabeth Wendling
816:Vincenzo dal Prato
740:
738:
676:Lothar Wallerstein
661:Vienna State Opera
475:Mannheim orchestra
195:
171:Elector of Bavaria
4292:
4291:
4253:(1971, Wijesinha)
4237:(1937, Giraudoux)
4093:Electra, My Love
3965:
3964:
3583:La finta semplice
3500:
3499:
3329:Anna Maria Mozart
3309:
3308:
3014:critical editions
2634:Michael Steinberg
2585:Project Gutenberg
2544:978-0-520-22898-6
2439:Matthew Polenzani
2367:John Mark Ainsley
2337:Salzburg Festival
2190:Hildegard Behrens
2178:Luciano Pavarotti
2164:Josephine Barstow
2162:, Bozena Betley,
2117:
2116:
2000:Charles Mackerras
1886:Roberta Alexander
1881:Barbara Hendricks
1792:Luciano Pavarotti
1490:Luciano Pavarotti
1469:CD reissue: Gala,
1416:Eberhard Waechter
1064:(D major) to the
987:secco recitatives
901:
900:
879:Two Cretan women
824:Princess of Argos
778:Dorothea Wendling
717:as Idamante, and
545:Cuvilliés Theatre
175:Cuvilliés Theatre
105:
104:
97:Cuvilliés Theatre
4369:
4309:
4308:
4300:
3992:
3985:
3978:
3969:
3958:
3951:
3933:
3924:
3915:
3906:
3897:
3877:
3868:
3859:
3850:
3841:
3832:
3823:
3814:
3805:
3796:
3787:
3767:
3757:
3747:
3737:
3727:
3717:
3707:
3697:
3687:
3677:
3667:
3657:
3647:
3637:
3627:
3617:
3607:
3597:
3587:
3577:
3567:
3557:
3527:
3520:
3513:
3504:
3490:
3489:
3379:(brother-in-law)
3341:Constanze Mozart
3287:Köchel catalogue
3277:
3261:Violin concertos
3112:
3105:
3098:
3089:
3082:Italian libretto
3076:Italian libretto
3028:: Scores at the
3004:Bruce Alan Brown
2991:
2963:
2962:
2960:
2958:
2952:Presto Classical
2944:
2938:
2925:
2919:
2906:
2900:
2894:
2888:
2887:
2866:
2860:
2858:
2845:
2839:
2824:
2818:
2815:My Road to Opera
2811:Goldovsky, Boris
2808:
2802:
2801:
2774:
2768:
2762:
2756:
2755:
2739:
2733:
2732:
2703:
2697:
2696:
2675:
2669:
2663:
2657:
2656:
2654:
2652:
2630:
2624:
2610:
2604:
2594:
2588:
2572:
2566:
2555:
2549:
2548:
2527:
2521:
2520:
2515:
2511:
2469:Eleonora Buratto
2453:. Live from the
2349:Magdalena Kožená
2341:House for Mozart
2333:Roger Norrington
2276:Pier Luigi Pizzi
2273:
2260:
2249:
2219:Philip Langridge
2126:Benjamin Britten
2026:Martene Grimson,
1980:Barbara Frittoli
1896:Francisco Araiza
1862:Monteverdi Choir
1637:Adolf Dallapozza
1616:CD: Opera d'Oro,
1485:Enriqueta Tarrés
1480:Gundula Janowitz
1471:Cat: GL 100.744
1360:Léopold Simoneau
1316:Léopold Simoneau
1233:
960:
745:
743:
704:
703:
690:
689:
651:commissioned an
591:Palais Auersperg
467:
466:
465:
464:
443:
442:
441:
440:
423:
422:
421:
420:
403:
402:
401:
400:
388:
387:
386:
385:
373:
372:
371:
370:
348:
347:
346:
345:
323:
322:
321:
320:
298:
297:
296:
295:
112:
93:
91:
42:
19:
4377:
4376:
4372:
4371:
4370:
4368:
4367:
4366:
4317:
4316:
4315:
4303:
4295:
4293:
4288:
4270:
4261:(1931, O'Neill)
4189:
4175:Leben des Orest
4155:(1895, Taneyev)
4123:
4048:
4001:
3996:
3966:
3961:
3954:
3949:Da Ponte operas
3947:
3936:
3927:
3921:The Magic Flute
3918:
3909:
3900:
3891:
3880:
3874:Se vuol ballare
3871:
3862:
3853:
3844:
3835:
3826:
3817:
3808:
3799:
3790:
3781:
3770:
3763:The Magic Flute
3760:
3750:
3740:
3730:
3720:
3710:
3703:Lo sposo deluso
3700:
3693:L'oca del Cairo
3690:
3680:
3670:
3660:
3650:
3640:
3630:
3620:
3610:
3603:Ascanio in Alba
3600:
3590:
3580:
3570:
3560:
3550:
3537:
3531:
3501:
3496:
3478:
3442:
3423:Catholic Church
3406:
3403:(sister-in-law)
3397:(sister-in-law)
3391:(sister-in-law)
3385:(mother-in-law)
3305:
