653:, parody can occur when whole elements of one work are lifted out of their context and reused, not necessarily to be ridiculed. Traditional definitions of parody usually only discuss parody in the stricter sense of something intended to ridicule the text it parodies. There is also a broader, extended sense of parody that may not include ridicule, and may be based on many other uses and intentions. The broader sense of parody, parody done with intent other than ridicule, has become prevalent in the modern parody of the 20th century. In the extended sense, the modern parody does not target the parodied text, but instead uses it as a weapon to target something else. The reason for the prevalence of the extended, recontextualizing type of parody in the 20th century is that artists have sought to connect with the past while registering differences brought by
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satires are provocative and critical as they point to a specific vice associated with an individual or a group of people to mock them into correction or as a form of punishment. In contrast, parodies are more focused on producing playful humor and do not always attack or criticize its targeted work and/or genre. Of course, it is possible for a parody to maintain satiric elements without crossing into satire itself, as long as its "light verse with modest aspirations" ultimately dominates the work.
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memorials to the throne, and conference minutes. We have an exchange of letters between the Queue and the Beard and
Eyebrows. We have a eulogy for a chamber pot. We have 'Research on Why Men Have Beards and Women Don't,' 'A Telegram from the Thunder God to His Mother Resigning His Post,' and 'A Public Notice from the King of Whoring Prohibiting Playboys from Skipping Debts.'"
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1031:, for example, after the classic stage defined the conventions of the genre, underwent a parody stage, in which those same conventions were ridiculed and critiqued. Because audiences had seen these classic Westerns, they had expectations for any new Westerns, and when these expectations were inverted, the audience laughed.
903:. His career of parodying other musical acts and their songs has outlasted many of the artists or bands he has parodied. Yankovic is not required under law to get permission to parody; as a personal rule, however, he does seek permission to parody a person's song before recording it. Several artists, such as rapper
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recommended that the UK should "create an exception to copyright for the purpose of caricature, parody or pastiche by 2008". Following the first stage of a two-part public consultation, the
Intellectual Property Office reported that the information received "was not sufficient to persuade us that the
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Historian
Christopher Rea writes that "In the 1910s and 1920s, writers in China's entertainment market parodied anything and everything.... They parodied speeches, advertisements, confessions, petitions, orders, handbills, notices, policies, regulations, resolutions, discourses, explications, sutras,
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usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into a different, often incongruous, context. Musical parodies may imitate or refer to the peculiar style of a composer or artist, or even a general style of music. For example, "The Ritz Roll and Rock",
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distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the
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Nearly all periods of artistic innovation have had a strong parodic impulse, advancing generic change. As the
Russian formalist Boris Eichenbaum once put it: "In the evolution of each genre, there are times when its use for entirely serious or elevated objectives degenerates and produces a comic or
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was fair use, as the parody was a distinctive, transformative work designed to ridicule the original song, and that "even if 2 Live Crew's copying of the original's first line of lyrics and characteristic opening bass riff may be said to go to the original's 'heart,' that heart is what most readily
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Satires and parodies are both derivative works that exaggerate their source material(s) in humorous ways. However, a satire is meant to make fun of the real world, whereas a parody is a derivative of a specific work ("specific parody") or a general genre ("general parody" or "spoof"). Furthermore,
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issue was an obviously very large challenge to approach. Do we even put out an issue? What is funny at this time in
American history? Where are the jokes? Do people want jokes right now? Is the nation ready to laugh again? Who knows. There will always be some level of division in the back
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advantages of a new parody exception were sufficient to override the disadvantages to the creators and owners of the underlying work. There is therefore no proposal to change the current approach to parody, caricature and pastiche in the UK."
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Christopher Rea, "Spoofing (e'gao) Culture on the
Chinese Internet." In Humour in Chinese Life and Culture: Resistance and Control in Modern Times. Jessica Milner Davis and Jocelyn Chey, eds. Hong Kong: Hong Kong University Press, 2013, pp.
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Since the 20th century, parody has been heightened as the central and most representative artistic device, the catalysing agent of artistic creation and innovation. This most prominently happened in the second half of the century with
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travel to the Moon, engage in interplanetary war with the help of aliens they meet there, and then return to Earth to experience civilization inside a 200-mile-long creature generally interpreted as being a whale. This is a parody of
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A parody imitates and mocks a specific, recognizable work (e.g. a book, movie, etc.) or the characteristic style of a particular author. A spoof mocks an entire genre by exaggerating its conventions and cliches for humorous effect.
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However, following the
Hargreaves Review in May 2011 (which made similar proposals to the Gowers Review) the Government broadly accepted these proposals. The current law (effective from 1 October 2014), namely Section 30A of the
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The burlesque primarily targets heroic poems and theater to degrade popular heroes and gods, as well as mock the common tropes within the genre. Simon
Dentith has described this type of parody as "parodic anti-heroic drama".
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Genette individua la forma "piú rigorosa" di parodia nella "parodia minimale", consistente nella ripresa letterale di un testo conosciuto e nella sua applicazione a un nuovo contesto, come nella citazione deviata dal suo
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fiction, and a quotidian setting combine for a humor that is not directed at any of the characters or their authors. This combination of established and identifiable characters in a new setting is not the same as the
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A further, more constructive form of poetic parody is one that links the contemporary poet with past forms and past masters through affectionate parodying – thus sharing poetic codes while avoiding some of the
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or Robin Hood) whilst others settle for imitation which does not infringe copyright, but is clearly aimed at a popular (and usually lucrative) subject. The spy film craze of the 1960s, fuelled by the popularity of
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More aggressive in tone are playground poetry parodies, often attacking authority, values and culture itself in a carnivalesque rebellion: "Twinkle, Twinkle little star,/ Who the hell do you think you are?"
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Some countries do not like parodies and the parodies can be considered insulting. The person who makes the parody can be fined or even jailed. For instance in the UAE and North Korea, this is not allowed.
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A fourth approach was to use the target poem as a matrix for inserting unrelated (generally humorous) material – "To have it out or not? That is the question....Thus dentists do make cowards of us
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From these words, it can be inferred that
Genette's conceptualisation does not diverge from Hutcheon's, in the sense that he does not mention the component of ridicule that is suggested by the prefix
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identifies parody as one of the "arts of the contact zone", through which marginalized or oppressed groups "selectively appropriate", or imitate and take over, aspects of more empowered cultures.
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is such an example. In this genre a rare, and possibly unique, example of a parody film taking aim at a non-comedic subject over which it actually holds copyright is the 1967 James Bond spoof
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A travesty imitates and transforms a work, but focuses more on the satirization of it. Because satire is meant to attack someone or something, the harmless playfulness of parody is lost.
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As of the implementation of the
Copyright Modernization Act 2012, "Fair dealing for the purpose of research, private study, education, parody or satire does not infringe copyright."
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had anticipated this perspective. For the Russian formalists, parody was a way of liberation from the background text that enables to produce new and autonomous artistic forms.
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initially intended to make a serious film, but decided that it would not be able to compete with the established series of Bond films. Hence, he decided to parody the series.
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Parody is by no means necessarily satirical, and may sometimes be done with respect and appreciation of the subject involved, without being a heedless sarcastic attack.
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UK Intellectual Property Office. (2009) Taking Forward the Gowers Review of Intellectual Property: Second Stage Consultation on Copyright Exceptions. . Available at
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A pastiche imitates a work as a parody does, but unlike a parody, pastiche is neither transformative of the original work, nor is it humorous. Literary critic
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or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the
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329:. He described the authors of such accounts as liars who had never traveled, nor ever talked to any credible person who had. In his ironically named book
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stated that Yankovic's parodies of their respective songs were excellent, and many artists have considered being parodied by him to be a badge of honor.
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Parody is a prominent genre in online culture, thanks in part to the ease with which digital texts may be altered, appropriated, and shared. Japanese
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was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. In ancient
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in 1693, who also appended an explanation, suggesting that the word was in common use, meaning to make fun of or re-create what you are doing.
