Knowledge (XXG)

Gayageum

Source 📝

463: 783: 439: 512: 451: 42: 885: 479: 486:
The gayageum is traditionally played when sitting on the floor with crossed legs, the head of the instrument resting on the right knee and the tail resting on the floor. When played whilst seated on a chair or stool, the tail end is usually placed on a special fold-out stand, similar to a camp-stool,
126: 502:
is played with both right and left hands. The right hand plucks and flicks the strings close to the bridge of the gayageum, whilst the left hand pushes the strings on the left side of the bridges to raise the pitch and adds vibrato and other ornamentation.
491:, they may be placed on a special stand with the player seated on a chair behind the instrument. The people of North Korea usually play whilst seated on a chair, but they do not use a stand of the tail end. Instead, the 262:
by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument Guzheng. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was
133: 131: 129: 127: 709:
The left hand presses the strings to raise the pitch, and finger movements perform various movements such as shaking, bending, and vibrating the strings. The right hand plucks or strums the strings. The
132: 737:
According to some evidence, however, it dates to a much earlier time than the Silla dynasty. Recent archaeological excavations in the Kwangsan areas in Jeolla-namdo Province revealed fragments of a
955: 706:
wind around loops at the end of thick cords, which pass over the nut then looped through holes at the bottom of the instrument and secured, and then the cords are all tied in a decorative coil.
462: 130: 128: 950: 600:
When noted in staff notation, however, the pitch series is usually transposed as the following, regardless of the actual pitches tuned on the strings:
438: 1021: 986: 843: 174: 523:
can be tuned to a variety of pitches depending on use, though no standard exists as to what exact pitches they should be tuned. They include:
450: 1059: 906: 1514: 1478: 1170: 928: 782: 1129: 1090: 96: 962: 838: 511: 41: 899: 893: 1509: 910: 768:
instruments broaden the body and add more strings to increase the pitch range to accommodate contemporary music.
344:
music, which in Korean literally means "scattered melodies", a musical form that involves fast tempos and some
185:, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean 425:, though instruments with more strings are available custom-made. The 21-string gayageum is normally found in 309:. It is normally associated with accompaniment for court music, chamber music, and lyric songs. This type of 1407: 251: 797:
include Seong Geum Yeon, Kim Juk Pa, Kim Yoon Deok, Kang Tae Hong, Kim Byeong Ho, and Choi Ok Sam schools.
748:
is employed in different types of music, leading to variations of the instrument, including the following:
110: 1163: 983: 829:, and following generation's composers and western musicians have been composing modern music for it. 1448: 1422: 1367: 1357: 1342: 1058:
Comprehensive Culture and Arts Information System (CCAIS), Ministry of Culture and Tourism (2005).
714:
tone is soft, delicate, and subtle. Legend says the instrument was first made by King Gasil in the
683: 664: 1483: 1286: 695: 645:
is 160 cm long by 30 cm wide by 10 cm deep. Its body is made of a single piece of
280: 186: 478: 619:
This is to avoid switching between the bass and treble clefs to make reading the music easier.
1453: 1387: 1352: 1250: 196: 1519: 1156: 715: 403: 315: 259: 214: 761:
is a smaller, modern version with more closely spaced strings to accommodate rapid playing.
1417: 1255: 1094: 990: 959: 787: 703: 687: 422: 406: 393: 353: 182: 154: 62: 1205: 417:
with a greater number of strings have been developed, increasing the instrument's range.
409:
have also been introduced to produce a louder sound, which is preferred for accompanying
209: 1488: 1332: 1136: 1098: 853: 691: 1503: 810: 658: 345: 339: 333: 1034: 356:
spacing and a shorter length to let musicians play the faster passages required for
1432: 1306: 1142: 1084: 848: 1117: 998:
Welcome to The Koong Sung Koogak Sa, the Korean Court-Music Promotion Corporation
426: 718:
around the sixth century, and was further developed by a musician named Ureuk (
495:
has detachable legs that are fixed into the end to raise the tail high enough.
1412: 1372: 1311: 1230: 246: 997: 755:
is the original form, with more widely spaced strings for slower-tempo works.