3275:
3241:Piano concertos
3202:
3121:
3116:
2989:
2987:critical report
2972:
2967:
2966:
2956:
2954:
2946:
2945:
2941:
2926:
2922:
2907:
2903:
2895:
2891:
2884:
2870:Rushton, Julian
2868:
2867:
2863:
2856:
2846:
2842:
2825:
2821:
2809:
2805:
2798:
2785:
2775:
2771:
2763:
2759:
2742:
2740:
2736:
2729:
2705:
2704:
2700:
2693:
2677:
2676:
2672:
2664:
2660:
2650:
2648:
2632:
2631:
2627:
2611:
2607:
2595:
2591:
2573:
2569:
2556:
2552:
2545:
2529:
2528:
2524:
2513:
2512:
2508:
2503:
2486:
2310:Camilla Tilling
2267:
2265:Marco Guidarini
2254:
2243:
2211:Bernard Haitink
2196:. This was the
2186:Ileana Cotrubaș
2122:
2112:
2103:
2101:RIAS Kammerchor
2099:
2095:
2086:
2081:
2076:
2071:
2058:
2047:
2043:
2036:
2034:
2029:
2028:Penelope Mills,
2027:
2017:
2006:
2002:
1993:
1988:
1983:
1978:
1965:
1954:
1945:
1942:Plácido Domingo
1940:
1937:Cecilia Bartoli
1935:
1930:
1918:Cat: 422 537-2
1917:
1906:
1899:
1894:
1891:Susanne Mentzer
1889:
1884:
1872:Cat: 431 674-2
1871:
1860:
1856:
1847:
1842:
1837:
1832:
1819:
1808:
1804:
1795:
1790:
1785:
1782:Edita Gruberová
1780:
1767:
1756:
1747:
1742:
1737:
1734:Felicity Palmer
1732:
1720:Cat: 429 864-2
1719:
1710:
1706:
1699:Hermann Winkler
1697:
1692:
1687:
1682:
1669:
1658:
1654:
1645:
1640:
1635:
1630:
1617:
1612:
1610:
1606:
1602:
1597:
1592:
1587:
1575:Cat: 420 130-2
1574:
1563:
1559:
1550:
1545:
1540:
1537:Pauline Tinsley
1535:
1522:
1511:
1507:
1498:
1493:
1488:
1483:
1470:
1465:
1463:
1456:Camille Maurane
1454:
1452:
1450:
1449:Berthe Monmart,
1448:
1436:Cat: WLCD 0187
1435:
1427:
1423:
1414:
1409:
1406:Waldemar Kmentt
1404:
1401:Christel Goltz
1399:
1386:
1375:
1368:
1363:
1358:
1355:Lucilla Udovich
1353:
1340:
1333:
1324:
1319:
1314:
1309:
1296:
1286:
1284:Vienna Symphony
1282:
1273:
1272:Horst Taubmann,
1271:
1269:
1264:
1251:
1246:
1244:
1242:
1240:
1231:
1226:
1158:
1145:
1129:
1090:
1026:
1013:
906:
904:Instrumentation
895:tenor and bass
861:Giovanni Valesi
804:son of Idomeneo
757:
741:
727:
719:Alessandra Marc
715:Delores Ziegler
665:Richard Strauss
636:
602:Boris Goldovsky
557:Lorenzo Quaglio
549:Munich Residenz
541:
493:Harald Heckmann
463:
458:
457:
456:
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439:
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399:
394:
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391:
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384:
379:
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377:
376:
375:
369:
364:
363:
362:
361:
360:
355:) in D major —
344:
339:
338:
337:
336:
335:
319:
314:
313:
312:
311:
310:
294:
289:
288:
287:
286:
285:
257:
183:
153:Crébillion père
149:Antoine Danchet
143:was adapted by
101:
100:
94:
89:
87:
72:Antoine Danchet
45:
17:
12:
11:
5:
4375:
4373:
4365:
4364:
4359:
4354:
4349:
4344:
4339:
4334:
4329:
4319:
4318:
4314:
4313:
4290:
4289:
4287:
4286:
4278:
4276:
4272:
4271:
4269:
4268:
4267:(1981, Marvel)
4262:
4254:
4246:
4245:(1943, Sartre)
4238:
4230:
4222:
4214:
4206:
4197:
4195:
4191:
4190:
4188:
4187:
4179:
4178:(1930, Krenek)
4171:
4170:
4169:
4156:
4148:
4147:(1780, Mozart)
4140:
4139:(1712, Campra)
4131:
4129:
4125:
4124:
4122:
4121:
4113:
4105:
4097:
4089:
4081:
4073:
4065:
4056:
4054:
4050:
4049:
4047:
4046:
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4034:
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4009:
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4003:
4002:
3997:
3995:
3994:
3987:
3980:
3972:
3963:
3962:
3960:
3959:
3952:
3944:
3942:
3938:
3937:
3935:
3934:
3925:
3916:
3907:
3898:
3894:Così fan tutte
3888:
3886:
3882:
3881:
3879:
3878:
3869:
3860:
3851:
3847:Non più andrai
3842:
3833:
3824:
3815:
3806:
3797:
3788:
3778:
3776:
3772:
3771:
3769:
3768:
3758:
3748:
3743:Così fan tutte
3738:
3728:
3718:
3708:
3698:
3688:
3678:
3668:
3658:
3648:
3638:
3628:
3618:
3608:
3598:
3588:
3578:
3568:
3558:
3547:
3545:
3539:
3538:
3532:
3530:
3529:
3522:
3515:
3507:
3498:
3497:
3495:
3494:
3483:
3480:
3479:
3477:
3476:
3471:
3466:
3461:
3456:
3450:
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3444:
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3441:
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3430:
3425:
3420:
3414:
3412:
3408:
3407:
3405:
3404:
3398:
3392:
3386:
3380:
3374:
3368:
3362:
3356:
3350:
3349:(first cousin)
3344:
3338:
3332:
3326:
3323:Leopold Mozart
3319:
3317:
3311:
3310:
3307:
3306:
3304:
3303:
3296:
3289:
3283:
3281:
3274:
3273:
3268:
3263:
3258:
3253:
3248:
3243:
3238:
3233:
3228:
3226:Horn concertos
3223:
3218:
3212:
3210:
3204:
3203:
3201:
3200:
3195:
3190:
3185:
3180:
3175:
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3092:
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3079:
3073:
3068:
3059:
3050:
3034:
3032:
3021:
3007:
2975:
2971:
2970:External links
2968:
2965:
2964:
2939:
2920:
2901:
2889:
2882:
2861:
2840:
2819:
2803:
2796:
2769:
2757:
2734:
2727:
2698:
2692:978-0393037128
2691:
2679:Heartz, Daniel
2670:
2658:
2625:
2605:
2589:
2567:
2550:
2543:
2522:
2505:
2504:
2502:
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2485:
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2480:
2458:
2428:
2390:
2356:
2329:
2318:Francesco Meli
2314:Steve Davislim
2302:Daniel Harding
2299:
2292:Deyan Vatchkov
2288:Jörg Schneider
2262:
2252:Frank Groothof
2238:
2208:
2194:John Alexander
2171:
2152:John Pritchard
2149:
2134:Heather Harper
2121:
2118:
2115:
2114:
2109:Harmonia Mundi
2105:
2090:
2088:Kenneth Tarver
2065:
2061:
2060:
2051:
2038:
2031:Fiona Campbell
2024:
2020:
2019:
2010:
1997:
1972:
1968:
1967:
1958:
1949:
1947:Thomas Hampson
1924:
1920:
1919:
1910:
1901:
1878:
1874:
1873:
1864:
1851:
1826:
1822:
1821:
1820:Cat: 475 7041
1812:
1802:John Pritchard
1799:
1774:
1770:
1769:
1760:
1751:
1744:Werner Hollweg
1726:
1722:
1721:
1712:
1701:
1694:Wiesław Ochman
1689:Peter Schreier
1676:
1672:
1671:
1662:
1649:
1647:Peter Schreier
1624:
1620:
1619:
1618:Cat: 58471129
1614:
1604:
1603:Andréa Snarski
1584:Heather Harper
1581:
1577:
1576:
1567:
1554:
1547:George Shirley
1529:
1525:
1524:
1515:
1505:John Pritchard
1502:
1500:Neilson Taylor
1477:
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1467:
1458:
1445:Janine Micheau
1442:
1438:
1437:
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1418:
1393:
1389:
1388:
1379:
1373:John Pritchard
1370:
1369:James Milligan
1347:
1343:
1342:
1337:
1328:
1311:Birgit Nilsson
1303:
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1263:Gertraud Hopf,
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1125:
1089:
1086:
1054:recapitulation
1025:
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1008:
1007:
1002:
983:Basso continuo
980:
970:
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845:
842:
835:
834:
829:
826:
819:
818:
813:
806:
799:
