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and his servants. The elder
Leopold stated (by a letter that preceded Mozart back to St. Gilgen) that he would prefer to raise the child for the first few months himself. In 1786, he extended the arrangement to an indefinite term. There is no record of Mozart's response to her father’s demands. Evidently, Leopold continued to care for his grandson, taking delight in his progress (toilet training, speech, and so on), and commencing with the very beginnings of musical training. Mozart saw her son on occasional visits, but in general, was not involved in his care. The arrangement continued until the death of her father, on 28 May 1787. Biographers differ on the reasons for this arrangement. Little Leopold was ill in his infancy, and perhaps needed to be kept in Salzburg for this reason, but this does not explain why he was still kept there after his recovery. Another possibility attributes the arrangement to Marianne's delicate health or her obligation to take care of her stepchildren. Biographer
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due to her being several years older than
Wolfgang. As the anthropologist Stevan Jackson states, “No musicians develop their art in a vacuum Musicians learn by watching other musicians, by being an apprentice, formally or informally.”. There is evidence, however, that Marianne did pose as a role model for her brother, certainly taking on a teaching role in the education of the young boy. Researchers also speculate that she collaborated with Wolfgang on his earlier pieces, since composing a symphony is a rather challenging task for any musician, especially one as young as Wolfgang
62:
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324:, a village in Austria about 29 km east of the Mozart family home in Salzburg. Berchtold was twice a widower and had five children from his two previous marriages, whom Marianne helped raise. She also bore three children of her own: Leopold Alois Pantaleon (1785–1840), Jeanette (1789–1805) and Marie Babette (1790–1791). Nevertheless, she continued to see herself as a pianist, practicing three hours a day and continuing to teach the piano.
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245:, Austria. Already in her childhood, she established a remarkable reputation for herself across Europe as a child prodigy. However, her musical career was terminated by her parents, who forced her to stay in Salzburg and look for a future spouse. This did not stop her from utilizing her love and talent for music to teach the piano, as well as supposedly writing her own works. Her brother
374:) in St. Gilgen. Concerning the relationship between the two siblings in adulthood, authorities differ. According to New Grove, Wolfgang "remained closely attached to her." In contrast, Maynard Solomon contends that in later life Marianne and Wolfgang drifted apart completely. He notes, for instance, that after Wolfgang's visit to Salzburg in 1783 (with his new wife
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684:
1967:
1955:
302:, "from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable age." As a result, Marianne had to stay at home in Salzburg with her mother, or, if her mother was gone, with her father. From 1772 on she taught the piano in Salzburg.
621:"Mystwick School of Musicraft" series, 12 year old protagonist, Amelia, and her friends from present day are stuck in the year 1765 where they team up with a young "Mary Anne Mozart" and her brother "Wolfie" to try to restore a broken timeline using the magic of "musicraft" before it completely falls apart.
523:, Marianne initially tells her life's story through a series of fictional letters to the Major Franz Armand d'Ippold, grows frustrated and debilitated by her father's refusal to acknowledge her ability to compose music, and eventually devotes her life to the promotion and study of her brother's music.
