Jim Jarmusch - Knowledge (XXG)

564:, who was at that time teaching in the department. In an anecdote, Jarmusch recounted the formative experience of showing his mentor his first script; Ray disapproved of its lack of action, to which Jarmusch responded after meditating on the critique by reworking the script to be even less eventful. On Jarmusch's return with the revised script, Ray reacted favourably to his student's dissent, citing approvingly the young student's obstinate independence. Jarmusch was the only person Ray brought to work—as his personal assistant—on 1105:, who shares the same name as the city. Paterson was inspired by objectivist American poet William Carlos Williams and his epic poem "Paterson". The film features the wry, minimalist style found in Jarmusch's other works and earned 22 award nominations for Jarmusch, Driver and Nellie, the dog featured in the film. The story focuses on Paterson's poetry writing efforts, interspersed with his observations and experiences of the residents he encounters on his bus route and in his daily life. Todd McCarthy of 1018:, with the composer Phil Klein. I have a new film project that's really foremost for me that I hope to shoot early next year with Tilda Swinton and Michael Fassbender and Mia Wasikowska, who was Alice in Wonderland in Tim Burton's film. I don't have that quite financed yet, so I'm working on that. I'm also making music and hoping to maybe score some silent films to put out. Our band will have an EP that we'll give out at ATP. We have enough music for three EPs or an album. 773: 44: 4207:

American hipdom. They articulate a distinctly funky, low-tech, outcast vision of American society that in both ethos and esthetics draws upon and amusingly blends the past five decades of postwar culture. While in content his films quietly defy Hollywood's myths of American progress and prosperity, in form (due to their stylistic simplicity and small budgets) they are a retort to the movie industry's bloated excess.

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only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don't bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from—it's where you take them to."

1060:(TIFF), with Jarmusch explaining the seven-year completion time frame at the former: "The reason it took so long is that no one wanted to give us the money. It took years to put it together. Its (sic) getting more and more difficult for films that are a little unusual, or not predictable, or don't satisfy people's expectations of something." The film's budget was 1355:

me it's phases where I'm very solitary, writing, and then I'm preparing, getting the money, and then I'm with the crew and on a ship and it's amazing and exhausting and exhilarating, and then I'm alone with the editor again... I've said it before, it's like seduction, wild sex, and then pregnancy in the editing room. That's how it feels for me.

631:, was produced on a budget of approximately $ 125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the 1951: 602:, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $ 12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 5213:

And then my band Bad Rabbit made some recordings for the museum sequences in the film. In the existing file I just didn't find things that were exactly right for that, so we decided to record some of our own. ... Well, we have two tracks on the soundtrack record that are in the film, and then we have

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There's been an overemphasis on the hipness factor—and a lack of emphasis on his incredible attachment to the idea of celebrating poetry and culture. You can complain about the preciousness of a lot of his movies, they are unapologetically standing up for poetry. 'if you want to call me an elitist,

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I put 'A film by' as a protection of my rights, but I don't really believe it. It's important for me to have a final cut, and I do for every film. So I'm in the editing room every day, I'm the navigator of the ship, but I'm not the captain, I can't do it without everyone's equally valuable input. For

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neighborhood in 2007, at which time the lute player handed the director a CD. Several months later, Jarmusch asked van Wissem to send his catalog of recordings and the two started playing together as part of their developing friendship. Van Wissem explained in early April 2014: "I know the way makes

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Though his films are predominantly set in the United States, Jarmusch has advanced the notion that he looks at America "through a foreigner's eyes", with the intention of creating a form of world cinema that synthesizes European and Japanese film with that of Hollywood. His films have often included

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Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was

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of the Wu-Tang Clan, which blends into the director's "aesthetics of sampling". The film was unique among other things for the number of books important to and discussed by its characters, most of them listed bibliographically as part of the end credits. The film is also considered to be a homage to

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Over the last decade Jarmusch has established himself as one of the leading independent filmmakers of his generation with such comedic and ironic films as "Stranger Than Paradise", "Down by Law", "Mystery Train", "Night on Earth", and "Dead Man". With his latest film, which he wrote, produced and

4200:. A small triangular silver Triumph motorcycle pin affixed to the lapel is a tip-off to one of Jarmusch's chief recreational passions. Among Jarmusch cognoscenti, the shock of thick, almost white hair that rises from his head in a handsomely shaped post-punk spike is another unmistakable signature. 1373:

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select

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became an arthouse hit, Jarmusch has garnered a loyal but limited American audience. Yet abroad, particularly in Japan and Europe, both Jarmusch and his films have achieved cult status. For foreigners, perhaps even more so than for Americans, Jarmusch's films are the sine qua non of post-modern

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found much favor internationally and among critics, many of whom lauded it as a visionary masterpiece. It has been hailed as one of the few films made by a Caucasian that presents an authentic Native American culture and character, and Jarmusch stands by it as such, though it has attracted both

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described the film as "Jarmusch's most enjoyable, accessible work for some time, perhaps his most emotionally generous film...a very attractive piece of film-making, bolstered by terrific performances from an all-star cast, spearheaded by endlessly droll, seductively sensitive Bill Murray."

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Jim Jarmusch has big hair – Lyle Lovett big. It suits the man whose too-hip-to-live reputation has made him the King of Counterculture Film and whose work is featured in a Walker Art Center retrospective this month. Jarmusch's disjointed, oddly comic movies and short films, which include

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But then 1992's "Somewhere in California", which won the Cannes Film Festival's short-film Palme D'Or, offers the delicious spectacle of and meeting in some remote dumpy bar, with Iggy playing the shaggy, eager-to-please puppy while the edgy Waits finds ways to take constant

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Jarmusch has revealed that his instinct is a greater influence during the filmmaking process than any cognitive processes. He explained: "I feel like I have to listen to the film and let it tell me what it wants. Sometimes it mumbles and it isn't very clear." Films such as

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Walking into the cafe where we've agreed to meet on a hot spring day, director Jim Jarmusch takes off his signature black leather jacket. It's the type worn by blues musicians, '50s greasers and the downbeat bohemian odd couple Willie and Eddie of Jarmusch's second film

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The protagonists of Jarmusch's films are usually lone adventurers. The director's male characters have been described by critic Jennie Yabroff as "three time losers, petty thiefs and inept con men, all... eminently likeable, if not down right charming"; while novelist

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foreign actors and characters, and (at times substantial) non-English dialogue. In his two later-nineties films, he dwelt on different cultures' experiences of violence, and on textual appropriations between cultures: a wandering Native American's love of

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gave the film a positive review, writing: "A mild-mannered, almost startlingly undramatic work that offers discreet pleasures to longtime fans of the New York indie-scene veteran, who can always be counted on to go his own way." Eric Kohn, film critic of

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While Swinton, who has worked with Jarmusch on numerous occasions, describes him as a "rock star", the director admits that "I don't know where I fit in. I don't feel tied to my time." Dutch lute player Jozef van Wissem, who worked on the score for

725:. Not intended to appeal to mainstream filmgoers, these early Jarmusch films were embraced by art house audiences, gaining a small but dedicated American following and cult status in Europe and Japan. Each of the four films had its premiere at the 1013:

I'm working on a documentary about the Stooges . It's going to take a few years. There's no rush on it, but it's something that Iggy asked me to do. I'm co-writing an "opera". It won't be a traditional opera, but it'll be about the inventor

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His early work is marked by a brooding, contemplative tone, featuring extended silent scenes and prolonged still shots. He has experimented with a vignette format in three films that were either released, or begun around, the early 1990s:

529:). Though he lacked experience in filmmaking, his submission of a collection of photographs and an essay about film secured his acceptance into the program. He studied there for four years; he met fellow students and future collaborators 337:

The key, I think, to Jim, is that he went gray when he was 15... As a result, he always felt like an immigrant in the teenage world. He's been an immigrant—a benign, fascinated foreigner—ever since. And all his films are about that.

1537:, "Jarmusch's movies have the tempo and rhythm of blues and jazz, even in their use—or omission—of language. His films work on the senses much the way that some music does, unheard until it's too late to get it out of one's head." 851:, an 18th-century philosophy text and training manual for samurai, becoming, as directed, a terrifyingly deadly hit-man for a local mob boss to whom he may owe a debt, and who then betrays him. The soundtrack was supplied by 4419:

This is the first time Fortissimo has entered a formal long-term relationship with an individual filmmaker, and marks a major step forward by the Hong Kong and Amsterdam-based sales company in its drive for English-language

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Sqürl, Jarmusch's self-described "enthusiastically marginal" band with drummer Carter Logan — who is also a producer on Jarmusch's films — and engineer Shane Stoneback, coalesced to create music for Jarmusch's 2009 film

491:'s films, which I only knew from seeing a few of them on television late at night. When I came back from Paris, I was still writing, and my writing was becoming more cinematic in certain ways, more visually descriptive. 698:(1991) involved five cab drivers and their passengers on rides in five different world cities, beginning at sundown in Los Angeles and ending at sunrise in Helsinki. Less bleak and somber than Jarmusch's earlier work, 1882:

New York critic and festival director Kent Jones undermined the "urban cool" association that Jarmusch has garnered and was quoted in a February 2014 media article, following the release of his eleventh feature film:

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to pay for his school tuition, Jarmusch started work on a film for his final project. The university was unimpressed with Jarmusch's use of his funding as well as the project itself and refused to award him a degree.

1454:. The interaction and syntheses between different cultures, the arbitrariness of national identity, and irreverence towards ethnocentric, patriotic or nationalistic sentiment are recurring themes in Jarmusch's work. 1118:

wrote that the film was "an apt statement from Jarmusch, a filmmaker who continues to surprise and innovate while remaining true to his singular voice, and who here seems to have delivered its purest manifestation."

1363:. He explained at the beginning that he did this, instead of the usual practice of a director's commentary to be played over the film itself, because "I don't like looking at my films again--it's agony to me." 621:

is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.

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Jarmusch was an avid reader in his youth and acquired an enthusiasm for film. He had an even greater interest in literature which was encouraged by his grandmother. Though he refused to attend church with his

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parents (not liking "the idea of sitting in a stuffy room wearing a little tie"), Jarmusch credits literature with shaping his metaphysical beliefs and leading him to reconsider theology in his mid-teens.

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This month at its Silver Theatre (8633 Colesville Rd., Silver Spring), the American Film Institute is presenting "The Sad and Beautiful World of Jim Jarmusch", a retrospective of most of the filmmaker's

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In a February 2014 interview Jarmusch stated that he is not interested in eternal life, as "there's something about the cycle of life that's very important, and to have that removed would be a burden".

947:, whereby the distributor would fund and have "first-look" rights to the director's future films, and cover some of the overhead costs of his production company, Exoskeleton. The film premiered at the 5235: 4217:] will soon hold such a festival. And in Japan, where the director is a national celebrity, he is offered huge sums to appear in and direct commercials. To date he has turned down all offers. 1879:. Such perceptions were reinforced by the release of his subsequent features in the late 1980s, establishing him as one of the generation's most prominent and influential independent filmmakers. 5706:

was released in 1984, Jarmusch embodies urban cool and uncompromising auteurism. His pictures are at once funny, gritty, highly challenging and undeniably American in their multicultural vision.