798:
793:
788:
781:
780:
775:
770:
763:
762:
754:
749:
726:
723:
699:) instead of "
655:revision from
635:
632:
620:Hans Neuenfels
540:
537:
470:
469:
459:
444:
435:
424:
415:
404:
395:
380:
365:
349:
340:
324:
315:
299:
290:
264:divertissement
256:
253:
182:
179:
103:
102:
95:
85:
83:
79:
78:
69:
65:
64:
61:
57:
56:
51:
47:
46:
43:
35:
34:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
4374:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4338:
4335:
4333:
4330:
4328:
4325:
4324:
4322:
4312:
4307:
4302:
4298:
4285:
4284:
4280:
4279:
4277:
4273:
4266:
4263:
4260:
4259:
4255:
4252:
4251:
4247:
4244:
4243:
4239:
4236:
4235:
4231:
4228:
4227:
4223:
4220:
4219:
4215:
4212:
4211:
4207:
4204:
4203:
4199:
4198:
4196:
4192:
4185:
4184:
4180:
4177:
4176:
4172:
4168:
4165:
4164:
4162:
4161:
4157:
4154:
4153:
4149:
4146:
4145:
4141:
4138:
4137:
4133:
4132:
4130:
4126:
4119:
4118:
4114:
4111:
4110:
4106:
4103:
4102:
4098:
4095:
4094:
4090:
4087:
4086:
4082:
4079:
4078:
4074:
4071:
4070:
4066:
4063:
4062:
4058:
4057:
4055:
4051:
4044:
4041:
4038:
4035:
4032:
4029:
4026:
4023:
4020:
4017:
4014:
4011:
4010:
4008:
4004:
4000:
3993:
3988:
3986:
3981:
3979:
3974:
3973:
3970:
3957:
3956:Derived works
3953:
3950:
3946:
3945:
3943:
3939:
3932:
3931:
3926:
3923:
3922:
3917:
3914:
3913:
3908:
3905:
3904:
3899:
3896:
3895:
3890:
3889:
3887:
3885:Discographies
3883:
3875:
3870:
3866:
3861:
3857:
3852:
3848:
3843:
3839:
3834:
3830:
3825:
3821:
3820:Il mio tesoro
3816:
3812:
3807:
3803:
3798:
3794:
3789:
3785:
3780:
3779:
3777:
3773:
3765:
3764:
3759:
3755:
3754:
3749:
3745:
3744:
3739:
3735:
3734:
3729:
3725:
3724:
3719:
3715:
3714:
3709:
3705:
3704:
3699:
3695:
3694:
3689:
3685:
3684:
3679:
3675:
3674:
3669:
3665:
3664:
3659:
3655:
3654:
3649:
3645:
3644:
3643:Il re pastore
3639:
3635:
3634:
3629:
3625:
3624:
3619:
3615:
3614:
3609:
3605:
3604:
3599:
3595:
3594:
3589:
3585:
3584:
3579:
3575:
3574:
3569:
3565:
3564:
3559:
3555:
3554:
3549:
3548:
3546:
3544:
3540:
3536:
3528:
3523:
3521:
3516:
3514:
3509:
3508:
3505:
3493:
3485:
3484:
3481:
3475:
3472:
3470:
3469:Mozart effect
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3451:
3449:
3445:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3415:
3413:
3409:
3402:
3399:
3396:
3395:Aloysia Weber
3393:
3390:
3389:Josepha Weber
3387:
3384:
3383:Cäcilia Weber
3381:
3378:
3375:
3372:
3369:
3366:
3363:
3360:
3357:
3354:
3351:
3348:
3345:
3342:
3339:
3336:
3333:
3330:
3327:
3324:
3321:
3320:
3318:
3316:
3312:
3302:
3301:
3297:
3295:
3294:
3290:
3288:
3285:
3284:
3282:
3278:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3227:
3224:
3222:
3219:
3217:
3214:
3213:
3211:
3209:
3205:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3130:
3128:
3124:
3120:
3113:
3108:
3106:
3101:
3099:
3094:
3093:
3090:
3083:
3080:
3077:
3074:
3072:
3069:
3067:(Adobe Flash)
3066:
3065:
3060:
3058:
3054:
3051:
3049:
3048:
3043:
3039:
3035:
3033:
3031:
3027:
3026:
3022:
3019:
3015:
3011:
3008:
3005:
3001:
3000:Daniel Heartz
2997:
2996:
2988:
2984:
2980:
2976:
2974:
2973:
2969:
2953:
2949:
2943:
2940:
2936:
2932:
2930:
2924:
2921:
2918:
2914:
2912:
2905:
2902:
2898:
2893:
2890:
2885:
2883:9780521437417
2879:
2875:
2871:
2865:
2862:
2854:
2852:
2844:
2841:
2838:
2837:
2832:
2830:
2823:
2820:
2816:
2812:
2807:
2804:
2799:
2797:9780393247961
2793:
2789:
2783:
2779:
2773:
2770:
2767:, p. 45.
