Knowledge (XXG)

Koodiyattam

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455: 671: 766: 637: 660: 515: 1898: 609: 349: 133: 1910: 2416: 27: 1936: 1922: 1148: 549:). The name "koodiyattam", meaning playing or performing together, is thought to refer to the presence of multiple actors on stage who act in rhythm with the beats of the mizhavu drummers. Alternatively, it may also be a reference to a common practice in Sanskrit drama where a single actor who has performed solo for several nights is joined by another. 471: 592:
In 1962, under the leadership of art and Sanskrit scholar V. Raghavan, Sanskrit Ranga of Madras invited Guru Mani Madhava Chakyar to perform koodiyattam in Chennai. Thus for the first time in history koodiyattam was performed outside Kerala. They presented over three nights koodiyattam scenes from
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My own people condemned my action (performing Koothu and Kutiyattam outside the precincts of the temples), Once, after I had given performances at Vaikkom, they even thought about excommunicating me. I desired that this art should survive the test of time. That was precisely why I ventured outside
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in Hindu temples and access to these performances was restricted to only caste Hindus. Also, performances can take up to forty days to complete. The collapse of the feudal order in the nineteenth century in Kerala curtailed the patronage of koodiyattam artists, and they faced serious financial
556:, are not allowed to participate. Instead, the female roles are played by Nangyaramma. Koodiyattam performances are often lengthy and elaborate, ranging from 12 to 150 hours spread across several nights. A complete Koodiyattam performance consists of three parts. The first of these is the 720:
has called for the creation of a network of koodiyattam institutions and gurukalams to promote the transmission of the art form to future generations and for the development of new audiences besides fostering greater academic research in it. Natanakairali in
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Ancient kings are among those listed as authors of works for these services. There is evidence of these across the ancient subcontinent during the Chola and Pallava periods. A Pallava king called Rajasimha has been credited with authoring the play
2455: 403:, a medieval king of the Chera Perumal dynasty, reformed koodiyattam, introducing the local language for Vidusaka and structuring the presentation of the play into well-defined units. He himself wrote two plays, 337: 272: 1974: 364:. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and 368:
were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form
1126: 1967: 696:, who in 1981 became the first Residential Guru at Margi, an institution promoting traditional art forms of Kerala. He was a cousin of Ammannur Madhava Chakyar. 716:
difficulties. Following a revival in the early twentieth century, Koodiyattam is once again facing a lack of funding, leading to a crisis in the profession.
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The elders of the Chakyar community traditionally taught the artform to their youngsters. It was performed only by Chakyars until the 1950s. In 1955, Guru
1983: 1960: 576:, which is the play itself. While the first two parts are solo acts, koodiyattam can have as many characters as are required to perform on the stage. 212: 583:
performed Kutiyattam outside the temple for the first time, for which he faced many problems from the hardline Chakyar community. In his own words:
620:, studied koodiyattam with Mani Madhava Chakyar and became the first non-Chakyar/nambiar to learn the art form. He stayed in Guru's home at 1048: 552:
The main actor is a Chakyar who performs the ritualistic koothu and koodiyattam inside the temple or in the koothambalam. Chakyar women,
2465: 2460: 1260: 856: 2440: 915: 388:, and Omampuliyur. They were treated as an integral part of worship services, alongside the singing of Tevaram and Prabandam hymns. 110: 572:, a retrospective, which takes the audience up to the point where the actual play begins. The final part of the performance is the 1066: 810: 693: 1325: 1285: 1926: 901: 48: 454: 360:, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as 750: 91: 2030: 1167: 546: 63: 44: 746: 2155: 1914: 1780: 1278: 690:, who in the 1980s became one of the first koodiyattam performers to present this art to an international audience. 502:. The mizhavu, the most prominent of these, is a percussion instrument that is played by a person of the Ambalavas 70: 37: 2450: 2445: 1902: 1765: 1675: 1320: 702:, who is Mani Madhava Chakkiar's disciple and nephew, is also a performer of traditional devotional koodiyattams. 396:
in Tamil, which has the topic of Ravana becoming subject to Siva's anger and being subdued mercilessly for this.