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Jarmusch is a member of the avant-garde rock band Sqürl with film associate Carter Logan and sound engineer Shane Stoneback. The band formed to create additional soundtracks for Jarmusch's film

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was thematically expansive and of an often violent and progressively more surreal character. The film was shot in black and white by Robby Müller, and features a score composed and performed by

383:. They made fake identity documents which allowed them to visit bars at the weekend but also the local art house cinema, which typically showed pornographic films but would occasionally feature 6688: 3245:

We grew up near, not in, Akron, Ohio, in an idyllic area that seemed eons away from the stinky, grimy "Rubber Capital of the World." And our father worked for B.F. Goodrich, not Goodyear.

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called Jarmusch "the most adventurous and arresting film maker to surface in the American cinema in this decade". He was recognized with the "Filmmaker on the Edge" award at the 2004

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called Jarmusch "one of the great American independent film-makers" who is "the last of the line." Thomas believes that filmmakers like Jarmusch "are not coming through... any more."

1867:"permanently upended the idea of independent film as an intrinsically inaccessible avant-garde form". The success of the film accorded the director a certain iconic status within 1988:, a humorous "semi-secret society" of artists resembling the iconic actor, which issues communiqués and meets on occasion for the ostensible purpose of watching Marvin's films. 5808:

Indie filmmaker Jim Jarmusch will be the sixth recipient of the Filmmaker on the Edge award at the 2004 Provincetown Film Festival, to be held June 16–20 in Provincetown, Mass.

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by Jim Jarmusch is credited with launching the independent film movement. Two years later, Jarmusch introduced American audiences to the wacky Italian actor Roberto Benigni in

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for what was initially a summer semester on an exchange program, but turned into 10 months. He worked as a delivery driver for an art gallery and spent most of his time at the

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critic Sean P. Means wrote that Jarmusch blends "film styles and genres with sharp wit and dark humor", while his style is also defined by a signature deadpan comedic tone.

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Jim Jarmusch makes movies unlike anyone else's. They're unhurried. They're populated by the oddest characters. They do not proceed in straight lines. They're one of a kind.

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in about a week, out of frustration at the collapse of the production of another film he had written and the desire to visit and collaborate with friends such as Benigni,

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Following artistic success and critical acclaim in the American independent film community, he achieved mainstream recognition with his far-East philosophical crime film

813:, the film marked a significant departure for the director from his previous features. Earnest in tone in comparison to its self-consciously hip and ironic predecessors, 4129:

In reverse, North American directors started to absorb the influence of European road cinema, usually mediated by the 'American' films by Wim Wenders and Werner Herzog (

4030:(2009), Guía para ver y analizar Noche en la Tierra de Jim Jarmusch, Barcelona/Valencia: Octaedro/Nau Llibres, ISBNs: 978-84-8063-931-6 /978-84-7642-776-7. Spanish only. 3325: 3224: 668:(his introduction to American audiences) as three convicts who escape from a New Orleans jailhouse. Shot like the director's previous efforts in black and white, this 6232: 5200: 758:

further solidified his interest and participation in the road movie genre. In 1991 Jarmusch appeared as himself in Episode One of John Lurie's cult television series

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Fortissimo has agreed to provide financing to upcoming Jarmusch films, including a contribution to the overheads of his New York-based production banner Exoskeleton.

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Jim Jarmusch, the art-house filmmaker who helped spark a renaissance in independent film, refuses to actually sit through some of the classics of American cinema.

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It's a typical stance from a moviemaker who stubbornly creates films that critics often complain are too long, too meandering, and too often in black and white.

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his films is kind of like a musician. He has music in his head when he's writing a script so it's more informed by a tonal thing than it is by anything else."

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Jarmusch's staunch independence has been represented by his success in retaining the negatives for all of his films, an achievement that was described by the

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in wartorn Belgrade. In the past several months a traveling "Jim Jarmusch Film Festival" was held in major cities throughout Poland. Czechoslavakia [

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During a 1989 interview Jarmusch commented on his narrative focus, "I'd rather make a movie about a guy walking his dog than about the emperor of China."

1300:, which they released together with two other songs on an EP called "Film Music from The Limits of Control" under the name Bad Rabbit. Sqürl's version of 7520: 7495: 5778:

With the possible exception of John Sayles, there is no independent director who has influenced the modern independent film world more than Jim Jarmusch.

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Jim Jarmusch, whose latest pic "Broken Flowers" premieres in the Cannes competition today, has struck a multi-year first-look deal with Fortissimo Films.

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Recently, at the Yugoslavian film festival, 6,000 people turned out to fill a 4,000-seat theater for a midnight showing of Jarmusch's latest film,

422:. After being asked to leave because he had neglected to take any journalism courses—Jarmusch favored literature and art history—he transferred to 5586: 3294: 5144: 617:(1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined 5166: 407:. At one point, he took an apprenticeship with a commercial photographer. He later remarked, "Growing up in Ohio was just planning to get out." 6477: 5332: 4051: 1022:

Jarmusch eventually attained funding for the aforementioned film project after a protracted period and, in July 2012, Jarmusch began shooting

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of Murray and Driver becomes, well, a bit deadening, and true wit is in short supply, even though the film remains amusing most of the way."

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Jim Jarmusch, one of the most fiercely independent of current American writer-directors, has never cared if his movies gain mass acceptance.

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Jarmusch's fascination with music is another characteristic that is readily apparent in his work. Musicians appear frequently in key roles—

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as an early retiree who goes in search of the mother of his unknown son in attempt to overcome a midlife crisis. Following the release of

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The author of a series of essays on influential bands, Jarmusch has also had at least two poems published. He is a founding member of

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status fomented a critical backlash at the close of this early period, however; though reviewers praised the charm and adroitness of

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Jim Jarmusch has always applied the Cuisinart approach to moviemaking, blending film styles and genres with sharp wit and dark humor

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Jim Jarmusch brought in "Stranger Than Paradise" for about $ 125,000. That's not a budget in today's movie world; it's lunch money.

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have polarized fans and general viewers alike, as Jarmusch's stylistic instinct is embedded in his strong sense of independence.

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He's been content to appeal to the devoted if limited audience that responds to film as art. And that audience has embraced his

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The film was not released theatrically and did not attract the sort of adulation from critics that greeted his later work.

606:. The quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan. 7191: 4866: 3804: 3673: 3495: 1814:

won the Josef von Sternberg Award at the International Filmfestival Mannheim-Heidelberg. In 1999, he was laureate of the

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hollywoodreporter.com/lifestyle/style/saint-laurent-debuts-star-studded-jim-jarmusch-short-film-french-water-4166590/

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in Minneapolis, Minnesota, during February 1994, and another, "The Sad and Beautiful World of Jim Jarmusch", by the

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That's where I saw things I had only read about and heard about—films by many of the good Japanese directors, like

5043: 4244: 6936: 5983:"Pedro Almodovar, Tilda Swinton, Mark Ruffalo Demand "Full Accountability" for Killing of Palestinian Journalist" 4076: 3606: 1843: 1765: 1437: 1157: 1053: 948: 734: 636: 579: 4985:"Pitchfork: Various Artists: Dreddy Krueger Presents...Think Differently Music: Wu-Tang Meets the Indie Culture" 7113: 6948: 6486: 3931: 3581: 3473: 3081: 1797: 1549: 522: 380: 318: 304:. She introduced Jarmusch to cinema by leaving him at a local theater to watch matinee double features such as 6697: 4133:, 1977). The most influential representative of this trend in recent times is Jim Jarmusch, starting with his 3193: 1486: 915: 6052: 5780:

By combining odd characters, dark comedy and an incredibly hip atmosphere in classic art-house films such as

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praise and castigation for its portrayal of the American West, violence, and especially Native Americans.

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As a result of his early work, Jarmusch became an influential representative of the trend of the American

627: 371:, and he and his friends would steal the records and books of their older siblings—this included works by 255: 240: 198: 5868: 4899: 4792: 1962:

Jarmusch rarely discusses his personal life in public. He divides his time between New York City and the

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review of the album as both "bizarrely pretentious" and "reason alone to give it a listen". Jarmusch and

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in the process. During the late 1970s in New York City, Jarmusch and his contemporaries were part of an

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Holleman, Joe (March 24, 2000). "Forest Whitaker personifies cool in Jarmusch's latest offbeat film".

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Rosen, Steven (March 19, 2000). "Change may be in the wind: Jarmusch indie film has mainstream feel".

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by director Léa Rinaldi. Also in 2009, Jarmusch appeared as himself in an episode of the HBO series

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In his final year at New York University, Jarmusch worked as an assistant to the film noir director

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An idiosyncratic filmmaker whose hip, ironic style has wowed the art-house crowd since the quirky

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as a young inner-city man who has found purpose for his life by unyieldingly conforming it to the

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Il cinema di Jim Jarmusch. Una filmografia per un'analisi della cultura e del cinema postmoderno

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Jarmusch has been a supporter of Pro-Palestine causes and was one of 55 celebrities to sign the

882:, which the director has attributed to a creative crisis he experienced in the aftermath of the 322:, the violence and darkness of which left an impression on the seven-year-old Jarmusch. Another 266:

and in addition composed music for some of his films. He has released three musical albums with

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Ródenas, Gabri (2009), "Jarmusch y Carver: Se ha roto el frigorífico" in Fernández, P. (Ed.),

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staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's

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Sterritt, David (February 21, 1985). "On the fringes of film: writer-director Jim Jarmusch".

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In an August 2010 interview, Jarmusch revealed his forthcoming work schedule at that time:

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He's never seen Obi-Wan Kenobi spar with Darth Vader, or Rhett Butler pop off to Scarlett.

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Ródenas, Gabri (2010), "Jim Jarmusch: Del insomnio americano al insomnio universal", in

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Jarmusch is credited with having instigated the American independent film movement with

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after returning from Paris in 1976. He applied on a whim to the graduate film school of

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while she ran errands. The first adult film he recalls seeing was the 1958 cult classic

7370: 7151: 7126: 7108: 7066: 6924: 6917: 6729: 6724: 6569: 6537: 5307:"Jozef van Wissem wants to make the lute 'sexy again,' and Jim Jarmusch is helping him" 5290:

for the director's film of the same name. ... The band later changed its name to Sqürl.

4820:"Cannes Review: Adam Driver Stars in Jim Jarmusch's 'Paterson,' His Most Intimate Film" 4434: 4312:

Hall, Mary Katherine (Winter 2000). "Now You Are a Killer of White Men: Jim Jarmusch's

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in 2016. The film follows the daily experiences of an inner-city bus driver and poet (

7464: 6977: 6802: 6432: 5538: 5533: 4474: 4469: 4102: 4047: 3855: 3828: 3823: 3529: 2730: 2646: 2381: 1971: 1908: 1897: 1664: 1534: 1526: 1522: 1445: 1347: 1301: 1255: 1145: 1141: 1041: 1029: 952: 911: 903: 899: 806: 707: 514: 488: 403: 5641: 4556:"Tilda Swinton, John Hurt Join Jim Jarmusch's Vampire Film 'Only Lovers Left Alive'" 7315: 7266: 7230: 7090: 7078: 7056: 6929: 6653: 6350: 1815: 1482: 1432: 1305: 1229:'s Dark Day project, and later became the keyboardist and one of two vocalists for 1153: 1015: 965: 801:. Produced at a cost of almost $ 9 million with a high-profile cast including 711: 561: 439: 393: 376: 287: 7346: 5692:

Dretzk, Gary (June 30, 1996). "Poets and Indians: Jim Jarmusch goes West to bring

5333:"Jim Jarmusch's Sqürl Announce Debut Album, Share Video for New Song "Berlin '87"" 4438: 3023:"Films Selected for the National Film Registry in 2002 by the Library of Congress" 902:. This had been followed three years later by "Twins", a segment featuring actors 426:

the following year, with the intention of becoming a poet. At Columbia he studied

6455: 5964:"Mark Ruffalo, Jim Jarmusch, and More Defend Emma Watson's Support for Palestine" 5751:

Blair, Iain (March 2, 2000). "From writing to directing, Jarmusch is in charge".

