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Maria Anna Mozart

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and his servants. The elder Leopold stated (by a letter that preceded Mozart back to St. Gilgen) that he would prefer to raise the child for the first few months himself. In 1786, he extended the arrangement to an indefinite term. There is no record of Mozart's response to her father’s demands. Evidently, Leopold continued to care for his grandson, taking delight in his progress (toilet training, speech, and so on), and commencing with the very beginnings of musical training. Mozart saw her son on occasional visits, but in general, was not involved in his care. The arrangement continued until the death of her father, on 28 May 1787. Biographers differ on the reasons for this arrangement. Little Leopold was ill in his infancy, and perhaps needed to be kept in Salzburg for this reason, but this does not explain why he was still kept there after his recovery. Another possibility attributes the arrangement to Marianne's delicate health or her obligation to take care of her stepchildren. Biographer
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due to her being several years older than Wolfgang. As the anthropologist Stevan Jackson states, “No musicians develop their art in a vacuum Musicians learn by watching other musicians, by being an apprentice, formally or informally.”. There is evidence, however, that Marianne did pose as a role model for her brother, certainly taking on a teaching role in the education of the young boy. Researchers also speculate that she collaborated with Wolfgang on his earlier pieces, since composing a symphony is a rather challenging task for any musician, especially one as young as Wolfgang
62: 347: 258: 324:, a village in Austria about 29 km east of the Mozart family home in Salzburg. Berchtold was twice a widower and had five children from his two previous marriages, whom Marianne helped raise. She also bore three children of her own: Leopold Alois Pantaleon (1785–1840), Jeanette (1789–1805) and Marie Babette (1790–1791). Nevertheless, she continued to see herself as a pianist, practicing three hours a day and continuing to teach the piano. 1929: 245:, Austria. Already in her childhood, she established a remarkable reputation for herself across Europe as a child prodigy. However, her musical career was terminated by her parents, who forced her to stay in Salzburg and look for a future spouse. This did not stop her from utilizing her love and talent for music to teach the piano, as well as supposedly writing her own works. Her brother 374:) in St. Gilgen. Concerning the relationship between the two siblings in adulthood, authorities differ. According to New Grove, Wolfgang "remained closely attached to her." In contrast, Maynard Solomon contends that in later life Marianne and Wolfgang drifted apart completely. He notes, for instance, that after Wolfgang's visit to Salzburg in 1783 (with his new wife 1518: 684: 1967: 1955: 302:, "from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable age." As a result, Marianne had to stay at home in Salzburg with her mother, or, if her mother was gone, with her father. From 1772 on she taught the piano in Salzburg. 621:"Mystwick School of Musicraft" series, 12 year old protagonist, Amelia, and her friends from present day are stuck in the year 1765 where they team up with a young "Mary Anne Mozart" and her brother "Wolfie" to try to restore a broken timeline using the magic of "musicraft" before it completely falls apart. 523:, Marianne initially tells her life's story through a series of fictional letters to the Major Franz Armand d'Ippold, grows frustrated and debilitated by her father's refusal to acknowledge her ability to compose music, and eventually devotes her life to the promotion and study of her brother's music. 436:
In her old age, Marianne had her first encounter in person with Wolfgang's widow Constanze since the visit of 1783. In 1824, Constanze and her second husband Georg Nikolaus von Nissen moved to Salzburg. Although Marianne had not even known that Constanze was still alive, the encounter was apparently
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After the death of her husband in 1801, Marianne returned to Salzburg, at first accompanied by her two living children. Financially well provided for she still gave piano lessons and was a highly esteemed piano soloist in the concerts at Prince Ernst von Schwarzenberg's. Her students during this time
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Scholars still to this day cannot agree on whether Maria Anna Mozart is partly responsible for her little brother's genius. Since their relationship was quite close in their youth, it is likely that they influenced one another musically, where Marianne may have been the dominant part in this dynamic,
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An unusual episode in Mozart's life occurred when she gave birth (27 July 1785) to her first child, a son who was named Leopold after his grandfather. She had traveled from her home in St. Gilgen to Salzburg for the birth. When she returned to St. Gilgen, she left her infant in the care of her father