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is one of the most prominent institutions in the field of koodiyattam revival. The Margi Theatre Group in
168: 2350: 1952: 2375: 2160: 1649: 1131: 1110: 1094: 1070: 1003: 777: 769: 742: 699: 621: 59: 765: 636: 372:, which is mentioned several times in Sangam literature, and the epigraphs of the subsequent Pallava, 2435: 2025: 1750: 1745: 1214: 1171: 907: 682: 653: 580: 519: 503: 138: 964: 1700: 1386: 1315: 1152: 1089: 659: 531: 1179: 514: 2365: 1852: 1800: 1680: 1121: 999: 830: 726: 674: 499: 287: 1248: 419:). These plays are still performed. Apart from these, the plays traditionally presented include 616:
In early 1960s Maria Christoffer Byrski, a Polish student doing research in Indian theatres at
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where an actor performs a verse along with the nritta aspect of dance. Following this is the
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Koodiyattam traditionally was an exclusive art form performed in special venues called
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Rajendran C, "The Traditional Sanskrit Theatre of Kerala" (University of Calicut,1989)
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is an institution promoting koodiyattam and related art forms at Moozhikkulam. The
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Kudiyattam: A Multi-Disciplinary Approach to the Living Sanskrit Theater of Kerala
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Bibliography of the Books, Papers & Other Contributions of Dr. V. Raghavan
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the master treatise on all aspects of koodiyattam by Guru Mani Madhva Chakyar
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Virginie Johan, "Kuttu-Kutiyattam : théâtres classiques du Kerala".
647: 625: 568:, presents the mood of the main character of the play. Then there is the 565: 506:, accompanied by Nangyaramma playing the kuzhithalam (a type of cymbal). 411:
and made arrangements for their presentation on stage with the help of a
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Traditionally, the main musical instruments used in koodiyattam are the
2295: 2290: 2285: 2280: 2250: 2045: 2020: 1857: 1613: 1588: 1508: 1493: 1463: 1442: 1221:(University of Michigan Press, 2002). CD-ROM featuring videos and text. 800: 749:, the highest award for performing artists, to kutiyattam artists like 745:, India's National Academy for Music, Dance and Drama, has awarded the 527: 483: 412: 381: 2395: 2315: 2260: 2245: 2170: 2140: 2135: 2120: 1862: 1847: 1842: 1568: 734: 717: 535: 491: 369: 333: 324: 242: 173: 1270: 1234:
Virginie Johan, "Pour un théâtre des yeux : l’exemple indien".
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periods. Inscriptions related to koothu can be seen in temples at
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Masterpieces of the Oral and Intangible Heritage of Humanity
1261:"Creating and Destroying the Universe in Twenty-Nine Nights" 857:"Creating and Destroying the Universe in Twenty-Nine Nights" 338:
Masterpiece of the Oral and Intangible Heritage of Humanity
1049:"Koodiyattom festival begins at Moozhikulam – The Hindu" 314:) is a traditional performing art form in the state of 937:, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994 1207:, another work of dramatic theory comparable to the 729:
is another organisation dedicated to the revival of