5228:"Jim Jarmusch Talks Punk Rock, the Wu-Tang Clan, and the Music Behind His Movies" 3773: 688:(1989) told three successive stories set on the same night in and around a small 7146: 7022: 6895: 6849: 6355: 5214:

an EP with those two plus two more that are going to come out with the film, ...

3956: 3465: 3022: 2967: 2691: 2601: 2150: 1470: 1466: 1409: 1259: 1133: 1129: 1098: 1071: 936: 867: 858: 798: 794: 776: 571: 534: 530: 398: 141: 4933: 1329:

composer Jozef van Wissem also collaborated with Jarmusch on the soundtrack of

749:, the director was increasingly charged with repetitiveness and risk-aversion. 7414: 7351: 7261: 6854: 6712: 6398: 6295: 5800:

Kimmel, Dan (April 6, 2004). "Jarmusch will journey to Provincetown for nod".

2192: 1834:. In 2004, Jarmusch was honored with the "Filmmaker on the Edge Award" at the 1458: 1214: 1190:

House of Fashion to celebrate their spring/summer 2021 collection. It starred

1149: 1052:

were the main contributors to the film's soundtrack. The film screened at the

983:

as a lone assassin with a secretive mission. A behind-the-scenes documentary,

818: 722: 657: 603: 4658:"Hiddleston! Swinton! Hurt! Watch the new trailer for Only Lovers Left Alive" 3469: 702:

nevertheless retained the director's askance conception of America. He wrote

7435: 7073: 6287: 6152: 6108: 6065: 5729: 5145:"Jim Jarmusch's Sqürl Announces New Release EP #2 For November 2013 Release" 5119:"Stream 'Pink Dust,' From Jim Jarmusch's Renamed Weirdo Noise Project Sqürl" 4124: 3885: 2950: 2471: 2291: 1502: 1462: 1225:

In the early 1980s, Jarmusch was part of a revolving lineup of musicians in

1114: 1067: 1045: 802: 661: 542: 344: 328: 282:, the second of three children of middle-class suburbanites. His mother, of 5453: 5063:"Album Review: Jozef Van Wissem & Jim Jarmusch – The Mystery of Heaven" 1966:. He stopped drinking coffee in 1986, the year of the first installment of 1359:

Jarmusch recorded a Q & A in 2010 for the Criterion Blu-ray release of

7019:

Je sais que j'ai tort mais demandez à mes copains ils disent la même chose

1318:

and released lead single "Berlin '87". The album was released on May 5 by

6902: 6545: 6393: 6389: 6117:

Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai

5475:

Means, Sean P. (April 21, 2000). "A Samurai Warrior Haunts New Jersey in

4961: 4632:"Cannes 2013: Only Lovers Left Alive a seven year trek says Jim Jarmusch" 4336:

Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai

3358:"On The Lower East Side With: Jim Jarmusch; Film as Life, and Vice Versa" 2849: 2513: 2078: 1658: 1478: 1450: 1049: 919: 907: 847: 789: 672: 575: 570:, a documentary about his dying years on which he was collaborating with 216: 2880:(Score to Man Ray's short films) (Sacred Bones Records, 2024) (as Squrl) 189:; born January 22, 1953) is an American film director and screenwriter. 17: 6425: 6402: 6380: 6125:, vol. 3, n° 2, Nantes: Éditions Mélanie Seteun, 2004, pp. 109–21. 6121: 6069: 5948: 1857:. In her description of the film in a 2005 profile of the director for 1823: 1234: 1206: 1171: 988: 546: 411: 323: 283: 259: 5508:"Jim Jarmusch: how the film world's maverick stayed true to his roots" 332:, an eccentric Cleveland television show which featured horror films. 7085: 6972: 6002: 5758:

directed, Jarmusch once again marches to the beat of his own drummer.

3927: 1872: 1122:

Jarmusch wrote and directed his first horror film, the zombie comedy

918:-winning "Somewhere in California", starring musicians Tom Waits and 496:

Jarmusch on the Cinémathèque Française, taken from an interview with

297: 1258:

each contributed a remix to a limited edition release of the track "

3551:

film," Jarmusch says. "Just to be obstinate. No other good reason."

3201: 3003:. National Library Service for the Blind and Physically Handicapped 1350:" and likened the filmmaking process to human sexual reproduction: 7334: 1949: 1431: 1066: 771: 752:

A film appearance in 1989 as a used car dealer in the cult comedy

596:

Jarmusch's final year university project was completed in 1980 as

456: 6180:

Rompiendo moldes: Discursos, género e hibridación en el siglo XXI

4888:

news.artnet.com/art-world/saint-laurent-jim-jarmusch-shot-1961289

6116: 5108:, thequietus.com, November 19, 2013; retrieved January 28, 2014. 4714:"Jim Jarmusch, Ron Padgett and the sublime poetry of 'Paterson'" 4335: 1955: 1326: 550: 6670: 6459: 4689:"Jim Jarmusch's "Paterson" and the Myth of the Solitary Artist" 2927: 793:, a period film set in the 19th century American West starring 682:

His next two films each experimented with parallel narratives:

6225:

Jim Jarmusch: Lecturas sobre el insomnio americano (1980–1991)

2555: 1494: 1474: 852: 675:

was Jarmusch's first collaboration with Dutch cinematographer

455:

During his final year studying at Columbia, Jarmusch moved to

5571: 1935:

calls Jarmusch a "cultural sponge" who "absorbs everything."

821:, for whom Jarmusch subsequently filmed the tour documentary 410:

After graduating from high school in 1971, Jarmusch moved to

2827:(Trost, 2021) (with Lee Ranaldo, Marc Urselli, Balazs Pandi) 2821:(Trost, 2019) (with Lee Ranaldo, Marc Urselli, Balazs Pandi) 1919:. A retrospective of the director's films was hosted at the 1412:

described them as "laconic, withdrawn, sorrowful mumblers".

1304:'s 1961 song "Funnel of Love", featuring Madeline Follin of 1128:

featuring an ensemble cast which included performances from

553:

music club which inspired the formation of his no wave band

164: 5450:"BOMB Magazine — Men Looking at Other Men by Lindzee Smith" 1970:, although he continues to smoke cigarettes. He has been a 1938:

The moving image collection of Jim Jarmusch is held at the

979:, a sparse, meditative crime film set in Spain, it starred 170: 6324:

The Limits of Control. Lanham, Maryland: Scarecrow Press.

5106:"Molten Meditations: Jim Jarmusch & Sqürl Interviewed" 3860:"Stranger than Fiction: The rise and fall of Jim Jarmusch" 513:

degree in 1975. He was broke and working as a musician in

173: 161: 5147:, mxdwn.com, October 20, 2013; retrieved January 28, 2014 5134:, pitchfork.com, May 20, 2013; retrieved January 28, 2014 1250:(2005) in two interludes described by Sean Fennessy in a 1064:

7 million and its UK release date was February 21, 2014.

258:

in December 2002. As a musician, he has been part of the

2943:—"Concerning the Beautiful Human Form After Death" from 1896:

s Jonathan Romney as "extremely rare." British producer

1160:

and received mixed reviews. The film was distributed by

997:, and the following year, Jarmusch helped to curate the 5121:, spin.com, April 19, 2013; retrieved January 28, 2014. 987:, was filmed over three days on the set of the film in 5179:

We were called Bad Rabbit, but now we're called Sqürl.

3866:. Routledge Key Guides. New York: Routledge. pp. 5193:"Jim Jarmusch and the music of The Limits of Control" 5044:"Jim Jarmusch: Concerning the Entrance Into Eternity" 2874:—documentary) (Sacred Bones Records, 2020) (as Sqürl) 487:, and even American films, like the retrospective of 182: 5896:(Interview: audio). Interviewed by Terry Gross. WHYY 4243:. Phoenix Media/Communications Group. Archived from 4189:, America's coolest director exhudes a new warmth". 4185:

Katzman, Lisa (May 3, 1992). "The Jarmusch touch in

2815:(Sacred Bones Records, 2019) (with Jozef van Wissem) 1312:. On March 8, 2023, Sqürl announced its debut album 641:

National Society of Film Critics Award for Best Film

290:

descent, was a reviewer of film and theatre for the

7401: 7294: 7201: 7100: 6987: 6876: 6783: 6704: 6620: 6497: 5720:"A gun up your ass: an interview with Jim Jarmusch" 3786:... minimalist director who found fame with 1984's 2020: 1981:letter calling for an immediate ceasefire in Gaza. 1265:He released three collaborative albums with lutist 886:in New York City. 2004 saw the eventual release of 509:Jarmusch graduated from Columbia University with a 167: 158: 137: 129: 109: 81: 56: 34: 27:

American film director and screenwriter (born 1953)

