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introduces the concept of intertextuality to the analysis of work practice at a hospital. The study shows that the ensemble of documents used and produced at a hospital department can be said to form a corpus of written texts. On the basis of the corpus, or subsections thereof, the actors in cooperative work create intertext between relevant (complementary) texts in a particular situation, for a particular purpose. The intertext of a particular situation can be constituted by several kinds of intertextuality, including the complementary type, the intratextual type and the mediated type. In this manner the concept of intertext has had an impact beyond literature and art studies.
61:, or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers (fiction, poetry, and drama and even non-written texts like performance art and digital media), intertextuality may now be understood as intrinsic to any text.
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the general's utterances while downplaying the damaging aspects. Rhetorical scholar Jeanne
Fahnestock has found that when popular magazines recontextualize scientific research they enhance the uniqueness of the scientific findings and confer greater certainty on the reported facts. Similarly, John Oddo stated that American reporters covering Colin Powell's 2003 U.N. speech transformed Powell's discourse as they recontextualized it, bestowing Powell's allegations with greater certainty and warrantability and even adding new evidence to support Powell's claims.
1503:
632:. While the two concepts are related, the intentions behind using another's work is critical in distinguishing the two. When making use of intertextuality, usually a small excerpt of a hypotext assists in the understanding of the new hypertext's original themes, characters, or contexts. Aspects of existing texts are reused, often resulting in new meaning when placed in a different context. Intertextuality hinges on the creation of new ideas, while plagiarism attempts to pass off existing work as one's own.
597:
accidental intertextuality, as the 'allusion' made relies on the listener or viewer knowing about the original source. It is also seen as accidental, however, as the allusion is normally a phrase so frequently or casually used that the true significance is not fully appreciated. Allusion is most often used in conversation, dialogue or metaphor. For example, "I was surprised his nose was not growing like
Pinocchio's." This makes a reference to
580:". According to Per Linell, recontextualization can be defined as the "dynamic transfer-and-transformation of something from one discourse/text-in-context ... to another". Recontextualization can be relatively explicit—for example, when one text directly quotes another—or relatively implicit—as when the "same" generic meaning is rearticulated across different texts.
640:
differ from the interests of literary theory, the concept has been elaborated differently with an emphasis on writers using intertextuality to position their statement in relation to other statements and prior knowledge. Students often find it difficult to learn how to combine referencing and relying
64:
Intertextuality has been differentiated into referential and typological categories. Referential intertextuality refers to the use of fragments in texts and the typological intertextuality refers to the use of pattern and structure in typical texts. A distinction can also be made between iterability
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While intertextuality is a complex and multileveled literary term, it is often confused with the more casual term 'allusion'. Allusion is a passing or casual reference; an incidental mention of something, either directly or by implication. This means it is most closely linked to both obligatory and
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A number of scholars have observed that recontextualization can have important ideological and political consequences. For instance, Adam Hodges has studied how White House officials recontextualized and altered a military general's comments for political purposes, highlighting favorable aspects of
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Oddo has also argued that recontextualization has a future-oriented counterpoint, which he dubs "precontextualization". According to Oddo, precontextualization is a form of anticipatory intertextuality wherein "a text introduces and predicts elements of a symbolic event that is yet to unfold". For
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In scientific and other scholarly writing intertextuality is core to the collaborative nature of knowledge building and thus citation practices are important to the social organization of fields, the codification of knowledge, and the reward system for professional contribution. Scientists can be
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Students learning to write often rely on imitation or emulation and have not yet learned how to reformulate sources and cite them according to expected standards, and thus engage in forms of "patchwriting," which may be inappropriately penalized as intentional plagiarism. Because the interests of
1479:
Bazerman, C. (1991). How natural philosophers can cooperate: The rhetorical technology of coordinated research in Joseph
Priestley's History and Present State of Electricity. In C. Bazerman & J. Paradis (Eds.), Textual dynamics of the professions (pp. 13-44). Madison: University of Wisconsin
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In addition, the concept of intertextuality has been used analytically outside the sphere of literature and art. For example, Devitt (1991) examined how the various genres of letters composed by tax accountants refer to the tax codes in genre-specific ways. In another example, Christensen (2016)
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skillfully intentional in the use of references to prior work in order to position the contribution of their work. Modern practices of scientific citation, however, have only developed since the late eighteenth century and vary across fields, in part influenced by disciplines’ epistemologies.
266:. The World-Wide Web has been theorized as a unique realm of reciprocal intertextuality, in which no particular text can claim centrality, yet the Web text eventually produces an image of a community—the group of people who write and read the text using specific discursive strategies.
