309:
front upper teeth; the lower fork, against the front lower teeth with the lips helping to keep the contact, so that the metal tongue will not contact the teeth when it moves. The trigger is plucked with the tip of the index finger. Sound is produced due to the vibration of the metal tongue that is transferred through the teeth and sounds in mouth and nasal cavity. Movement of the player's tongue with constant plucking can produce very fast patterns of sound. By constricting the space in the mouth the nostrils can produce sounds in different phases, similar to
38:
348:
655:. This theory is described by the Oxford English Dictionary (OED) as "baseless and inept". The OED says that, "More or less satisfactory reasons may be conjectured: e.g. that the instrument was actually made, sold, or imported to England by Jews, or purported to be so; or that it was attributed to them, as a good commercial name, suggesting the trumps and harps mentioned in the Bible."
276:
588:. But while playing on morsing you don't actually make sound of reciting the syllable but just move your tongue that way so that the air passages gets blocked and cleared in a pattern so as to produce the sound of the ferns. It is essential to follow the mridangam and play the same ferns as far as possible, though it is difficult owing to the limitations of the instrument.
701:
584:, so it is necessary to know the syllables or aural interpretation of what is played on mridangam. It is important to know the aural representation of the ferns (pattern of syllables played on percussion instruments) played on mridangam as it is being silently recited while playing the morsing. This vocal art of reciting the syllables played on the mridangam is called
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with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck
308:
The morsing is firmly held in the hand, the frame or the ring between the palm and the fingers usually in the left hand. Care should be taken to see that the middle part or the metal tongue is not being touched when held idle. Then the upper of the two parallel forks is firmly pressed against the
300:
while making nasal sounds is used to change the pitch. This can be achieved when the syllable 'Nga' or a variant thereof, is sounded through the nose while air is pushed out or pulled in through the mouth. This aids the meditation process and thus some players use it as a form of practising
599:(stages of song rendition in Carnatic music). The morsing is played as a shadow of the mridangam throughout the concert and the instrument's capabilities should be exhibited when playing or accompanying alone or during Thani (percussion round in a concert) or
635:), Maultrommel (Germany), Guimbarde (France), Marranzano (Italy), Doromb (Hungary), Dambrelis (Lithuania) and Drymba (Ukraine). It may have spread and been shared between countries through the ancient trade routes between
284:
618:
The
Morchang exists, in nearly the same form and design all over the world, and is called by different names (estimated to be around 900) in different languages. For example: Morchang / morsing (India), Kou-Xian
296:
The morsing is placed on the front teeth, with slightly pouted lips and held firmly in the hand. It is struck using the index finger of the other hand to produce sound. Movement of the player's
682:
and
Mannargudi Natesa Pillai, Hariharasharma (father of Vikku Vinayagaram), Pudukkottai Mahadevan, and Kalaimamani A S Krishnan, Mysore M Gururaj, Bharadwaj R Sathavalli from South India.
259:, and has resurfaced in the twentieth century, with street performers like Varun Zinje playing it in a renewed style. It is said to be the precursor to subsequent instruments such as the
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The basic pitch of the instrument can be varied very little. Significantly, the pitch of the instrument can only be reduced and not increased. To reduce the pitch a little,
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155:; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്,
671:, T S Nandakumar and a number of Rajasthani folk music players from the traditional entertainer tribe of Laggas. Morsingists from earlier eras include
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The morsing can be traced back over 1500 years. They banged on the fishbone and a musical sound was produced.Though its exact origin in the
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Though working on completely different principles, the music of the
Morchang sounds similar to that emanating from the Australian
57:
Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
1812:
667:. Current day players include Sundar N, Minjur M Yagnaraman, Bejjanki V Ravi Kiran, Ortal Pelleg, Valentinas, Viaceslavas, the
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can be applied on the plucking end. To increase the pitch, it can be filed, although this may damage the instrument.
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Glimpses of uniqueness and versatility of the morsing can be shown when accompanying singly for the song or during
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While traditionally made of iron, variants can be made from brass, wood, bone, and even plastic and credit cards.
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305:. Others speak into the instruments while playing, thus giving it the effect of a light haunting echo.