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Blank parody, in which an artist takes the skeletal form of an art work and places it in a new context without ridiculing it, is common.
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story is parodied as Dionysus dresses as Heracles to go to the Underworld, in an attempt to bring back a poet to save Athens. The
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said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including
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Some events, such as a national tragedy, can be difficult to handle. Chet Clem, Editorial Manager of the news parody publication
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Lucian delivers a story which exaggerates the hyperbole and improbable claims of those stories. Sometimes described as the first
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Shakespeare often uses a series of parodies to convey his meaning. In the social context of his era, an example can be seen in
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Finally, parody may be used to attack contemporary/topical targets by utilizing the format of a well-known piece of verse: "O
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for Best Original Screenplay, Brooks became one of the most famous film parodists and created spoofs in multiple film genres.
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In the US legal system the point that in most cases a parody of a work constitutes fair use was upheld in the case of
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of a technical paper or a particular writer. They are also called travesty generators and random text generators.
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57:). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively
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Skits imitate works "in a satirical regime". But unlike travesties, skits do not transform the source material.
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1967:
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parodic form....And thus is produced the regeneration of the genre: it finds new possibilities and new forms."
348:' claims that India has a one-legged race of humans with a single foot so huge it can be used as an umbrella,
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is another prominent example of the modern "recontextualizing" parody. According to French literary theorist
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has now generally been supplanted by a more general meaning of the word. In its more contemporary usage,
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Parody was used in early Greek philosophical texts to make philosophical points. Such texts are known as
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are emblematic of the importance of parody in online cultures in Asia. Video mash-ups and other parodic
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had infringed upon the children's book because it did not provide a commentary function upon that work.
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to reprocess real text examples; alternatively, they may be hand-coded. Generated texts can vary from
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Parts of this article (those related to Changes from the Copyright Modernization Act, 2012) need to be
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112:(which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the
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archived at University of Idaho, English 506, Rhetoric and Composition: History, Theory, and Research
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Sometimes the reputation of a parody outlasts the reputation of what is being parodied. For example,
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has sometimes been taken to mean "counter-song", an imitation that is set against the original. The
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into the principal characters in a comedic perspective on the same events in the play (and film)
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Parody has also been used to facilitate dialogue between cultures or subcultures. Sociolinguist
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trope of using historical characters in fiction out of context to provide a metaphoric element.
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has referred to the pastiche as a "blank parody", or "parody that has lost its sense of humor".
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in 1598: "A Parodie, a parodie! to make it absurder than it was." The next citation comes from
221:, for example, defines parody as imitation "turned as to produce a ridiculous effect". Because
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Signifyin(g), Sanctifyin', & Slam Dunking: A Reader in African American Expressive Culture
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moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the
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magazine, October 9, 1915. Caption "I did not raise my girl to be a voter" parodies the anti-
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Many parody films have as their target out-of-copyright or non-copyrighted subjects (such as
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Some artists carve out careers by making parodies. One of the best-known examples is that of
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of a pre-existing, copyrighted work, some countries have ruled that parodies can fall under
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is based on particular popular songs, it also often utilises wildly incongruous elements of
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Bakhtin, Mikhail; Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist (1981).
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Please help update this section to reflect recent events or newly available information.
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which parodied philosophers living and dead. The style was a rhetorical mainstay of the
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is a creative work designed to imitate, comment on, and/or mock its subject by means of
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The third type reversed (and so undercut) the sentiments of the poem parodied, as with
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More recently, parodies have taken on whole film genres at once. One of the first was
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allusive imitation of another cultural production or practice". The literary theorist
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The Stationery Office. (2006) Gowers Review of Intellectual Property. . Available at
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Jameson, Fredric (1983). "Postmodernism and Consumer Society". In Hal Foster (ed.).
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parodied well-established genres such as disaster, war and police movies with the
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Youtuber Shane Dawsons fans revolt after Sony pulls his Taylor Swift parody video
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conjures up the song for parody, and it is the heart at which parody takes aim."
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in an interview the questions that are raised when addressing difficult topics:
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Parody is often used to make a social or political statement. Examples include
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The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
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Stevens, Anne H. (2019). "Parody". In Evan R. Davis; Nicholas D. Nace (eds.).
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refers to a reworking of one kind of composition into another (for example, a
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series respectively. There is a 1989 film parody from Spain of the TV series
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Encyclopedia of Diderot & d'Alembert - Collaborative Translation Project
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Imitative work created to mock, comment on or trivialise an original work
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Don't Be a Menace to South Central While Drinking Your Juice in the Hood
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started his career with a Hitler parody as well. After his 1967 film
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Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
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657:. Major modernist examples of this recontextualizing parody include
3916:
Watching with The Simpsons: Television, Parody, and Intertextuality
3792:
The Signifying Monkey: A Theory of Afro-American Literary Criticism
2671:. New York: Modern Language Association of America. pp. 44–49.
1786:". A chorus of disreputable men support a lone anti-suffrage woman.
4688:
4669:
4146:
3396:"Consolidated federal laws of canada, Copyright Modernization Act"
2656:. New York: Modern Language Association of America. pp. 1–34.
2167:
1789:
1767:
1752:
1177:
1024:
1016:
834:
801:
717:
688:
668:
563:
488:
used extensive quotation from other vocal works such as motets or
473:
454:
349:
255:
39:
1337:
The first was to use parody to attack the author parodied, as in
867:", are much better known than the (largely forgotten) originals.
4955:
4822:
3678:
A Theory of Parody: The Teachings of Twentieth-Century Art Forms
2984:
Elizabeth Bellalouna, Michael L. LaBlanc, Ira Mark Milne (2000)
2963:(Oakland, CA: University of California Press, 2015), pp. 52, 53.
2416:
1699:
1691:
833:(although Amadis is mentioned in the book). Another case is the
82:
4005:
2913:
Department of Asian Studies, The University of British Columbia
1023:, see parody as a natural development in the life cycle of any
863:'s parodies of Victorian didactic verse for children, such as "
104:, that parody seems to flourish on territory somewhere between
2257:
1564:
1092:, following the first-ever Hollywood parody of the Nazis, the
952:
3745:
Stavans, Ilan and Jesse H. Lytle, Jennifer A. Mattson (1997)
3377:"The Tyee – Canwest Suit May Test Limits of Free Speech"
3216:
Kiss kiss bang bang: the unofficial James Bond film companion
827:
tales, is much better known than the novel that inspired it,
205:
subjects". Indeed, the components of the Greek word are παρά
3676:
Hutcheon, Linda (1985). "3. The Pragmatic Range of Parody".
1836:
made a distinction: "Satire is a lesson, parody is a game."
1627:
parody of the paper. Alan Donaldson, the judge in the case,
1609:, there is no explicit protection for parody and satire. In
758:
providing commentary through popular characters. Don Draper
2582:
The Funny Parts: A History of Film Comedy Routines and Gags
922:, who decided to use 29 seconds of the music from the song
254:
as cowardly and unintelligent. The traditional trip to the
2961:
The Age of Irreverence: A New History of Laughter in China
2652:
Davis, Evan R.; Nace, Nicholas D. (2019). "Introduction".
766:
monologizing about a lack of independence while embracing
3531:"North Korea Furious Over Kim Jong Un Parody Dance Video"
3954:
Ancient Greek Epigrams: Major Poets in Verse Translation
233:
to necessitate the inclusion of a concept of ridicule."
197:
was a narrative poem imitating the style and prosody of
3670:
Historical and theoretical approaches to English satire
1348:
The second was to pastiche the author's style, as with
976:
1522:, which told the same story from the point of view of
1066:(1926). Others were spoofs of Broadway plays, such as
2829:
2827:
2932:"From the Year of the Ape to the Year of the Monkey"
1832:
On the other hand, the writer and frequent parodist
800:: the mixture of mythic characters, characters from
4892:
4815:
4767:
4717:
4614:
4539:
4511:
4463:
4454:
4409:
4326:
4283:
4241:
4195:
4047:
4040:
3809:David Bartholomae; Anthony Petroksky, eds. (1999).