5393:"Director Jim Jarmusch delivers offbeat mob movie 3543:"I pledge I will go to my grave having never seen 898:in 1986, and paired Roberto Benigni with comedian 6318:The Jarmusch Way: Spirituality and Imagination in 6233:LAP Lambert Academic Publishing GmbH & Co. KG 6197:. Almería: University of Almería. December 2009. 6182:. Zamora/Sevilla: Editorial Comunicación Social; 3266:"Interview: Simon Hattenstone meets Jim Jarmusch" 3200:. The Jim Jarmusch Resource Page. Archived from 1481:have featured in multiple Jarmusch films, while 1182:Jarmusch directed and wrote a short film titled 679:, who had been known for his work with Wenders. 525:(then under the direction of Hollywood director 6920:, Edouard Nazarov & Vladimir Zouïkov (1974) 6422:, curated by Jarmusch scholar Ludvig Hertzberg 6193:Ródenas, Gabri (2009), "Jarmusch Vs Reagan" in 4316:and Traditions of Revisionism in the Western". 3470:"Night on Earth: New York – Jim Jarmusch, Poet" 2000:In the following table, entries marked with an 1371: 465: 335: 7546:Officiers of the Ordre des Arts et des Lettres 7135:Coffee and Cigarettes: Somewhere in California 6629:Coffee and Cigarettes: Somewhere in California 5286:They formed in 2009 to record the soundtrack 4409:Dawtrey, Adam (May 17, 2005). "Jim Jarmusch". 1448:, a black hitman's passionate devotion to the 6682: 6471: 6212:, Navarra: University of Navarra, June 2010; 3426: 3424: 3422: 3259: 3257: 3255: 3253: 1875:, exuding the aura of urban cool embodied by 1385:"to approximate real time for the audience." 296:before marrying his father, a businessman of 8: 6811:– Alexander J. Seiler & Rob Gnant (1963) 6167:, Barcelona/Valencia: Octaedro/Nau Llibres. 4350:"With 'Coffee', Jim Jarmusch lacks for rush" 1900:, who was one of the eventual financiers of 1379:Jim Jarmusch's Golden Rules – #5, 2004, 870:in a strikingly similar role and narrative. 3667: 3665: 3518: 3516: 3394: 3392: 3390: 3388: 3386: 3384: 3382: 3380: 3378: 1529:, who is also the subject of a vignette in 1201:In September 2021, Jarmusch published with 7031:– Gérald Frydman & Pierre Levie (1984) 6689: 6675: 6667: 6478: 6464: 6456: 5388: 5386: 4270: 4268: 4266: 4264: 4262: 3674:"Jim Jarmusch's First Feature at Archives" 3319: 3317: 3315: 42: 31: 6019: 5820:"Now at AFI: The World of Jim Jarmusch". 5559: 4463: 4461: 3950: 3948: 3850: 3848: 3846: 3496:"Jim Jarmusch on 'The Limits of Control'" 3460: 3458: 3351: 3349: 3347: 3288: 3286: 3162: 3108: 3106: 3104: 3102: 1871:, as an idiosyncratic and uncompromising 841:(1999), shot in Jersey City and starring 578:and using scholarship funds given by the 479:. Also, films by European directors like 196:since the 1980s, directing films such as 6346:"Altered States: Jim Jarmusch interview" 5300: 5298: 5011:Hertzberg, Ludvig (September 17, 2008). 4924:Hertzberg, Ludvig (September 15, 2008). 4573: 4571: 4569: 4042: 4040: 4038: 4036: 3959:(March 10, 2000). "Profile: Jim Jarmusch 3264:Hattenstone, Simon (November 13, 2004). 3056: 3054: 3052: 3050: 3048: 3046: 3044: 3042: 3040: 2017: 1917:Provincetown International Film Festival 1836:Provincetown International Film Festival 1553: 1001:music festival in Monticello, New York. 878:A five-year gap followed the release of 862:, a 1967 French New Wave film by auteur 367:From his peers he developed a taste for 6268:Aurich, Rolf; Reinecke, Stefan (2001). 5367:. MovieMaker Publishing. Archived from 5276:from the original on September 17, 2019 5203:from the original on September 12, 2010 3759: 3757: 3158: 3156: 3154: 3152: 3150: 3148: 3146: 3144: 3142: 3140: 3115:"The Private Life of James R. Jarmusch" 2992: 2911:(Sacred Bones Records, 2017) (as Sqürl) 2864:(Sacred Bones Records, 2019) (as Sqürl) 2138: 2129: 2120: 2111: 2102: 2093: 2084: 2075: 2066: 2057: 2048: 2039: 2030: 1863:, critic Lynn Hirschberg declared that 1244:Jarmusch is also featured on the album 737:. Jarmusch's distinctive aesthetic and 643:, and became a landmark work in modern 5718:Rosenbaum, Jonathan (March 22, 1996). 5587:"Douglas Sirk Award, previous winners" 5501: 5499: 5497: 5495: 5331:Ruiz, Matthew Ismael (March 8, 2023). 5238:from the original on February 14, 2019 4580:"Jim Jarmusch: 'Women are my leaders'" 4554:Roxborough, Scott (January 30, 2012). 4277:"Jim Jarmusch, Rock and Roll Director" 4052:"The Giddy Minimalism Of Jim Jarmusch" 3575: 3573: 3564: 3113:Hertzberg, Ludvig (October 28, 2008). 3075: 3073: 3071: 3069: 3060: 1308:on vocals, opens Jarmusch's 2014 film 866:, which starred renowned French actor 300:and German descent who worked for the 7516:European Film Awards winners (people) 5506:Jonathan Romney (February 22, 2014). 3730:"Rediscovering Jarmusch's Minimalist 3672:Canby, Vincent (September 20, 1990). 3187: 3185: 3183: 3181: 3179: 3177: 3175: 3173: 3171: 2786:Concerning the Entrance into Eternity 1272:Concerning the Entrance into Eternity 650:In 1986, Jarmusch wrote and directed 7: 7571:Sundance Film Festival award winners 5575:Document No. V15020D795 / 2023-12-18 4656:Oliver Franklin (January 23, 2014). 2858:(Third Man Records, 2017) (as Sqürl) 1205:a hardcover book of his small-scale 7561:Screenwriters from New York (state) 7448:The Man Who Could Not Remain Silent 7391:The Distance Between Us and the Sky 7170:...Is It the Design on the Wrapper? 5266:"BAD RABBIT: THE LIMITS OF CONTROL" 5226:Turman, Katherine (July 24, 2017). 5169:from the original on April 18, 2021 5042:Masters, Marc (February 22, 2012). 4847:"'The Dead Don't Die': Film Review" 4578:David Ehrlich (February 20, 2014). 4497:Hertzberg, Ludwig (June 24, 2009). 3766:"Ghost Dog: The Way of the Samurai" 3025:. Library of Congress. January 2003 1058:Toronto International Film Festival 1048:, while Jarmusch's musical project 7531:Medill School of Journalism alumni 7506:Columbia College (New York) alumni 5981:Roxborough, Scott (May 19, 2022). 5357:Jarmusch, Jim (January 22, 2004). 5159:"Filmmaker Jim Jarmusch Talks ATP" 4767:"Filmmakers We Love: Jim Jarmusch" 4530:"Filmmaker Jim Jarmusch Talks ATP" 3525:"Jim Jarmusch refuses to go along" 3356:Schoemer, Karen (April 30, 1992). 3080:Hirschberg, Lynn (July 31, 2005). 2813:An Attempt to Draw Aside the Veil 1170:wrote of the film, "At times, the 1078:, and Jarmusch at the premiere of 25: 7521:Film directors from New York City 7496:American people of German descent 6554:Ghost Dog: The Way of the Samurai 6416:Great Directors critical database 5944:"ScreenTimes: The Dead Don't die" 5886:Jarmusch, Jim (August 16, 2005). 5417:Travers, Peter (April 11, 2001). 5061:Kivel, Adam (November 15, 2012). 3997:Kempley, Rita (October 3, 1986). 3965:Ghost Dog: The Way of the Samurai 3728:Jenkins, Mark (August 31, 2007). 3582:"A Director Content to Wander On" 3324:McKenna, Kristine (May 5, 1996). 2905:(ATP Recordings, 2014) (as Sqürl) 2899:(ATP Recordings, 2013) (as Sqürl) 2893:(ATP Recordings, 2013) (as Sqürl) 2088:Ghost Dog: The Way of the Samurai 1958:in New York City in November 2003 1676:Ghost Dog: The Way of the Samurai 1291:An Attempt to Draw Aside the Veil 1289:) in 2012, and; the 2019 release 838:Ghost Dog: The Way of the Samurai 326:influence from his childhood was 223:Ghost Dog: The Way of the Samurai 192:He has been a major proponent of 7551:People from Cuyahoga Falls, Ohio 7511:Directors of Caméra d'Or winners 7501:American people of Irish descent 7491:American people of Czech descent 7052:An Exercise in Discipline - Peel 6370:. 264 pp. ISBN 978-1-944860-42-4 5532:Klein, Joshua (March 15, 2000). 5157:Breihan, Tom (August 20, 2010). 4898:Sante, Luc (September 7, 2021). 4745:. University of Illinois Press. 4528:Breihan, Tom (August 20, 2010). 3698:Hinson, Hal (February 2, 1990). 3523:Kennedy, Mark (March 19, 2000). 3431:Langdon, Matt (March 17, 2000). 1262:" by The White Stripes in 2005. 154: 7576:Tisch School of the Arts alumni 7410:I Am Afraid to Forget Your Face 7192:Wendy Tilby & Amanda Forbis 6610:Father, Mother, Sister, Brother 6091:University Press of Mississippi 5915:Torday, Daniel (June 1, 2005). 5305:Steve Dollar (April 11, 2014). 5191:Macaulay, Scott (May 1, 2009). 5019:. Posterous.com. Archived from 4932:. Posterous.com. Archived from 4845:McCarthy, Todd (May 14, 2019). 4791:McCarthy, Todd (May 15, 2016). 