250:(MUP 2005), re-examines "intertextuality" as a production within texts, rather than as a series of relationships between different texts. Some postmodern theorists like to talk about the relationship between "intertextuality" and "hypertextuality" (not to be confused with
69:. Iterability makes reference to the "repeatability" of certain text that is composed of "traces", pieces of other texts that help constitute its meaning. Presupposition makes a reference to assumptions a text makes about its readers and its context. As philosopher
1405:
C. Bazerman (2004). Intertextualities: Volosinov, Bakhtin, literary theory, and literacy studies. In A. Ball & S. W. Freedman (Eds.), Bakhtinian perspectives on languages, literacy, and learning (pp. 53-65). Cambridge: Cambridge
University Press.
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C. Bazerman (1987). Codifying the social scientific style: The APA Publication Manual as a behaviorist rhetoric. In J. Nelson, A. Megill, & D. McCloskey (Eds.). The rhetoric of the human sciences (pp. 125-144). Madison: University of
Wisconsin
94:
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Sociologist Perry Share describes intertextuality as "an area of considerable ethical complexity". Intertextuality does not necessarily involve citations or referencing punctuation (such as quotation marks) and can be mistaken for
1441:
Christensen, L.R. (2016). On
Intertext in Chemotherapy: an Ethnography of Text in Medical Practice. Computer Supported Cooperative Work (CSCW): The Journal of Collaborative Computing and Work Practices. Volume 25, Issue 1, pp
176:, supports the concept that the meaning of a text does not reside in the text, but is produced by the reader in relation both to the text in question and the complex network of texts evoked by the reading process.
1469:
Bazerman, C. (1993). Intertextual self-fashioning: Gould and
Lewontin's representations of the literature. In R. Selzer (Ed.), Understanding scientific prose (pp. 20-41). Madison: University of Wisconsin Press.
154:" when we realize that meaning is not transferred directly from writer to reader but is instead mediated or filtered by "codes" imparted to the writer and reader by other texts. For example, when we read
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when the little wooden puppet lies. If this was obligatory intertextuality in a text, multiple references to this (or other novels of the same theme) would be used throughout the hypertext.
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Berkenkotter, C., Huckin, T., & Ackerman, J. (1991). Social
Context and Socially Constructed Texts: The Initiation of a Graduate Student into a Writing Research Community. In
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example, Oddo contends, American journalists anticipated and previewed Colin Powell's U.N. address, drawing his future discourse into the normative present.
223:. This interconnected body extends to later poems and paintings that refer to Biblical narratives, just as other texts build networks around Greek and Roman
146:); his theory which suggests a continual dialogue with other works of literature and other authors; and his examination of the multiple meanings, or "
2446:
1909:
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Intertextualität in linguistischen
Fachaufsätzen des Englischen und Deutschen (Intertextuality in English and German Linguistic Research Articles).
615:
1634:
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De Lange, Attie; Comhrink, Annette. 'The matrix and the echo': Intertextual re-modelling in
Stoppard's Rosencrantz and Guildenstern are dead. in
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Intertextuality, Allusion, and Quotation: An International Bibliography of Critical Studies (Bibliographies and Indexes in World Literature)
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150:", of texts (especially novels) or individual words. According to Kristeva, "the notion of intertextuality replaces the notion of
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903:
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203:(for discussions on using 'intertextuality' to describe the use of the Old Testament in the New Testament, see Porter 1997;
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1966:
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Linell, Per. "Discourse across boundaries: On recontextualizations and the blending of voices in professional discourse,"
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Hodges, Adam. "The Politics of Recontextualization: Discursive Competition over Claims of Iranian Involvement in Iraq, "
1887:
1369:
770:"Intertextuality as Translation Problem: Explicitness, Recognisability and the Case of "Literatures of Smaller Nations""
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Oddo, John. "Precontextualization and the Rhetoric of Futurity: Foretelling Colin Powell's U.N. Address on NBC News,"
258:); intertextuality makes each text a "living hell of hell on earth" and part of a larger mosaic of texts, just as each
215:
would use such intertextuality to argue for a particular order and process of the authorship of the books in question,
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Porter, Stanley E. "The Use of the Old Testament in the New Testament: A Brief Comment on Method and Terminology." In
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Textual Dynamics of the Professions: Historical and Contemporary Studies of Writing in Professional Communities
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Swales, J. (1981). Aspects of article introductions. Language Studies Unit, University of Aston in Birmingham.
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Intertextuality and the 24-Hour News Cycle: A Day in the Rhetorical Life of Colin Powell's U.N. Address.
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Mayer, Rolf (1990). "Abstraction, Context, and Perspectivization – Evidentials in Discourse Semantics".