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Mudaliar (1968), 8: 1183:, an ancient work of dramatic theory where 985:, Samskrita Ranga, Madras, 1967, p. 77 952:, Samskrita Ranga, Madras, 1963, p. 89 299: 1975: 1961: 1953: 1293: 1279: 1271: 356:Koodiyattam, meaning "combined acting" in 131: 996:Mani Madhava Chakkyar: The Master at Work 935:Mani Madhava Chakkyar: The Master at Work 111:Learn how and when to remove this message 1127:Mani Madhava Chakyar: The Master at Work 969:, New Order Book Co., India, p. 370 1174:, considered authoritative by scholars. 831:"UNESCO – Kutiyattam, Sanskrit theatre" 822: 201: 122: 1219:Kutiyattam: Sanskrit Theater of India 439:of Harsa, and many plays ascribed to 328:, an ancient performing art from the 7: 49:adding citations to reliable sources 1921: 1259:Shulman, David (24 November 2012), 213:UNESCO Intangible Cultural Heritage 906:, Department of Cultural Affairs, 14: 384:, Tiruvidaimaruthur, Vedaranyam, 332:. It is officially recognised by 318:. It is a combination of ancient 2414: 1934: 1920: 1909: 1908: 1897: 1896: 1073:Official website. Archived from 811:Moozhikkulam Kochukuttan Chakyar 694:Moozhikkulam Kochukuttan Chakyar 25: 1326:Kerala Sangeetha Nataka Akademi 1067:"SNA: List of Akademi Awardees" 624:and studied in the traditional 36:needs additional citations for 1087:Chakiar, Mani Madhava (1975), 1021:"Kutiyattam, Sanskrit theatre" 663:Nayaka (Hero) King Udayana in 1: 1107:An Introduction to Kutiyattam 900:Bhargavinilayam, Das (1999), 751:Kalamandalam Sivan Namboodiri 665:Swapnavasavadattam Kutiyattam 159:) Koodiyattam (1962, Chennai) 1265:The New York Review of Books 1168:Kerala Sahitya Academy Award 861:The New York Review of Books 205:Kutiyattam, Sanskrit theatre 2061:Bumba-meu-boi from Maranhão 2001:Albanian folk iso-polyphony 1229:Revue d’histoire du théâtre 747:Sangeet Natak Akademi Award 2482: 2466:Cultural heritage of India 2461:Religious vernacular drama 1781:Tattamangalam Kuthira Vela 982:The Samskrita Ranga Annual 949:The Samskrita Ranga Annual 652:(lust), performed by Guru 141:and his troupe performing 2412: 1991: 1892: 1766:Onathallu or Avittathallu 1676:Aluva Sivarathri festival 1321:Kerala Lalitakala Academy 1035:"Welcome to margitheatre" 291: 209: 130: 2441:Performing arts in India 2156:Georgian vocal polyphony 1786:Thirumandhamkunnu Pooram 1731:Kottankulangara Festival 1686:Edakkunni Uthram Vilakku 688:Ammannur Madhava Chakyar 618:Banaras Hindu University 1331:Kerala Folklore Academy 1105:Raja, Kunjunni (1964), 755:Painkulam Raman Chakyar 612:Koodiyattam face makeup 564:where the actor, using 1756:Nenmara Vallanghy Vela 1238:, 2006 : 259–274. 1157: 781: 678: 677:as Ravanan at Nepathya 667: 656: 613: 590: 523: 479: 462: 458:Koodiyattam performer 353: 2376:The Song of the Sibyl 1650:Kerala mural painting 1309:Arts Promotion Bodies 1231:216, 2002-4: 365–382. 1150: 1132:Sangeet Natak Akademi 1111:Sangeet Natak Akademi 1095:Sangeet Natak Akademi 1071:Sangeet Natak Akademi 1004:Sangeet Natak Akademi 778:Mani Damodara Chakyar 768: 743:Sangeet Natak Akademi 700:Mani Damodara Chakyar 673: 662: 639: 622:Killikkurussimangalam 611: 517: 473: 457: 351: 2026:Ashiqs of Azerbaijan 1751:Kalpathi Ratholsavam 1746:Nalukulangara Pooram 1172:Mani Madhava Chakyar 908:Government of Kerala 683:Mani Madhava Chakyar 654:Mani Madhava Chakyar 581:Mani Madhava Chakyar 520:Mani Madhava Chakyar 399:It is believed that 253:Asia and the Pacific 139:Mani Madhava Chakyar 45:improve this article 1836:Musical instruments 1701:Kadavallur Anyonyam 1387:Sheethankan Thullal 1316:Kerala Kalamandalam 924:on 15 February 2008 733:and koodiyattom in 405:Subhadradhananjayam 259:Inscription history 181:Originating culture 1853:Kombu (instrument) 1801:Uthralikavu Pooram 1681:Arattupuzha Pooram 1158: 1122:Kavalam N. 