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In her last years, Marianne's health declined, and she became blind in 1825. Mary Novello, visiting in 1829, recorded her impression that Marianne was "blind, languid, exhausted, feeble and nearly speechless", as well as lonely. She mistakenly took Marianne to be impoverished, though in fact she was
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Based on letters written by Wolfgang to his sister, scholars are certain that Marianne composed musical pieces herself. In one of the passages he wrote to her, he states, “My dear sister! I am in awe that you can compose so well, in a word, the song you wrote is beautiful.”. Besides these texts,
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During their childhood, the four and a half years older Marianne was her brother’s idol. According to Maynard Solomon, "at three, Mozart was inspired to study music by observing his father's instruction of Marianne; he wanted to be like her." The two children were very close, and they invented a
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Around the summer of 1783, Mozart seems to have developed a relationship with Franz d'Ippold, who was a captain and private tutor. Why this relationship did not evolve into a marriage is not known. Eventually, 23 August 1784 Marianne married a magistrate, Johann Baptist Franz von Berchtold zu
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Herr Prof. Niemetschek's biography so completely reanimated my sisterly feelings toward my so ardently beloved brother that I was often dissolved in tears since it is only now that I became acquainted with the sad condition in which my brother found
437:"cordial", though not warm. Eventually, Marianne did the Nissens a great favor: to help them write a biography of Wolfgang, Marianne lent the Nissens her collection of family letters, including Wolfgang and Leopold's correspondence up to 1781. 337:
attributes the arrangement to Leopold's wish to revive his skills in training a musical genius, as he had done with Mozart's brother. He also suggests that giving up her son was indicative of her total subordination to her father's wishes.
385:'s 1798 biography of her brother. Since this biography had been written from the perspective of Vienna and of Constanze, she only then read about certain parts of his life for the first time. In an 1800 letter, she wrote: 305:
There is evidence that Maria wrote musical compositions, as there are letters from Wolfgang praising her work, but the voluminous correspondence of her father never mentions any of her compositions, and none have survived.
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Her brother wrote several works for her to perform, including the Prelude and Fugue in C, K. 394 (1782) and the four Preludes K. 395/300g (1777.). Until 1785, Marianne received copies of his piano concertos (up to
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secret language and an imaginary "Kingdom of Back" of which they were king and queen. In their early correspondence, Marianne received rather affectionate texts that included
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However, given the views of her parents, prevalent in her society at the time, it became impossible as she grew older for her to continue her career any further. According to
1628: 444:, whom she had never met during her brother's lifetime. She took the opportunity to tell him about his father's childhood, and to introduce him to various family friends. 888:, whom she had never met during her brother's lifetime. She took the opportunity to tell him about his father's childhood, and to introduce him to various family friends. 1550: 289:, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and 1863: 1648: 378:), they never visited each other again, that they never saw each other's children, and that their correspondence diminished to a trickle, ceasing entirely in 1788. 2052: 1696: 2037: 1899: 1691: 1681: 1676: 1671: 498:, a 2005 novel by Alison Bauld, follows Marianne's life through marriage, children, widowhood, and death in conversations with her nephew Franz Xaver. 2002: 1997: 1904: 1593: 2007: 1543: 1491: 1462: 1427: 1326: 1298: 1251: 869: 2047: 2017: 808:"Wolfgang's "Angels": Two New Publications on Maria Anna von Berchtold zu Sonnenburg (née Mozart) and Constanze Nissen (Widowed Mozart)" 2042: 1623: 1391: 129: 2022: 1355: 1215: 1162: 412: 794: 789: 2032: 2027: 1932: 1706: 1701: 1638: 1536: 920: 371: 1945: 1522: 1793: 1618: 1286: 603:
released the song "Diane Mozart" which seems to be based on Marianne, especially her relationship with her brother.
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A historical thriller in which Nannerl travels to Vienna to uncover the mysteries of her brother's death.
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there is no evidence of her writing her own music because none of her manuscripts have survived.
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https://www.smithsonianmag.com/arts-culture/maria-anna-mozart-the-familys-first-prodigy-1259016/
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where writer/musician Sylvia Milo portrayed Marianne in a partially fictional autobiography.
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Maria Anna Mozart provided the inspiration for many authors' fictional characters.