313:
has a wider spacing between the strings and plays slower-tempo music such as
1392: 650: 646: 1104: 667:
is made of paulownia, but the sides and back are of a harder wood such as
1458: 1427: 1402: 1397: 1337: 1327: 1265: 1215: 668: 17: 1362: 1296: 1270: 1260: 1225: 398: 301: 227: 223: 191: 338:
is believed to have evolved in the 19th century with the emergence of
101: 86: 83: 80: 1377: 1301: 1240: 1200: 1179: 868: 863: 858: 805:
Contemporary music composers have been creating modern music for the
672: 663:
is about 142 cm long by 23 cm wide by 10 cm deep. The
218: 178: 54: 137:
Demonstration of the sound of gayageum by a non-professional player
1382: 1347: 1291: 1235: 1220: 1111: 781: 731: 510: 477: 410: 377: 284: 203: 164: 72: 1245: 376:
strings, though since the late 20th century, some musicians use
373: 1152: 1066: 878: 1148: 115: 279:
was then further improved by Wu Ruk during the reign of
482:
Concert Kwak SooEun and ensemble playing the gayageum
291:
of King Gasil was called by several names, including
1471: 1441: 1320: 1279: 1193: 1186: 653:chamber is hollowed out of the piece of paulownia. 109: 95: 71: 53: 48: 996:Korean Court-Music Promotion Corporation (2001). 1143:Grace Jong Eun Lee, Kayagum Composer and Soloist 392:with more strings often use nylon-wrapped steel 258:was developed around the sixth century in the 1164: 702:(string pegs) beneath. At the other end, the 698:. The strings enter the top of the body from 421:are available with 13, 17, 18, 21, 22, or 25 240:Pungryu gayageum (beopgeum, jeongak gayageum) 8: 1118:Fusion korean traditional musics-group Queen 1065:Jung Ae Lee (1997) Seattle Asian Art Museum 725: 719: 168: 158: 78: 60: 821:and new pieces. Beomhoon Park composed the 1190: 1171: 1157: 1149: 40: 929:Learn how and when to remove this message 825:concerto "New Sanjo" (새산조) for 25-string 892:This article includes a list of general 730:) in the time of King of Jinhung in the 396:, similar to those used for the Chinese 124: 942: 817:piece, Sungcheon Lee created 21-string 431: 978: 976: 974: 972: 970: 844:Traditional Korean musical instruments 622:Traditionally, three modes are used: 31: 1060:Traditional Korean Musical Instrument 352:version of the instrument has closer 175:traditional Korean musical instrument 7: 1106:sanjo gayageum (arirang by beginner) 813:composed "Forest" as a first modern 27:Traditional Korean string instrument 741:from around the first century BCE. 690:. These bridges move to adjust the 487:or another chair/stool. For modern 364:is now the most widespread form of 1479:Musical Instrument Factory of Riga 898:it lacks sufficient corresponding 25: 574:, E♭, F, A♭, B♭, c, e♭, f, a♭, b♭ 515:Gayageum sheet music (manuscript) 883: 461: 449: 437: 793:The six or more schools of the 560:, E♭, E♭, A♭, B♭, d♭, e♭, f, a♭ 195:and is similar to the Japanese 726: 720: 189:. It is based on the Chinese 169: 159: 79: 61: 1: 963:Seoul Metropolitan Government 542:, E♭, F, A♭, B♭, c, e♭, f, a♭ 1069:Retrieved November 18, 2007. 993:. Retrieved July 29, 2005. 839:List of musical instruments 615:, D, E, G, A, B, d, e, g, a 116: 102: 1536: 1515:Korean musical instruments 1062:. Retrieved July 29, 2005. 