436:
In her old age, Marianne had her first encounter in person with
Wolfgang's widow Constanze since the visit of 1783. In 1824, Constanze and her second husband Georg Nikolaus von Nissen moved to Salzburg. Although Marianne had not even known that Constanze was still alive, the encounter was apparently
428:
After the death of her husband in 1801, Marianne returned to
Salzburg, at first accompanied by her two living children. Financially well provided for she still gave piano lessons and was a highly esteemed piano soloist in the concerts at Prince Ernst von Schwarzenberg's. Her students during this time
394:
Scholars still to this day cannot agree on whether Maria Anna Mozart is partly responsible for her little brother's genius. Since their relationship was quite close in their youth, it is likely that they influenced one another musically, where
Marianne may have been the dominant part in this dynamic,
332:
An unusual episode in Mozart's life occurred when she gave birth (27 July 1785) to her first child, a son who was named
Leopold after his grandfather. She had traveled from her home in St. Gilgen to Salzburg for the birth. When she returned to St. Gilgen, she left her infant in the care of her father
447:
In her last years, Marianne's health declined, and she became blind in 1825. Mary
Novello, visiting in 1829, recorded her impression that Marianne was "blind, languid, exhausted, feeble and nearly speechless", as well as lonely. She mistakenly took Marianne to be impoverished, though in fact she was
403:
Based on letters written by
Wolfgang to his sister, scholars are certain that Marianne composed musical pieces herself. In one of the passages he wrote to her, he states, “My dear sister! I am in awe that you can compose so well, in a word, the song you wrote is beautiful.”. Besides these texts,
361:
During their childhood, the four and a half years older
Marianne was her brother’s idol. According to Maynard Solomon, "at three, Mozart was inspired to study music by observing his father's instruction of Marianne; he wanted to be like her." The two children were very close, and they invented a
319:
Around the summer of 1783, Mozart seems to have developed a relationship with Franz d'Ippold, who was a captain and private tutor. Why this relationship did not evolve into a marriage is not known. Eventually, 23 August 1784 Marianne married a magistrate, Johann
Baptist Franz von Berchtold zu
389:
Herr Prof. Niemetschek's biography so completely reanimated my sisterly feelings toward my so ardently beloved brother that I was often dissolved in tears since it is only now that I became acquainted with the sad condition in which my brother found
437:"cordial", though not warm. Eventually, Marianne did the Nissens a great favor: to help them write a biography of Wolfgang, Marianne lent the Nissens her collection of family letters, including Wolfgang and Leopold's correspondence up to 1781.
337:
attributes the arrangement to Leopold's wish to revive his skills in training a musical genius, as he had done with Mozart's brother. He also suggests that giving up her son was indicative of her total subordination to her father's wishes.
385:'s 1798 biography of her brother. Since this biography had been written from the perspective of Vienna and of Constanze, she only then read about certain parts of his life for the first time. In an 1800 letter, she wrote:
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There is evidence that Maria wrote musical compositions, as there are letters from Wolfgang praising her work, but the voluminous correspondence of her father never mentions any of her compositions, and none have survived.
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Her brother wrote several works for her to perform, including the Prelude and Fugue in C, K. 394 (1782) and the four Preludes K. 395/300g (1777.). Until 1785, Marianne received copies of his piano concertos (up to
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secret language and an imaginary "Kingdom of Back" of which they were king and queen. In their early correspondence, Marianne received rather affectionate texts that included
296:
However, given the views of her parents, prevalent in her society at the time, it became impossible as she grew older for her to continue her career any further. According to
1628:
444:, whom she had never met during her brother's lifetime. She took the opportunity to tell him about his father's childhood, and to introduce him to various family friends.
888:, whom she had never met during her brother's lifetime. She took the opportunity to tell him about his father's childhood, and to introduce him to various family friends.
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289:, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and
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378:), they never visited each other again, that they never saw each other's children, and that their correspondence diminished to a trickle, ceasing entirely in 1788.
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498:, a 2005 novel by Alison Bauld, follows Marianne's life through marriage, children, widowhood, and death in conversations with her nephew Franz Xaver.
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808:"Wolfgang's "Angels": Two New Publications on Maria Anna von Berchtold zu Sonnenburg (née Mozart) and Constanze Nissen (Widowed Mozart)"
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released the song "Diane Mozart" which seems to be based on Marianne, especially her relationship with her brother.
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A historical thriller in which Nannerl travels to Vienna to uncover the mysteries of her brother's death.
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there is no evidence of her writing her own music because none of her manuscripts have survived.
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https://www.smithsonianmag.com/arts-culture/maria-anna-mozart-the-familys-first-prodigy-1259016/
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where writer/musician Sylvia Milo portrayed Marianne in a partially fictional autobiography.
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37:"Marianne Mozart" and "Nannerl" redirect here. For her cousin of the same name, see
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Maria Anna Mozart provided the inspiration for many authors' fictional characters.
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This article is about the sister of Wolfgang Amadeus Mozart. For his mother, see
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In 2013, Marianne's life was adapted into a one-person theatre piece called
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wrote the song "Whatever Happened to Nannerl?" and recorded it on his album
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She is the protagonist of the 2020 young adult historical fantasy novel
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Ten years after the death of Wolfgang in 1791, Marianne encountered
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Marianne died on 29 October 1829, at 78 years, and was buried in
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and sexual wordplay in which Wolfgang indulged with intimates.