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This article is about the sister of Wolfgang Amadeus Mozart. For his mother, see
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Bauld has also published a fictional diary as Nannerl Mozart in the form of
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In 2013, Marianne's life was adapted into a one-person theatre piece called
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wrote the song "Whatever Happened to Nannerl?" and recorded it on his album
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She is the protagonist of the 2020 young adult historical fantasy novel
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Ten years after the death of Wolfgang in 1791, Marianne encountered
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Marianne died on 29 October 1829, at 78 years, and was buried in
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and sexual wordplay in which Wolfgang indulged with intimates.
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Works of literature with Maria Anna Mozart as a main character
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Maria Anna Mozart as a child (1763) (portrait said to be by
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Musicologica Austriaca: Journal for Austrian Music Studies
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Marianne was the subject of a 2001 "biography in poems",
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In 1821, Marianne enjoyed a visit from Wolfgang's son,
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https://www.musau.org/parts/neue-article-page/view/86
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She appears in several episodes of the Amazon series
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For the American political theorist, see 1717: 1551: 1537: 1529: 544:wrote of Nannerl's life in her 2008 novel 60: 49: 931: 342:Relationship with Wolfgang Amadeus Mozart 269:Maria Anna (Marianne) Mozart was born in 1950: 845: 806:Hilscher, Elisabeth (5 November 2020). 768: 756: 744: 717: 705: 671: 659: 644: 642: 640: 638: 636: 634: 630: 448:frugal and left a large fortune (7,837 357:, by Eusebius Johann Alphen (1741–1772) 1415:In Mozart's Shadow: His Sister's Story 546:In Mozart's Shadow: His Sister's Story 241:, was a highly regarded musician from 196: 2053:19th-century Austrian women musicians 993: 955: 943: 783: 781: 779: 777: 729: 7: 1005: 685:"Google Maps, St. Gilgen – Salzburg" 1350:. Princeton: Ontario Review Press. 285:. Leopold took her and Wolfgang on 1313:Originally published in Italy as: 1098: 915:(1996) by Barbara Kathleen Nickel 617:In "The Dark Refrain" (2024) from 25: 2038:Austrian people of German descent 913:The Secret Wish of Nannerl Mozart 648: 483:The Secret Wish of Nannerl Mozart 1965: 1953: 1928: 1927: 1788:Maria Anna Thekla Mozart (Bäsle) 1516: 1321:(in Italian). Milan: Corbaccio. 2003:19th-century Austrian musicians 1998:18th-century Austrian musicians 1905:Beethoven–Haydn–Mozart Memorial 1149:Mozart: A Documentary Biography 576:has Marianne investigating her 540:The popular young adult author 192: 1486:. New York: Harper Perennial. 828:Lewis, Jone (17 August 2018). 1: 1318:La sorella di Mozart: romanzo 687:. Google Maps. 1 January 1970 351: 67: 27:Austrian musician (1751–1829) 2008:18th-century women musicians 1814:(paternal great-grandfather) 1657:Concert arias, songs, canons 551:Marianne was the subject of 537:refers to Maria Anna Mozart. 