3810:
3768:
2987:Literature of Developing Nations for Students: L-Z
1726:are computer programs which generate text that is
1333:considered poetic parody to take five main forms.
1244:Shriek If You Know What I Did Last Friday The 13th
1166:is also famous for its parodies, for example, the
302:and was the most common tone of the works made by
2297:"Handyman Corner" and "Handyman Tip" segments on
1360:: "As we get older we do not get any younger...."
3897:Los reflejos en juego (Una teoría de la parodia)
3817:(5th ed.). New York: Bedford/St. Martin's.
3775:. Austin and London: University of Texas Press.
3301:The Princeton Encyclopedia of Poetry and Poetics
3033:
3031:
3029:
3019:
3017:
2998:
2996:
2786:The Anti-Aesthetic: Essays on Postmodern Culture
1241:franchise. Other recent genre parodies include.
548:genre. Conversely, while the best-known work of
3087:
3003:
2865:
1853:
360:Parody exists in the following related genres:
1419:in which artists parody their own work (as in
213:"song". Thus, the original Greek word παρῳδία
4327:Cinema / television / video
4017:
2200:, a parody currency and internet meme (2011)
1772:Satirical political cartoon that appeared in
1667:Intellectual Property Office (United Kingdom)
8:
4861:Palimpsests: Literature in the Second Degree
3956:. Berkeley: University of California Press.
3578:Wisconsin Studies in Contemporary Literature
3070:Palimpsests: literature in the second degree
1295:, all of which have been critically panned.
884:In more recent times, the television sitcom
3394:Branch, Legislative Services (2019-11-15).
2669:Teaching Modern British and American Satire
2654:Teaching Modern British and American Satire
1860:room. It's also what keeps us on our toes.
1526:'s slaves, who were glad to be rid of her.
4460:
4247:
4044:
4024:
4010:
4002:
3748:Antiheroes: Mexico and its detective novel
2896:O. Henry and the Theory of the Short Story
1623:against a group which had published a pro-
352:'s stories of one-eyed giants, and so on.
3842:. Cambridge: Cambridge University Press.
2171:parody by an unknown ancient Greek author
1003:Learn how and when to remove this message
846:(1742), which was a parody of the gloomy
525:The musicological definition of the term
317:created a parody of travel texts such as
225:also has the non-antagonistic meaning of
3327:The Cambridge History of American Poetry
2328:parodies the genre of dance movies like
1034:An early parody film was the 1922 movie
3840:Parody: Ancient, Modern and Post-Modern
2499:
1663:Copyright, Designs and Patents Act 1988
1433:Copyright issues and other legal issues
890:is perhaps better known than the drama
3899:. Valencia (Spain): Tirant lo Blanch.
3345:Stanford Copyright and Fair Use Center
2579:Balducci, Anthony (28 November 2011).
1747:Many work by using techniques such as
1653:Gowers Review of Intellectual Property
1536:Dr. Seuss Enterprises v. Penguin Books
1443:Although a parody can be considered a
3861:. University of Massachusetts Press.
3771:The Dialogic Imagination: Four Essays
3238:(London 1990) Introduction p. xx–xxii
2798:Tilmouth, Michael and Richard Sherr.
2779:
2777:
2775:
2749:
2747:
2745:
2743:
2741:
2739:
2688:
2686:
2684:
2682:
2680:
2678:
1784:I Didn't Raise My Boy To Be A Soldier
1129:(1974) is a parody of western films,
735:Rosencrantz and Guildenstern Are Dead
677:in a 20th-century Irish context, and
534:a song and dance number performed by
270:, often with performers dressed like
7:
3667:Elices Agudo, Juan Francisco (2004)
3574:"An Interview with Vladimir Nabokov"
2695:The Cambridge Introduction to Satire
2639:
2373:Panty & Stocking with Garterbelt
2165:(battle between frogs and mice), an
877:has eclipsed the pastoral novels of
647:Pierre Menard, Author of the Quixote
240:even the gods could be made fun of.
3937:. Oxford: Oxford University Press.
1605:, although there is protection for
618:Modernist and post-modernist parody
209:"beside, counter, against" and ᾠδή
3214:Barnes, A. & Hearn, M. (1997)
1992:, an anonymous 17th century ballad
1671:Fair dealing in United Kingdom law
1477:Campbell v. Acuff-Rose Music, Inc.
250:as a glutton and the God of Drama
201:"but treating light, satirical or
25:
3102:Willett, Bec (17 December 2017).
2930:Rea, Christopher (2 March 2016).
2919:from the original on Aug 3, 2019.
2720:Satire: A Critical Reintroduction
2260:'s parody of 80s territory-style
2176:A Century of Parody and Imitation
1933:The Nymph's Reply to the Shepherd
1533:denied a fair use defense in the
1498:Eleventh Circuit Court of Appeals
1463:Parodies are protected under the
1186:(1979). In the 1980s the team of
1082:created a satirical comedy about
667:, which incorporates elements of
284:a famous example of which is the
3987:
3976:
2722:. University Press of Kentucky.
2214:, parody of various Disney songs
1974:The Knight of the Burning Pestle
1715:This section is an excerpt from
1569:
957:
135:A parody may also be known as a
3790:Gates, Henry Louis Jr. (1988).
3651:Parody (The New Critical Idiom)
1382:, Rushdie, it's a vile world" (
1173:Monty Python and the Holy Grail
1135:(1981) is a historical parody,
127:shorts that mocked that genre.
3104:"Trapped in the Netflix at iO"
3002:Elices (2004) p.90 quotation:
2788:. Bay Press. pp. 111–125.
2756:Parody: The New Critical Idiom
2697:. Cambridge University Press.
2084:Memoirs of Martinus Scriblerus
1531:Ninth Circuit Court of Appeals
1121:Writers Guild of America Award
823:, which mocks the traditional
1:
4790:Pierre Menard, Author of the
4636:Archetypal literary criticism
4196:Literature / theatre
3992:The dictionary definition of
3442:(Accessed: 22 February 2011).
3422:(Accessed: 22 February 2011).
3341:"Summaries of Fair Use Cases"
3339:Richard Stim (4 April 2013).
2892:Theory of the "Formal Method"
2322:The "Get the Belt" sketch on
246:portrays the hero-turned-god
4602:Source criticism in the arts
4270:Readymades of Marcel Duchamp
3128:Ayers, Mike (24 July 2014).
2833:Sheinberg (2000) pp.141, 150
2693:Greenberg, Jonathan (2019).
2516:J.M.W. Thompson (May 2010).
2352:Attack on Titan: Junior High
2255:Southpaw Regional Wrestling,
1888:to be a parody of the king.
1543:decision, they found that a
1503:Suntrust v. Houghton Mifflin
1484:ruled that a rap parody of "
1132:History of the World, Part I
722:Rosencrantz and Guildenstern
592:The first usage of the word
570:Allegory of the Tulip omania
4803:Reality Hunger: A Manifesto
3935:The Oxford Book of Parodies
3857:Caponi, Gena Dagel (1999).
3794:. Oxford University Press.
3618:An interview with The Onion
1710:Computer-generated parodies
1469:United States copyright law
1226:directed by José Truchado.
983:the claims made and adding
881:which largely inspired it.
865:You Are Old, Father William
5023:
4909:Appropriation in sociology
3895:Pueo, Juan Carlos (2002).
3700:"Arts of the Contact Zone"
2219:Modern television examples
1714:
1436:
1406:
946:
852:Pamela, or Virtue Rewarded
796:all assemble in an inn in
438:
45:. Often its subject is an
4914:Articulation in sociology
4437:Revivalism (architecture)
4250:
3420:official-documents.gov.uk
2879:Hutcheon (1985) pp.28, 35
2602:– via Google Books.