1000:. Retrieved July 30, 2005. 250:(1146), a history of the 39: 34: 1145:, from the Korea Society 1024:. Golden Retriever 1000. 413:. To play modern music, 1020:Park, Yong-Jae (2004). 913:more precise citations. 388:Modern versions of the 252:Three Kingdoms of Korea 790: 516: 483: 138: 785: 596:, C, D, E, G, A, c, d 514: 481: 287:dynasty. The ancient 136: 1449:Appalachian dulcimer 97:Revised Romanization 1423:Tambourine de Bearn 1343:Epinette des Vosges 1280:West and South Asia 678:On the soundboard, 299:(elegance, 풍류), or 1093:2011-10-06 at the 989:2014-09-08 at the 958:2012-02-25 at the 952:Korean Instruments 791: 517: 484: 368:. All traditional 305:(right music, 정악) 295:(law-zither, 법금), 187:musical instrument 177:. It is a plucked 139: 1497: 1496: 1467: 1466: 1353:Hammered dulcimer 1035:"가야금 창작곡 '초소의 봄'" 982:유자차 Choi (2005). 939: 938: 931: 643:beobgeum gayageum 632:界面調 (계면조): B♭ key 507:Tunings and modes 468:Improved gayageum 433:Types of gayageum 244:According to the 134: 123: 122: 111:McCune–Reischauer 16:(Redirected from 1527: 1510:Gaya confederacy 1454:Mexican salterio 1236:Indonesian siter 1191: 1173: 1166: 1159: 1150: 1051: 1050: 1048: 1046: 1031: 1025: 1022:KOSEF NEWSLETTER 1018: 1012: 1009: 1003: 980: 965: 947: 934: 927: 923: 920: 914: 909:this article by 900:inline citations 887: 886: 879: 753:Pungryu gayageum 729: 728: 723: 722: 465: 453: 444:Pungnyu gayageum 441: 316:Yeongsan hoesang 260:Gaya confederacy 172: 171: 162: 161: 135: 119: 105: 90: 89: 66: 65: 44: 32: 21: 1535: 1534: 1530: 1529: 1528: 1526: 1525: 1524: 1500: 1499: 1498: 1493: 1463: 1437: 1418:Streichmelodion 1316: 1275: 1182: 1177: 1126: 1095:Wayback Machine 1081: 1076: 1067:AKMR Newsletter 1055: 1054: 1044: 1042: 1041:. 18 April 2007 1033: 1032: 1028: 1019: 1015: 1010: 1006: 991:Wayback Machine 981: 968: 960:Wayback Machine 948: 944: 935: 924: 918: 915: 905:Please help to 904: 888: 884: 877: 835: 803: 788:Incheon Airport 780: 775: 639: 509: 476: 469: 466: 457: 454: 445: 442: 386: 384:Modern gayageum 329: 242: 237: 125: 91: 67: 28: 23: 22: 15: 12: 11: 5: 1533: 1531: 1523: 1522: 1517: 1512: 1502: 1501: 1495: 1494: 1492: 1491: 1486: 1481: 1475: 1473: 1469: 1468: 1465: 1464: 1462: 1461: 1456: 1451: 1445: 1443: 1439: 1438: 1436: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1390: 1385: 1380: 1375: 1370: 1365: 1360: 1355: 1350: 1345: 1340: 1335: 1333:Bowed psaltery 1330: 1324: 1322: 1318: 1317: 1315: 1314: 1309: 1304: 1302:Persian santur 1299: 1297:Indian santoor 1294: 1289: 1283: 1281: 1277: 1276: 1274: 1273: 1268: 1263: 1258: 1253: 1248: 1243: 1238: 1233: 1228: 1223: 1218: 1213: 1208: 1203: 1197: 1195: 1188: 1184: 1183: 1178: 1176: 1175: 1168: 1161: 1153: 1147: 1146: 1140: 1137:Robert Garfias 1125: 1122: 1121: 1120: 1115: 1102: 1099:Robert Garfias 1080: 1077: 1075: 1074:External links 1072: 1071: 1070: 1063: 1053: 1052: 1026: 1013: 1004: 1002: 1001: 966: 949:Jan. 11, 2007, 941: 940: 937: 936: 891: 889: 882: 876: 873: 872: 871: 866: 861: 856: 854:Korean culture 851: 846: 841: 834: 831: 811:Hwang Byung Ki 802: 799: 795:gayageum sanjo 779: 778:Sanjo and folk 776: 774: 771: 770: 769: 762: 759:Sanjo