2766:
2761:
2758:
2753:
2749:
2745:
2744:Levin, Robert
2738:
2735:
2730:
2728:9781351567886
2724:
2720:
2716:
2712:
2708:
2707:James Webster
2702:
2699:
2694:
2688:
2684:
2680:
2674:
2671:
2667:
2662:
2659:
2647:
2643:
2641:
2635:
2629:
2626:
2623:
2622:
2617:
2616:
2609:
2606:
2602:
2600:
2593:
2590:
2586:
2582:
2578:
2577:
2571:
2568:
2564:
2560:
2554:
2551:
2546:
2540:
2536:
2532:
2531:Cairns, David
2526:
2523:
2519:
2510:
2507:
2500:
2496:
2493:
2491:
2488:
2487:
2483:
2478:
2474:
2470:
2466:
2462:
2459:
2456:
2452:
2448:
2447:Nadine Sierra
2444:
2440:
2436:
2432:
2429:
2426:
2422:
2418:
2414:
2410:
2409:Julia Kleiter
2406:
2402:
2398:
2394:
2391:
2388:
2384:
2380:
2376:
2375:Annette Dasch
2372:
2371:Juliane Banse
2368:
2364:
2360:
2357:
2354:
2353:Anja Harteros
2350:
2346:
2342:
2338:
2334:
2330:
2327:
2323:
2319:
2315:
2311:
2307:
2303:
2300:
2297:
2293:
2289:
2285:
2284:Sonia Ganassi
2281:
2277:
2271:
2266:
2263:
2258:
2253:
2247:
2242:
2241:Ineke Houtman
2239:
2236:
2232:
2228:
2224:
2220:
2216:
2212:
2209:
2206:
2204:
2199:
2195:
2191:
2187:
2183:
2179:
2175:
2172:
2169:
2165:
2161:
2160:Richard Lewis
2157:
2153:
2150:
2147:
2143:
2139:
2135:
2131:
2127:
2124:
2123:
2119:
2113:Cat: ??
2110:
2106:
2102:
2098:
2094:
2091:
2089:
2084:
2083:Richard Croft
2079:
2078:Bernarda Fink
2074:
2069:
2066:
2063:
2062:
2059:Cat: ??
2056:
2052:
2050:
2046:
2042:
2041:Antony Walker
2039:
2032:
2025:
2022:
2021:
2018:Cat: ??
2015:
2011:
2009:
2005:
2001:
1998:
1996:
1991:
1990:Ian Bostridge
1986:
1981:
1976:
1973:
1970:
1969:
1966:Cat: ??
1963:
1959:
1957:
1953:
1950:
1948:
1943:
1938:
1933:
1928:
1925:
1922:
1921:
1915:
1911:
1909:
1905:
1902:
1897:
1892:
1887:
1882:
1879:
1876:
1875:
1869:
1865:
1863:
1859:
1855:
1852:
1850:
1845:
1840:
1835:
1830:
1829:Sylvia McNair
1827:
1824:
1823:
1817:
1813:
1811:
1807:
1803:
1800:
1798:
1793:
1788:
1783:
1778:
1775:
1772:
1771:
1768:Cat: ??
1765:
1761:
1759:
1755:
1752:
1750:
1745:
1740:
1735:
1730:
1727:
1724:
1723:
1717:
1713:
1709:
1705:
1702:
1700:
1695:
1690:
1685:
1680:
1677:
1674:
1673:
1667:
1663:
1661:
1657:
1653:
1650:
1648:
1643:
1642:Nicolai Gedda
1638:
1633:
1628:
1625:
1622:
1621:
1615:
1609:
1605:
1600:
1599:Nicolai Gedda
1595:
1594:Jessye Norman
1590:
1585:
1582:
1579:
1578:
1572:
1568:
1566:
1562:
1558:
1555:
1553:
1548:
1543:
1542:Ryland Davies
1538:
1533:
1530:
1527:
1526:
1520:
1516:
1514:
1510:
1506:
1503:
1501:
1496:
1495:Richard Lewis
1491:
1486:
1481:
1478:
1475:
1474:
1468:
1462:
1461:Gustave Cloëz
1459:
1457:
1453:Rémy Corazza,
1446:
1443:
1440:
1439:
1433:
1430:
1426:
1422:
1419:
1417:
1412:
1411:Rudolf Schock
1407:
1402:
1397:
1394:
1391:
1390:
1384:
1380:
1378:
1374:
1371:
1366:
1365:Richard Lewis
1361:
1356:
1351:
1348:
1345:
1344:
1341:Cat: ??
1338:
1336:
1332:
1329:
1327:
1322:
1321:Richard Lewis
1317:
1312:
1307:
1304:
1301:
1300:
1297:Cat: ??