2559:2027/spo.did2222.0000.811
2150:Through the Looking-Glass
1764:Social and political uses
1755:length to paragraphs and
1549:O.J. Simpson murder trial
1318:. In this case, producer
1162:The British comedy group
599:Oxford English Dictionary
219:Oxford English Dictionary
4626:Aesthetic interpretation
3952:Fain, Gordon L. (2010).
3933:John Gross, ed. (2010).
3831:Arts of the Contact Zone
3303:(Princeton 2012) p. 1003
2718:Griffin, Dustin (1994).
2325:A Black Lady Sketch Show
2236:parodies of Donald Trump
1369:All Things Dull and Ugly
1138:Robin Hood Men in Tights
1063:Dr. Pyckle and Mr. Pryde
596:in English cited in the
586:Jan Brueghel the Younger
457:into a keyboard work as
4868:The Pictures Generation
4647:The Death of the Author
3918:. New York: Routledge.
3914:Gray, Jonathan (2006).
3838:Rose, Margaret (1993).
3829:An anthology including
3737:Sheinberg, Esti (2000)
3729:Sangsue, Daniel (2006)
3714:: 33–40. Archived from
3649:Dentith, Simon (2000).
3400:laws-lois.justice.gc.ca
3325:Quoted in S. Burt ed.,
3135:The Wall Street Journal
2820:(subscription required)
2804:(subscription required)
2754:Dentith, Simon (2000).
2621:Quoted in Hutcheon, 32.
2437:Parody in popular music
2228:parodies of Sarah Palin
1884:is introduced with his
1741:Their purpose is often
1704:Grass-Mud Horse Lexicon
1615:, the publisher of the
1510:to publish a parody of
1060:—parodied in the comic
1057:Dr. Jekyll and Mr. Hyde
792:, and an assortment of
645:'s (1939) short story "
608:Every Man in His Humour
449:, as a technical term,
313:In the 2nd century CE,
229:, "there is nothing in
102:Oxford Book of Parodies
4939:Copyright infringement
4919:Cultural appropriation
3753:Ore, Johnathan (2014)
3190:"The Producers (1967)"
3092:
3011:
2870:
2814:Burkholder, J. Peter.
2262:professional wrestling
2112:Ein musikalischer Spaß
1862:
1820:The Larry Sanders Show
1802:
1787:
1541:Campbell v. Acuff-Rose
1506:, upheld the right of
1413:A subset of parody is
1250:Not Another Teen Movie
1044:film that made fun of
744:Trapped in the Netflix
589:
96:The writer and critic
4966:Participatory culture
4934:Intellectual property
3985:at Wikimedia Commons
3876:Harries, Dan (2000).
3680:. New York: Methuen.
3288:Unauthorized Versions
3275:Unauthorized Versions
3262:Unauthorized Versions
3249:Unauthorized Versions
3236:Unauthorized Versions
1936:by Sir Walter Raleigh
1793:
1771:
1728:syntactically correct
1631:that parody is not a
1449:copyright limitations
1105:About 20 years later
716:is a closely related
567:
4641:Artistic inspiration
4465:Intertextual figures
4432:Parody advertisement
3626:, November 25, 2007.
3290:(London 1990) p. 355
3277:(London 1990) p. 319
3264:(London 1990) p. 107
3251:(London 1990) p. 429
3037:Hutcheon (1985) p.52
3023:Hutcheon (1985) p.50
2432:Parody advertisement
2029:The Rape of the Lock
1797:, a voice actor and
1393:anxiety of influence
1072:(1925), parodied as
924:When Sonny Gets Blue
762:about mansplaining,
580:, persiflage on the
556:for comedic effect.
476:). More commonly, a
55:1960s counterculture
4976:Recontextualisation
4929:Information society
4924:History of printing
4904:Academic dishonesty
4665:Genius (literature)
4354:Literal music video
4265:Photographic mosaic
4060:Chopped and screwed
3620:, David Shankbone,
3383:. 11 December 2008.
3314:Poetry's Playground
3156:Hamersly, Michael.
2522:Standpoint magazine
2518:"Close to the Bone"
2487:"Weird Al" Yankovic
2337:Save the Last Dance
2234:Saturday Night Live
2226:Saturday Night Live
2209:YouTube personality
2203:"After Ever After"
2144:Alice in Wonderland
1957:Miguel de Cervantes
901:"Weird Al" Yankovic
896:which it parodies.
780:, for example, mad
550:"Weird Al" Yankovic
512:reworks music from
4653:Divine inspiration
4442:Video game modding
4284:By source material
3457:Legislation.gov.uk
3438:2011-05-17 at the
3218:, Batsford, p. 63
3196:. 10 November 1968
2857:No, not Bloomsbury
2854:Bradbury, Malcolm
2506:Dentith (2000) p.9
2422:Literary technique
2300:The Red Green Show
2185:R. Maynard Leonard
2135:The aged, aged man
2091:, Alexander Pope,
2062:Gulliver's Travels
1946:Alessandro Tassoni
1826:The Colbert Report
1803:
1788:
1612:Canwest v. Horizon
1554:The Cat in the Hat
1519:The Wind Done Gone
1513:Gone with the Wind
1320:Charles K. Feldman
1144:Young Frankenstein
1089:The Great Dictator
968:possibly contains
907:and Seattle-based
590:
519:Christmas Oratorio
463:Antonio de Cabezón
459:Girolamo Cavazzoni
315:Lucian of Samosata
308:Meleager of Gadara
4989:
4988:
4896:artistic concepts
4884:Russian formalism
4610:
4609:
4450:
4449:
4339:Anime music video
4322:
4321:
4314:Statue of Liberty
4112:Musical quotation
4055:Bootleg recording
3981:Media related to
3963:978-0-520-26579-0
3944:978-0-19-954882-8
3824:978-0-312-45413-5
3696:Mary Louise Pratt
3570:Nabokov, Vladimir
3566:Appel, Alfred Jr.
