153:
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one hand, because a lot of cultural activity had left for
Amsterdam. On the other hand, plans remained on the shelf due to lack of money, such as the idea of a central arts center suggested by Ludo Pieters, the then chairman of the Rotterdam Art Circle. From 1950 onwards, the tokens of the Rotterdamse Kunststichting became the medals of the Leuve, the Maze, the Rotte and the Merwe.
333:
Handelsblad art critic Dolf
Welling (1919-2015) it was named the "Centrum Beeldende Kunst" (Center for Visual Arts), the first in the Netherlands. In addition to an exhibition space and art library, a documentation center was also set up. After 24 years, the location on the Nieuwe Binnenweg moved to the City Triangle in 2016.
346:
organized should contribute to strengthening the identity and profile of the city and to its economic development. In addition, they should encourage collaboration between the
Rotterdam art institutions. Rotterdam Festivals was set up as a knowledge center to coordinate festivals and events in Rotterdam.
487:
In the independent foundation, the director was accountable to the board. This board consisted of a broad mix of people from business, politics and the cultural sector. The first chairman of the board of the
Rotterdamse Kunststichting in 1945 was Cees van der Leeuw. Later presidents were Ludo Pieters
341:
After 1945, large public events were regularly held in
Rotterdam. That started with the Rotterdam Ahoy! exhibition in 1950. Subsequently, the National Energy Manifestation 1955, the Floriade 1960, and the manifestation "Communicatie 70" were organized. In the 1970s, the Rotterdamse Kunststichting had
253:
In 1970, the
Rotterdamse Kunststichting opened an arts lab in the renovated theater Lantaarn with a graphic workshop and its own video studio led by Rommert Boonstra. It also had an exhibition space, organized courses, hosted the first Film International festival, came up with its own Perfo festival,
233:
In 1970 the
Lijnbaancentrum on the Korte Lijnbaan was opened on the initiative of the Rotterdamse Kunststichting with the support of the Art Foundation. This exhibition space was led by Felix Valk (1927–1999), head of exhibitions at the Art Foundation and the later director of the Museum of Ethnology
176:
Since his appointment as director, Willy Hofman has been responsible for the
Rotterdamse Schouwburg, the Luxor Theater and the municipal artists' studios. More theaters were managed under Hofman, including the Hofpleintheater, Piccolo Theater, De Doelen and the Zuidplein Theater. For programming, he
332:
In the 1970s, the municipality started the Visual Arts Office (Bureau
Beeldende Kunst), where individual artists could apply for grants. At the end of the 1970s, this service was merged with the Artotheek, and in 1982 moved to a corner building on the Nieuwe Binnenweg. Following the idea of the NRC
172:
The
Rotterdamse Kunststichting had also started an annual provision of commissions to artists at the municipal level. A start was also made with the International Sculpture Collection, which would culminate in the Sculpture Route Westersingel. However, the years remained poor for Rotterdam, on the
135:
The Rotterdamse Kunststichting got its first board in 1946, with Willy Hofman as the first director. He was assigned a civil servant as secretary, who was as well responsible for the municipal art policy. The foundation at first took office in the city hall of Rotterdam. They moved their office to
455:
On 7 June 2005, the municipality of Rotterdam established the Rotterdam Council for Art and Culture as a new official advisory body. The Rotterdamse Kunststichting was thereby maintained as an independent legal entity and employer for the people of the office of the Rotterdam Council for Art and
345:
A large-scale manifestation around the 650th anniversary of Rotterdam in 1990 was not a resounding success. It led in 1993 to the establishment of the Rotterdam Festivals knowledge center, which was to coordinate festivals and events. It was laid down in a festival formula that festivals to be
168:
in 1950, the avant-garde film theater 't Venster in 1953, and the De Lantaren theater in 1956. After their completion the buildings itself were transferred to the responsible municipal service, from 1966 the Municipal Art Buildings Department. The Rotterdamse Kunststichting took control of the
131:
Reinink wanted to take the financing of the arts outside of national and local government by establishing a national art institution with departments in all Dutch cities to manage and distribute the art subsidy locally. Partly due to the driving force of Eduard Reeser, such an institution was
95:) was an independent foundation to promote art and culture in Rotterdam from 1945 to 2005. In 2005 the foundation merged into the Rotterdam Council for Art and Culture, an advisory body, while the other tasks were transferred to the Art and Culture department of the municipality of Rotterdam.