4229:Susman, Gary (May 9–16, 1996). 4109:. Wallflower Press. p. 3. 3928:"Stranger Than Paradise (1984)" 3196:Current Biography Yearbook 1990 3121:. Posterous.com. Archived from 2923:Sqürl Live at Third Man Records 2833:(Sacred Bones, 2023) (as Squrl) 2819:Ranaldo Jarmusch Urselli Pandi 2809:, 2012) (with Jozef van Wissem) 1792:Father, Mother, Sister, Brother 1521:is inspired by and named after 1346:In 2014, Jarmusch shunned the " 1247:Wu-Tang Meets the Indie Culture 549:cultural scene centered on the 6776:& Włodzimierz Haupe (1959) 6441:It's a sad and beautiful world 6420:The Jim Jarmusch Resource Page 6344:Smith, Gavin (May–June 2009). 5452:. Bombsite.com. Archived from 5013:"Connecting the white stripes" 4630:Andrew Pulver (May 25, 2013). 4383:Dawtrey, Adam (May 17, 2005). 3899:Hartl, John (March 16, 2000). 3822:Tobias, Scott (May 19, 2004). 3580:Lim, Dennis (April 23, 2009). 3494:Olsen, Mark (April 26, 2009). 3223:Jarmusch, Ann (May 12, 1996). 2970:" (First Nations Remix) (2005) 1907:In a 1989 review of his work, 943:, Jarmusch signed a deal with 313:Creature From the Black Lagoon 1: 6698:Short Film Palme d'Or winners 6129:Suárez, Juan Antonio (2007). 5359:"Jim Jarmusch's Golden Rules" 4468:Tobias, Scott (May 8, 2009). 4415:. Reed Business Information. 3864:Fifty Contemporary Filmmakers 3805:The Christian Science Monitor 1513:" was central to the plot of 625:Jarmusch's first major film, 7451:– Nebojša Slijepčević (2024) 6435:, Hertzberg's companion blog 6229:Editorial Académica Española 6190:. Available at Google Books. 6135:University of Illinois Press 3401:"Jim Jarmusch> Biography" 3293:Jarrell, Joe (May 9, 2004). 1830:at Cannes Film Festival for 1156:. The film premiered at the 1091:Jarmusch wrote and directed 914:, and then in 1993 with the 779:(left) with Jarmusch at the 755:Leningrad Cowboys Go America 7486:American male screenwriters 5917:"Q&A with Jim Jarmusch" 4793:"'Paterson': Cannes Review" 4505:. Posterous. Archived from 4348:Caro, Mark (May 28, 2004). 4105:; Rascaroli, Laura (2006). 3764:Burr, Ty (March 10, 2000). 2953:—"Year of the Tiger" (2012) 2868:Some Music for Robby Müller 2848:(ATP Recordings, 2013) (as 2004:indicate collaborators who 1036:(who replaced Fassbender), 973:In 2009, Jarmusch released 787:In 1995, Jarmusch released 434:under professors including 416:Medill School of Journalism 307:Attack of the Crab Monsters 7597: 7536:Musicians from Akron, Ohio 7422:All the Crows in the World 7037:– David Takaichvili (1984) 7009:Merlin ou le cours de l'or 6961:Rowing Across the Atlantic 6309:San Francisco Bay Guardian 6085:Hertzberg, Ludvig (2001). 5646:Provincetown Film Festival 3646:(4): 22–24. Archived from 3632:Levy, Shawn (April 2000). 3433:"The Way of the Indie God" 1597:The Samuel Goldwyn Company 1547: 951:where it competed for the 733:was in competition at the 664:, and Italian comic actor 7251:– Igor Strembitsky (2005) 7160:– Alexij Kharitidi (1995) 6793:– Carlos Vilardebo (1961) 6446:The films of Jim Jarmusch 6304:: Jim Jarmusch interview" 6246:Mentana, Umberto (2016), 5869:"Jim Jarmusch Collection" 4900:"Jim Jarmusch's Collages" 4605:"2013 Official Selection" 4318:Journal of Film and Video 4202:In the eight years since 4077:"Jim Jarmusch – part two" 3742:. Washington Post Company 1844:2005 Cannes Film Festival 1810:In 1980, Jarmusch's film 1714: 1533:. In the words of critic 1438:2005 Cannes Film Festival 1237:band who released the LP 1158:72nd Cannes Film Festival 1054:2013 Cannes Film Festival 949:58th Cannes Film Festival 735:1989 Cannes Film Festival 637:1984 Cannes Film Festival 580:Louis B. Mayer Foundation 41: 7581:Writers from Akron, Ohio 7556:Postmodernist filmmakers 7526:Film directors from Ohio 7394:– Vasilis Kekatos (2019) 7330:– Byoung-gon Moon (2013) 7217:– David Greenspan](2001) 6644:"Int. Trailer Night" in 6161:Guía para ver y analizar 6087:Jim Jarmusch: Interviews 5617:"Stranger than Paradise" 5419:"Night on Earth: Review" 4739:Suarez, Juan A. (2007). 3932:The Criterion Collection 3474:The Criterion Collection 3082:"The Last of the Indies" 2852:, with Jozef van Wissem) 2008:in a film; those marked 1888:go ahead, I don't care'. 1550:Jim Jarmusch filmography 1293:(Sacred Bones Records). 809:and, in his final role, 381:The Mothers of Invention 7566:Screenwriters from Ohio 7324:– Rezan Yeşilbaş (2012) 7223:– Péter Mészáros (2002) 7172:– Tessa Sheridan (1997) 7166:– Marcell Iványi (1996) 6966:Jean-François Laguionie 6837:– Nobuko Shibuya (1964) 6223:Ródenas, Gabri (2011), 6210:Comunicación y sociedad 6159:Ródenas, Gabri (2009), 5773:St. Louis Post-Dispatch 5081:"The Mystery of Heaven" 3299:San Francisco Chronicle 2945:The Joy That Never Ends 1925:American Film Institute 420:Northwestern University 86:Northwestern University 7431:– Jianying Chen (2022) 7275:– Marian Crisan (2008) 7120:Z podniesionymi rekami 6869:– Mirel Iliesiu (1969) 6863:– John Fernhout (1967) 6586:Only Lovers Left Alive 6514:Stranger Than Paradise 6450:Hell Is For Hyphenates 6362:Jarmusch, Jim (2021). 6316:Rice, Julian. (2012). 5988:The Hollywood Reporter 5850:Stranger Than Paradise 5842:St. Paul Pioneer Press 5786:Stranger Than Paradise 5704:Stranger Than Paradise 4852:The Hollywood Reporter 4798:The Hollywood Reporter 4560:The Hollywood Reporter 4204:Stranger than Paradise 4198:Stranger than Paradise 4159:Stranger Than Paradise 4135:Stranger than Paradise 3979:Stranger Than Paradise 3788:Stranger Than Paradise 2845:Only Lovers Left Alive 2825:Churning of the Ocean 2124:Only Lovers Left Alive 2043:Stranger Than Paradise 1996:Frequent collaborators 1986:The Sons of Lee Marvin 1959: 1954:Jarmusch at punk club 1933:Only Lovers Left Alive 1902:Only Lovers Left Alive 1890: 1865:Stranger than Paradise 1855:Stranger Than Paradise 1838:. In 2005, he won the 1832:Stranger Than Paradise 1826:. In 1984, he won the 1745:Sony Pictures Classics 1739:Only Lovers Left Alive 1591:Stranger Than Paradise 1515:Stranger than Paradise 1440: 1376: 1357: 1331:Only Lovers Left Alive 1310:Only Lovers Left Alive 1167:The Hollywood Reporter 1108:The Hollywood Reporter 1088: 1025:Only Lovers Left Alive 1020: 999:All Tomorrow's Parties 784: 727:New York Film Festival 628:Stranger Than Paradise 507: 461:Cinémathèque Française 340: 256:National Film Registry 252:Stranger Than Paradise 241:Only Lovers Left Alive 199:Stranger Than Paradise 7257:– Bobbie Peers (2006) 7043:– Slav Bakalov & 6999:– Oscar Grillo (1980) 6845:– János Vadász (1965) 6825:La douceur du village 6578:The Limits of Control 6562:Coffee and Cigarettes 6431:January 31, 2013, at 6320:Dead Man, Ghost Dog, 5893:National Public Radio 5845:. February 14, 1994. 5482:The Salt Lake Tribune 5456:on September 20, 2013 5288:The Limits of Control 5251:The Limits of Control 4499:"Behind Jim Jarmusch" 4050:(November 12, 1989). 3973:National Public Radio 3634:"Postcards from Mars" 3468:(September 7, 2007). 3204:on September 13, 2008 2802:The Mystery of Heaven 2115:The Limits of Control 2097:Coffee and Cigarettes 1968:Coffee and Cigarettes 1953: 1885: 1727:The Limits of Control 1693:Coffee and Cigarettes 1682:Artisan Entertainment 1531:Coffee and Cigarettes 1507:Coffee and Cigarettes 1487:Screamin' Jay Hawkins 1435: 1402:The Salt Lake Tribune 1398:Coffee and Cigarettes 1352: 1342:Legacy as a filmmaker 1298:The Limits of Control 1282:The Mystery of Heaven 1070: 1011: 976:The Limits of Control 927:Coffee and Cigarettes 916:Short Film Palme d'Or 889:Coffee and Cigarettes 775: 656:, starring musicians 302:B.F. Goodrich Company 278:Jarmusch was born in 229:Coffee and Cigarettes 150:James Robert Jarmusch 48:Jarmusch at the 2013 7211:– Raymond Red (2000) 7130:– Sam Karmann (1992) 7122:– Mitko Panov (1991) 6867:Cîntecele Renasterii 6835:The Price of Victory 6829:François Reichenbach 6033:"Sqürl: Silver Haze" 5875:. September 5, 2014. 5873:Academy Film Archive 5839:"Connect the dots". 