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Merton, R. K. (1957). Priorities in scientific discovery. American Sociological Review, 22(6), 635-659.
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takes a synchronic view that deals with the texts in their final form, as an interconnected body of
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1971:
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1611:(eds. C. A. Evans and J. A. Sanders; JSNTSup 14; Sheffield: Sheffield Academic Press, 1997), 79–96.
1092:, Channa Newman and Claude Doubinsky (trans.), University of Nebraska Press, Lincoln NE and London.
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1590:. Steven L. McKenzie, editor-in-chief. New York: Oxford University Press, 2013, Vol. 1, 453–63
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172:, or as part of many conversations at once. This intertextual view of literature, as shown by
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wrote, the term "has come to have almost as many meanings as users, from those faithful to
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310:: A retelling of the account of Genesis, set in the Salinas Valley of Northern California.
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Howard, Rebecca Moore. (1995). Plagiarisms, authorships, and the academic death penalty.
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Early Christian Interpretation of the Scriptures of Israel: Investigations and Proposals
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2013:
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Exploring Intertextuality: Diverse Strategies for New Testament Interpretation of Texts
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Intertextuality in art: "Nur eine Waffe taugt" (Richard Wagner, Parsifal, act III), by
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Fahnestock, Jeanne. "Accommodating Science: The Rhetorical life of Scientific Facts,"
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literary experiment or as a response to the epic tradition, or as part of some other
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Perhaps the earliest example of a non-anonymous author alluding to another is when
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Writing and identity: The discoursal construction of identity in academic writing
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narrates the early years of the life of Jesus while following a pattern from the
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is the shaping of a text's meaning by another text, either through deliberate
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464:: A retelling of the Bhagavad Gita, set in 1931 during an epic golf game.
294:
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Porter, James E. (1986). "Intertextuality and the discourse community".
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on others' words with marking their novel perspective and contribution.
416:: Another retelling of the account of Genesis, also leaning on Milton's
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2008:
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1583:. CQUniversity e-courses, LITR19049 - Romantic and Contemporary Poetry.
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Linguist Norman Fairclough states that "intertextuality is a matter of
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1986:
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The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides
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58:
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While the theoretical concept of intertextuality is associated with
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Desire in language : a semiotic approach to literature and art
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The shaping of a text's meaning by another text in literary studies
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Roozen, Kevin (2015). "Texts Get Their Meaning from Other Texts".
614:
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107:
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The World's Oldest Literature: Studies in Sumerian Belles-Lettres
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1113:"Characteristics of the WWW Text: Tracing Discursive Strategies"
906:, School of Language and Communication, Retrieved 15 March 2018.
826:
The Mirage in the Mirror: Nabokov's Ada and Its French Pre-Texts
1623:
563:, examining updated issues of the monstrous, i.e. sex-bots and
288:(410s BC), spoofs (in lines 524-38) the recognition scene from
1496:
1432:. Madison WI: University of Wisconsin Press. Pages 336-357.
1183:
Analysing Discourse: Textual Analysis for Social Research.
918:
Naming What We Know: Threshold Concepts of Writing Studies
1428:
Devitt, A. (1991). Intertextuality in tax accounting. In
1315:"Managing intertextuality–meaning, plagiarism and power"
1216:
East Lansing, MI: Michigan State University Press, 2014.
1025:
1023:
274:
Some examples of intertextuality in literature include:
1355:"Change as shifting identities: a dialogic perspective"
1342:. Amsterdam, Netherlands: John Benjamins Publishing Co.
1419:(pp. 191-215). Madison: University of Wisconsin Press.
239:
theory, such as that formulated in Daniela Caselli's
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1290:"Allusion dictionary definition | allusion defined"
1060:. New York: Columbia University Press. p. 66.
710:
The Shape of Time: Remarks on the History of Things
139:
derive their meaning from the structure of a text (
19:"Intertext" redirects here. For the publisher, see
1588:The Oxford Encyclopedia of Biblical Interpretation
879:Influence and Intertextuality in Literary History
1169:intertextual.bible/text/matthew-2.20-exodus-4.19
866:, "Dictionary.com", Retrieved on 15 March 2018.
502:: A retelling of the Arthurian legends, set in
1604:. 1994. Charlottesville: Rookwood Press, 2002.
1330:
1328:
248:: Intertextuality in the Fiction and Criticism
1945:Cinema / television / video
1635:
524:, set in post-American Civil War New England.
8:
2479:Palimpsests: Literature in the Second Degree
1090:Palimpsests: literature in the second degree
480:" romantic comedy replaying and referencing
262:can be a web of links and part of the whole
1362:Journal of Organizational Change Management
1208:
1206:
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2078:
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1117:Journal of Computer-Mediated Communication
1547:Learn how and when to remove this message
1146:. New York: Modern Library. p. 102.