127:
The Rotterdamse Kunststichting was founded in August 1945 to help promote the art climate in the city. The initiative was set in motion by The Hague policy officer Hendrik Jan Reinink (1901–1979), Secretary-General of the Ministry of Education, Arts and Sciences from 1945 to 1955.
177:
came up with the so-called face philosophy, which meant that each theater had to radiate its own face or character. When Hofman became director of the new Municipal Art Buildings Department (DGK) in 1966, the management of the theater buildings was transferred there.
446:
In 2003 a broad restructuring operation started in the Rotterdam sector of art and culture. A number of municipal activities in that area were privatized. And a new Art and Culture Service and a Rotterdam Council for Art and Culture were initiated.
163:
In the early post-war years the foundation played an important role in the rebuilding of a cultural infrastructure of the city. To took control of restored and newly constructed buildings, such as the temporary Rotterdamse Schouwburg in 1948, the
300:
The first Film International organized in 1972 from the Arts Lab De Lantaren and held in 't Venster and the Calypso cinema. In total, about 31 films were shown, which attracted a total of 5000 visitors. The name of the festival was changed into
488:
until the 1980s, who previously as chairman of the Rotterdam art circle had been a regular member of the board, and George Brouwer from 1999 to 2012. Another prominent board member was J.C. Ebbinge Wubben, who from 1945 to 1978 was director of
325:(Beroepsvereniging van Beeldende Kunstenaars BBK) in Rotterdam proposed to make this collection available through an art library. With the help of the Rotterdamse Kunststichting, the Rijnmond Artotheek was opened on the Voorhaven in
456:
Culture. The management and distribution of arts subsidies, a task that the Rotterdamse Kunststichting had taken care of for 60 years, was transferred to the Art and Culture department of the municipality of Rotterdam.
185:
Adriaan van der Staay was appointed director in 1968. The following year, Van der Staay and Martin Mooij, head of the letter department, took the initiative to Poetry International. During a joint visit to the
342:
explicitly focused on internationalization and mass culture, which began in the field of poetry and films. In addition, festivals were established in the field of architecture, pop music and performance art.
98:
The foundation funded by the municipality had an advisory role towards the municipality and local art institutions, provided subsidies to institutions and projects, and developed initiatives of its own.
321:
After the introduction of the Visual Artists Regulation (Beeldende Kunstenaars Regeling BKR) in 1945, a considerable collection of municipal art property had been collected over the years. In 1974 the
297:(1937–1988) to take the lead. Huub Bals wanted to show small, unknown films from all parts of the world at the festival. Personal and artistic films were preferred to commercial films from Hollywood.
464:
Over the years, the directors of the Rotterdamse Kunststichting have each left their mark on the foundation and the course to be sailed. In total there have been the following six directors:
427:
From a few hundred applications about forty designs and designers were nominated, from which a jury choose one winner and about five recommendation. The nominees were exhibited at the
630:
518:
193:
In the following year, the first Rotterdam Poetry International took place in the small hall of concert hall De Doelen. Twenty-three poets were guests, including the Polish
132:
established in Rotterdam in a short period of time just after the war. In other cities there were similar intentions, which however didn't manage to get off the ground.
237:
The Lijnbaan Center presented experimental exhibitions on a broad spectrum of art, image and mass culture, where it wanted to appeal to a wide audience. For example,
293:
The third initiative of the Rotterdamse Kunststichting under Adriaan van der Staay in the 1970s was the Film International festival, which was delegated to
354:
Over the years the Rotterdamse Kunststichting participated in numerous art and design publications. They published books on artists and designers such as
322:
277:. They received support from a video team from the Kunststichting, including Wink van Kempen. In 1984 the Lijnbaancentrum was closed due to budget cuts.