5429:on November 22, 2007 5085:Sacred Bones Records 5067:Consequence of Sound 4668:on February 23, 2014 3770:Entertainment Weekly 3443:on February 10, 2007 2807:Sacred Bones Records 2015:music for the film. 1940:Academy Film Archive 1511:I Put a Spell on You 1320:Sacred Bones Records 1287:Sacred Bones Records 1192:Charlotte Gainsbourg 1103:Paterson, New Jersey 1086:Cannes Film Festival 884:September 11 attacks 864:Jean-Pierre Melville 781:Cannes Film Festival 639:as well as the 1985 567:Lightning Over Water 414:and enrolled in the 293:Akron Beacon Journal 280:Cuyahoga Falls, Ohio 74:Cuyahoga Falls, Ohio 50:Cannes Film Festival 7379:All These Creatures 7187:When the Day Breaks 7005:– Béla Vajda (1981) 6888:– Bob Curtis (1970) 6798:La Rivière du hibou 6272:. Bertz + Fischer. 6250:, Aracne Editrice; 6227:, Spain/Germany: – 6163:Noche en la Tierra 6053:"Music for Man Ray" 6003:"Artists4Ceasefire" 5970:. January 14, 2022. 5822:The Washington Post 5597:on January 22, 2020 5572:US Copyright Office 5364:MovieMaker Magazine 5311:The Washington Post 4439:"Ex Marks the Spot" 4437:(August 15, 2005). 4385:"Jarmusch in bloom" 4289:(6). Archived from 4107:Crossing New Europe 4083:. November 15, 1999 4007:The Washington Post 3776:on October 12, 2008 3739:The Washington Post 3708:The Washington Post 3613:. November 15, 1999 3225:"The Jarmusch clan" 3192:Hertzberg, Ludvig. 2928:A Third Man Records 2862:The Dead Don't Die 1699:Metro-Goldwyn-Mayer 1556: 1217:and Randy Kennedy. 1164:. Todd McCarthy of 1076:Golshifteh Farahani 985:Behind Jim Jarmusch 895:Saturday Night Live 611:The Washington Post 519:New York University 504:, October 21, 1984. 498:Lawrence Van Gelder 449:The Columbia Review 432:American literature 424:Columbia University 99:New York University 90:Columbia University 6892:Le Fusil à lunette 6885:The Magic Machines 6791:La Petite cuillère 6602:The Dead Don't Die 6506:Permanent Vacation 6368:Anthology Editions 6175:/978-84-7642-776-7 5824:. August 5, 2005. 5672:Festival de Cannes 5621:Festival de Cannes 5448:Robinson, Walter. 5403:. April 21, 2000. 4936:on January 4, 2013 4720:. January 18, 2017 4509:on January 4, 2013 4360:on August 17, 2009 4056:The New York Times 3901:"New on videotape" 3678:The New York Times 3586:The New York Times 3545:Gone with the Wind 3362:The New York Times 3086:The New York Times 2930:, 2016) (as Sqürl) 2142:The Dead Don't Die 2034:Permanent Vacation 1964:Catskill Mountains 1960: 1913:The New York Times 1877:downtown Manhattan 1860:The New York Times 1812:Permanent Vacation 1777:The Dead Don't Die 1648:Fine Line Features 1576:Permanent Vacation 1555:Directed features 1554: 1441: 1231:The Del-Byzanteens 1203:Anthology Editions 1188:Yves Saint Laurent 1125:The Dead Don't Die 1089: 785: 619:Permanent Vacation 599:Permanent Vacation 555:The Del-Byzanteens 523:School of the Arts 502:The New York Times 438:avant garde poets 389:Robert Downey, Sr. 350:The New York Times 264:The Del-Byzanteens 194:independent cinema 7541:No wave musicians 7458: 7457: 7429:The Water Murmurs 7374:- Qiu Yang (2017) 7243:Cătălin Mitulescu 6954:Marcell Jankovics 6664: 6663: 6646:Ten Minutes Older 6637:Year of the Horse 6338:978-0-8108-8573-8 6330:978-0-8108-8572-1 6256:978-88-548-9115-9 6241:978-3-8443-3503-3 6188:978-84-96082-88-5 6173:978-84-8063-931-6 6144:978-0-252-07443-1 6115:Gonzalez, Éric, " 6007:Artists4Ceasefire 5732:on April 27, 2009 5232:The Village Voice 5104:Agarwal, Manish. 4869:. April 14, 2021. 4752:978-0-252-07443-1 4718:Los Angeles Times 4293:on August 3, 2002 4282:Addicted to Noise 4275:Yabroff, Jennie. 3906:The Seattle Times 3639:Sight & Sound 3500:Los Angeles Times 3407:. All Media Guide 3340:on March 8, 2009. 3334:Los Angeles Times 3229:Los Angeles Times 3165:, pp. xi–xii 2964:The White Stripes 2935:Guest appearances 2878:Music for Man Ray 2791:Important Records 2771: 2770: 2427:Isaach de Bankolé 1979:Artists4Ceasefire 1921:Walker Art Center 1806:Awards and legacy 1803: 1802: 1509:. Hawkins' song " 1422:Limits of Control 1277:Important Records 1227:Robin Crutchfield 981:Isaach de Bankolé 955:and received the 824:Year of the Horse 761:Fishing With John 716:Isaach de Bankolé 385:underground films 373:William Burroughs 254:was added to the 147: 146: 130:Years active 16:(Redirected from 7588: 7425:– Tang Yi (2021) 7384:Charles Williams 7029:Le Cheval de fer 6861:Sky Over Holland 6774:Halina Bielinska 6764:Francis Thompson 6752:Ion Popescu-Gopo 6742:Albert Lamorisse 6718:Albert Lamorisse 6691: 6684: 6677: 6668: 6480: 6473: 6466: 6457: 6413:Senses of Cinema 6366:. Brooklyn, NY: 6359: 6358:on May 22, 2009. 6354:. Archived from 6313: 6291: 6156: 6112: 6072: 6063: 6057: 6056: 6049: 6043: 6042: 6029: 6023: 6017: 6011: 6010: 5999: 5993: 5992: 5978: 5972: 5971: 5960: 5954: 5953: 5952:. June 12, 2019. 5940: 5934: 5933: 5931: 5929: 5912: 5906: 5905: 5903: 5901: 5883: 5877: 5876: 5865: 5859: 5858: 5836: 5830: 5829: 5817: 5811: 5810: 5797: 5791: 5790: 5767: 5761: 5760: 5748: 5742: 5741: 5739: 5737: 5728:. Archived from 5715: 5709: 5708: 5689: 5683: 5682: 5680: 5678: 5668:"Broken Flowers" 5664: 5658: 5657: 5655: 5653: 5638: 5632: 5631: 5629: 5627: 5613: 5607: 5606: 5604: 5602: 5593:. Archived from 5591:Filmfest Hamburg 5583: 5577: 5569: 5563: 5557: 5551: 5550: 5548: 5546: 5529: 5523: 5522: 5520: 5518: 5503: 5490: 5489: 5472: 5466: 5465: 5463: 5461: 5445: 5439: 5438: 5436: 5434: 5425:. Archived from 5414: 5408: 5407: 5400:The News Tribune 5390: 5381: 5380: 5378: 5376: 5354: 5348: 5347: 5345: 5343: 5328: 5322: 5321: 5319: 5317: 5302: 5293: 5292: 5283: 5281: 5262: 5256: 5255: 5245: 5243: 5223: 5217: 5216: 5210: 5208: 5188: 5182: 5181: 5176: 5174: 5154: 5148: 5141: 5135: 5132:Pitchfork Review 5128: 5122: 5117:McGovern, Kyle. 5115: 5109: 5102: 5096: 5095: 5093: 5091: 5077: 5071: 5070: 5058: 5052: 5051: 5039: 5033: 5032: 5030: 5028: 5023:on July 17, 2012 5008: 5002: 5001: 4999: 4997: 4983:Fennessy, Sean. 4980: 4974: 4973: 4971: 4969: 4952: 4946: 4945: 4943: 4941: 4921: 4915: 4914: 4912: 4910: 4904:The Paris Review 4895: 4889: 4886: 4880: 4877: 4871: 4870: 4863: 4857: 4856: 4842: 4836: 4835: 4833: 4831: 4816: 4810: 4809: 4807: 4805: 4788: 4782: 4781: 4779: 4777: 4763: 4757: 4756: 4736: 4730: 4729: 4727: 4725: 4710: 4704: 4703: 4701: 4699: 4687:Brody, Richard. 4684: 4678: 4677: 4675: 4673: 4664:. 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Archived from 3761: 3752: 3751: 3749: 3747: 3725: 3719: 3718: 3716: 3714: 3695: 3689: 3688: 3686: 3684: 3669: 3660: 3659: 3657: 3655: 3650:on July 16, 2011 3629: 3623: 3622: 3620: 3618: 3603: 3597: 3596: 3594: 3592: 3577: 3568: 3562: 3556: 3555: 3535:Associated Press 3520: 3511: 3510: 3508: 3506: 3491: 3485: 3484: 3482: 3480: 3462: 3453: 3452: 3450: 3448: 3439:. Archived from 3428: 3417: 3416: 3414: 3412: 3399:Crow, Jonathan. 3396: 3373: 3372: 3370: 3368: 3353: 3342: 3341: 3336:. Archived from 3321: 3310: 3309: 3307: 3305: 3290: 3281: 3280: 3278: 3276: 3261: 3248: 3247: 3242: 3240: 3235:on March 8, 2009 3231:. Archived from 3220: 3214: 3213: 3211: 3209: 3194:"Biography from 3189: 3166: 3160: 3135: 3134: 3132: 3130: 3125:on June 29, 2012 3110: 3097: 3096: 3094: 3092: 3077: 3064: 3058: 3035: 3034: 3032: 3030: 3019: 3013: 3012: 3010: 3008: 2997: 2941:Jozef van Wissem 2872:Living the Light 2795:Jozef van Wissem 2250:Rockets Redglare 2018: 1927:in August 2005. 1820:Filmfest Hamburg 1557: 1436:Jarmusch at the 1380: 1267:Jozef van Wissem 1198:, among others. 945:Fortissimo Films 935:, which starred 645:independent film 511:Bachelor of Arts 505: 354: 268:Jozef van Wissem 185: 180: 179: 176: 175: 172: 169: 166: 163: 160: 70: 67:January 22, 1953 66: 64: 46: 32: 21: 7596: 7595: 7591: 7590: 7589: 7587: 7586: 7585: 7461: 7460: 7459: 7454: 7441:Flóra Anna Buda 7397: 7340:Simón Mesa Soto 7306:Serge Avédikian 7290: 7197: 7180:Xavier Giannoli 7096: 6983: 6942:Barry Greenwald 6908:Bretislav Pojar 6872: 6779: 6748:Courte Histoire 6737:The Red Balloon 6700: 6695: 6665: 6660: 6616: 6493: 6484: 6426:Limited Control 6401:discography at 6377: 6343: 6298:(May 6, 2009). 