Knowledge

Kroncong

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in North Jakarta) in 1661, the genre of music that was to become known as Keroncong has started to take shape. Modern keroncong came into being after 1880, when its main instrument, the ukulele, was invented in Hawaii. The so-called "long evolution" of 1552–1879 was a preliminary stage of development
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On top of this rhythmic layer, the melody and elaborate ornamentation are carried by a voice, flute, or violin. The violin or flute is used to play introductory passages that are often elaborate. The fills and scalar runs are both faster and more elaborate than the guitar's. The vocalist sings the
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One ukulele, called the "cak" (pronounced "chak"), maybe steel-stringed. The instrumentalist strums chords with up to 8 strums per beat in 4/4 rhythm. The off-beat strums are often accentuated. The other ukulele, called the "cuk" (pronounced "chook"), is larger and has 3 gut or nylon strings. The
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songs (Langgam Jawa). Javanese music ordinarily uses scales and intervals that do not occur in Western music. Kroncong Jawa maintains Western intervals but adopts a 5-tone scale that approximates one of the main Javanese septatonic scales. When playing this style, cak and cuk leave their
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Traditional instrumentation includes the flute, violin, cello, contrabass, cuk (ukulele with 3 nylon strings), cak (Ukulele with 4 or 5 metal strings), guitar, and vocalist. Modern kroncong can add other instruments such as saxophone, drum kit, electric guitar and keyboard.
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The cello may have 3 gut or nylon strings and the chords are plucked rapidly, often with a unique skipped-beat using the thumb and one finger. This instrument then adds both rhythm and tone. The guitar may play similarly to either cak or cuk, but plays are often extended
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The small kroncong guitar, also the name of a music, is derived from the Portuguese braguinha, sharing its roots with the Hawaiian ukulele. Kroncong music is believed to have originated in the communities of freed Portuguese slaves called
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In 1959, Rudy Pirngadie and his Jakarta-based group (Yayasan Tetap Segar / Foundation) used the kronchong beat for accompanying various songs, local and foreign music. He introduced kroncong music to global audiences at the
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orchestra, and it is clear that the musical traditions of Indonesia have been applied to an orchestra of European instruments. Previously, they also used the Portuguese musical instrument called
1950: 803:. Considered as a Eurasian art form, Kroncong features prominently each year at the Tong Tong Fair. The genre is also being evolved in new directions by Indo artists in the Netherlands. 943:. They toured by railway and ship to Malaysia and all over Indonesia. Between the scenes, there were musical intermezzos such as marches, polkas, waltzes, and kronchong music called 742:, a term for playboys literally meaning "crocodile on land") adopted the new musical styles. Eventually, they were assimilated by the upper-class citizens. Paul Fisher writes, 1740:, gongs, and a unique style of Javanese singing. The songs still follow the binary form used in pop music: A-A-B-A or sometimes A-B-C-D, with 32 bars. In 1958, composer 1560:
has A-B-B' structure made up of 8 rows of 4 bars. It begins with a 4-bar instrumental prelude based on the 7th row. After the A section, there is a 4-bar interlude.
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using a plectrum, and the on-beat is emphasised. As a set, the cak and cuk form an interlocking pair that mostly gives Kroncong its characteristic kron and chong.
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originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. By the late 19th century,
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touring comedy company that performed folk entertainment, which was very popular between 1891 and 1903, especially in East Java. It performed tales from
759:. From the end of the 19th century, the beginnings of guitar accompaniment incorporated within a distinctly Indonesian idiom in music came from Sumatra, 1933: 1958: 1264:
After World War I, American popular music came to Indonesia through ballroom music in hotels. Most of the musicians came from the Philippines. The 32-
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Kroncong music continues today. The pop music industry has not yet produced popular kroncong, but some groups have been experimenting with it. The
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runs that provide an undulating background to a chord or bridge chord changes. The bass is often played in a minimalist style reminiscent of the
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added Chinese musical instruments to keroncong, creating a different atmosphere. They called the style Indonesian Chinese Keroncong.
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Kronchong continued to develop in the vicinity of Surakarta, and some kronchong musicians moved to other parts of Indonesia, like
2025: 1762: 553: 1808:, a rock-pop group from Surakarta, introduced kronchong music in a rock style in 1974 and has produced kronchong-style albums. 2140: 1720:
Gamelan and other Javanese music also influenced kroncong. The characteristics of Javanese music include: melodies using the
847: 2050: 1744:(1936–2008) composed the well-known song "Yen Ing Tawang Ana Lintang" (If there is a star in the sky) and performed it with 2134: 1981: 1758: 1822:-based group Keroncong Merah Putih has experimented with elements of rap combined with kroncong music in the background. 1831: 935: 546: 990: 702:
characteristic interplay and both play arpeggios to approximate the sound and style of the Javanese instrument the
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Among the songs in this category are Si Jampang and Jali-Jali. The structure is A – B – A – C (16 bars):
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orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of
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Fisher, Paul. "The Rough Guide to the Music of Indonesia." Liner notes to recording of the same title
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This structure has a binary form, like a pop song: Verse A – Verse A – Bridge B – Verse A (32 bars):
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From the time when Portuguese sailors landed in Malacca in 1552 and Portuguese slaves were freed in
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that led to the modern form. Since the 1880s, keroncong is at a stage known as "short evolution".
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in the 16th century. European influence from this time can also be heard in the music of the
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https://web.archive.org/web/20080516122746/http://www.heritagejkt.org/Keroncong_history.php
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Indonesian Heritage Society. Mariah Waworuntu and Ann Triman, "History of Keroncong Music,
642:. These instruments, especially the pair of ukuleles, interlock as do the instruments in a 1765:" with a kronchong beat, but was fined by the US Music Authority for copyright violation. 499: 321: 270: 250: 2146: 2051:
https://web.archive.org/web/20091028045102/http://www.geocities.com/~ukulele/history.html
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https://web.archive.org/web/20080727022051/http://www.farsidemusic.com/RG_INDONESIA.html
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has the form (A-B-A-B') x 2 = 16 bars x 2 = 32 bars. It is a modification of the 16-bar
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in Central Java. The kroncong there is slower (typically 80 beats per minute).
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song. They usually had 16 bars and were played in a fast tempo (up to 110
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during this period. After a while, the center of development moved to
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reached popular music status throughout the Indonesian archipelago.
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melody which is slow with sustained notes in traditional Kroncong.
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Kompas. Sonya Hellen Sinombor, "Keroncong Harus Mengikuti Zaman",
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The name "Kroncong" may be derived from the jingling sound of the