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1605: 1602: 1600: 1597: 1595: 1592: 1590: 1587: 1585: 1582: 1580: 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1532: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1504:Kolam Thullal 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1464:Arabana muttu 1462: 1461: 1459: 1455: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1400: 1398: 1394: 1388: 1385: 1383: 1380: 1378: 1375: 1373: 1370: 1368: 1365: 1363: 1360: 1358: 1355: 1353: 1350: 1348: 1345: 1344: 1342: 1338: 1332: 1329: 1327: 1324: 1322: 1319: 1317: 1314: 1313: 1311: 1307: 1303: 1296: 1291: 1289: 1284: 1282: 1277: 1276: 1273: 1266: 1262: 1257: 1255: 1252: 1250: 1247: 1246: 1242: 1237: 1233: 1230: 1226: 1223: 1220: 1216: 1213: 1210: 1209:Nātya Shāstra 1206: 1205:Nandikeshvara 1202: 1201: 1197: 1194: 1190: 1186: 1182: 1181: 1180:Nātya Shāstra 1176: 1173: 1169: 1165: 1164: 1160: 1159: 1155: 1154: 1149: 1142: 1137: 1133: 1129: 1128: 1123: 1119: 1116: 1112: 1108: 1103: 1100: 1096: 1092: 1091: 1085: 1084: 1076: 1072: 1068: 1062: 1059: 1054: 1050: 1044: 1041: 1036: 1030: 1027: 1022: 1016: 1013: 1009: 1005: 1001: 997: 992: 989: 984: 983: 976: 973: 968: 967: 959: 956: 951: 950: 943: 940: 936: 931: 928: 923: 919: 917:81-86365-78-8 913: 909: 905: 904: 895: 892: 887: 883: 882:"All at home" 877: 874: 862: 858: 851: 848: 836: 832: 826: 823: 816: 812: 809: 807: 804: 802: 799: 797: 794: 792: 789: 787: 784: 783: 779: 775: 771: 767: 760: 758: 756: 752: 748: 744: 740: 736: 732: 728: 724: 719: 714: 713:koothambalams 706: 701: 698: 695: 692: 689: 686: 684: 681: 680: 676: 672: 666: 661: 655: 651: 650: 645: 644: 638: 632:Noted artists 631: 629: 627: 623: 619: 610: 606: 604: 600: 596: 589: 584: 582: 577: 575: 571: 567: 563: 559: 555: 550: 548: 547:Nambiar caste 545: 541: 537: 533: 529: 521: 516: 509: 507: 505: 504:Nambiar caste 501: 497: 493: 489: 485: 477: 472: 465: 461: 456: 452: 450: 446: 442: 438: 434: 430: 426: 422: 418: 414: 410: 406: 402: 397: 395: 389: 387: 383: 379: 376:, Chera, and 375: 371: 367: 363: 362:koothambalams 359: 350: 343: 341: 339: 335: 331: 327: 326: 321: 317: 316:Kerala, India 297: 289: 285: 276: 274: 270: 266: 262: 257: 254: 251: 247: 244: 241: 237: 233: 229: 226: 223: 219: 215: 214: 208: 203: 196: 193: 189: 186: 183: 179: 176: 175: 170: 167: 163: 158: 157: 152: 148: 144: 143:Thoranayudham 140: 134: 129: 124: 115: 112: 104: 101:November 2019 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: –  61: 60:"Koodiyattam" 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 2406:Xoan singing 2396:Wayang kulit 2346:Silbo Gomero 2215: 2161:Gong culture 2016:Arabic maqam 1932: 1925: 1913: 1901: 1815:Martial arts 1791:Thiruvathira 1716:Keralotsavam 1609:Thacholikali 1544:Mangalamkali 1519:Kummattikali 1423:Panchavadyam 1408:Kuzhal Pattu 1377:Ottamthullal 1367:Mohiniyattam 1361: 1264: 1236:Coulisses 33 1235: 1228: 1218: 1208: 1198: 1193:Gupta Empire 1185:Bharata Muni 1178: 1161: 1151: 1125: 1106: 1088: 1075:the original 1061: 1052: 1043: 1029: 1015: 995: 991: 981: 975: 965: 958: 948: 942: 934: 930: 922:the original 902: 894: 885: 876: 864:. Retrieved 860: 850: 838:. Retrieved 834: 825: 796:Mohiniyattam 770:Mattavilasam 723:Irinjalakuda 712: 710: 664: 648: 642: 615: 602: 598: 594: 591: 586: 578: 573: 569: 561: 557: 551: 525: 481: 475: 459: 448: 444: 443:, including 436: 428: 424: 420: 416: 408: 404: 398: 393: 390: 361: 355: 323: 309:combined act 283: 282: 211: 172: 154: 150: 142: 107: 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 2436:Koodiyattam 2401:Xi'an guyue 2391:Vedic chant 2256:Morin khuur 2216:Koodiyattam 2191:Iraqi Maqam 1927:WikiProject 1594:Poothamkali 1554:Margam Kali 1549:Marathukali 1539:Malayikuthu 1524:Kuthiyottam 1428:Pandi Melam 1362:Koodiyattam 840:21 February 786:Margi Sathi 675:Margi Madhu 588:the temple. 