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Naturalness is persuasive, artificiality is the contrary; for our hearers are prejudiced and think we have some design against them, as if we were mixing their wines for them. It is like the difference between the quality of
Theodorus' voice and the voices of all other actors: his really seems to be
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observes that "some artificial things are imitations of things in nature, and the imitation may use either the same basic materials as those in the natural object or quite different materials. Simon distinguishes between the artificial and the synthetic, the former being an imitation of something
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It is generally possible for humans, and in some instances, for computers, to distinguish natural from artificial environments. The artificial environment tends to have more physical regularity both spatially and over time, with natural environments tending to have both irregular structures and
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world, "everything is natural and nothing is artificial", because everything in the world (including everything made by humans) is a product of the physical laws of the world.
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created in a laboratory that is chemically indistinguishable from a naturally occurring sugar). Some philosophers have gone further and asserted that, in a
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Herman Kaken, "Recognition of
Natural and Artificial Environments by Computers: Commonalities and Differences", in Juval Portugali,
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structures that change over time. However, on close observation it is possible to discern some mathematical structures and
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using a formula not found in nature), and the latter being a replication of something found in nature (for example, a
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Artificiality often carries with it the implication of being false, counterfeit, or deceptive. The philosopher
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Proceedings of the 18th annual conference on
Computer graphics and interactive techniques - SIGGRAPH '91
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through processes not involving or requiring human activity.
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However, artificiality does not necessarily have a negative
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For example, by identifying and imitating natural means of
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State of being the product of intentional human manufacture
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See generally, E. P. Baltsavias, A. Gruen, L. VanGool,
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Distinguishing natural objects from artificial objects
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that of the character who is speaking, theirs do not.
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371:Artificial materials
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199:Tamagotchi
189:Simulation
184:Homo faber
162:3D objects
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218:Aristotle
106:sweetness
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223:Rhetoric
168:See also
154:textures
150:automata
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366:Culture
158:shading
18:Manmade
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