3224:978-0-7134-8182-2
3170:on March 30, 2024
2959:Christopher Rea,
2909:"Christopher Rea"
2704:978-1-107-68205-4
2592:978-0-7864-8893-3
2392:Anti-Barney Humor
2192:Internet examples
2162:Batrachomyomachia
1989:Dragon of Wantley
1941:La secchia rapita
1897:Historic examples
1869:Mary Louise Pratt
1811:A Modest Proposal
1724:Parody generators
1599:
1598:
1539:case. Citing the
1268:Meet the Spartans
1075:Yes, Yes, Nanette
1046:Rudolph Valentino
1013:
1012:
1005:
970:original research
874:Cold Comfort Farm
857:Samuel Richardson
777:At Swim-Two-Birds
643:Jorge Luis Borges
633:Russian formalism
187:Hegemon of Thasos
51:French Revolution
16:(Redirected from
5014:
4808:
4798:
4785:
4616:Related artistic
4582:Imitation in art
4552:Assemblage (art)
4461:
4260:Combine painting
4248:
4233:Verbatim theatre
4208:Cut-up technique
4107:Music plagiarism
4045:
4026:
4019:
4012:
4003:
3991:
3980:
3967:
3948:
3929:
3910:
3891:
3872:
3853:
3834:
3816:
3805:
3786:
3774:
3725:
3720:
3691:
3664:
3636:
3633:
3627:
3615:
3609:
3608:
3606:
3604:
3562:
3556:
3552:
3546:
3545:
3543:
3542:
3527:
3521:
3520:
3518:
3517:
3502:
3496:
3495:
3493:
3491:
3482:
3474:
3468:
3467:
3465:
3463:
3449:
3443:
3429:
3423:
3416:
3410:
3409:
3407:
3406:
3391:
3385:
3384:
3373:
3367:
3366:
3359:"Google Scholar"
3355:
3349:
3348:
3336:
3330:
3329:(Cambridge 2014)
3323:
3317:
3310:
3304:
3299:S. Cushman ed.,
3297:
3291:
3284:
3278:
3271:
3265:
3258:
3252:
3245:
3239:
3232:
3226:
3212:
3206:
3205:
3203:
3201:
3186:
3180:
3179:
3177:
3175:
3166:. Archived from
3153:
3147:
3146:
3144:
3142:
3125:
3119:
3118:
3116:
3114:
3099:
3093:
3080:
3074:
3062:
3056:
3053:
3047:
3044:
3038:
3035:
3024:
3021:
3012:
3000:
2991:
2982:
2976:
2970:
2964:
2957:
2951:
2950:
2948:
2947:
2938:. Archived from
2927:
2921:
2920:
2905:
2899:
2889:Boris Eikhenbaum
2886:
2880:
2877:
2871:
2862:Boris Eikhenbaum
2852:
2846:
2840:
2834:
2831:
2822:
2821:
2812:
2806:
2805:
2796:
2790:
2789:
2781:
2770:
2769:
2751:
2734:
2733:
2715:
2709:
2708:
2690:
2673:
2672:
2664:
2658:
2657:
2649:
2643:
2637:
2631:
2628:
2622:
2619:
2613:
2610:
2604:
2603:
2601:
2599:
2576:
2570:
2569:
2567:
2565:
2543:
2537:
2536:
2534:
2533:
2524:. Archived from
2513:
2507:
2504:
2313:home improvement
2051:Northanger Abbey
1979:Francis Beaumont
1916:Geoffrey Chaucer
1911:Canterbury Tales
1834:Vladimir Nabokov
1717:Parody generator
1686:Internet culture
1594:
1591:
1585:
1573:
1572:
1565:
1486:Oh, Pretty Woman
1224:El equipo Aahhgg
1176:(1974), and the
1096:' short subject
1078:(1925). In 1940
1008:
1001:
997:
994:
988:
985:inline citations
961:
960:
953:
939:(9th Cir. 1986)
848:epistolary novel
578:
471:Josquin des Prez
191:Greek literature
100:observes in his
21:
5022:
5021:
5017:
5016:
5015:
5013:
5012:
5011:
4992:
4991:
4990:
4985:
4971:Pirate politics
4944:Derivative work
4897:
4895:
4888:
4811:
4806:
4796:
4783:
4772:
4770:
4763:
4759:Story structure
4754:Stock character
4734:Formula fiction
4722:
4720:
4719:Standard blocks
4713:
4619:
4617:
4606:
4535:
4507:
4456:
4446:
4405:
4334:Abridged series
4318:
4306:Michelangelo's
4298:Michelangelo's
4279:
4244:
4237:
4223:Jukebox musical
4191:
4036:
4030:
4000:
3974:
3964:
3951:
3945:
3932:
3926:
3913:
3907:
3894:
3888:
3880:. London: BFI.
3875:
3869:
3856:
3850:
3837:
3825:
3813:Ways of Reading
3808:
3802:
3789:
3783:
3766:
3763:
3761:Further reading
3721:on 2008-10-26.
3718:
3694:
3688:
3675:
3661:
3648:
3645:
3640:
3639:
3634:
3630:
3616:
3612:
3602:
3600:
3590:10.2307/1207097
3564:
3563:
3559:
3553:
3549:
3540:
3538:
3535:www.nbcnews.com
3529:
3528:
3524:
3515:
3513:
3504:
3503:
3499:
3489:
3487:
3480:
3476:
3475:
3471:
3461:
3459:
3451:
3450:
3446:
3440:Wayback Machine
3430:
3426:
3417:
3413:
3404:
3402:
3393:
3392:
3388:
3375:
3374:
3370:
3357:
3356:
3352:
3338:
3337:
3333:
3324:
3320:
3316:(2007) p. 45-52
3311:
3307:
3298:
3294:
3285:
3281:
3272:
3268:
3259:
3255:
3246:
3242:
3233:
3229:
3213:
3209:
3199:
3197:
3188:
3187:
3183:
3173:
3171:
3155:
3154:
3150:
3140:
3138:
3127:
3126:
3122:
3112:
3110:
3101:
3100:
3096:
3082:Sangsue (2006)
3081:
3077:
3063:
3059:
3055:Hutcheon (1985)
3054:
3050:
3045:
3041:
3036:
3027:
3022:
3015:
3001:
2994:
2983:
2979:
2972:Stavans (1997)
2971:
2967:
2958:
2954:
2945:
2943:
2936:The China Story
2929:
2928:
2924:
2907:
2906:
2902:
2887:
2883:
2878:
2874:
2853:
2849:
2842:Stavans (1997)
2841:
2837:
2832:
2825:
2819:
2813:
2809:
2803:
2797:
2793:
2783:
2782:
2773:
2766:
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2737:
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2717:
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2712:
2705:
2692:
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2651:
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2646:
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2625:
2620:
2616:
2611:
2607:
2597:
2595:
2593:
2578:
2577:
2573:
2563:
2561:
2545:
2544:
2540:
2531:
2529:
2515:
2514:
2510:
2505:
2501:
2496:
2491:
2452:Parody religion
2412:Intertextuality
2382:
2347:
2345:Anime and manga
2294:, respectively.
2221:
2194:
2189:
2119:Sartor Resartus
2018:A Tale of a Tub
1968:William Baldwin
1899:
1894:
1766:
1761:
1760:
1734:, often in the
1720:
1712:
1688:
1679:
1648:
1595:
1589:
1586:
1583:
1574:
1570:
1563:
1524:Scarlett O'Hara
1461:
1445:derivative work
1441:
1435:
1411:
1405:
1328:
1326:Poetic parodies
1301:
1274:Superhero Movie
1126:Blazing Saddles
1080:Charlie Chaplin
1069:No, No, Nanette
1017:genre theorists
1009:
998:
992:
989:
974:
962:
958:
951:
945:
871:'s comic novel
830:Amadis de Gaula
815:
746:uses parody to
620:
572:
562:
544:, parodies the
508:, such as when
447:classical music
443:
437:
428:
419:
411:
403:Fredric Jameson
399:
391:
382:
358:
337:science fiction
296:Timon of Phlius
280:spoudaiogeloion
266:which parodied
173:
133:
28:
23:
22:
15:
12:
11:
5:
5020:
5018:
5010:
5009:
5004:
4994:
4993:
4987:
4986:
4984:
4983:
4978:
4973:
4968:
4963:
4958:
4953:
4952:
4951:
4946:
4941:
4931:
4926:
4921:
4916:
4911:
4906:
4900:
4898:
4893:
4890:
4889:
4887:
4886:
4881:
4876:
4871:
4864:
4857:
4850:
4845:
4837:
4832:
4829:De Copia Rerum
4825:
4819:
4817:
4813:
4812:
4810:
4809:
4799:
4786:
4775:
4773:
4768:
4765:
4764:
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4756:
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4723:
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4715:
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4711:
4706:
4701:
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4672:
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4662:
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4643:
4638:
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4622:
4620:
4615:
4612:
4611:
4608:
4607:
4605:
4604:
4599:
4594:
4589:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4549:
4543:
4541:
4540:Other concepts
4537:
4536:
4534:
4533:
4528:
4523:
4517:
4515:
4509:
4508:
4506:
4505:
4500:
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4411:
4407:
4406:
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4403:
4398:
4393:
4388:
4383:
4378:
4377:
4376:
4366:
4364:Re-cut trailer
4361:
4356:
4351:
4346:
4341:
4336:
4330:
4328:
4324:
4323:
4320:
4319:
4317:
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4311:
4303:
4295:
4287:
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4272:
4267:
4262:
4257:
4251:
4245:
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4239:
4238:
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4235:
4230:
4225:
4220:
4215:
4210:
4205:
4199:
4197:
4193:
4192:
4190:
4189:
4184:
4179:
4174:
4169:
4164:
4159:
4154:
4149:
4144:
4139:
4134:
4132:Plunderphonics
4129:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4073:
4072:
4062:
4057:
4051:
4049:
4042:
4038:
4037:
4031:
4029:
4028:
4021:
4014:
4006:
3998:at Wiktionary
3975:
3973:
3972:External links
3970:
3969:
3968:
3962:
3949:
3943:
3930:
3924:
3911:
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3886:
3873:
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3665:
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3644:
3641:
3638:
3637:
3628:
3610:
3584:(2): 127–152.