2048:19th-century women pianists 2018:Austrian classical pianists 1794:Franz Xaver Wolfgang Mozart 1776:Maria Anna Mozart (Nannerl) 864:. Books & Music (USA). 599:In 2019, the American band 227:Maria Anna Walburga Ignatia 94:, Archbishopric of Salzburg 2069: 1344:Chmielarz, Sharon (2001). 1315:Charbonnier, Rita (2006). 553:Nannerl, la sĹ“ur de Mozart 350:Marianne and her brother, 36: 29: 2043:Child classical musicians 1923: 1900:Mozart in popular culture 1712:Relationship with G minor 1420:Houghton Mifflin Harcourt 1155:Stanford University Press 59: 2023:Austrian harpsichordists 1629:Appearance and character 1281:Mozart's Sister: A Novel 1246:. London: Alcina Press. 1043:"Adina Verson Biography" 981:Mary Ann and Miss Mozart 858:Cohen, Aaron I. (1987). 535:Mary Ann and Miss Mozart 503:Mozart's Sister: A Novel 463:As a fictional character 39:Maria Anna Thekla Mozart 2033:Musicians from Salzburg 2028:Austrian women pianists 1915:Mozart Monument, Vienna 1560:Wolfgang Amadeus Mozart 1347:The Other Mozart: Poems 383:Franz Xaver Niemetschek 247:Wolfgang Amadeus Mozart 172:Musician, music teacher 1808:(paternal grandfather) 1291:Crown Publishing Group 1240:Bauld, Alison (2005). 900:Wo sind die Elefanten? 477:Wo sind die Elefanten? 425: 392: 358: 266: 1445:Moser, Nancy (2006). 415: 387: 349: 260: 1707:Compositional method 1687:Works for solo piano 1525:at Wikimedia Commons 1289:(trans.). New York: 593:Mozart in the Jungle 510:La sorella di Mozart 492:by Sharon Chmielarz. 287:tours of many cities 1806:Johann Georg Mozart 1741:Neue Mozart-Ausgabe 1734:Alte Mozart-Ausgabe 1480:Rees, Matt (2011). 1384:G. P. 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780: 778: 774: 771:, p. 501 770: 765: 762: 758: 753: 750: 747:, p. 399 746: 741: 739: 735: 731: 726: 723: 719: 714: 711: 707: 702: 699: 686: 680: 677: 673: 668: 665: 661: 656: 653: 650: 645: 643: 641: 639: 637: 635: 631: 625: 620: 616: 613: 609: 605: 602: 598: 595: 594: 589: 586: 582: 579: 575: 571: 567: 564: 560: 559: 554: 550: 547: 543: 542:Carolyn Meyer 539: 536: 532: 528: 525: 520: 515: 511: 507: 504: 500: 497: 494: 491: 487: 484: 481: 478: 474: 470: 469: 468: 462: 460: 458: 453: 451: 445: 443: 438: 434: 432: 423: 422:Michael Haydn 419: 414: 407: 405: 398: 396: 391: 386: 384: 379: 377: 373: 367: 365: 348: 341: 339: 336: 325: 323: 314: 309: 307: 303: 301: 300: 294: 292: 288: 284: 280: 276: 272: 264: 259: 252: 250: 248: 244: 240: 236: 232: 228: 220: 217: 213: 209: 205: 179: 175: 171: 169:Occupation(s) 167: 163: 159: 154: 124: 121: 117: 113: 102: 98: 93: 80: 76: 63: 58: 51: 48: 44: 40: 33: 19: 1895:Georg Nissen 1842:Sophie Weber 1818:Joseph Lange 1812:Franz Mozart 1775: 1739: 1732: 1634:Pet starling 1482: 1448: 1414: 1382:. New York: 1378: 1346: 1317: 1280: 1242: 1233: 1232: 1206:. New York: 1201: 1181:Eisen, Cliff 1153:. Stanford: 1148: 1131:. Retrieved 1125: 1112: 1111: 1094: 1082:. Retrieved 1077:Diane Mozart 1076: 1069: 1055: 1046: 1038: 1026:. Retrieved 1020: 1013: 1001: 989: 980: 975: 963: 951: 939: 927: 912: 908: 899: 893: 880: 860: 853: 846:Deutsch 1965 841: 823: 811: 801: 769:Solomon 1995 764: 757:Solomon 1995 752: 745:Solomon 1995 725: 718:Solomon 1995 713: 706:Deutsch 1965 701: 689:. Retrieved 679: 672:Solomon 1995 667: 660:Solomon 1995 655: 607: 591: 584: 569: 556: 552: 545: 534: 527:Ann Turnbull 509: 502: 495: 489: 482: 476: 466: 459:, Salzburg. 