785:
1510:This article includes a list of general
1029:Irwin,2, October 2004, pp. 227–242, 228.
920:. Logan: Utah State UP. pp. 44–47.
904:"Intertextuality as Discourse Strategy"
742:
106:bears an intertextual relationship to
1593:B. J. Oropeza and Steve Moyise, eds.
1142:Lefkowitz, Mary; Romm, James (2016).
7:
1597:(Eugene, Ore.: Cascade Books, 2016).
1586:Oropeza, B.J. "Intertextuality." In
787:10.22363/2312-9182-2019-23-2-362-382
1417:Textual dynamics of the professions
123:coined the term "intertextuality" (
1516:it lacks sufficient corresponding
1129:10.1111/j.1083-6101.1999.tb00330.x
254:, another semiotic term coined by
14:
1185:New York: Routledge, 2003, p. 51.
768:KaĹşmierczak, Marta (2019-12-15).
366:Le Miracle du grand saint Nicolas
199:refer to the events described in
1501:
1353:Jabri, Muayyad (December 2003).
348:, set in antebellum Mississippi.
191:and Old Testament books such as
183:, the device itself is not new.
864:"Definition of Intertextuality"
398:: A retelling of Shakespeare's
380:: A retelling of Shakespeare's
211:& Moyise, 2016). Whereas a
1266:"the definition of plagiarism"
774:Russian Journal of Linguistics
422:, but set on the planet Venus.
127:) in an attempt to synthesize
1:
2408:Pierre Menard, Author of the
2254:Archetypal literary criticism
1814:Literature / theatre
1569:, vol. 123, 1991, pp. 69-74..
1313:Share, Perry (January 2005).
1253:Discourse & Communication
506:, during the interwar period.
2220:Source criticism in the arts
1888:Readymades of Marcel Duchamp
1042:, (in the collective volume
955:10.1515/thli.1990.16.2-3.101
518:: A retelling of Aeschylus'
452:" told from her perspective.
2421:Reality Hunger: A Manifesto
1576:Frankfurt a.M.: Lang, 2006.
882:. Univ of Wisconsin Press.
823:Cancogni, Annapaola (1985)
600:The Adventures of Pinocchio
2658:
2527:Appropriation in sociology
1602:Allusion: A Literary Graft
457:The Legend of Bagger Vance
18:
2532:Articulation in sociology
2055:Revivalism (architecture)
1868:
998:10.1080/07350198609359131
876:Clayton, John B. (1991).
808:Hallo, William W. (2010)
322:: A retelling of Homer's
2244:Aesthetic interpretation
1056:Kristeva, Julia (1980).
511:Mourning Becomes Electra
436:metatextual intervention
386:, set in modern England.
368:during the 20th century.
227:history and mythology.
187:passages quote from the
2486:The Pictures Generation
2265:The Death of the Author
1531:more precise citations.
1229:, 19(4), 2008, 483-505.
1227:Discourse & Society
943:Theoretical Linguistics
716:Transmedia storytelling
2557:Copyright infringement
2537:Cultural appropriation
1294:www.yourdictionary.com
1242:, 3(3), 1986, 275-296.
1111:Mitra, Ananda (1999).
1046:, Paris, Seuil, 1968).
624:
450:mad woman in the attic
270:Examples in literature
117:
21:Intertext Publications
2584:Participatory culture
2552:Intellectual property
1240:Written Communication
839:Hebel, Udo J (1989).
618:
469:Bridget Jones's Diary
373:The Dead Fathers Club
340:: A retelling of the
129:Ferdinand de Saussure
96:
2259:Artistic inspiration
2083:Intertextual figures
2050:Parody advertisement
1581:Little Lamb analysis
1560:Additional citations
1394:College English 57.7
1255:, 7(1), 2013, 25-53.
1181:Fairclough, Norman.
902:Gadavanij, Savitri.
504:Monterey, California
448:, the story of the "
404:, set in rural Iowa.
295:The Libation Bearers
2594:Recontextualisation
2547:Information society
2542:History of printing
2522:Academic dishonesty
2283:Genius (literature)
1972:Literal music video
1883:Photographic mosaic
1678:Chopped and screwed
1579:Kliese, M. (2013).
1198:, 18, 1998, p. 154.
843:. Greenwood Press.