443:
in 2001. In addition, he has encouraged new developments for dance in the city. Among other things, he established the HipHopHuis in Rotterdam.
245:
artist, had an exhibition with his colonial humorous art there in early 1975, where he talked people in through a video message on the street.
302:
107:
439:
The last director was Robert R. de Haas, previously director of the Rijksdienst Beeldende Kunst (RBK). Under his rule, Rotterdam became the
495:
With the start of the Rotterdam Council for Art and Culture it held fifteen members under the chairmanship of Micky Teenstra-Verhaar.
373:
In 1990 in cooperation with Museum Boijmans Van Beuningen and the Centrum Beeldende Kunst Rotterdam (CBK) they created the exhibition
257:
The Hard Werken collective later emerged from the graphic workshop. In the video studio, video art was produced by artists such as
152:
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as its founding director. It was presented as the most important prize for Dutch design and designers in the Netherlands.
187:
103:
58:
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In its sixty years of existence, the foundation contributed to the reconstruction of the city, offered a base for
504:
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680:
812:
378:
222:
214:
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in London, they gained the necessary inspiration and contacts for a similar initiative in Rotterdam.
37:
745:
728:
198:
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762:
270:
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Kunst Een Rotterdams assortiment Mix van hedendaagse beeldende kunst en persoonlijke voorkeuren
313:
144:
791:
421:
42:
The Rotterdamse Kunststichting has been located for years above Cafe De Unie on the Mauritsweg
715:
367:
194:
274:
699:
136:
the Zoutmanstraat in 1953, due to the prompted desire to take a more independent course.
355:
218:
165:
848:
681:
28.01.2016 - 07.02.2016 Rotterdam Cultural Histories 6#: Video in het Lijnbaancentrum
536:
Een gezond en opgewekt kunstleven. Een studie in kunstbeleid te Rotterdam (1946-2011)
210:
359:
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In 1996 the Rotterdam Arts Council offered a shelter for the first European
386:
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156:
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exhibition in Rotterdam, which had been set to happen in Nicosia, Cyprus.
428:
398:
54:
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Luxor theater from 1918, converted in 1945 into a theater and film room.
592:
Dromen van een metropool. De creatieve klasse van Rotterdam, 1970-2000.
556:
Dromen van een metropool. De creatieve klasse van Rotterdam, 1970-2000.
549:
Achter de schermen van de kunst ,Rotterdamse Kunststichting 1945-1995.
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Rotterdam, where at the end of the exhibition the prize was awarded.
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for the RKS. In 1993 Thomas Meyer for the RKS curated the exhibition
242:
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Nederlandse muziek in de 20-ste eeuw: voorspel tot een nieuwe dag.
312:
284:
151:
143:
385:. The exhibition was curated by Jan van Adrichem for Boymans,
695:
693:
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In 1993 the Rotterdamse Kunststichting initiated the
305:(IFFR), and has since been held annually in January.
27:
Former arts and culture foundation in the Netherlands
676:
674:
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Ludo Pieters, dromer van een niet-bestaand Rotterdam
75:
67:
47:
169:operations of the various cultural institutions.
586:
584:
700:K unstuitleen Rotterdam, over onze geschiedenis
781:. Foundation European Art Manifestation, 1996.
624:
622:
620:
618:
616:
558:010 Publishers, 2007. Speciaal p. 93-100.
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8:
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110:, and contributed to Rotterdam becoming the
30:
159:concert and conference building since 1966.
323:Professional Association of Visual Artists
36:
29:
810:Rotterdamse Raad voor Kunst en Cultuur.
763:Het Oog, het Oor, de Kosmos en de Dingen
718:, beeldengeluidwiki.nl. Accessed 04.2017
610:Amsterdam University Press, 2006. p. 279
568:
205:. Among the guests in later years were
668:in de theaterencyclopedie.nl, 04.2017.