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805:"Jew's Harp, Listen and You Will Hear It: Valentinas & Viaceslavas at TEDxVilnius"
235:, while in South India, it features in Carnatic concerts and percussion ensembles. In
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is not well documented, with most ancient accounts being derived from folk tales
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772:"Saving the jaw harp: Varun Zinje a.k.a. Morchangwala at TEDxEMWS"
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In
Carnatic music, the morsing is usually played along with the
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31:
191:. The instrument consists of a metal ring in the shape of a
647:. There is a theory according to which the popular name
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and
Assamese folk music it is sometimes played with a
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739:"The morchang: an iron jews harp from Rajasthan"
663:Players of the instrument are sometimes called
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332:Advanced playing and the art of accompaniment
129:struck using the other hand to produce sound.
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243:and is used as a percussion instrument in
898:Morchang Music Video by Rajasthani Artist
73:Learn how and when to remove this message
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183:, Pakistan. It can be categorized under
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865:from the original on 13 December 2021
855:] Mouth Harp(morchang) in 7 Beat"
815:from the original on 13 December 2021
782:from the original on 13 December 2021
749:from the original on 13 December 2021
187:, which is a sub-category of plucked
7:
799:
797:
2002:Heteroglot guimbardes and jaw harps
247:(folk music). It was often used in
163:") is an instrument similar to the
25:
1302:Non-Membranous Percussion (Ghan)
1166:Membranous Percussion (Avanaddh)
838:. Oxford University Press. 1989.
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699:
346:
91:
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113:Hornbostel–Sachs classification
1:
2007:Asian percussion instruments
834:"Jews' trump, Jew's-trump".
651:is a corruption of the name
1389:Historical/possibly extinct
279:Morsing by Srirangam Kannan
2023:
1997:Indian musical instruments
1992:Carnatic music instruments
934:Indian musical instruments
1579:Music On A Long Thin Wire
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1468:
836:Oxford English Dictionary
614:Variants around the world
128:
90:
1475:Hornbostel–Sachs numbers
893:Morsing at Mridangam.com
888:Morsing at Carnatica.net
603:(percussion ensembles).
251:by music directors like
215:. It is found mainly in
1365:Bharatiya Sangeet Vadya
745:. Asian Music Circuit.
45:Some of this article's
1556:Long-string instrument
1370:Indian classical music
1125:Bowed Stringed (Vitat)
1022:Plucked Stringed (Tat)
352:Tanjavur-style tambura
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313:in electronic music.
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196:and made to vibrate.
851:"POWERFULL [
432:Rāgaṃ Tānaṃ Pallavi
391:Asaṃpūrṇa Mēḷakarta
209:Indian subcontinent
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1829:Plucked idiophones
1563:Melde's experiment
1099:Electronic tanpura
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223:and some parts of
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203:Morsing (Jaw Harp)
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1283:Jori (instrument)
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861:. Ortal Pelleg.
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1787:Washtub bass
1729:
1640:musical bows
1600:Scale length
1577:
1497:Third bridge
1406:Kinnari vina
1396:Ālāpiṇī vīṇā
1348:
1173:Anandalahari
1039:Gottuvadhyam
867:. Retrieved
858:
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473:(Citra Vīṇā)
399:Compositions
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249:Hindi cinema
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141:mukharshanku
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69:
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49:
29:
1762:Psalmodicon
1675:Diddley bow
1534:Fundamental
1524:Fingerboard
1504:Chordophone
1462:instruments
1411:Pinaka vina
1049:Rudra veena
778:. YouTube.