578:recontextualization
487:Pride and Prejudice
135:: his study of how
33:strategies such as
2630:Post-structuralism
2271:Divine inspiration
2060:Video game modding
1902:By source material
1044:Théorie d'ensemble
699:Post-structuralism
625:
551:Jeanette Winterson
237:post-structuralist
231:Post-structuralism
217:literary criticism
164:we decode it as a
118:
2625:Literary concepts
2607:
2606:
2514:artistic concepts
2502:Russian formalism
2228:
2227:
2068:
2067:
1957:Anime music video
1940:
1939:
1932:Statue of Liberty
1730:Musical quotation
1673:Bootleg recording
1572:Griffig, Thomas.
1557:
1556:
1549:
927:978-0-87421-989-0
679:Interdiscursivity
645:Non-literary uses
553:: A retelling of
530:Gospel of Matthew
462:Steven Pressfield
427:Wide Sargasso Sea
360:: A retelling of
333:Absalom, Absalom!
152:intersubjectivity
2647:
2426:
2416:
2403:
2234:Related artistic
2200:Imitation in art
2170:Assemblage (art)
2079:
1878:Combine painting
1866:
1851:Verbatim theatre
1826:Cut-up technique
1725:Music plagiarism
1663:
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1600:Pasco, Allan H.
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572:Related concepts
557:'s 1818 classic
440:Charlotte Brontë
391:A Thousand Acres
338:William Faulkner
328:, set in Dublin.
213:redaction critic
2657:
2656:
2650:
2649:
2648:
2646:
2645:
2644:
2620:Intertextuality
2610:
2609:
2608:
2603:
2589:Pirate politics
2562:Derivative work
2515:
2513:
2506:
2429:
2424:
2414:
2401:
2390:
2388:
2381:
2377:Story structure
2372:Stock character
2352:Formula fiction
2340:
2338:
2337:Standard blocks
2331:
2237:
2235:
2224:
2153:
2125:
2074:
2064:
2023:
1952:Abridged series
1936:
1924:Michelangelo's
1916:Michelangelo's
1897:
1862:
1855:
1841:Jukebox musical
1809:
1654:
1648:
1618:
1562:
1553:
1542:
1536:
1533:
1523:Please help to
1522:
1506:
1502:
1495:
1494:
1488:
1484:
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1193:
1189:
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1154:
1141:
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1136:
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1100:
1096:
1087:
1083:
1068:
1055:
1054:
1050:
1037:
1033:
1028:
1021:
986:Rhetoric Review
983:
982:
978:
940:
939:
935:
928:
915:
914:
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901:
897:
890:
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858:
851:
838:
837:
833:
822:
818:
807:
803:
767:
766:
762:
748:
744:
739:
721:Transtextuality
689:Literary theory
660:
647:
638:writing studies
613:
594:
574:
358:Anthony Burgess
272:
233:
125:intertextualité
91:
27:Intertextuality
24:
17:
12:
11:
5:
2655:
2654:
2651:
2643:
2642:
2637:
2635:Transmediation
2632:
2627:
2622:
2612:
2611:
2605:
2604:
2602:
2601:
2596:
2591:
2586:
2581:
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2505:
2504:
2499:
2494:
2489:
2482:
2475:
2468:
2463:
2455:
2450:
2447:De Copia Rerum
2443:
2437:
2435:
2431:
2430:
2428:
2427:
2417:
2404:
2393:
2391:
2386:
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2369:
2364:
2359:
2354:
2349:
2343:
2341:
2336:
2333:
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2329:
2324:
2319:
2314:
2309:
2304:
2303:
2302:
2292:
2291:
2290:
2285:
2280:
2268:
2261:
2256:
2251:
2246:
2240:
2238:
2233:
2230:
2229:
2226:
2225:
2223:
2222:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2161:
2159:
2158:Other concepts
2155:
2154:
2152:
2151:
2146:
2141:
2135:
2133:
2127:
2126:
2124:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2087:
2085:
2076:
2070:
2069:
2066:
2065:
2063:
2062:
2057:
2052:
2047:
2042:
2037:
2031:
2029:
2025:
2024:
2022:
2021:
2016:
2011:
2006:
2001:
1996:
1995:
1994:
1984:
1982:Re-cut trailer
1979:
1974:
1969:
1964:
1959:
1954:
1948:
1946:
1942:
1941:
1938:
1937:
1935:
1934:
1929:
1921:
1913:
1905:
1903:
1899:
1898:
1896:
1895:
1890:
1885:
1880:
1875:
1869:
1863:
1860:
1857:
1856:
1854:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1817:
1815:
1811:
1810:
1808:
1807:
1802:
1797:
1792:
1787:
1782:
1777:
1772:
1767:
1762:
1757:
1752:
1750:Plunderphonics
1747:
1742:
1737:
1732:
1727:
1722:
1717:
1712:
1707:
1702:
1697:
1692:
1691:
1690:
1680:
1675:
1669:
1667:
1660:
1656:
1655:
1649:
1647:
1646:
1639:
1632:
1624:
1617:
1616:External links
1614:
1613:
1612:
1605:
1598:
1591:
1584:
1577:
1570:
1561:
1558:
1555:
1554:
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1421:
1408:
1398:
1385:
1345:
1324:
1305:
1281:
1270:Dictionary.com
1257:
1244:
1231:
1218:
1200:
1187:
1174:
1159:
1152:
1134:
1103:
1094:
1081:
1066:
1048:
1031:
1019:
976:
933:
926:
908:
895:
888:
868:
856:
850:978-0313265174
849:
831:
816:
801:
780:(2): 362–382.