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Works of literature with Maria Anna Mozart as a main character
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Maria Anna Mozart as a child (1763) (portrait said to be by
420:, Salzburg): communal vault in which Maria Anna Mozart and
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Musicologica Austriaca: Journal for Austrian Music Studies
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Marianne was the subject of a 2001 "biography in poems",
485:(1996) by Barbara Kathleen Nickel is a young adult novel.
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In 1821, Marianne enjoyed a visit from Wolfgang's son,
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https://www.musau.org/parts/neue-article-page/view/86
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She appears in several episodes of the Amazon series
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237:(30 July 1751 – 29 October 1829), often nicknamed
440:In 1821, Marianne was visited by Wolfgang's son,
249:was said to have been greatly influenced by her.
320:Sonnenburg (1736–1801), and settled with him in
182:Johann Baptist Franz von Berchtold zu Sonnenburg
790:"Maria Anna Mozart: The Family's First Prodigy"
830:"Maria Anna Mozart: Forgotten Musical Prodigy"
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861:International Encyclopedia of Women Composers
835:https://womenshistory.info/maria-anna-mozart/
561:), a 2010 French-language film from director
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41:. For the American political theorist, see
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342:Relationship with Wolfgang Amadeus Mozart
269:Maria Anna (Marianne) Mozart was born in
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806:Hilscher, Elisabeth (5 November 2020).
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1415:In Mozart's Shadow: His Sister's Story
546:In Mozart's Shadow: His Sister's Story
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685:"Google Maps, St. Gilgen – Salzburg"
1350:. Princeton: Ontario Review Press.
285:. Leopold took her and Wolfgang on
1313:Originally published in Italy as:
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915:(1996) by Barbara Kathleen Nickel
617:In "The Dark Refrain" (2024) from
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2038:Austrian people of German descent
913:The Secret Wish of Nannerl Mozart
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483:The Secret Wish of Nannerl Mozart
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1953:
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1788:Maria Anna Thekla Mozart (Bäsle)
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1321:(in Italian). Milan: Corbaccio.
2003:19th-century Austrian musicians
1998:18th-century Austrian musicians
1905:Beethoven–Haydn–Mozart Memorial
1149:Mozart: A Documentary Biography
576:has Marianne investigating her
540:The popular young adult author
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1486:. New York: Harper Perennial.
828:Lewis, Jone (17 August 2018).
1:
1318:La sorella di Mozart: romanzo
687:. Google Maps. 1 January 1970
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27:Austrian musician (1751–1829)
2008:18th-century women musicians
1814:(paternal great-grandfather)
1657:Concert arias, songs, canons
551:Marianne was the subject of
537:refers to Maria Anna Mozart.
2048:19th-century women pianists
2018:Austrian classical pianists
1794:Franz Xaver Wolfgang Mozart
1776:Maria Anna Mozart (Nannerl)
864:. Books & Music (USA).
599:In 2019, the American band
227:Maria Anna Walburga Ignatia
94:, Archbishopric of Salzburg
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1344:Chmielarz, Sharon (2001).
1315:Charbonnier, Rita (2006).
553:Nannerl, la sœur de Mozart
350:Marianne and her brother,
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2043:Child classical musicians
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1900:Mozart in popular culture
1712:Relationship with G minor
1420:Houghton Mifflin Harcourt
1155:Stanford University Press
59:
2023:Austrian harpsichordists
1629:Appearance and character
1281:Mozart's Sister: A Novel
1246:. London: Alcina Press.
1043:"Adina Verson Biography"
981:Mary Ann and Miss Mozart
858:Cohen, Aaron I. (1987).
535:Mary Ann and Miss Mozart
503:Mozart's Sister: A Novel
463:As a fictional character
39:Maria Anna Thekla Mozart
2033:Musicians from Salzburg
2028:Austrian women pianists
1915:Mozart Monument, Vienna
1560:Wolfgang Amadeus Mozart
1347:The Other Mozart: Poems
383:Franz Xaver Niemetschek
247:Wolfgang Amadeus Mozart
172:Musician, music teacher
1808:(paternal grandfather)
1291:Crown Publishing Group
1240:Bauld, Alison (2005).
900:Wo sind die Elefanten?
477:Wo sind die Elefanten?