574:koodiyattam 540:Nangyaramma 522:as "Ravana" 496:kurumkuzhal 466:Instruments 460:Kapila Venu 352:Koodiyattam 284:Koodiyattam 264:Inscription 126:Koodiyattam 2430:Categories 2366:Sutartinės 2361:Sosso Bala 2341:Shashmaqam 2336:Seto Leelo 2226:Kumi odori 2036:Baul music 1879:Sarpa Kavu 1706:Kanyarkali 1666:Aanayoottu 1619:Theyyannam 1584:Poorakkali 1564:Nayadikali 1489:Eruthukali 1484:Duff Muttu 1479:Chozhikali 1448:Thayambaka 1166:(1975), a 866:9 December 817:References 593:the plays 570:nirvahanam 562:nirvahanam 554:Illotammas 544:Ambalavasi 534:of Kerala 488:kuzhitalam 330:Sangam era 292:കൂടിയാട്ടം 195:Sangam era 71:newspapers 2386:Vallenato 2241:Long song 2201:Kgal Laox 1903:Templates 1776:Puli Kali 1659:Festivals 1643:Fine arts 1629:Thiyyattu 1604:Slamakali 1457:Folk arts 1352:Kathakali 1136:New Delhi 1115:New Delhi 1099:New Delhi 1053:The Hindu 1008:New Delhi 886:The Hindu 774:Kottiyoor 731:kathakali 649:Sringaram 558:purappadu 538:) and by 476:mizhavana 437:Nagananda 433:Bodhayana 386:Tiruvarur 358:Malayalam 288:Malayalam 239:Reference 145:(part of 2321:Rebetiko 2276:Nhã nhạc 2081:Candombe 2051:Biyelgee 2006:Angklung 1915:Category 1884:Tharavad 1827:Velakali 1711:Karivela 1671:Aaraattu 1574:Padayani 1559:Mudiyett 1124:(1994), 761:See also 753:(2007), 739:Nepathya 737:. Also, 626:Gurukula 595:Abhiṣeka 566:abhinaya 532:subcaste 528:Chakyars 445:Abhiseka 415:friend ( 374:Pandiyan 156:Ramayana 149:'s play 2371:Táncház 2301:Quan họ 2296:Pirekua 2291:Pansori 2251:Meshrep 2206:Khuumii 2046:Bigwala 2041:Bećarac 2021:Arirang 1986:: Music 1872:Society 1858:Mizhavu 1614:Theyyam 1589:Poothan 1509:Kolkali 1494:Gadhika 1443:Sopanam 1191:of the 1010:, 1994. 801:Thulall 707:Decline 603:Nāgānda 484:mizhavu 449:Pratima 417:Thozhan 413:Brahmin 382:Tanjore 303:  231:Domains 221:Country 85:scholar 2316:Reggae 2281:Nongak 2271:Nanyin 2261:Mugham 2246:Maloya 2176:Hua'er 2141:Gagaku 2136:Fujara 2121:Eshuva 2101:Ca trù 1863:Timila 1848:Idakka 1843:Chenda 1569:Oppana 914:  735:Kerala 718:UNESCO 536:Hindus 500:sankhu 498:, and 492:edakka 370:koothu 344:Origin 334:UNESCO 325:Koothu 249:Region 185:Kerala 174:Koothu 165:Medium 87:  80:  73:  66:  58:  2311:Radif 2266:Muqam 2236:Lhamo 2231:Kunqu 2211:Klapa 2171:Gwoka 2166:Guqin 2146:Gagok 2131:Frevo 2116:Duduk 2111:Doina 1806:Vishu 1396:Music 628:way. 441:Bhasa 378:Chola 336:as a 243:00010 225:India 171:with 147:Bhasa 137:Guru 92:JSTOR 78:books 2326:Sama 2126:Fado 2011:Aqyn 1761:Onam 1177:The 912:ISBN 868:2012 842:2022 643:rasa 640:The 601:and 447:and 407:and 300:lit. 296:IAST 273:List 64:news 1203:by 530:(a 431:of 47:by 2432:: 1263:, 1217:, 1134:, 1130:, 1113:, 1109:, 1097:, 1093:, 1069:. 1051:. 1006:, 1002:, 910:, 898:* 884:. 859:. 833:. 605:. 597:, 494:, 490:, 486:, 451:. 435:, 340:. 294:; 290:: 1976:e 1969:t 1962:v 1294:e 1287:t 1280:v 1211:. 1037:. 1023:. 870:. 844:. 780:. 312:' 306:' 286:( 114:) 108:( 103:) 99:( 89:· 82:· 75:· 68:· 41:.

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Mani Madhava Chakyar
Bhasa
Ramayana
Sanskrit theatre
Koothu
Kerala
Sangam era
UNESCO Intangible Cultural Heritage
India
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List
Malayalam
IAST
Kerala, India
Sanskrit theatre
Koothu
Sangam era

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