3557:
3547:
3522:
3497:
3469:
3444:
3424:
3411:
3386:
3368:
3350:
3331:
3318:
3305:
3292:
3286:K. Baker ed.,
3279:
3273:K. Baker ed.,
3266:
3260:K. Baker ed.,
3253:
3247:K. Baker ed.,
3240:
3234:K. Baker ed.,
3227:
3207:
3181:
3148:
3120:
3094:
3075:
3065:Gérard Genette
3057:
3048:
3039:
3025:
3013:
2992:
2977:
2965:
2952:
2922:
2900:
2881:
2872:
2860:p.53, quoting
2847:
2835:
2823:
2807:
2791:
2771:
2764:
2735:
2728:
2710:
2703:
2674:
2659:
2644:
2642:, p. 201.
2632:
2630:(Hutcheon, 32)
2623:
2614:
2605:
2591:
2571:
2538:
2508:
2498:
2497:
2495:
2492:
2490:
2489:
2484:
2479:
2474:
2469:
2464:
2459:
2457:Parody science
2454:
2449:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2404:
2402:Drawn Together
2399:
2394:
2389:
2383:
2381:
2378:
2377:
2376:
2369:
2362:
2355:
2346:
2343:
2342:
2341:
2320:
2317:do-it-yourself
2295:
2264:
2252:
2238:
2230:
2220:
2217:
2216:
2215:
2201:
2193:
2190:
2188:
2187:
2181:Walter Jerrold
2172:
2158:
2153:is parodic of
2130:Ways and Means
2126:
2124:Thomas Carlyle
2115:
2107:A Musical Joke
2099:
2093:John Arbuthnot
2080:
2078:Alexander Pope
2069:
2067:Jonathan Swift
2058:
2047:
2036:
2034:Alexander Pope
2025:
2023:Jonathan Swift
2014:
2004:
1993:
1985:
1970:
1963:Beware the Cat
1959:
1948:
1937:
1929:
1918:
1900:
1898:
1895:
1893:
1890:
1816:The Daily Show
1765:
1762:
1730:, but usually
1721:
1713:
1711:
1708:
1687:
1684:
1678:
1675:
1647:
1646:United Kingdom
1644:
1597:
1596:
1590:September 2012
1577:
1575:
1568:
1562:
1559:
1551:and parody of
1460:
1457:
1434:
1431:
1407:Main article:
1404:
1401:
1388:
1387:
1376:
1372:
1361:
1346:
1341:'s mimicry of
1327:
1324:
1300:
1297:
1280:Disaster Movie
1099:You Nazty Spy!
1086:with the film
1051:Blood and Sand
1029:Western movies
1011:
1010:
965:
963:
956:
947:Main article:
944:
941:
933:Fisher v. Dees
905:Chamillionaire
869:Stella Gibbons
844:Henry Fielding
814:
811:
807:post-modernist
707:minimal parody
703:Gérard Genette
697:. The work of
684:The Waste Land
627:, but earlier
619:
616:
561:
558:
541:Silk Stockings
531:musical parody
506:Baroque period
467:Alonso Mudarra
439:Main article:
436:
433:
427:
424:
418:
415:
410:
407:
398:
395:
390:
387:
381:
378:
357:
354:
260:Ancient Greeks
172:
169:
132:
129:
63:Linda Hutcheon
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5019:
5008:
5005:
5003:
5000:
4999:
4997:
4982:
4981:Remix culture
4979:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4959:
4957:
4954:
4950:
4947:
4945:
4942:
4940:
4937:
4936:
4935:
4932:
4930:
4927:
4925:
4922:
4920:
4917:
4915:
4912:
4910:
4907:
4905:
4902:
4901:
4899:
4891:
4885:
4882:
4880:
4879:Postmodernism
4877:
4875:
4872:
4870:
4869:
4865:
4863:
4862:
4858:
4856:
4855:
4851:
4849:
4846:
4844:
4843:
4838:
4836:
4833:
4831:
4830:
4826:
4824:
4821:
4820:
4818:
4814:
4805:
4804:
4800:
4794:
4793:
4787:
4782:
4781:
4777:
4776:
4774:
4769:Epoch-marking
4766:
4760:
4757:
4755:
4752:
4750:
4747:
4745:
4744:Jazz standard
4742:
4740:
4739:Genre fiction
4737:
4735:
4732:
4730:
4727:
4726:
4724:
4716:
4710:
4709:Western canon
4707:
4705:
4702:
4700:
4697:
4695:
4694:Genre studies
4692:
4690:
4687:
4683:
4680:
4679:
4678:
4675:
4671:
4668:
4666:
4663:
4661:
4660:
4656:
4655:
4654:
4651:
4648:
4644:
4642:
4639:
4637:
4634:
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4627:
4624:
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4613:
4603:
4600:
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4595:
4593:
4590:
4588:
4585:
4583:
4580:
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4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4545:
4544:
4542:
4538:
4532:
4529:
4527:
4524:
4522:
4519:
4518:
4516:
4514:
4510:
4504:
4501:
4499:
4496:
4494:
4491:
4489:
4486:
4484:
4481:
4479:
4476:
4474:
4471:
4470:
4468:
4466:
4462:
4459:
4453:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4423:
4422:Internet meme
4420:
4418:
4415:
4414:
4412:
4408:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4375:
4374:Shot-for-shot
4372:
4371:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4349:Found footage
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4331:
4329:
4325:
4315:
4312:
4310:
4309:
4304:
4302:
4301:
4296:
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4289:
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4276:
4273:
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4268:
4266:
4263:
4261:
4258:
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4249:
4246:
4240:
4234:
4231:
4229:
4226:
4224:
4221:
4219:
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4200:
4198:
4194:
4188:
4185:
4183:
4180:
4178:
4175:
4173:
4170:
4168:
4165:
4163:
4162:Sound collage
4160:
4158:
4155:
4153:
4150:
4148:
4145:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4092:Interpolation
4090:
4088:
4085:
4083:
4082:Cover version
4080:
4078:
4075:
4071:
4068:
4067:
4066:
4063:
4061:
4058:
4056:
4053:
4052:
4050:
4046:
4043:
4039:
4034:
4033:Appropriation
4027:
4022:
4020:
4015:
4013:
4008:
4007:
4004:
3999:
3997:
3996:
3990:
3984:
3979:
3971:
3965:
3959:
3955:
3950:
3946:
3940:
3936:
3931:
3927:
3925:0-415-36202-4
3921:
3917:
3912:
3908:
3906:84-8442-559-2
3902:
3898:
3893:
3889:
3887:0-85170-802-1
3883:
3879:
3874:
3870:
3868:1-55849-183-X
3864:
3860:
3855:
3851:
3849:0-521-41860-7
3845:
3841:
3836:
3833:
3832:
3826:
3820:
3815:
3814:
3807:
3803:
3801:0-19-503463-5
3797:
3793:
3788:
3784:
3782:0-292-71527-7
3778:
3773:
3772:
3765:
3764:
3760:
3756:
3752:
3750:
3749:
3744:
3742:
3741:
3736:
3734:
3733:
3728:
3724:
3717:
3713:
3709:
3705:
3701:
3697:
3693:
3689:
3687:0-252-06938-2
3683:
3679:
3674:
3672:
3671:
3666:
3662:
3660:0-415-18221-2
3656:
3653:. Routledge.