6294: 6280: 6267: 6264: 6262:Further reading 6165:de Jim Jarmusch 6145: 6128: 6101: 6084: 6076: 6075: 6068:discography at 6064: 6060: 6051: 6050: 6046: 6031: 6030: 6026: 6018: 6014: 6001: 6000: 5996: 5980: 5979: 5975: 5962: 5961: 5957: 5942: 5941: 5937: 5927: 5925: 5914: 5913: 5909: 5899: 5897: 5885: 5884: 5880: 5867: 5866: 5862: 5838: 5837: 5833: 5819: 5818: 5814: 5799: 5798: 5794: 5779: 5769: 5768: 5764: 5753:Chicago Tribune 5750: 5749: 5745: 5735: 5733: 5717: 5716: 5712: 5698:Chicago Tribune 5691: 5690: 5686: 5676: 5674: 5666: 5665: 5661: 5651: 5649: 5640: 5639: 5635: 5625: 5623: 5615: 5614: 5610: 5600: 5598: 5585: 5584: 5580: 5570: 5566: 5558: 5554: 5544: 5542: 5531: 5530: 5526: 5516: 5514: 5505: 5504: 5493: 5474: 5473: 5469: 5459: 5457: 5447: 5446: 5442: 5432: 5430: 5416: 5415: 5411: 5392: 5391: 5384: 5374: 5372: 5356: 5355: 5351: 5341: 5339: 5330: 5329: 5325: 5315: 5313: 5304: 5303: 5296: 5279: 5277: 5264: 5263: 5259: 5241: 5239: 5225: 5224: 5220: 5206: 5204: 5190: 5189: 5185: 5172: 5170: 5156: 5155: 5151: 5142: 5138: 5130:Neyland, Nick. 5129: 5125: 5116: 5112: 5103: 5099: 5089: 5087: 5079: 5078: 5074: 5060: 5059: 5055: 5041: 5040: 5036: 5026: 5024: 5017:Limited Control 5010: 5009: 5005: 4995: 4993: 4982: 4981: 4977: 4967: 4965: 4954: 4953: 4949: 4939: 4937: 4930:Limited Control 4923: 4922: 4918: 4908: 4906: 4897: 4896: 4892: 4887: 4883: 4878: 4874: 4865: 4864: 4860: 4844: 4843: 4839: 4829: 4827: 4818: 4817: 4813: 4803: 4801: 4790: 4789: 4785: 4775: 4773: 4771:Bleecker Street 4765: 4764: 4760: 4753: 4738: 4737: 4733: 4723: 4721: 4712: 4711: 4707: 4697: 4695: 4686: 4685: 4681: 4671: 4669: 4655: 4654: 4650: 4640: 4638: 4629: 4628: 4624: 4614: 4612: 4603: 4602: 4598: 4588: 4586: 4577: 4576: 4567: 4553: 4552: 4548: 4538: 4536: 4527: 4526: 4522: 4512: 4510: 4503:Limited Control 4496: 4495: 4491: 4481: 4479: 4467: 4466: 4459: 4449: 4447: 4435:Bradshaw, Peter 4433: 4432: 4428: 4421: 4418: 4408: 4407: 4403: 4393: 4391: 4382: 4381: 4377: 4363: 4361: 4354:Chicago Tribune 4347: 4346: 4342: 4333: 4329: 4311: 4310: 4306: 4296: 4294: 4274: 4273: 4260: 4250: 4248: 4228: 4227: 4223: 4208: 4201: 4191:Chicago Tribune 4184: 4183: 4179: 4156: 4151:The Denver Post 4148: 4147: 4143: 4117: 4101: 4100: 4096: 4086: 4084: 4075: 4074: 4070: 4060: 4058: 4046: 4045: 4034: 4025: 4021: 4011: 4009: 3996: 3995: 3991: 3977:The 1984 movie 3969:Morning Edition 3960: 3954: 3953: 3946: 3936: 3934: 3926: 3925: 3921: 3911: 3909: 3898: 3897: 3893: 3878: 3854: 3853: 3844: 3834: 3832: 3821: 3820: 3816: 3801: 3800: 3796: 3779: 3777: 3763: 3762: 3755: 3745: 3743: 3727: 3726: 3722: 3712: 3710: 3697: 3696: 3692: 3682: 3680: 3671: 3670: 3663: 3653: 3651: 3631: 3630: 3626: 3616: 3614: 3605: 3604: 3600: 3590: 3588: 3579: 3578: 3571: 3563: 3559: 3552: 3542: 3540: 3522: 3521: 3514: 3504: 3502: 3493: 3492: 3488: 3478: 3476: 3464: 3463: 3456: 3446: 3444: 3430: 3429: 3420: 3410: 3408: 3398: 3397: 3376: 3366: 3364: 3355: 3354: 3345: 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6633: 6624: 6622: 6618: 6617: 6615: 6614: 6606: 6598: 6590: 6582: 6574: 6570:Broken Flowers 6566: 6558: 6550: 6542: 6538:Night on Earth 6534: 6526: 6518: 6510: 6501: 6499: 6495: 6494: 6485: 6483: 6482: 6475: 6468: 6460: 6454: 6453: 6452:, May 31, 2014 6443: 6438: 6437: 6436: 6417: 6405: 6396: 6387: 6376: 6375:External links 6373: 6372: 6371: 6360: 6341: 6314: 6292: 6278: 6263: 6260: 6259: 6258: 6244: 6221: 6206: 6195:Revista Odisea 6191: 6176: 6157: 6143: 6126: 6113: 6099: 6074: 6073: 6058: 6044: 6024: 6020:Hertzberg 2001 6012: 5994: 5973: 5955: 5935: 5907: 5878: 5860: 5854:Night on Earth 5831: 5812: 5792: 5762: 5743: 5710: 5684: 5659: 5648:. May 20, 2017 5633: 5608: 5578: 5564: 5560:Hertzberg 2001 5552: 5534:"Jim Jarmusch" 5524: 5491: 5467: 5440: 5409: 5382: 5371:on May 6, 2009 5349: 5323: 5294: 5257: 5218: 5197:Focus Features 5183: 5149: 5136: 5123: 5110: 5097: 5072: 5053: 5034: 5003: 4975: 4957:"Jim Jarmusch" 4955:Deming, Mark. 4947: 4916: 4890: 4881: 4872: 4858: 4837: 4826:. May 15, 2016 4811: 4783: 4758: 4751: 4731: 4705: 4693:The New Yorker 4679: 4648: 4622: 4596: 4565: 4546: 4520: 4489: 4470:"Jim Jarmusch" 4457: 4426: 4401: 4375: 4340: 4327: 4304: 4258: 4247:on May 1, 2009 4240:Boston Phoenix 4221: 4211:Night on Earth 4187:Night on Earth 4177: 4171:Night on Earth 4141: 4115: 4103:Mazierska, Ewa 4094: 4068: 4048:Canby, Vincent 4032: 4019: 3989: 3944: 3919: 3891: 3876: 3856:Tasker, Yvonne 3842: 3824:"Jim Jarmusch" 3814: 3794: 3753: 3720: 3690: 3661: 3624: 3607:"Jim Jarmusch" 3598: 3569: 3557: 3512: 3486: 3454: 3418: 3374: 3343: 3311: 3295:"Jim Jarmusch" 3282: 3249: 3215: 3167: 3163:Hertzberg 2001 3136: 3098: 3065: 3036: 3014: 2991: 2990: 2988: 2985: 2984: 2983: 2981:No Wave Cinema 2976: 2973: 2972: 2971: 2960: 2959: 2955: 2954: 2948: 2937: 2936: 2932: 2931: 2913: 2912: 2906: 2900: 2894: 2887: 2886: 2882: 2881: 2875: 2865: 2859: 2853: 2840: 2839: 2835: 2834: 2828: 2822: 2816: 2810: 2798: 2793:, 2012) (with 2781: 2780: 2775: 2772: 2769: 2768: 2766: 2764: 2762: 2760: 2758: 2753: 2751: 2749: 2747: 2742: 2740: 2738: 2736: 2727: 2726: 2721: 2716: 2714: 2712: 2710: 2708: 2706: 2704: 2702: 2700: 2698: 2696: 2694: 2688: 2687: 2682: 2680: 2675: 2670: 2665: 2663: 2661: 2659: 2657: 2655: 2653: 2651: 2649: 2643: 2642: 2637: 2635: 2633: 2628: 2623: 2618: 2616: 2614: 2612: 2610: 2608: 2606: 2604: 2598: 2597: 2592: 2590: 2588: 2586: 2584: 2579: 2570: 2568: 2566: 2564: 2562: 2560: 2558: 2552: 2551: 2546: 2544: 2542: 2540: 2538: 2533: 2531: 2526: 2524: 2522: 2520: 2518: 2516: 2510: 2509: 2507: 2505: 2500: 2495: 2493: 2491: 2489: 2484: 2482: 2480: 2478: 2476: 2474: 2468: 2467: 2465: 2463: 2461: 2456: 2454: 2449: 2444: 2442: 2437: 2435: 2433: 2431: 2429: 2423: 2422: 2417: 2415: 2413: 2411: 2409: 2404: 2402: 2397: 2395: 2390: 2388: 2386: 2384: 2378: 2377: 2375: 2373: 2371: 2369: 2367: 2362: 2360: 2358: 2353: 2351: 2346: 2344: 2342: 2336: 2335: 2330: 2328: 2326: 2324: 2322: 2317: 2315: 2313: 2308: 2303: 2298: 2296: 2294: 2288: 2287: 2285: 2283: 2281: 2279: 2277: 2275: 2273: 2271: 2269: 2264: 2259: 2254: 2252: 2246: 2245: 2243: 2241: 2239: 2237: 2235: 2233: 2231: 2229: 2227: 2222: 2213: 2204: 2195: 2189: 2188: 2183: 2181: 2179: 2177: 2175: 2173: 2171: 2169: 2167: 2165: 2163: 2158: 2153: 2147: 2146: 2139: 2137: 2130: 2128: 2121: 2119: 2112: 2110: 2106:Broken Flowers 2103: 2101: 2094: 2092: 2085: 2083: 2076: 2074: 2070:Night on Earth 2067: 2065: 2058: 2056: 2049: 2047: 2040: 2038: 2031: 2028: 2027: 2024: 2021: 1997: 1994: 1947: 1944: 1848:Broken Flowers 1807: 1804: 1801: 1800: 1795: 1788: 1784: 1783: 1780: 1773: 1769: 1768: 1762:Amazon Studios 1759: 1752: 1748: 1747: 1742: 1735: 1731: 1730: 1723: 1719: 1718: 1716:Focus Features 1713: 1710:Broken Flowers 1706: 1702: 1701: 1696: 1689: 1685: 1684: 1679: 1672: 1668: 1667: 1662: 1655: 1651: 1650: 1645: 1642:Night on Earth 1638: 1634: 1633: 1631:Orion Classics 1628: 1621: 1617: 1616: 1611: 1604: 1600: 1599: 1594: 1587: 1583: 1582: 1579: 1572: 1568: 1567: 1564: 1561: 1548:Main article: 1545: 1542: 1429: 1426: 1394:Night on Earth 1391:Mystery Train, 1370: 1368: 1365: 1343: 1340: 1222: 1219: 1213:with texts by 1196:Julianne Moore 1179: 1176: 1162:Focus Features 1084:(2016) at the 1038:Mia Wasikowska 1034:Tom Hiddleston 1006: 1003: 994:Bored to Death 961:Peter Bradshaw 959:. Film critic 941:Broken Flowers 932:Broken Flowers 875: 872: 811:Robert Mitchum 769: 766: 747:Night On Earth 704:Night on Earth 695:Night on Earth 670:constructivist 593: 590: 588: 585: 527:László Benedek 493: 369:counterculture 334: 275: 272: 235:Broken Flowers 145: 144: 139: 135: 134: 131: 127: 126: 124: 123: 120: 117: 113: 111: 107: 106: 83: 79: 78: 72: 58: 54: 53: 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7593: 7582: 7579: 7577: 7574: 7572: 7569: 7567: 7564: 7562: 7559: 7557: 7554: 7552: 7549: 7547: 7544: 7542: 7539: 7537: 7534: 7532: 7529: 7527: 7524: 7522: 7519: 7517: 7514: 7512: 7509: 7507: 7504: 7502: 7499: 7497: 7494: 7492: 7489: 7487: 7484: 7482: 7481:Living people 7479: 7477: 7474: 7472: 7469: 7468: 7466: 7450: 7449: 7445: 7442: 7438: 7437: 7433: 7430: 7427: 7424: 7423: 7419: 7416: 7412: 7411: 7407: 7406: 7404: 7400: 7393: 7392: 7388: 7385: 7381: 7380: 7376: 7373: 7372: 7368: 7365: 7361: 7360: 7356: 7353: 7349: 7348: 7344: 7341: 7337: 7336: 7332: 7329: 7326: 7323: 7320: 7317: 7313: 7310: 7307: 7303: 7300: 7299: 7297: 7293: 7286: 7285:João Salaviza 7282: 7281: 7277: 7274: 7271: 7268: 7264: 7263: 7259: 7256: 7253: 7250: 7247: 7244: 7240: 7239: 7235: 7232: 7228: 7225: 7222: 7219: 7216: 7213: 7210: 7207: 7206: 7204: 7200: 7193: 7189: 7188: 7184: 7181: 7177: 7174: 7171: 7168: 7165: 7162: 7159: 7156: 7153: 7149: 7148: 7144: 7141: 7137: 7136: 7132: 7129: 7128: 7124: 7121: 7118: 