1295:
1291:
1289:
1285:
1281:
1278:
1276:
1275:Herbert Handt
1270:Greta Menzel,
1267:
1262:
1259:
1258:
1254:
1249:
1238:
1235:
1234:
1228:
1223:
1218:
1215:
1212:
1209:
1206:
1205:
1204:
1203:
1196:
1193:
1190:
1187:
1186:
1185:
1184:
1177:
1174:
1171:
1168:
1165:
1164:
1163:
1162:
1156:List of arias
1155:
1153:
1149:
1142:
1140:
1136:
1134:
1126:
1124:
1122:
1117:
1115:
1111:
1107:
1103:
1099:
1095:
1087:
1085:
1083:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1047:
1044:in which the
1043:
1039:
1035:
1031:
1023:
1017:
1010:
1006:
1003:
1000:
996:
992:
988:
984:
981:
979:in D and in A
978:
974:
971:
968:
964:
959:
954:
950:
946:
943:
940:
939:
934:
930:
926:
922:
918:
914:
911:
910:
909:
903:
897:
894:
891:
890:
887:
885:
884:mezzo-soprano
881:
878:
877:
874:
872:
869:
866:
865:
862:
859:
856:
853:
852:
849:
846:
843:
841:
837:
836:
833:
830:
827:
825:
821:
820:
817:
814:
811:
807:
805:
801:
800:
797:
794:
792:
789:
787:
786:King of Crete
783:
782:
779:
776:
774:
771:
769:
765:
764:
761:
755:
753:
750:
747:
746:
735:
731:
724:
722:
720:
716:
712:
708:
698:
694:
684:
683:
677:
673:
668:
666:
662:
658:
654:
650:
646:
641:
633:
631:
629:
625:
621:
616:
614:
609:
607:
603:
599:
594:
592:
587:
584:
580:
578:
574:
570:
566:
562:
558:
554:
550:
546:
538:
536:
534:
533:
527:
525:
521:
517:
513:
509:
504:
502:
498:
497:Daniel Heartz
494:
490:
489:
483:
480:
476:
462:
452:
448:
445:
438:
428:
425:
418:
408:
405:
398:
383:
368:
358:
354:
350:
343:
333:
329:
325:
318:
308:
304:
300:
293:
283:
279:
275:
272:
271:
270:
267:
265:
262:
254:
252:
250:
249:
244:
240:
235:
233:
232:
227:
226:
221:
220:
215:
211:
208:
204:
200:
192:
187:
180:
178:
176:
172:
168:
164:
163:
158:
154:
150:
146:
142:
138:
134:
130:
126:
125:
120:
118:
114:(Italian for
113:
111:
98:
84:
80:
77:
73:
70:
66:
62:
58:
55:
52:
48:
41:
36:
33:
29:
25:
20:
4281:
4256:
4248:
4240:
4232:
4224:
4216:
4208:
4200:
4181:
4173:
4158:
4150:
4143:
4142:
4134:
4115:
4107:
4099:
4091:
4083:
4075:
4067:
4059:
4043:Chrysothemis
4027:(stepfather)
4019:Clytemnestra
3929:
3920:
3912:Don Giovanni
3911:
3902:
3893:
3761:
3751:
3741:
3733:Don Giovanni
3731:
3721:
3711:
3701:
3691:
3681:
3672:
3671:
3661:
3651:
3641:
3631:
3621:
3611:
3601:
3591:
3581:
3571:
3561:
3551:
3454:Georg Nissen
3401:Sophie Weber
3377:Joseph Lange
3371:Franz Mozart
3298:
3291:
3193:Pet starling
3063:
3045:
3037:
3024:
2993:
2978:
2955:. Retrieved
2951:
2942:
2928:
2923:
2910:
2904:
2892:
2873:
2864:
2857:(in Italian)
2850:
2843:
2834:
2828:
2822:
2814:
2806:
2787:
2772:
2760:
2751:
2737:
2714:
2711:John A. Rice
2701:
2682:
2673:
2661:
2649:. Retrieved
2639:
2628:
2619:
2614:
2608:
2598:
2592:
2581:Lady Wallace
2575:
2570:
2562:
2558:
2553:
2534:
2525:
2509:
2463:(2020) with
2431:James Levine
2405:Saimir Pirgu
2379:Rainer Trost
2345:Ramón Vargas
2340:
2324:. Live from
2320:. Staged by
2278:. Starring:
2235:Glyndebourne
2233:. Filmed in
2231:Carol Vaness
2227:Yvonne Kenny
2223:Jerry Hadley
2217:. Starring:
2202:
2174:James Levine
2142:Anne Pashley
2138:Rae Woodland
2055:ABC Classics
2045:Cantillation
2037:Paul McMahon
2035:Mark Tucker,
1952:James Levine
1932:Carol Vaness
1900:Uwe Heilmann
1849:Nigel Robson
1787:Agnes Baltsa
1749:Kurt Equiluz
1729:Rachel Yakar
1684:Júlia Várady
1679:Edith Mathis
1589:Rae Woodland
1519:Glyndebourne
1350:Sena Jurinac
1326:Alfred Poell
1306:Sena Jurinac
1201:
1200:
1182:
1181:
1160:
1159:
1150:
1146:
1137:
1130:
1118:
1091:
1027:
961:), in G), 2
936:
907:
892:Two Trojans
882:soprano and
839:
823:
803:
785:
767:
711:Jerry Hadley
702:Non ho colpa
696:
680:
671:
669:
652:
644:
639:
637:
617:
612:
610:
595:
588:
582:
581:
576:
572:
560:
542:
530:
528:
523:
511:
507:
505:
500:
486:
484:
478:
471:
468:(unfinished)
460:
451:E-flat major
436:
416:
396:
381:
366:
341:
328:qui reprenda
327:
316:
307:B-flat major
291:
268:
258:
246:
242:
236:
229:
223:
217:
206:
202:
196:
190:
167:Karl Theodor
160:
157:André Campra
123:
122:
115:
107:
106:
75:
4342:1781 operas
4332:Opera seria
4167:discography
3623:Lucio Silla
3428:Freemasonry
3153:Nationality
3133:Biographies
2990:(in German)
2765:Cairns 2006
2479:Cat:OA1317D
2473:Teatro Real
2465:Eric Cutler
2461:Ivor Bolton
2443:Alice Coote
2363:Dieter Dorn
2359:Kent Nagano
2280:Kurt Streit
2268: [
2255: [
2244: [
2215:Trevor Nunn
2130:Peter Pears
2093:René Jacobs
1904:Colin Davis
1608:Colin Davis
1557:Colin Davis
1552:Robert Tear
1331:Fritz Busch
1239:Cast: Ilia,
1046:development
1042:sonata form
1038:common time
995:violoncello
991:harpsichord
796:Anton Raaff
758:Conductor:
734:Anton Raaff
721:as Ismene.
524:passacaille
516:Tchaikovsky
447:Passacaille
409:in B-flat,
359:(attacca),
248:opera seria
210:recitatives
207:stromentato
181:Composition
133:opera seria
4321:Categories
4194:Literature
3533:Operas by
3411:Influences
3256:Symphonies
3143:Grand tour
3138:Birthplace
2501:References
2383:Guy de Mey
1975:Lisa Milne
1777:Lucia Popp
1632:Edda Moser
1224:Recordings
1098:Trojan War
1092:Island of
1078:resolution
1050:exposition
999:fortepiano
973:Percussion
752:Voice type
357:Allegretto
351:Pas seul (
199:Metastasio
90:1781-01-29
50:Librettist
4242:The Flies
4037:Iphigenia
4033:(brother)
4025:Aegisthus
4013:Agamemnon
3811:Dove sono
3418:Beethoven
3163:Scatology
3158:Residence
3126:Biography
2601:(Mozart)"
2477:Opus Arte
2397:styriarte
2322:Luc Bondy
2298:, Naples.
2168:Leo Goeke
2068:Sunhae Im
1797:Leo Nucci
1704:Karl Böhm
1421:Karl Böhm
1250:Conductor
1245:Idomeneo,
1243:Idamante,
1110:Agamemnon
1060:from the
1058:modulates
1052:with the
967:trombones
929:clarinets
913:Woodwinds
640:Idomeneo'
407:Passepied
326:Chaconne
303:Larghetto
301:Annonce (
239:Calzabigi
117:Idomeneus
4202:Oresteia
4152:Oresteia
4144:Idomeneo
4136:Idoménée
4045:(sister)
4039:(sister)
4021:(mother)
4015:(father)
3673:Idomeneo
3492:Category
3337:(sister)
3331:(mother)
3325:(father)
3280:Editions
3168:Smallpox
3071:Libretto
3064:Idomeneo
3053:Synopsis
3025:Idomeneo
3010:Libretto
2979:Idomeneo
2929:Idomeneo
2911:Idomeneo
2872:(1993).
2851:Idomeneo
2829:Idomeneo
2709:(2017).
2681:(1995).
2642:, K.367"
2640:Idomeneo
2615:Idomeneo
2599:Idomeneo
2559:Idomeneo
2533:(2006).
2484:See also
2433:(2017).
2395:(2009).
2326:La Scala
2304:(2005).
2203:Idomeneo
2158:. With
1241:Elettra,
1066:dominant
1030:overture
1024:Overture
1011:Synopsis
965:in D, 3
963:trumpets
955:)/in B (
933:bassoons
828:soprano
810:castrato
808:soprano
697:Idomeneo
672:Idomeneo
653:Idomeneo
645:Idomeneo
613:Idomeneo
583:Idomeneo
573:Idomeneo
569:overture
561:Idomeneo
508:Pas seul
501:Pas seul
274:Chaconne
191:Idomeneo
162:Idoménée
141:libretto
124:Idomeneo
99:, Munich
82:Premiere
76:Idoménée
68:Based on
60:Language
4265:Elektra
4250:Elektra
4234:Electra
4226:Electra
4218:Orestes
4210:Electra
4160:Elektra
4117:Electra
4069:Electra
4031:Orestes
3999:Electra
3941:Related
3447:Related
3438:Salieri
3251:Sonatas
3044:in the
2992:in the
2957:17 June
2782:Leopold
2778:Varesco
2719:Ashgate
2713:(ed.).