3652:
3647:
3646:
3642:
3632:
3629:
3625:
3624:
3619:
3614:
3611:
3599:
3595:
3591:
3587:
3583:
3579:
3575:
3571:
3567:
3561:
3558:
3551:
3548:
3536:
3532:
3526:
3523:
3511:
3507:
3501:
3498:
3486:
3479:
3473:
3470:
3458:
3454:
3448:
3445:
3441:
3437:
3434:
3428:
3425:
3421:
3415:
3412:
3401:
3397:
3390:
3387:
3382:
3378:
3372:
3369:
3364:
3360:
3354:
3351:
3346:
3342:
3335:
3332:
3328:
3322:
3319:
3315:
3309:
3306:
3302:
3296:
3293:
3289:
3283:
3280:
3276:
3270:
3267:
3263:
3257:
3254:
3250:
3244:
3241:
3237:
3231:
3228:
3225:
3221:
3217:
3211:
3208:
3195:
3191:
3185:
3182:
3169:
3165:
3164:
3159:
3152:
3149:
3137:
3136:
3131:
3124:
3121:
3109:
3105:
3098:
3095:
3091:
3085:
3079:
3076:
3072:
3071:
3066:
3061:
3058:
3052:
3049:
3043:
3040:
3034:
3032:
3030:
3026:
3020:
3018:
3014:
3010:
3008:
2999:
2997:
2993:
2989:
2988:
2981:
2978:
2975:
2969:
2966:
2962:
2956:
2953:
2942:on 2020-04-11
2941:
2937:
2933:
2926:
2923:
2918:
2914:
2910:
2904:
2901:
2897:
2893:
2890:
2885:
2882:
2876:
2873:
2869:
2863:
2859:
2858:
2851:
2848:
2845:
2839:
2836:
2830:
2828:
2824:
2817:
2811:
2808:
2801:
2795:
2792:
2787:
2780:
2778:
2776:
2772:
2767:
2765:0-415-18221-2
2761:
2758:. Routledge.
2757:
2750:
2748:
2746:
2744:
2742:
2740:
2736:
2731:
2729:0-8131-1844-1
2725:
2721:
2714:
2711:
2706:
2700:
2696:
2689:
2687:
2685:
2683:
2681:
2679:
2675:
2670:
2663:
2660:
2655:
2648:
2645:
2641:
2636:
2633:
2627:
2624:
2618:
2615:
2609:
2606:
2594:
2588:
2585:. McFarland.
2584:
2583:
2575:
2572:
2560:
2556:
2553:. June 2007.
2552:
2548:
2542:
2539:
2528:on 2016-04-16
2527:
2523:
2519:
2512:
2509:
2503:
2500:
2493:
2488:
2485:
2483:
2480:
2478:
2475:
2473:
2470:
2468:
2467:P. D. Q. Bach
2465:
2463:
2460:
2458:
2455:
2453:
2450:
2448:
2445:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2407:Internet meme
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2384:
2379:
2375:
2374:
2370:
2368:
2367:
2366:One Punch Man
2363:
2361:
2360:
2356:
2354:
2353:
2349:
2348:
2344:
2339:
2338:
2333:
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1529:In 2007, the
1527:
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1515:
1514:
1509:
1508:Alice Randall
1505:
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1496:In 2001, the
1494:
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1482:Supreme Court
1479:
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1459:United States
1458:
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1418:
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1358:Chard Whitlow
1355:
1352:'s parody of
1351:
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1340:
1336:
1335:
1334:
1332:
1331:Kenneth Baker
1325:
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1315:Casino Royale
1311:
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1286:Vampires Suck
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1183:Life of Brian
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1118:
1117:Academy Award
1114:
1113:
1112:The Producers
1108:
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1095:
1094:Three Stooges
1091:
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966:This section
964:
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950:
943:Film parodies
942:
940:
938:
935:
934:
929:
928:Johnny Mathis
925:
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861:Lewis Carroll
858:
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832:
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825:knight errant
822:
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772:Flann O'Brien
769:
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750:contemporary
749:
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741:
738:. Similarly,
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625:postmodernism
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546:rock and roll
543:
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538:in the movie
537:
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511:
507:
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499:
495:
491:
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483:
482:missa parodia
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356:Related terms
355:
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175:According to
170:
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128:
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125:Buster Keaton
121:
120:Denis Diderot
117:
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99:
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92:
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68:
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60:
56:
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48:
47:original work
44:
41:
37:
33:
19:
4894:Related non-
4866:
4859:
4852:
4841:
4827:
4816:Theorization
4801:
4791:
4778:
4657:
4572:Found object
4567:Détournement
4482:
4401:YouTube poop
4396:Video mashup
4344:Collage film
4307:
4299:
4290:
4218:Found poetry
4213:Flarf poetry
4122:Parody music
4102:Music mashup
4077:Contrafactum
3994:
3986:
3953:
3934:
3915:
3896:
3877:
3858:
3839:
3830:
3828:
3812:
3791:
3770:
3747:
3739:
3731:
3722:
3716:the original
3710:. New York:
3707:
3703:
3677:
3669:
3650:
3635:Pratt (1991)
3631:
3621:
3613:
3601:. Retrieved
3581:
3577:
3560:
3550:
3539:. Retrieved
3537:. 2014-07-23
3534:
3525:
3514:. Retrieved
3512:. 2013-12-23
3510:the Guardian
3509:
3500:
3488:. Retrieved
3484:
3472:
3460:. Retrieved
3456:
3447:
3427:
3414:
3403:. Retrieved
3399:
3389:
3380:
3371:
3362:
3353:
3344:
3334:
3326:
3321:
3313:
3308:
3300:
3295:
3287:
3282:
3274:
3269:
3261:
3256:
3248:
3243:
3235:
3230:
3215:
3210:
3198:. Retrieved
3193:
3184:
3174:12 September
3172:. Retrieved
3168:the original
3163:Miami Herald
3161:
3151:
3141:12 September
3139:. Retrieved
3133:
3123:
3111:. Retrieved
3097:
3088:
3078:
3069:
3060:
3051:
3042:
3006:
3004:
2986:
2980:
2968:
2960:
2955:
2944:. Retrieved
2940:the original
2935:
2925:
2912:
2903:
2895:
2891:
2884:
2875:
2866:
2856:
2850:
2838:
2810:
2800:"Parody (i)"
2794:
2785:
2755:
2719:
2713:
2694:
2668:
2662:
2653:
2647:
2635:
2626:
2617:
2612:(Denith, 10)
2608:
2596:. Retrieved
2581:
2574:
2562:. Retrieved
2550:
2541:
2530:. Retrieved
2526:the original
2521:
2511:
2502:
2477:Subvertising
2447:Parody music
2397:Détournement
2371:
2364:
2357:
2350:
2335:
2329:
2323:
2311:, parodying
2298:
2275:
2266:
2254:
2247:
2233:
2225:
2174:
2166:
2160:
2148:
2142:
2134:
2128:
2117:
2111:
2105:
2096:
2082:
2071:
2060:
2049:
2038:
2027:
2016:
1995:
1987:
1972:
1961:
1950:
1939:
1931:
1920:
1909:
1903:
1875:
1873:
1866:
1863:
1857:September 11
1854:
1846:
1840:
1838:
1831:
1824:
1814:
1804:
1801:impersonator
1799:Barack Obama
1795:Reggie Brown
1773:
1740:
1722:
1694:and Chinese
1689:
1680:
1659:
1651:
1650:In 2006 the
1649:
1641:
1610:
1607:Fair Dealing
1603:Canadian law
1600:
1587:
1579:
1552:
1540:
1534:
1528:
1517:
1511:
1501:
1495:
1475:
1473:
1467:doctrine of
1462:
1453:fair dealing
1442:
1424:
1414:
1412:
1397:
1389:
1368:
1365:Monty Python
1357:
1329:
1313:
1305:Frankenstein
1304:
1302:
1290:
1284:
1278:
1272:
1266:
1260:
1254:
1248:
1242:
1236:
1230:
1228:
1223:
1217:
1211:
1205:
1199:
1196:Jerry Zucker
1192:Jim Abrahams
1188:David Zucker
1181:
1171:
1164:Monty Python
1161:
1154:
1148:
1147:(1974), and
1142:
1136:
1130:
1124:
1115:won both an
1110:
1104:
1097:
1087:
1084:Adolf Hitler
1073:
1067:
1061:
1055:
1049:
1037:Mud and Sand
1035:
1033:
1019:, following
1014:
999:
990:
967:
937:794 F.2d 432
931:
923:
917:
898:
891:
887:'Allo 'Allo!