669:Barmer Boys
665:Morsingists
623:), Vargan (
471:Goṭṭuvādyaṃ
445:Instruments
257:S.D. Burman
253:R.D. Burman
217:South India
177:South India
50:may not be
1986:Categories
1910:Individual
1868:Idioglot (
1861:Guimbardes
1695:Ichigenkin
1690:Ground bow
1635:Monochords
1625:Tuning peg
1605:Soundboard
1519:Enharmonic
1324:Jal tarang
1089:Swarmandal
1069:Seni Rebab
998:Shruti box
973:Nadaswaram
725:References
649:Jew's harp
645:Silk route
608:didgeridoo
601:talavadyas
522:Shruti box
483:Percussion
466:Nādasvaraṃ
189:idiophones
165:Jew's harp
1967:Music box
1742:Langeleik
1680:Duxianqin
1573:Monochord
1542:Overtones
1538:Harmonics
1253:Mridangam
953:Harmonium
578:mridangam
533:Composers
487:Mr̥daṅgaṃ
412:Svarajati
386:Mēḷakarta
303:pranayama
265:harmonium
261:harmonica
237:Rajasthan
221:Rajasthan
193:horseshoe
179:, and in
171:, in the
169:Rajasthan
145:mourching
1878:genggong
1870:angkuoch
1757:Onavillu
1710:Genggong
1705:Jaw harp
1653:Berimbau
1595:Re-entry
1452:Musical
1334:Khanjani
1319:Ghungroo
1263:Pakhawaj
1084:Swarabat
1079:Surbahar
863:Archived
813:Archived
811:. Tedx.
780:Archived
747:Archived
686:See also
653:jaw harp
586:konnakol
538:Glossary
358:Concepts
263:and the
245:lok geet
241:morchang
161:jaw harp
153:morchang
149:morching
52:reliable
18:Morsingh
1905:morsing
1901:kouxian
1890:mukkuri
1874:đàn môi
1777:Umuduri
1752:Masenqo
1735:Mukkuri
1730:Morsing
1670:Đàn bầu
1663:Boom-ba
1648:Ahardin
1454:strings
1349:Morsing
1344:Manjira
1339:Khartal
1243:Mardala
1223:Kanjira
1147:Sarinda
1142:Sarangi
1132:Dilruba
1094:Tanpura
1054:Santoor
993:Shehnai
988:Shankha
948:Bansuri
869:28 July
859:YouTube
819:28 July
809:YouTube
786:28 July
753:28 July
743:YouTube
692:Portals
593:neraval
517:Tambura
502:Kanjira
497:Morsing
437:Tillana
427:Kīrtana
326:beeswax
311:phasers
292:Morsing
229:Bengali
157:English
137:morsing
86:Morsing
1897:khomuz
1886:kubing
1882:gogona
1851:Cricri
1782:Unitar
1747:Lesiba
1725:Kubing
1720:Khomuz
1715:Gogona
1685:Ektara
1509:Course
1492:Bridge
1460:, and
1380:Jivari
1329:Kartal
1314:Ghatam
1309:Chimta
1293:Udukai
1273:Sambal
1258:Nagada
1248:Mizhav
1228:Khamak
1218:Edakka
1213:Dholki
1208:Dholak
1188:Damaru
1183:Chenda
1178:Chande
1157:Violin
1034:Ektara
1029:Dotara
1008:Tharai
1003:Sringa
968:Kuzhal
958:Karnay
641:Europe
629:Norway
625:Russia
507:Thavil
492:Ghaṭaṃ
477:Violin
452:Melody
417:Varṇaṃ
320:Tuning
298:tongue
139:(also
1945:mbira
1844:Clack
1837:Frame
1772:Tumbi
1514:Drone
1458:wires
1358:Other
1288:Tavil
1278:Tabla
1268:Parai
1238:Madal
1198:Duggi
1193:Dhaak
1137:Esraj
1106:Veena
1074:Sitar
1064:Sarod
983:Pungi
978:Nafir
963:Kombu
718:Music
706:India
621:China
513:Drone
422:Kr̥ti
407:Gītaṃ
371:Svara
366:Śruti
227:. In
225:Assam
181:Sindh
117:121.2
1962:Comb
1927:Comb
1913:Sets
1585:Node
1529:Fret
1471:List
1233:Khol
1203:Dhol
1152:Taus
1116:Yazh
1044:Pena
1013:Venu
871:2015
821:2015
788:2015
776:Tedx
755:2015
677:Tsar
639:and
637:Asia
633:Iran
582:dhol
461:Veṇu
381:Tāḷa
376:Rāga
255:and
135:The
1637:and
1590:Nut
1487:Bow
853:sic
595:or
580:or
175:of
159:: "
151:or
1988::
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1903:,
1899:,
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