760:
750:Gerard Genette
741:
740:
738:
735:
734:
733:
728:
723:
718:
713:
706:
701:
696:
691:
686:
684:Julia Kristeva
681:
676:
671:
666:
659:
656:
646:
643:
612:
609:
593:
590:
573:
570:
569:
568:
542:
539:Book of Exodus
525:
516:Eugene O'Neill
507:
500:John Steinbeck
491:
474:Helen Fielding
465:
453:
423:
405:
387:
369:
362:Anatole France
353:Earthly Powers
349:
329:
311:
308:John Steinbeck
299:
271:
268:
264:World-Wide Web
256:GĂ©rard Genette
232:
229:
181:post-modernism
174:Roland Barthes
121:Julia Kristeva
100:'s 1922 novel
90:
87:
75:Julia Kristeva
67:presupposition
15:
13:
10:
9:
6:
4:
3:
2:
2653:
2652:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2623:
2621:
2618:
2617:
2615:
2600:
2599:Remix culture
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2568:
2565:
2563:
2560:
2558:
2555:
2554:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2528:
2525:
2523:
2520:
2519:
2517:
2509:
2503:
2500:
2498:
2497:Postmodernism
2495:
2493:
2490:
2488:
2487:
2483:
2481:
2480:
2476:
2474:
2473:
2469:
2467:
2464:
2462:
2461:
2456:
2454:
2451:
2449:
2448:
2444:
2442:
2439:
2438:
2436:
2432:
2423:
2422:
2418:
2412:
2411:
2405:
2400:
2399:
2395:
2394:
2392:
2387:Epoch-marking
2384:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2362:Jazz standard
2360:
2358:
2357:Genre fiction
2355:
2353:
2350:
2348:
2345:
2344:
2342:
2334:
2328:
2327:Western canon
2325:
2323:
2320:
2318:
2315:
2313:
2312:Genre studies
2310:
2308:
2305:
2301:
2298:
2297:
2296:
2293:
2289:
2286:
2284:
2281:
2279:
2278:
2274:
2273:
2272:
2269:
2266:
2262:
2260:
2257:
2255:
2252:
2250:
2247:
2245:
2242:
2241:
2239:
2231:
2221:
2218:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2162:
2160:
2156:
2150:
2147:
2145:
2142:
2140:
2137:
2136:
2134:
2132:
2128:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2088:
2086:
2084:
2080:
2077:
2071:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2040:Internet meme
2038:
2036:
2033:
2032:
2030:
2026:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2000:
1997:
1993:
1992:Shot-for-shot
1990:
1989:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1967:Found footage
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1949:
1947:
1943:
1933:
1930:
1928:
1927:
1922:
1920:
1919:
1914:
1912:
1911:
1907:
1906:
1904:
1900:
1894:
1891:
1889:
1886:
1884:
1881:
1879:
1876:
1874:
1871:
1870:
1867:
1864:
1858:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1822:
1819:
1818:
1816:
1812:
1806:
1803:
1801:
1798:
1796:
1793:
1791:
1788:
1786:
1783:
1781:
1780:Sound collage
1778:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1711:
1710:Interpolation
1708:
1706:
1703:
1701:
1700:Cover version
1698:
1696:
1693:
1689:
1686:
1685:
1684:
1681:
1679:
1676:
1674:
1671:
1670:
1668:
1664:
1661:
1657:
1652:
1651:Appropriation
1645:
1640:
1638:
1633:
1631:
1626:
1625:
1622:
1615:
1610:
1606:
1603:
1599:
1596:
1592:
1589:
1585:
1582:
1578:
1575:
1571:
1568:
1564:
1563:
1559:
1551:
1548:
1540:
1530:
1526:
1520:
1519:
1513:
1508:
1499:
1498:
1486:
1483:
1476:
1473:
1466:
1463:
1457:
1454:
1448:
1445:
1438:
1435:
1431:
1425:
1422:
1418:
1412:
1409:
1402:
1399:
1395:
1389:
1386:
1375:on 2018-03-20
1371:
1367:
1363:
1356:
1349:
1346:
1341:
1337:
1331:
1329:
1325:
1320:
1316:
1309:
1306:
1295:
1291:
1285:
1282:
1271:
1267:
1261:
1258:
1254:
1248:
1245:
1241:
1235:
1232:
1228:
1222:
1219:
1215:
1209:
1207:
1205:
1201:
1197:
1191:
1188:
1184:
1178:
1175:
1171:
1170:
1163:
1160:
1155:
1153:9780812993004
1149:
1145:
1138:
1135:
1130:
1126:
1122:
1118:
1114:
1107:
1104:
1101:Kristeva, 66.