2651:29 June
2417:Eva Mei
2403:. With
2365:. With
2343:. With
2308:Trade.
2154:(1974)
1914:Philips
1571:Philips
1247:Arbace
1121:Neptune
1106:Electra
1082:G minor
1070:A major
1034:D major
1005:Strings
977:timpani
921:piccolo
773:soprano
622:at the
604:at the
571:. With
567:of the
547:of the
512:attacca
427:Gavotte
332:D minor
282:D major
278:Allegro
261:Lullian
243:Alceste
231:Alceste
88: (
63:Italian
4347:Operas
4297:Portal
4128:Operas
4120:(2010)
4112:(1984)
4104:(1975)
4096:(1974)
4088:(1969)
4080:(1965)
4077:Sandra
4072:(1962)
4064:(1947)
4006:Family
3766:(1791)
3756:(1791)
3746:(1790)
3736:(1787)
3726:(1786)
3716:(1786)
3706:(1784)
3696:(1783)
3686:(1782)
3676:(1781)
3666:(1780)
3656:(1779)
3646:(1775)
3636:(1775)
3626:(1772)
3616:(1772)
3606:(1771)
3596:(1770)
3586:(1769)
3576:(1768)
3566:(1767)
3556:(1767)
3543:Operas
3343:(wife)
3315:Family
3236:Operas
3231:Masses
3221:Dances
3183:Prague
3178:Berlin
3084:, 1803
3078:, 1781
3036:
2977:
2931:(2017)
2913:(1993)
2880:
2794:
2725:
2689:
2541:
2475:. DVD:
2449:, and
1764:Teldec
1431:Chorus
1255:Label
1114:furies
917:flutes
857:tenor
844:tenor
766:Ilia,
649:Munich
611:Today
429:in G,
139:. The
4311:Opera
4109:Ellie
4053:Films
3775:Arias
3663:Zaide
3433:Haydn
3361:(son)
3355:(son)
3208:Music
3198:Death
3173:Italy
3042:Score
2983:Score
2437:with
2272:]
2259:]
2248:]
2120:Video
1816:Decca
1236:Year
1229:Audio
1202:Act 3
1183:Act 2
1161:Act 1
1143:Act 3
1133:Argos
1127:Act 2
1102:Priam
1094:Crete
1088:Act 1
1062:tonic
1032:, in
1001:only)
949:horns
945:Brass
925:oboes
791:tenor
748:Role
725:Roles
626:(see
479:tutti
353:Largo
305:) in
280:) in
214:Gluck
203:secco
28:Opera
3148:Name
2985:and
2959:2020
2878:ISBN
2792:ISBN
2723:ISBN
2687:ISBN
2653:2022
2539:ISBN
2331:Sir
2192:and
2107:CD:
2064:2009
2053:CD:
2023:2007
2012:CD:
1971:2001
1960:CD:
1923:1994
1912:CD:
1877:1991
1866:CD:
1825:1990
1814:CD:
1773:1983
1762:CD:
1725:1981
1714:CD:
1675:1979
1664:CD:
1623:1971
1580:1971
1569:CD:
1528:1968
1517:CD:
1476:1964
1441:1960
1392:1956
1381:CD:
1346:1956
1302:1951
1292:CD:
1260:1950
1074:coda
1036:and
1028:The
993:and
958:hoch
953:alto
947:: 4
931:, 2
927:, 2
915:: 2
871:bass
228:and
205:and
4275:Art
3012:,
2306:RAI
2014:EMI
1666:EMI
1383:EMI
1294:Vox
989:of
985:in
938:NMA
630:).
579:).
565:key
449:in
216:'s
159:as
135:by
74:'s
30:by
4323::
3055:,
3040::
3016:,
3002:,
2981::
2950:.
2933:,
2915:,
2833:,
2813:,
2750:.
2741:*
2717:.
2644:.
2618:,
2445:,
2441:,
2423:;
2419:;
2415:;
2411:;
2407:;
2381:,
2377:,
2373:,
2351:,
2347:,
2316:,
2282:;
2270:fr
2257:nl
2246:fr
2229:,
2221:,
2188:,
2184:,
2180:,
2166:,
2144:,
2140:,
2136:,
2132:,
975::
919:,
667:.
577:ee
535:.
491:,
453:,
309:,
284:,
234:.
169:,
129:K.
127:,
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2998:(
2961:.
2937:.
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2886:.
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2849:"
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2800:.
2754:.
2731:.
2695:.
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2207:.
2111:,
2085:,
2080:,
2075:,
2070:,
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2016:,
1992:,
1987:,
1982:,
1977:,
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1944:,
1939:,
1934:,
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