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1707:Compositional method
1687:Works for solo piano
1525:at Wikimedia Commons
1289:(trans.). New York:
593:Mozart in the Jungle
510:La sorella di Mozart
492:by Sharon Chmielarz.
287:tours of many cities
1806:Johann Georg Mozart
1741:Neue Mozart-Ausgabe
1734:Alte Mozart-Ausgabe
1480:Rees, Matt (2011).
1384:G. P. Putnam's Sons
1379:The Kingdom of Back
1143:Deutsch, Otto Erich
720:, pp. 389–392.
608:The Kingdom of Back
471:English songwriter
457:St Peter's Cemetery
418:St Peter's Cemetery
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145:47.7967°N 13.0453°E
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66:Maria Anna Mozart,
1800:Karl Thomas Mozart
1483:Mozart's Last Aria
1127:Grove Music Online
1113:Works of biography
984:at annturnbull.com
886:Franz Xaver Mozart
788:Rusch, Elizabeth.
570:Mozart's Last Aria
568:In his 2011 novel
512:, a 2006 novel by
501:Nancy Moser wrote
442:Franz Xaver Mozart
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1521:Media related to
1493:978-0-06-201586-0
1464:978-0-7642-0123-3
1429:978-0-15-205594-3
1328:978-88-7972-759-4
1300:978-0-307-34678-0
1275:Charbonnier, Rita
1253:978-0-9550713-0-0
898:Leon Rosselson –
871:978-0-9617485-2-4
279:Anna Maria Mozart
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32:Anna Maria Mozart
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1181:Eisen, Cliff
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119:Burial place
105:(1829-10-29)
88:30 July 1751
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1993:1829 deaths
1988:1751 births
1869:Freemasonry
1594:Nationality
1574:Biographies
601:Saint Motel
531:young adult
517: [
408:Later years
355: 1763
283:harpsichord
148: /
71: 1785
1982:Categories
1852:Influences
1697:Symphonies
1584:Grand tour
1579:Birthplace
1402:1141426794
1108:References
1028:8 February
994:Meyer 2008
956:Moser 2006
944:Bauld 2005
921:1894549082
730:Eisen 2009
563:René Féret
424:are buried
416:Crypt 54 (
322:St. Gilgen
136:13°02′43″E
133:47°47′48″N
125:, Salzburg
110:Salzburg,
84:1751-07-30
1960:Biography
1859:Beethoven
1604:Scatology
1599:Residence
1567:Biography
1502:703206599
1438:180689946
1374:Lu, Marie
1309:132585106
1006:Rees 2011
902:tracklist
691:14 August
574:Matt Rees
431:Anna Sick
429:included
399:Her works
376:Constanze
315:Love life
299:New Grove
263:Lorenzoni
253:Childhood
1933:Category
1778:(sister)
1772:(mother)
1766:(father)
1721:Editions
1609:Smallpox
1473:70045811
1412:(2008).
1376:(2020).
1366:45207996
1337:64219881
1277:(2007).
1262:64769121
1226:31435799
1198:(1995).
1183:(2009).
1145:(1965).
1133:26 March
1023:website"
612:Marie Lu
529:'s 2007
390:himself.
271:Salzburg
243:Salzburg
231:Marianne
207:Children
92:Salzburg
1946:Portals
1888:Related
1879:Salieri
1692:Sonatas
1173:8991008
1099:Lu 2020
814:(2020).
505:(2006).
450:florins
239:Nannerl
201:
189:
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18:Nannerl
1784:(wife)
1756:Family
1677:Operas
1672:Masses
1662:Dances
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1619:Berlin
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533:novel
479:(1991)
372:No. 21
235:Mozart
219:Mozart
215:Family
195:
177:Spouse
1874:Haydn
1802:(son)
1796:(son)
1649:Music
1639:Death
1614:Italy
1188:(PDF)
649:Grove
626:Notes
521:]
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191:(
187:
1589:Name
1498:OCLC
1488:ISBN
1469:OCLC
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1222:OCLC
1212:ISBN
1169:OCLC
1159:ISBN
1135:2020
1086:2024
1030:2019
917:ISBN
866:ISBN
693:2014
277:and
197:1784
100:Died
78:Born
610:by
508:In
452:).
273:to
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