1098:
1095:
1091:
1085:
1082:
1077:
1073:
1069:
1063:
1059:
1052:
1049:
1045:
1041:
1035:
1032:
1026:
1024:
1020:
1015:
1011:
1007:
1003:
999:
995:
991:
987:
980:
977:
972:
968:
964:
960:
956:
952:
948:
944:
937:
934:
929:
923:
919:
912:
909:
905:
899:
896:
891:
889:9780299130343
885:
881:
880:
872:
869:
865:
860:
857:
852:
846:
842:
835:
832:
828:
827:
820:
817:
814:
811:
805:
802:
797:
793:
788:
783:
779:
775:
771:
764:
761:
758:
755:
751:
746:
743:
736:
732:
729:
727:
724:
722:
719:
717:
714:
712:
711:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
664:Citationality
662:
661:
657:
655:
651:
644:
642:
639:
633:
631:
622:
617:
610:
608:
606:
605:Carlo Collodi
603:, written by
602:
601:
591:
589:
585:
581:
579:
571:
566:
562:
561:
556:
552:
548:
547:
546:Frankissstein
543:
540:
536:
532:
531:
526:
523:
522:
517:
513:
512:
508:
505:
501:
497:
496:
495:Tortilla Flat
492:
489:
488:
483:
479:
475:
471:
470:
466:
463:
459:
458:
454:
451:
447:
446:
441:
437:
433:
429:
428:
424:
421:
420:
419:Paradise Lost
415:
411:
410:
406:
403:
402:
397:
393:
392:
388:
385:
384:
379:
375:
374:
370:
367:
363:
359:
355:
354:
350:
347:
343:
339:
335:
334:
330:
327:
326:
321:
317:
316:
312:
309:
305:
304:
300:
297:
296:
291:
287:
286:
281:
277:
276:
275:
269:
267:
265:
261:
257:
253:
249:
247:
243:
238:
230:
228:
226:
222:
218:
214:
210:
206:
202:
198:
194:
190:
189:Old Testament
186:
185:New Testament
182:
177:
175:
171:
167:
163:
162:
157:
153:
149:
148:heteroglossia
145:
142:
138:
134:
130:
126:
122:
115:
114:
109:
105:
104:
99:
95:
88:
86:
84:
80:
76:
72:
71:William Irwin
68:
62:
60:
56:
52:
48:
44:
40:
36:
32:
31:compositional
28:
22:
2512:Related non-
2484:
2477:
2470:
2459:
2445:
2434:Theorization
2419:
2409:
2396:
2275:
2190:Found object
2185:DĂ©tournement
2082:
2019:YouTube poop
2014:Video mashup
1962:Collage film
1925:
1917:
1908:
1836:Found poetry
1831:Flarf poetry
1740:Parody music
1720:Music mashup
1695:Contrafactum
1608:
1601:
1594:
1587:
1580:
1573:
1566:
1543:
1534:
1515:
1485:
1475:
1465:
1456:
1447:
1437:
1429:
1424:
1416:
1411:
1401:
1393:
1388:
1377:. Retrieved
1370:the original
1365:
1361:
1348:
1339:
1319:ResearchGate
1318:
1308:
1297:. Retrieved
1293:
1284:
1273:. Retrieved
1269:
1260:
1252:
1247:
1239:
1234:
1226:
1221:
1213:
1212:Oddo, John.
1195:
1190:
1182:
1177:
1168:
1162:
1143:
1137:
1120:
1116:
1106:
1097:
1089:
1084:
1057:
1051:
1043:
1039:
1038:analysis of
1034:
992:(1): 34–47.
