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Between 1741 and 1751 Kirnberger lived and worked in Poland for powerful magnates including
Lubomirski, Poninski, and Rzewuski before ending up at the Benedictine Cloister in
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84:. Kirnberger played a significant role in the intellectual and cultural exchange between Germany and Poland in the mid-18th century.
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202:(1995). "'Ein richtiges Gefühl von der natürlichen Bewegung' – Johann Philipp Kirnberger als Sammler von Nationaltänzen". In
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67:, but most significant is the time he spent from 1739 until 1741 (with breaks) studying performance and composition with
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217:. Michaelsteiner Forschungsbeiträge 17. Oschersleben: Ziethen Institut fuer Aufführungspraxis. pp. 209–214.
78:(then part of Poland). He spent much time collecting Polish national dances and compiled them in his treatise
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116:. Many of Bach's manuscripts have been preserved in Kirnberger's library (the "Kirnberger collection").
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tuning systems known as "Kirnberger II" and "Kirnberger III" are associated with his name (see
147:("Fanfare" Fugue), which was formerly attributed to Johann Sebastian Bach and then to his son
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and
Heinrich Nicolaus Gerber, and starting in 1738 he studied with the violinist Meil in
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171:"Johann Philipp Kirnberger (Composer, Music Theorist, Violin, Copyist, Bach's Pupil)"
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102:, deeming him "the greatest of all composers". Kirnberger published Bach's
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by Willem
Kroesbergen and Andrew J. Cruickshank, Cape Town, October 2015
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in the
University of North Texas Music Library Virtual Rare Book Room
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Bach and Berlin: Nation and
Cullture in Mendelssohn's Revival of the
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in the 1760s, and sought to secure the publication of all of Bach's
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settings, which finally appeared after
Kirnberger's death; see
51:– 27 July 1783, Berlin) was a musician, composer (primarily of
273:"18th Century Quotations Relating to J.S. Bach's Temperament"
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Kirnberger is known today primarily for his theoretical work
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University of
Michigan School of Music, Theatre & Dance
189:, Cornell University Press, Ithaca and London, 2005, p. 15
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More information, including full text, of
Kirnberger's
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91:in 1751. He was the music director to the Prussian
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87:Kirnberger became a violinist at the court of
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143:). One of his most familiar compositions is
105:ClavierĂĽbungen mit der bachischen Applicatur
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258:International Music Score Library Project
114:Kirnberger chorale preludes (BWV 690–713)
121:Die Kunst des reinen Satzes in der Musik
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264:"Larry Schou: The Kirnberger Chorales"
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125:The Art of Strict Composition in Music
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280:Kirnberger: Fuga in C-dur fĂĽr Orgel
379:18th-century German male musicians
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359:German Classical-period composers
374:18th-century classical composers
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254:Free scores by Johann Kirnberger
369:Pupils of Johann Sebastian Bach
354:German male classical composers
135:), as is a rational version of
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246:Grundsätze des Generalbasses
59:. He studied the organ with
98:Kirnberger greatly admired
95:from 1758 until his death.
27:German composer (1721–1783)
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149:Carl Philipp Emanuel Bach
41:Johann Philipp Kirnberger
81:Die Charaktere der Tänze
173:, Bach Cantatas website
145:Fuga in C-dur fĂĽr Orgel
364:German music theorists
133:Kirnberger temperament
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287:, Mark Rich (organ),
100:Johann Sebastian Bach
69:Johann Sebastian Bach
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349:People from Saalfeld
93:Princess Anna Amalia
61:Johann Peter Kellner
213:GĂĽnter Fleischhauer
127:, 1774, 1779). The
89:Frederick the Great
186:St Matthew Passion
182:Applegate, Celia,
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137:equal temperament
47:; 24 April 1721,
36:Johann Kirnberger
16:(Redirected from
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215:'s 65th birthday
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344:1783 deaths
339:1721 births
289:Wicks organ
228:Allihn 1995
209:Festschrift
333:Categories
155:References
18:Kirnberger
311:Biography
49:Saalfeld
45:Kernberg
297:Portals
285:YouTube
260:(IMSLP)
256:at the
206:(ed.).
141:schisma
110:chorale
55:), and
248:(178?)
53:fugues
43:(also
139:(see
211:for
76:Lviv
283:on
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163:^
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123:(
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