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Kroncong music began in the 16th century when sailors from the
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Becker, Judith (1975). "Kroncong, Indonesian Popular Music".
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music) has been recorded by Krontjong Poesaka Moresco Toegoe
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Video footage of Kroncong Baru performed in the Netherlands.
1934:"Barat Ketemu Timur, Awal Mula Perkembangan Musik Keroncong" 1830:. At the Solo International Keroncong Festival in 2008, the 1748:, the winner of a local radio singing contest in Surakarta. 1172:
The structure is Prelude – A – Interlude – B – C (16 bars):
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Musik Keroncong: A Musical Analysis based on Music Theory
1951:"'Keroncong': Freedom music from Portuguese descendants" 1957:. PT. Bina Media Tenggara. 16 June 2011. Archived from 710:. The cello adopts a different rhythmic style as well. 2147:
http://m.kompas.com/news/read/data/2008.12.13.15120283
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Genre of Indonesian folk and traditional popular music
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Lower-class citizens and gangs, commonly called 618:, string bass in pizzicato style, and a vocalist. 658:, a 4 nylon stringed instrument with high pitch. 2105:""Bengawan Solo" dalam Musik Tradisional China" 1826:has fused kroncong and hip-hop with his group, 900:The later period is divided into four periods: 554: 8: 730:brought Portuguese instruments and music to 1990:Liner notes to recording of the same title. 1982:"The Rough Guide to the Music of Indonesia" 561: 547: 451: 445: 154: 27: 18: 866:Learn how and when to remove this message 1562: 1433: 1294: 1174: 1103: 1032: 689:The repertoire largely uses the Western 1890: 456: 283: 187: 168:(gong ageng, gong suwukan, kempul) of 36:in a kroncong performance at the 55th 7: 2065:, Bina Musik Remaja – Jakarta 2006. 848:adding citations to reliable sources 722:Lief Java Orchestra in Batavia, 1936 1732:(a plucked stringed instrument), a 954:(1880–1920), there were 3 types of 1812:Millennium Kroncong (2000–present) 14: 1828:Bondan Prakoso & Fade 2 Black 1728:(pentatonic) modes; the use of a 1858: 1844: 1763:I Left My Heart in San Francisco 824: 158: 2082:(in Indonesian). Archived from 1026:Songs in this category include 835:needs additional citations for 2167:Indonesian musical instruments 2049:"A Little history of Ukulele" 1258:Kronchong Eternity (1920–1960) 896:Later evolution (1880–present) 693:with some arrangements in the 1: 1431:II, doubled to give 32 bars. 86:Gambang Kromong – Tanjidor – 1704:Modern Kronchong (1960–2000) 767:Kroncong (currently spelled 1832:Harmony Chinese Music Group 936:One Thousand and One Nights 2188: 2162:Indonesian styles of music 1759:1964 New York World's Fair 991:Supertonic chromatic chord 662:instrumentalist may pluck 576:(pronounced "kronchong"; 146: 134:Kroncong Tugu – Kroncong 133: 120: 106: 26: 904:Tempo Doeloe (1880–1920) 879:Early period (1552–1880) 121:Pop Kroncong – Kroncong 1011:Dominant seventh chord 919: 765: 723: 589: 581: 2061:Sunaryo Joyopuspito, 913: 744: 721: 1961:on 23 September 2015 975:. β€“ unsounded ( 925:means "olden time". 844:improve this article 40:at The Hague in 2013 1270:Gesang Martohartono 592:) is the name of a 74:– Cello – Guitar – 67:Typical instruments 2111:. 12 December 2008 2023:"Ukulele History" 1879:Music of Indonesia 1425:Stamboel Keroncong 1417:Stamboel Keroncong 1272:composed the song 920: 816:Evolution of music 724: 182:Music of Indonesia 148:Music of Indonesia 2026:"Ukulele History" 1701: 1700: 1548: 1547: 1413: 1412: 1287:Langgam Keroncong 1255: 1254: 1162: 1161: 1091: 1090: 876: 875: 868: 797:Pasar Malam Besar 781:Hetty Koes Endang 728:Portuguese Empire 598:Crong-crong-crong 571: 570: 452: 446: 153: 152: 46:Stylistic origins 2179: 2121: 2120: 2118: 2116: 2101: 2095: 2094: 2092: 2091: 2078:Cohen, Matthew. 2075: 2069: 2068: 2059: 2053: 2047: 2041: 2040: 2038: 2037: 2028:. Archived from 2021: 2015: 2008: 2002: 1997: 1991: 1989: 1984:. 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Index


Waldjinah
Tong Tong Fair
Portuguese music
Indonesia
Ukulele
Bass
Langgam Jawa
Campursari
Indorock
Koes Plus
Dangdut
Johor
Music of Indonesia

Gongs
Gamelan
Indonesia
Music of Indonesia
Classical
Kecapi suling
Tembang sunda
Kecak
Pop Indo
Hip hop
Dangdut
Campursari
Kroncong
Langgam jawa
Celempungan

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