451:Rotterdam Council for Art and Culture
303:International Film Festival Rotterdam
254:and offered remarkable pop concerts.
108:International Film Festival Rotterdam
7:
594:010 Publishers, 2007. Speciaal p. 94
769:'s-Hertogenbosch, 1993/04/23, p. 9.
480:1990–1995: Alle Diderik the Younger
656:," op adriaanvanderstaay.nl, 2007.
551:De Hef Publishers Rotterdam, 1996.
25:
631:Kunst en wederopbouw in Rotterdam
519:Kunst en wederopbouw in Rotterdam
471:1968–1978: Adriaan van der Staay
309:Rotterdam Center for Visual Arts
817:op rrkc.nl. Bezien 21-04-2017.
606:Leo Samama, Hylke van Lingen.
89:Rotterdamse Kunststichting RKS
1:
490:Museum Boijmans Van Beuningen
188:Poetry International Festival
59:Museum Boijmans Van Beuningen
798:Amsterdam, 1994/02/21, p. 9.
729:Hal-Gebouw Rotterdam Assorti
483:1995–2005: Robert R. de Haas
350:Exhibitions and publications
838:Gepke Bouma (2012), p. 209.
441:European Capital of Culture
391:Thomas Meyer zu Schlochtern
112:European Capital of Culture
876:
31:Rotterdamse Kunststichting
704:kunstuitleenrotterdam.nl,
35:
652:Adriaan van der Staay. "
477:1982–1990: Paul Noorman
468:1945–1966: Willy Hofman
412:Rotterdam Design Awards
505:Rotterdam Design Award
474:1979–1982: Hans Keller
418:Rotterdam Design Award
318:
317:Center for Visual Arts
290:
160:
149:
93:Rotterdam Arts Council
635:online op 'digitup.nl
628:Hugo Bongers (2010).
516:Hugo Bongers (2010).
316:
288:
155:
147:
855:Culture in Rotterdam
779:Manifesta - Volume 1
590:Patricia van Ulzen.
576:Dutch design '96/97,
554:Patricia van Ulzen.
533:Gepke Bouma (2012).
379:Holland America Line
249:Arts Lab De Lantaren
181:Poetry International
104:Poetry International
829:Gepke Bouma (2012).
540:online op dbnl.org
337:Rotterdam Festivals
32:
706:bezien 22-04-2017.
319:
291:
281:Film International
161:
150:
716:Manifestatie C 70
685:tentrotterdam.nl,
422:Christine de Baan
397:in the Rotterdam
389:for the CBK, and
381:head office, now
375:Rotterdam Assorti
241:, the first-ever
223:Tomas Tranströmer
201:and the Austrian
85:
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71:From 1945 to 2005
57:Rotterdam ;
16:(Redirected from
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199:Eugène Guillevic
195:Zbigniew Herbert
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511:Further reading
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395:Verwantschaften
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339:
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275:Jan van Munster
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229:Lijnbaancentrum
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761:Anna Tilroe, "
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733:De Volkskrant,
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383:Hotel New York
377:in the former
356:Homero Aridjis
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234:in Rotterdam.
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219:Joseph Brodsky
215:Czesław Miłosz
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460:Organization
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752:01-06-1990.
735:26-05-1990.
364:Ajip Rosidi
203:Ernst Jandl
140:Early years
849:Categories
563:References
542:(in Dutch)
528:(in Dutch)
525:digitup.nl
523:online at
435:Aftermaths
327:Delfshaven
271:Wim Gijzen
267:Nan Hoover
263:Joan Jonas
239:Robin Page
123:Foundation
406:Manifesta
387:Ove Lucas
295:Huub Bals
289:IFFR logo
166:Ahoy hall
157:De Doelen
114:in 2001.
81:Rotterdam
499:See also
429:Kunsthal
399:Kunsthal
106:and the
55:Kunsthal
48:Location
118:History
77:Region
68:Origins
750:Trouw,
243:Fluxus
702:, op
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