454: 446: 439: 435: 427: 402: 393: 388: 380: 368: 364:scatological 360: 331: 318: 310:Private life 304: 297: 295: 291:fortepianist 268: 238: 234: 230: 226: 225: 119:Burial place 105:(1829-10-29) 88:30 July 1751 47: 1993:1829 deaths 1988:1751 births 1869:Freemasonry 1594:Nationality 1574:Biographies 601:Saint Motel 531:young adult 517: [ 408:Later years 355: 1763 283:harpsichord 148: / 71: 1785 1982:Categories 1852:Influences 1697:Symphonies 1584:Grand tour 1579:Birthplace 1402:1141426794 1108:References 1028:8 February 994:Meyer 2008 956:Moser 2006 944:Bauld 2005 921:1894549082 730:Eisen 2009 563:RenĂ© FĂ©ret 424:are buried 416:Crypt 54 ( 322:St. Gilgen 136:13°02′43″E 133:47°47′48″N 125:, Salzburg 110:Salzburg, 84:1751-07-30 1960:Biography 1859:Beethoven 1604:Scatology 1599:Residence 1567:Biography 1502:703206599 1438:180689946 1374:Lu, Marie 1309:132585106 1006:Rees 2011 902:tracklist 691:14 August 574:Matt Rees 431:Anna Sick 429:included 399:Her works 376:Constanze 315:Love life 299:New Grove 263:Lorenzoni 253:Childhood 1933:Category 1778:(sister) 1772:(mother) 1766:(father) 1721:Editions 1609:Smallpox 1473:70045811 1412:(2008). 1376:(2020). 1366:45207996 1337:64219881 1277:(2007). 1262:64769121 1226:31435799 1198:(1995). 1183:(2009). 1145:(1965). 1133:26 March 1023:website" 612:Marie Lu 529:'s 2007 390:himself. 271:Salzburg 243:Salzburg 231:Marianne 207:Children 92:Salzburg 1946:Portals 1888:Related 1879:Salieri 1692:Sonatas 1173:8991008 1099:Lu 2020 814:(2020). 505:(2006). 450:florins 239:Nannerl 201:​ 189:​ 185:​ 18:Nannerl 1784:(wife) 1756:Family 1677:Operas 1672:Masses 1662:Dances 1624:Prague 1619:Berlin 1500:  1490:  1471:  1461:  1436:  1426:  1400:  1390:  1364:  1354:  1335:  1325:  1307:  1297:  1260:  1250:  1224:  1214:  1171:  1161:  1084:30 May 919:  868:  533:novel 479:(1991) 372:No. 21 235:Mozart 219:Mozart 215:Family 195:  177:Spouse 1874:Haydn 1802:(son) 1796:(son) 1649:Music 1639:Death 1614:Italy 1188:(PDF) 649:Grove 626:Notes 521:] 199:) 191:( 187: 1589:Name 1498:OCLC 1488:ISBN 1469:OCLC 1459:ISBN 1434:OCLC 1424:ISBN 1398:OCLC 1388:ISBN 1362:OCLC 1352:ISBN 1333:OCLC 1323:ISBN 1305:OCLC 1295:ISBN 1258:OCLC 1248:ISBN 1222:OCLC 1212:ISBN 1169:OCLC 1159:ISBN 1135:2020 1086:2024 1030:2019 917:ISBN 866:ISBN 693:2014 277:and 197:1784 100:Died 78:Born 610:by 508:In 452:). 273:to 1984:: 1496:. 1467:. 1457:. 1432:. 1422:. 1418:. 1396:. 1386:. 1360:. 1331:. 1303:. 1293:. 1285:. 1256:. 1220:. 1210:. 1167:. 1157:. 1124:. 1045:, 810:. 776:^ 737:^ 633:^ 572:, 519:it 352:c. 293:. 233:" 193:m. 68:c. 1948:: 1552:e 1545:t 1538:v 1504:. 1475:. 1440:. 1404:. 1368:. 1339:. 1311:. 1270:. 1264:. 1228:. 1190:. 1175:. 1137:. 1101:. 1088:. 1079:" 1075:" 1063:. 1032:. 1019:" 1008:. 996:. 970:. 958:. 946:. 934:. 874:. 832:. 792:. 732:. 695:. 614:. 596:. 580:. 565:. 555:( 548:. 265:) 229:" 210:3 86:) 82:( 45:. 34:. 20:)

Index

Nannerl
Anna Maria Mozart
Maria Anna Thekla Mozart
Nannerl O. Keohane
Maria Anna Mozart, c. 1785
Salzburg
Austrian Empire
St Peter's Cemetery
47°47′48″N 13°02′43″E / 47.7967°N 13.0453°E / 47.7967; 13.0453
Mozart
Salzburg
Wolfgang Amadeus Mozart

Lorenzoni
Salzburg
Leopold Mozart
Anna Maria Mozart
harpsichord
tours of many cities
fortepianist
New Grove
St. Gilgen
Maynard Solomon

scatological
No. 21
Constanze
Franz Xaver Niemetschek

St Peter's Cemetery

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