gayageum 756: 686:) support the 638: 635: 634: 633: 630: 629:平調 (평조): C key 627: 626:羽調 (우조): G key 617: 616: 598: 597: 575: 561: 543: 508: 505: 475: 474:Playing method 472: 471: 470: 467: 460: 458: 456:Sanjo gayageum 455: 448: 446: 443: 436: 434: 385: 382: 362:sanjo gayageum 350:sanjo gayageum 328: 327:Sanjo gayageum 325: 241: 238: 236: 233: 121: 120: 113: 107: 106: 99: 93: 92: 77: 75: 69: 68: 59: 57: 51: 50: 46: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1532: 1521: 1518: 1516: 1513: 1511: 1508: 1507: 1505: 1490: 1487: 1485: 1484:Oscar Schmidt 1482: 1480: 1477: 1476: 1474: 1472:Manufacturers 1470: 1460: 1457: 1455: 1452: 1450: 1447: 1446: 1444: 1440: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1379: 1376: 1374: 1371: 1369: 1366: 1364: 1361: 1359: 1356: 1354: 1351: 1349: 1346: 1344: 1341: 1339: 1336: 1334: 1331: 1329: 1326: 1325: 1323: 1319: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1284: 1282: 1278: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1247: 1244: 1242: 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1207: 1204: 1202: 1199: 1198: 1196: 1192: 1189: 1185: 1181: 1174: 1169: 1167: 1162: 1160: 1155: 1154: 1151: 1144: 1141: 1138: 1134: 1132: 1128: 1127: 1123: 1119: 1116: 1113: 1109: 1107: 1103: 1100: 1096: 1092: 1089: 1087: 1083: 1082: 1078: 1073: 1068: 1064: 1061: 1057: 1056: 1040: 1036: 1030: 1027: 1023: 1017: 1014: 1011:(KCMPC 2001). 1008: 1005: 999: 995: 994: 992: 988: 985: 979: 977: 975: 973: 971: 967: 964: 961: 957: 954: 953: 946: 943: 933: 930: 922: 912: 908: 902: 901: 895: 890: 881: 880: 874: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 836: 832: 830: 828: 824: 820: 816: 812: 808: 800: 798: 796: 789: 784: 777: 772: 767: 763: 760: 757: 754: 751: 750: 749: 747: 742: 740: 735: 733: 717: 713: 707: 705: 701: 697: 693: 689: 685: 681: 676: 674: 670: 666: 662: 660: 654: 652: 648: 644: 636: 631: 628: 625: 624: 623: 620: 614: 610: 606: 603: 602: 601: 595: 591: 587: 583: 579: 576: 573: 569: 565: 562: 559: 555: 551: 547: 544: 541: 537: 533: 529: 526: 525: 524: 522: 513: 506: 504: 501: 496: 494: 490: 480: 473: 464: 459: 452: 447: 440: 435: 432: 430: 428: 424: 420: 416: 412: 408: 405: 401: 400: 395: 391: 383: 381: 379: 375: 371: 367: 363: 359: 355: 351: 347: 346:improvisation 343: 342: 337: 335: 326: 324: 322: 318: 317: 312: 308: 304: 303: 298: 294: 290: 286: 282: 278: 274: 270: 266: 261: 257: 253: 249: 248: 239: 234: 232: 230: 229: 225: 221: 220: 216: 212: 211: 207:, Vietnamese 206: 205: 201:, Mongolian 200: 199: 194: 193: 188: 184: 180: 176: 166: 156: 152: 151: 146: 145: 118: 114: 112: 108: 104: 100: 98: 94: 88: 85: 82: 76: 74: 70: 64: 58: 56: 52: 47: 43: 38: 33: 30: 19: 1433:Violinzither 1307:Iraqi santur 1210: 1130: 1105: 1085: 1043:. Retrieved 1038: 1029: 1016: 1007: 951: 945: 925: 916: 897: 849:Korean music 826: 822: 818: 814: 806: 804: 801:Contemporary 794: 792: 765: 758: 752: 745: 743: 738: 736: 716:Kaya Kingdom 711: 708: 699: 679: 677: 657: 655: 642: 640: 637:Construction 621: 618: 612: 608: 604: 599: 593: 589: 585: 581: 577: 571: 567: 563: 557: 553: 549: 545: 539: 535: 531: 527: 520: 518: 499: 497: 492: 488: 485: 418: 414: 397: 389: 387: 369: 365: 361: 