7115: 7114:Adam Davidson 7111: 7110: 7106: 7105: 7103: 7099: 7092: 7088: 7087: 7083: 7080: 7076: 7075: 7071: 7068: 7064: 7061: 7058: 7054: 7053: 7049: 7046: 7042: 7039: 7036: 7033: 7030: 7027: 7024: 7020: 7017: 7014: 7010: 7007: 7004: 7003:Moto perpetuo 7001: 6998: 6997: 6996:Seaside Woman 6993: 6992: 6990: 6986: 6979: 6978:Raoul Servais 6975: 6974: 6970: 6967: 6963: 6962: 6958: 6955: 6951: 6950: 6946: 6943: 6939: 6938: 6937:Metamorphosis 6934: 6931: 6927: 6926: 6922: 6919: 6915: 6912: 6909: 6905: 6904: 6900: 6897: 6893: 6890: 6887: 6886: 6882: 6881: 6879: 6875: 6868: 6865: 6862: 6859: 6856: 6852: 6851: 6847: 6844: 6843: 6839: 6836: 6833: 6830: 6826: 6823: 6820: 6819:Edmond Séchan 6816: 6813: 6810: 6809:À fleur d'eau 6807: 6804: 6803:Robert Enrico 6800: 6799: 6795: 6792: 6789: 6788: 6786: 6782: 6775: 6771: 6768: 6765: 6761: 6760: 6756: 6753: 6749: 6746: 6743: 6739: 6738: 6734: 6731: 6727: 6726: 6722: 6719: 6715: 6714: 6710: 6709: 6707: 6703: 6699: 6692: 6687: 6685: 6680: 6678: 6673: 6672: 6669: 6656: 6655: 6651: 6648: 6647: 6642: 6639: 6638: 6634: 6631: 6630: 6626: 6625: 6623: 6619: 6612: 6611: 6607: 6604: 6603: 6599: 6596: 6595: 6591: 6588: 6587: 6583: 6580: 6579: 6575: 6572: 6571: 6567: 6564: 6563: 6559: 6556: 6555: 6551: 6548: 6547: 6543: 6540: 6539: 6535: 6532: 6531: 6530:Mystery Train 6527: 6524: 6523: 6519: 6516: 6515: 6511: 6508: 6507: 6503: 6502: 6500: 6498:Feature films 6496: 6492: 6488: 6481: 6476: 6474: 6469: 6467: 6462: 6461: 6458: 6451: 6447: 6444: 6442: 6439: 6434: 6433:archive.today 6430: 6427: 6424: 6423: 6421: 6418: 6415: 6414: 6409: 6406: 6404: 6400: 6397: 6395: 6391: 6388: 6386: 6382: 6379: 6378: 6374: 6369: 6365: 6364:Some Collages 6361: 6357: 6353: 6352: 6347: 6342: 6339: 6335: 6332:(hardcover); 6331: 6327: 6323: 6319: 6315: 6311: 6310: 6305: 6303: 6297: 6293: 6289: 6285: 6281: 6279:3-929470-80-2 6275: 6271: 6266: 6265: 6261: 6257: 6253: 6249: 6245: 6242: 6238: 6234: 6230: 6226: 6222: 6219: 6215: 6211: 6207: 6204: 6200: 6196: 6192: 6189: 6185: 6181: 6177: 6174: 6170: 6166: 6162: 6158: 6154: 6150: 6146: 6140: 6136: 6132: 6127: 6124: 6123: 6118: 6114: 6110: 6106: 6102: 6100:1-57806-379-5 6096: 6092: 6088: 6083: 6082: 6081: 6080: 6079:Other sources 6071: 6067: 6062: 6059: 6054: 6048: 6045: 6040: 6039: 6034: 6028: 6025: 6022:, p. 187 6021: 6016: 6013: 6008: 6004: 5998: 5995: 5990: 5989: 5984: 5977: 5974: 5969: 5965: 5959: 5956: 5951: 5950: 5945: 5939: 5936: 5924: 5923: 5918: 5911: 5908: 5895: 5894: 5889: 5882: 5879: 5874: 5870: 5864: 5861: 5857: 5855: 5851: 5844: 5843: 5835: 5832: 5828: 5823: 5816: 5813: 5809: 5805: 5804: 5803:Daily Variety 5796: 5793: 5789: 5787: 5783: 5775: 5774: 5766: 5763: 5759: 5754: 5747: 5744: 5736:September 26, 5731: 5727: 5726: 5721: 5714: 5711: 5707: 5705: 5699: 5695: 5688: 5685: 5673: 5669: 5663: 5660: 5647: 5643: 5637: 5634: 5622: 5618: 5612: 5609: 5596: 5592: 5588: 5582: 5579: 5576: 5573: 5568: 5565: 5561: 5556: 5553: 5541: 5540: 5539:The A.V. Club 5535: 5528: 5525: 5513: 5509: 5502: 5500: 5498: 5496: 5492: 5488: 5484: 5483: 5478: 5471: 5468: 5455: 5451: 5444: 5441: 5428: 5424: 5423:Rolling Stone 5420: 5413: 5410: 5406: 5402: 5401: 5396: 5389: 5387: 5383: 5370: 5366: 5365: 5360: 5353: 5350: 5338: 5334: 5327: 5324: 5312: 5308: 5301: 5299: 5295: 5291: 5289: 5275: 5271: 5267: 5261: 5258: 5254: 5252: 5237: 5233: 5229: 5222: 5219: 5215: 5202: 5198: 5194: 5187: 5184: 5180: 5168: 5164: 5160: 5153: 5150: 5146: 5140: 5137: 5133: 5127: 5124: 5120: 5114: 5111: 5107: 5101: 5098: 5086: 5082: 5076: 5073: 5068: 5064: 5057: 5054: 5049: 5045: 5038: 5035: 5022: 5018: 5014: 5007: 5004: 4992: 4991: 4986: 4979: 4976: 4964: 4963: 4958: 4951: 4948: 4935: 4931: 4927: 4920: 4917: 4905: 4901: 4894: 4891: 4885: 4882: 4876: 4873: 4868: 4862: 4859: 4854: 4853: 4848: 4841: 4838: 4825: 4821: 4815: 4812: 4800: 4799: 4794: 4787: 4784: 4772: 4768: 4762: 4759: 4754: 4748: 4744: 4743: 4735: 4732: 4719: 4715: 4709: 4706: 4694: 4690: 4683: 4680: 4667: 4663: 4659: 4652: 4649: 4637: 4633: 4626: 4623: 4610: 4606: 4600: 4597: 4585: 4581: 4574: 4572: 4570: 4566: 4561: 4557: 4550: 4547: 4535: 4534:Pitchfork.com 4531: 4524: 4521: 4508: 4504: 4500: 4493: 4490: 4482:September 23, 4477: 4476: 4475:The A.V. Club 4471: 4464: 4462: 4458: 4446: 4445: 4440: 4436: 4430: 4427: 4423: 4414: 4413: 4412:Daily Variety 4405: 4402: 4390: 4386: 4379: 4376: 4372: 4359: 4355: 4351: 4344: 4341: 4337: 4331: 4328: 4323: 4319: 4315: 4308: 4305: 4297:September 27, 4292: 4288: 4284: 4283: 4278: 4271: 4269: 4267: 4265: 4263: 4259: 4251:September 27, 4246: 4242: 4241: 4236: 4234: 4225: 4222: 4218: 4216: 4212: 4205: 4199: 4192: 4188: 4181: 4178: 4174: 4172: 4168: 4167:Mystery Train 4164: 4160: 4152: 4145: 4142: 4138: 4136: 4132: 4126: 4122: 4118: 4116:1-904764-67-3 4112: 4108: 4104: 4098: 4095: 4082: 4078: 4072: 4069: 4057: 4053: 4049: 4043: 4041: 4039: 4037: 4033: 4029: 4028:Gabri Ródenas 4023: 4020: 4008: 4004: 4002: 3993: 3990: 3986: 3984: 3980: 3974: 3970: 3966: 3958: 3951: 3949: 3945: 3933: 3929: 3923: 3920: 3908: 3907: 3902: 3895: 3892: 3887: 3883: 3879: 3877:0-415-18974-8 3873: 3869: 3865: 3861: 3857: 3851: 3849: 3847: 3843: 3831: 3830: 3829:The A.V. Club 3825: 3818: 3815: 3811: 3807: 3806: 3798: 3795: 3791: 3789: 3775: 3771: 3767: 3760: 3758: 3754: 3746:September 27, 3741: 3740: 3735: 3733: 3724: 3721: 3713:September 27, 3709: 3705: 3703: 3702:Mystery Train 3694: 3691: 3679: 3675: 3668: 3666: 3662: 3649: 3645: 3641: 3640: 3635: 3628: 3625: 3612: 3608: 3602: 3599: 3587: 3583: 3576: 3574: 3570: 3566: 3561: 3558: 3554: 3550: 3546: 3536: 3532: 3531: 3530:The Columbian 3526: 3519: 3517: 3513: 3501: 3497: 3490: 3487: 3475: 3471: 3467: 3461: 3459: 3455: 3447:September 27, 3442: 3438: 3434: 3427: 3425: 3423: 3419: 3406: 3402: 3395: 3393: 3391: 3389: 3387: 3385: 3383: 3381: 3379: 3375: 3363: 3359: 3352: 3350: 3348: 3344: 3339: 3335: 3331: 3329: 3320: 3318: 3316: 3312: 3300: 3296: 3289: 3287: 3283: 3271: 3267: 3260: 3258: 3256: 3254: 3250: 3246: 3234: 3230: 3226: 3219: 3216: 3203: 3199: 3197: 3188: 3186: 3184: 3182: 3180: 3178: 3176: 3174: 3172: 3168: 3164: 3159: 3157: 3155: 3153: 3151: 3149: 3147: 3145: 3143: 3141: 3137: 3124: 3120: 3116: 3109: 3107: 3105: 3103: 3099: 3087: 3083: 3076: 3074: 3072: 3070: 3066: 3062: 3057: 3055: 3053: 3051: 3049: 3047: 3045: 3043: 3041: 3037: 3024: 3018: 3015: 3002: 2996: 2993: 2986: 2982: 2979: 2978: 2974: 2969: 2965: 2962: 2961: 2957: 2956: 2952: 2949: 2946: 2942: 2939: 2938: 2934: 2933: 2929: 2925: 2924: 2920: 2919: 2918: 2917: 2910: 2907: 2904: 2901: 2898: 2895: 2892: 2889: 2888: 2884: 2883: 2879: 2876: 2873: 2869: 2866: 2863: 2860: 2857: 2854: 2851: 2847: 2846: 2842: 2841: 2837: 2836: 2832: 2829: 2826: 2823: 2820: 2817: 2814: 2811: 2808: 2804: 2803: 2799: 2796: 2792: 2788: 2787: 2783: 2782: 2779:Studio albums 2778: 2777: 2773: 2767: 2765: 2763: 2761: 2759: 2757: 2754: 2752: 2750: 2748: 2746: 2743: 2741: 2739: 2737: 2735: 2734: 2729: 2728: 2725: 2722: 2720: 2717: 2715: 2713: 2711: 2709: 2707: 2705: 2703: 2701: 2699: 2697: 2695: 2693: 2690: 2689: 2686: 2683: 2681: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2662: 2660: 2658: 2656: 2654: 2652: 2650: 2648: 2647:Tilda Swinton 2645: 2644: 2641: 2638: 2636: 2634: 2632: 2629: 2627: 2624: 2622: 2619: 2617: 2615: 2613: 2611: 2609: 2607: 2605: 2603: 2600: 2599: 2596: 2593: 2591: 2589: 2587: 2585: 2583: 2580: 2578: 2574: 2571: 2569: 2567: 2565: 2563: 2561: 2559: 2557: 2554: 2553: 2550: 2547: 2545: 2543: 2541: 2539: 2537: 2534: 2532: 2530: 2527: 2525: 2523: 2521: 2519: 2517: 2515: 2512: 2511: 2508: 2506: 2504: 2501: 2499: 2496: 2494: 2492: 2490: 2488: 2485: 2483: 2481: 2479: 2477: 2475: 2473: 2470: 2469: 2466: 2464: 2462: 2460: 2457: 2455: 2453: 2450: 2448: 2445: 2443: 2441: 2438: 2436: 2434: 2432: 2430: 2428: 2425: 2424: 2421: 2418: 2416: 2414: 2412: 2410: 2408: 2405: 2403: 2401: 2398: 2396: 2394: 2391: 2389: 2387: 2385: 2383: 2382:Steve Buscemi 2380: 2379: 2376: 2374: 2372: 2370: 2368: 2366: 2363: 2361: 2359: 2357: 2354: 2352: 2350: 2347: 2345: 2343: 2341: 2338: 2337: 2334: 2331: 2329: 2327: 2325: 2323: 2321: 2318: 2316: 2314: 2312: 2309: 2307: 2304: 2302: 2299: 2297: 2295: 2293: 2290: 2289: 2286: 2284: 2282: 2280: 2278: 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