989:
985:
979:
946:
942:
936:
917:
911:
898:
878:
871:
859:
840:
834:
825:
819:
809:
804:
777:
773:
763:
753:
745:
708:
669:DĂ©tournement
652:
648:
634:
626:
598:
595:
586:
582:
575:
560:Frankenstein
558:
555:Mary Shelley
544:
535:Hebrew Bible
527:
521:The Oresteia
519:
509:
493:
485:
476:: A modern "
467:
455:
443:
425:
417:
407:
399:
389:
381:
371:
365:
351:
331:
323:
313:
303:East of Eden
301:
293:
283:
273:
240:
235:More recent
234:
178:
170:conversation
159:
124:
119:
111:
101:
63:
26:
25:
2579:Open source
2367:Plot device
2317:Originality
2300:Fan fiction
2165:After (art)
2121:Translation
1977:Parody film
1861:Visual arts
1790:Tribute act
1653:in the arts
1529:introducing
1336:Ivanić, Roz
731:Umberto Eco
482:Jane Austen
414:C. S. Lewis
396:Jane Smiley
344:story from
320:James Joyce
193:Deuteronomy
156:James Joyce
98:James Joyce
51:translation
2614:Categories
2472:Nachahmung
2458:Dionysian
2398:L.H.O.O.Q.
2322:Simulacrum
2131:Adaptation
2111:Plagiarism
2045:Joke theft
2028:Other arts
1821:Assemblage
1683:Contrafact
1512:references
1396:, 788-806.
1379:2018-03-19
1299:2018-03-19
1275:2018-03-19
1067:0231048068
829:pp.203-213
737:References
726:Type scene
630:plagiarism
623:, ca. 1930
611:Plagiarism
549:(2019) by
514:(1931) by
498:(1935) by
472:(1996) by
460:(1996) by
430:(1966) by
412:(1943) by
409:Perelandra
394:(1991) by
376:(2006) by
356:(1980) by
336:(1936) by
318:(1922) by
306:(1952) by
221:literature
47:plagiarism
2347:Archetype
2339:and forms
2295:Fan labor
2175:Bricolage
2116:Quotation
2004:TV format
1910:Mona Lisa
1805:Vaporwave
1800:Variation
1760:Quodlibet
1755:Potpourri
1745:Pasticcio
1735:Nightcore
1567:Literator
1537:June 2009
1014:170955347
1006:0735-0198
963:0301-4428
796:2312-9212
754:Paratexts
704:Semiotics
674:Honkadori
478:chick lit
445:Jane Eyre
432:Jean Rhys
401:King Lear
378:Matt Haig
290:Aeschylus
282:, in his
280:Euripides
260:hypertext
252:hypertext
225:Classical
166:modernist
144:dialogism
141:Bakhtin's
133:semiotics
83:influence
35:quotation
2567:Fair use
2460:imitatio
2453:Diegesis
2277:Afflatus
2249:Anti-art
2236:concepts
2180:Citation
2144:Literary
2106:Pastiche
2091:Allusion
2075:concepts
2073:General
1999:Supercut
1785:Standard
1775:Sampling
1659:By field
1338:(1998).
1123:(1): 1.
971:62219490
658:See also
592:Allusion
565:cryonics
197:prophets
79:allusion
55:pastiche
39:allusion
2492:Pop art
2466:Mimesis
2410:Quixote
2210:Reprise
2149:Theatre
2035:In-joke
2009:Vidding
1873:Collage
1525:improve
1076:6016349
949:(2–3).
752:(1997)
342:Absalom
325:Odyssey
315:Ulysses
285:Electra
242:Beckett
209:Oropeza
205:Oropeza
195:or the
161:Ulysses
113:Odyssey
103:Ulysses
89:History
2425:(2010)
2415:(1939)
2402:(1919)
2215:Satire
2205:Mashup
2195:Homage
2101:Parody
2096:Calque
1987:Remake
1770:Riddim
1715:Medley
1705:DJ mix
1514:, but
1490:Press.
1480:Press.
1150:
1074:
1064:
1012:
1004:
969:
961:
924:
886:
847:
794:
383:Hamlet
346:Samuel
246:Dantes
207:2013;
201:Exodus
59:parody
43:calque
2389:works
2307:Genre
2288:Muses
1926:PietĂ
1918:David
1893:Swipe
1846:Trope
1795:Trope
1765:Remix
1666:Music
1373:(PDF)
1358:(PDF)
1010:S2CID
967:S2CID
813:p.608
137:signs
108:Homer
2640:Text
2574:Meme
2441:Dada
2139:Film
1688:list
1442:1-38
1196:Text
1148:ISBN
1072:OCLC
1062:ISBN
1002:ISSN
959:ISSN
922:ISBN
884:ISBN
845:ISBN
792:ISSN
757:p.18
694:Meta
528:The
434:: A
81:and
65:and
1125:doi
994:doi
951:doi
782:doi
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438:on
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1366:17
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