357: 349: 340: 332: 330: 320: 314: 310: 306: 300: 296: 292: 288: 276: 272: 268: 264: 255: 245: 243: 226: 217: 208: 202: 197: 190: 149: 148: 143: 142: 140: 29: 911:introducing 427:North Korea 271:) and later 167::  157::  49:Korean name 1504:Categories 1413:Scheitholt 1408:Psalterium 1312:Swarmandal 1231:Ichigenkin 1039:Flickr.com 894:references 875:References 712:gayageum's 696:intonation 665:soundboard 649:wood. The 321:Mit-doduri 247:Samguksagi 1393:Langeleik 1206:Đàn tranh 1194:East Asia 1187:By region 1079:Listening 919:July 2009 734:dynasty. 682:(movable 651:resonator 647:paulownia 521:gayageum 215:Sundanese 210:đàn tranh 1459:Tremoloa 1442:Americas 1428:Tsymbaly 1403:Psaltery 1398:Langspil 1338:Cimbalom 1328:Autoharp 1266:Yanggeum 1216:Geomungo 1211:Gayageum 1091:Archived 1045:21 April 987:Archived 956:Archived 833:See also 827:gayageum 823:gayageum 819:gayageum 815:gayageum 807:gayageum 766:gayageum 746:gayageum 739:gayageum 669:chestnut 661:gayageum 500:gayageum 493:gayageum 489:gayageum 419:Gayageum 415:gayageum 390:gayageum 370:gayageum 366:gayageum 336:gayageum 311:gayageum 307:gayageum 302:jeong-ak 293:beopgeum 289:gayageum 281:Jinheung 277:gayageum 273:gayageum 256:gayageum 181:with 12 144:gayageum 103:gayageum 35:Gayageum 18:Kayageum 1520:Zithers 1373:Kanklės 1363:Kantele 1271:Yazheng 1261:Yangqin 1226:Guzheng 1180:Zithers 1114:'s blog 984:Kayagum 907:improve 764:Modern 704:strings 700:tolgwae 688:strings 684:bridges 423:strings 407:strings 399:guzheng 394:strings 360:. The 297:pungnyu 283:in the 269:gayatgo 235:History 228:jetigen 192:guzheng 183:strings 173:) is a 150:kayagum 117:kayagŭm 1378:Kokles 1368:Kannel 1358:Hummel 1321:Europe 1241:Kacapi 1201:Ajaeng 1139:' site 1133:videos 1101:' site 896:, but 869:Ajaeng 864:Kacapi 859:Santur 724:; 692:tuning 673:walnut 354:string 348:. The 285:Shilla 275:. The 265:gayago 254:, the 224:Kazakh 219:kacapi 179:zither 163:; 155:Korean 55:Hangul 1489:Tōkai 1383:Kusle 1348:Gusli 1292:Nuzhe 1287:Kanun 1221:Guqin 1135:from 1131:Sanjo 1124:Video 1112:Naver 1110:from 1108:audio 1097:from 1088:audio 1086:Sanjo 773:Music 732:Silla 680:anjok 659:sanjo 411:dance 404:Brass 378:nylon 358:sanjo 341:sanjo 334:sanjo 204:yatga 165:Hanja 73:Hanja 1388:Krez 1251:Koto 1246:Khim 1047:2021 744:The 694:and 656:The 641:The 519:The 498:The 374:silk 372:use 331:The 319:and 267:(or 222:and 198:koto 141:The 786:In 671:or 170:伽倻琴 160:가야금 147:or 63:가야금 1506:: 1256:Se 1037:. 969:^ 809:. 727:于勒 721:우륵 675:. 611:, 607:, 592:, 588:, 584:, 580:, 572:B♭ 570:, 568:A♭ 566:, 564:E♭ 558:B♭ 556:, 554:A♭ 552:, 548:, 546:E♭ 540:B♭ 538:, 536:A♭ 534:, 530:, 528:E♭ 429:. 402:. 380:. 323:. 231:. 213:, 1172:e 1165:t 1158:v 1049:. 932:) 926:( 921:) 917:( 903:. 613:A 609:G 605:D 594:A 590:G 586:D 582:C 578:G 550:F 532:F 153:( 87:琴 84:倻 81:伽 20:)

Index

Kayageum

Hangul
가야금
Hanja



Revised Romanization
McCune–Reischauer
Korean
Hanja
traditional Korean musical instrument
zither
strings
musical instrument
guzheng
koto
yatga
đàn tranh
Sundanese
kacapi
Kazakh
jetigen
Samguksagi
Three Kingdoms of Korea
Gaya confederacy
Jinheung
Shilla
jeong-ak

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.