885:
883:
872:
850:
837:
828:
818:
816:
786:Finn MacCool
782:King Sweeney
775:
768:codependency
760:mansplaining
743:
733:
711:
706:
692:
682:
672:
662:
650:
641:
637:
621:
607:
597:
593:
591:
568:
560:English term
539:
536:Fred Astaire
526:
524:
517:
481:
450:
444:
441:Parody music
429:
420:
412:
400:
392:
383:
364:, travesty,
359:
332:True History
330:
324:
318:
312:
294:philosopher
285:
278:
276:
268:tragic plays
241:
235:
230:
226:
222:
218:
214:
210:
206:
194:
180:
174:
164:
160:
156:
152:
148:
144:
140:
136:
134:
115:Encyclopédie
113:
101:
95:
31:
29:
4961:Open source
4749:Plot device
4699:Originality
4682:Fan fiction
4547:After (art)
4503:Translation
4359:Parody film
4243:Visual arts
4172:Tribute act
4035:in the arts
3878:Film Parody
3312:J. Thomas,
3086:quotation:
2894:(1925) and
2816:"Borrowing"
2442:Parody film
2387:Abridgement
2305:Steve Smith
2282:film review
2073:The Dunciad
2056:Jane Austen
2045:Henry Carey
2040:Namby Pamby
2012:John Dryden
2008:MacFlecknoe
1952:Don Quixote
1927:Luigi Pulci
1855:I know the
1780:World War I
1732:meaningless
1625:Palestinian
1619:launched a
1490:2 Live Crew
1416:self-parody
1409:Self-parody
1403:Self-parody
1384:Cat Stevens
1354:T. S. Eliot
1339:J K Stephen
1238:Scary Movie
1168:King Arthur
1042:Stan Laurel
949:Parody film
893:Secret Army
820:Don Quixote
754:shows like
748:deconstruct
740:Mishu Hilmy
726:Shakespeare
699:Andy Warhol
694:The Inferno
679:T. S. Eliot
659:James Joyce
612:John Dryden
582:tulip mania
573: [
554:pop culture
478:parody mass
469:all did to
326:The Odyssey
264:satyr plays
203:mock-heroic
131:Terminology
4996:Categories
4854:Nachahmung
4840:Dionysian
4780:L.H.O.O.Q.
4704:Simulacrum
4513:Adaptation
4493:Plagiarism
4427:Joke theft
4410:Other arts
4203:Assemblage
4065:Contrafact
3732:La parodia
3704:Profession
3643:References
3541:2023-07-06
3516:2023-01-11
3433:ipo.gov.uk
3405:2023-03-06
3363:google.com
3200:17 October
3108:Performink
3046:Yunck 1963
2946:2019-02-17
2532:2011-02-26
2482:Tom Lehrer
2462:Persiflage
2427:Metaparody
2309:Rick Green
2284:shows and
2212:Jon Cozart
2207:series by
2157:schooling.
2141:. Much of
1905:Sir Thopas
1880:where the
1439:Plagiarism
1437:See also:
1350:Henry Reed
1343:Wordsworth
1310:James Bond
1262:Epic Movie
1256:Date Movie
1219:The A-Team
1207:Hot Shots!
1150:Spaceballs
1107:Mel Brooks
977:improve it
926:to parody
859:. Many of
855:(1740) by
813:Reputation
764:Luke Danes
604:Ben Jonson
498:Palestrina
341:characters
292:Pyrrhonist
256:Underworld
238:Old Comedy
185:, ii. 5),
165:caricature
98:John Gross
79:television
67:literature
4729:Archetype
4721:and forms
4677:Fan labor
4557:Bricolage
4498:Quotation
4386:TV format
4292:Mona Lisa
4187:Vaporwave
4182:Variation
4142:Quodlibet
4137:Potpourri
4127:Pasticcio
4117:Nightcore
3490:3 October
3462:3 October
2640:Fain 2010
2598:3 October
2564:3 October
2292:thrillers
2286:political
2268:On Cinema
2205:a capella
2155:Victorian
1877:King Lear
1842:The Onion
1743:satirical
1637:copyright
1299:Copyright
1213:Naked Gun
1201:Airplane!
1156:Star Wars
1153:(1987, a
981:verifying
920:Rick Dees
879:Mary Webb
774:'s novel
728:'s drama
655:modernity
629:modernism
417:Burlesque
374:burlesque
243:The Frogs
236:In Greek
177:Aristotle
161:something
110:burlesque
87:animation
59:polemical
43:imitation
36:satirical
5002:Parodies
4949:Fair use
4842:imitatio
4835:Diegesis
4659:Afflatus
4631:Anti-art
4618:concepts
4562:Citation
4526:Literary
4488:Pastiche
4473:Allusion
4457:concepts
4455:General
4381:Supercut
4167:Standard
4157:Sampling
4041:By field
3698:(1991).
3623:Wikinews
3572:(1967).
3436:Archived
3381:The Tyee
3194:imdb.com
3113:23 March
2917:Archived
2547:"Parody"
2380:See also
2359:KonoSuba
2273:spin-off
2244:parodies
2198:Punt nua
2089:John Gay
1997:Hudibras
1922:Morgante
1892:Examples
1848:Wikinews
1465:fair use
1451:such as
1235:and the
1159:spoof).
1048:'s film
993:May 2009
714:Pastiche
514:cantatas
494:Victoria
490:cantatas
486:oratorio
484:) or an
397:Pastiche
389:Travesty
366:pastiche
304:Menippus
262:created
252:Dionysus
248:Heracles
163:), or a
149:take-off
106:pastiche
18:Parodied
4874:Pop art
4848:Mimesis
4792:Quixote
4592:Reprise
4531:Theatre
4417:In-joke
4391:Vidding
4255:Collage
3598:1207097
3555:149–172
3067:(1982)
2331:Step Up
2280:parody
2249:Dragnet
1886:coxcomb
1845:, told
1639:claim.
1633:defence
1621:lawsuit
1580:updated
1547:of the
1516:called
1380:Rushdie
1222:called
1180:satire
1021:Bakhtin
975:Please
913:Nirvana
839:Shamela
794:cowboys
756:Mad Men
752:Netflix
674:Odyssey
664:Ulysses
651:parodia
588:(1640s)
516:in his
346:Ctesias
231:parodia
215:parodia
195:parodia
182:Poetics
171:Origins
157:play on
153:lampoon
145:send-up
75:theater
5007:Satire
4807:(2010)
4797:(1939)
4784:(1919)
4597:Satire
4587:Mashup
4577:Homage
4483:Parody
4478:Calque
4369:Remake
4152:Riddim
4097:Medley
4087:DJ mix
3995:parody
3983:Parody
3960:
3941:
3922:
3903:
3884:
3865:
3846:
3821:
3798:
3779:
3684:
3657:
3603:28 Dec
3596:
3485:Gov.uk
3222:
2898:(1925)
2762:
2726:
2701:
2589:
2472:Satire
2289:action
2277:Decker
2102:Mozart
2097:et al.
2010:", by
1782:song "
1757:tweets
1601:Under
1561:Canada
1545:satire
1480:, the
1426:Extras
1289:, and
1170:spoof
1119:and a
909:grunge
798:Dublin
790:pookah
770:. In
730:Hamlet
602:is in
594:parody
527:parody
502:Lassus
474:motets
465:, and
451:parody
380:Satire
362:satire
339:, the
320:Indica
300:Cynics
287:Silloi
272:satyrs
227:beside
141:satire
91:gaming
89:, and
40:ironic
32:parody
4771:works
4689:Genre
4670:Muses
4308:Pietà
4300:David
4275:Swipe
4228:Trope
4177:Trope
4147:Remix
4048:Music
3719:(PDF)
3594:JSTOR
3481:(PDF)
3090:senso
3007:paros
2494:Notes
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