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running, either by using an external remote control or manually turning a knob. Improvements over the original
Panastar include a weight reduction of 5 lb (2.3 kg), a more accurate digital shutter angle readout, the inclusion of the Panaglow ground glass illuminator, and the ability to adjust the speed of the camera in single-frame increments without need for an external speed control, rather that being tied to the preset running speeds of the first Panastar. At high speeds, the Panastar II is incredibly loud, often leading those unfamiliar with its operation to question whether it is functioning properly.
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board which can be fitted on request. It has a focal-plane shutter which can be adjusted from 50 to 200° while the camera is running, either by an external control unit or by manually turning a knob. Improvements over the
Panavision Gold include a brighter viewfinder. While the movement remains essentially the same as the original Panaflex movement introduced in 1972, the Gold II's dual registration pins are "full-fitting" according to Panavision, implying a more precise grip on the film during exposure and thus greater sharpness. This camera is still available through Panavision.
313:. Contemporary cameras such as the Panavision Gold II can weigh as much as 60 lb (27 kg) depending on configuration. The Panaflex Lightweight II (1993) is crystal-controlled in one-frame increments between four and 36 frames per second, and has a fixed focal-plane shutter. 200°, 180°, 172.8° or 144° shutters can be installed by Panavision prior to rental per the customer's order. This camera is still available through Panavision.
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cumbersome external circuit boxes, and it has an integrated camera built into the lens light, allowing the first assistant camera to see witness marks without having to physically look at the lens. It also has a brighter viewfinder than the
Platinum, multiple run switches, and footage counters on either side of the camera for easier readings.
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The
Millennium DXL is the first camera to capture 4K anamorphic at 21 megapixels. With the 8K HDR sensor, this camera is optimized for Panavision large format lenses, including the Sphero 65, System 65, Super Panavision 70, Ultra Panavision 70, and the new Primo 70 and Primo Artiste (2017) wirelessly
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The
Panaflex Gold II is a sync-sound 35 mm motion picture camera. It is capable of crystal sync at 24 and 25 or 29.97 frame/s, and the non-sync speed is variable from 4–34 fps (frames per second) according to Panavision; the Gold II can safely run up to 40 fps, crystal controlled with a special
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Weighing in at 10 lbs, this 16-bit, 35.5 Megapixel CMOS sensor camera system operates at a maximum frame rate of 60 fps at 8K Full Frame (8192 x 4320) resolution, and 75 fps at 8K 2.4:1 (8192 x 3456). Along with its ability to capture up to 15 stops of dynamic range, the DXL can record 8K RAW, .r3d
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of which can be adjusted electronically while the camera is running, between 11.2° and 180°, allowing for four stops of exposure ramping within a shot with no iris adjustment. All of the focus, iris, and zoom motor controls have been moved to the camera's internal circuitry, removing the need for
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The
Panaflex Millennium is a sync-sound 35 mm motion picture camera. Where the Panavision Platinum was mostly an evolution and refinement of the original 1972 Panaflex, the Millennium is a totally new design, having a new twin-sprocket drum incorporated with the movement, major electronics
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35 mm motion picture camera. It is capable of 4–120 fps both forward and reverse, though reverse running requires a reversing magazine, with camera timing crystal-controlled at one-frame increments. It has a focal-plane shutter which can be adjusted between 45° and 180° while the camera is
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frame increments, and is crystal-controlled at all speeds. It has a focal-plane shutter which can be adjusted from 50 to 200° while the camera is running, either by an external control unit or by manually turning a knob. While the movement remains essentially the same as the original
Panaflex
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Weapon platform. It marks the first digital camera in
Panavision's portfolio to carry the Millennium name. The Red designed and produced 8k sensor is a 40.96mm wide sensor putting it about halfway between super35 (24.92mm) and 65mm (48.59mm) in
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revisions, and a general weight reduction from 24 to 17 lb (7.7 kg). The
Millennium is capable of 3–50 fps forward and reverse, though reverse running requires a reversing magazine, and it has a focal-plane shutter, the
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movement introduced in 1972, the
Platinum's dual registration pins are "full-fitting" according to Panavision, implying a more precise grip on the film during exposure and thus greater sharpness.
376:: The Panaflex Platinum is a sync-sound 35 mm motion picture camera, intended as the replacement for the Gold and Gold II series of cameras. It is capable of 4–36 fps forward and reverse in
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It is capable of proprietary image mapping process Light Iron Color profile, which is compatible with all currently popular gamuts and transfer curves.
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35 mm motion picture camera, stripped of all components not essential for work with "floating camera" systems such as the
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System 65 is Panavision's most modern range of cameras for the 5/65 format. It comprises two separate camera offerings:
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is credited with revolutionizing filmmaking. Other influential cameras include the Millennium XL and the digital video
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429:(supported in RED SDK) with simultaneous 4K proxy (ProRes or DNx), for up to 1 hour on a single magazine.
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533:"Museum of the Moving Image - Collection - Collection Spotlight_Panaflex"
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Panaflex 65HSSM (suitable for location use but limited to MOS only).
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The Millennium DXL is an 8k Digital Cinema camera based on the
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150:introducing citations to additional sources
277:Panavision Super PSR (R-200 or Super R-200)
64:Learn how and when to remove these messages
494:Panaflex 65SPFX (intended for studio use)
242:industry since the 1950s, beginning with
219:Learn how and when to remove this message
140:Relevant discussion may be found on the
101:of all important aspects of the article.
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463:Panavision Millenium Digital XL (2016)
97:Please consider expanding the lead to
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561:"Millennium DXL2 8K Digital Camera"
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45:This article has multiple issues.
133:relies largely or entirely on a
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272:Panavision Silent Reflex (1967)
89:may be too short to adequately
53:or discuss these issues on the
305:The Panaflex Lightweight is a
266:Panavision movie camera R-200°
99:provide an accessible overview
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450:Sony HDW-900 CineAlta (2002)
485:Panavision System 65 (1991)
333:PFX-GII Golden Panaflex GII
302:Panaflex Lightweight (1975)
234:has been a manufacturer of
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475:Super Panavision 70 (1965)
258:Panavision Silent Reflex
246:lenses. The lightweight
325:Panaflex Gold II (1987)
439:Millennium DXL2 (2018)
358:The Panastar II is an
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591:Television technology
417:Millennium DXL (2016)
414:Millennium XL2 (2004)
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244:anamorphic widescreen
411:Millennium XL (1999)
318:Panaflex Gold (1976)
161:"Panavision cameras"
146:improve this article
513:Ultra Panavision 70
508:Super Panavision 70
480:Panavision Super 70
392:Panaflex Millennium
456:Panavision Genesis
422:Red Digital Cinema
355:Panastar II (1987)
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436:motorized lenses.
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368:Panaflex Platinum
295:Panaflex-X (1974)
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202:October 2011
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107:October 2011
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86:lead section
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47:Please help
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586:Panavision
575:Categories
519:References
307:sync-sound
232:Panavision
172:newspapers
50:improve it
311:Steadicam
142:talk page
91:summarize
56:talk page
502:See also
342:Panastar
283:Panaflex
248:Panaflex
238:for the
18:Panaflex
381:⁄
252:Genesis
236:cameras
186:scholar
458:(2005)
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193:JSTOR
179:books
469:65mm
165:news
360:MOS
148:by
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