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and
Paulino Garagorri. The magazine folded after the publication of the September-October 1955 issue due to the crackdown of the Francoist State. Most of its contributors were arrested following the closure of the magazine. During its lifetime
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122:. Spanish author Marvin D'Lugo argues that the magazine was very influential during its lifetime despite its short existence and lower levels of circulation.
155:. The financier of the magazine which was linked to the illegal Communist Party was JosĂ© Ăngel Ezcurra, who owned a cultural and political magazine entitled
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Nuria Triana-Toribio (2014). "Film
Cultures in Spain's Transition: The "Other" Transition in the Film Magazine Nuevo Fotogramas (1968-1978)".
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approach, which was concerned with the highest ideal of cinema. It mostly featured articles about the
Italian neorealism. It did not covered
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Barry Jordan (April 1991). "Culture and
Opposition in Franco's Spain: The Reception of Italian Neo-Realist Cinema in the 1950s".
118:. The magazine was one of the significant publications, which contributed to the struggle for a censorship-free cinema in
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Beyond
Auteurism: New Directions in Authorial Film Practices in France, Italy and Spain Since the 1980s
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was founded in 1953. Based in Madrid, the first issue of the magazine appeared in July 1953.
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183:, but contained articles on independent American films. Eduardo Ducay published
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397:. Chichester, West Sussex: Blackwell Publishing Ltd. pp. 441, 456.
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Popular
Spanish Film Under Franco: Comedy and the Weakening of the State
319:"Film Clubs and Film Cultural Policies in Spain and the GDR around 1960"
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Ferran
Alberich; RomĂĄn Gubern; Vicente SĂĄnchez-Biosca (2013).
534:. Westport, CT; London: Greenwood Publishing Group. p.
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was a film magazine published between 1953 and 1955 in
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502:. Bristol; Chicago: Intellect Books. p. 37.
284:The Films of Carlos Saura: The Practice of Seeing
391:"Film Clubs, Festivals, Archives, and Magazines"
191:. The other significant contributors included
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393:. In Jo Labanyi; Tatjana PavloviÄ (eds.).
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137:was modeled on Italian film magazine
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591:Defunct magazines published in Spain
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596:Film magazines published in Spain
151:. They were both influenced from
16:Spanish film magazine (1953â1955)
606:Magazines disestablished in 1955
571:1955 disestablishments in Spain
465:Virginia Higginbotham (2014).
317:Fernando Ramos Arenas (2017).
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611:Magazines published in Madrid
601:Magazines established in 1953
395:A Companion to Spanish Cinema
566:1953 establishments in Spain
530:Guide to the Cinema of Spain
248:10.1080/14636204.2014.991486
323:Communication & Society
200:produced just nine issues.
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616:Spanish-language magazines
447:10.1177/026569149102100203
434:European History Quarterly
290:Princeton University Press
473:University of Texas Press
468:Spanish Film Under Franco
175:. The magazine adopted a
210:List of film periodicals
526:Marvin D'Lugo (1997).
496:Rosanna Maule (2008).
336:10.15581/003.30.1.1-15
280:Marvin D'Lugo (1991).
77:SeptemberâOctober 1955
403:10.1002/9781118322765
355:Steven Marsh (2005).
145:Luis Garcia Berlanga
143:. The founders were
44:Luis Garcia Berlanga
586:Censorship in Spain
167:did not conform to
149:Juan Antonio Bardem
126:History and profile
49:Juan Antonio Bardem
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363:Palgrave Macmillan
193:Ricardo Muñoz Suay
153:Italian neorealism
545:978-0-313-29474-7
509:978-1-84150-204-5
482:978-0-292-76147-6
372:978-0-230-51187-3
288:. Princeton, NJ:
173:cultural politics
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475:. p. 25.
471:. Austin, TX:
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74:Final issue
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292:. p.
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29:Categories
256:142634911
69:July 1953
204:See also
198:Objetivo
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90:Based in
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158:Triunfo
103:Spanish
82:Country
58:Founded
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61:1953
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