1457:). Had he not suffered an incapacitating stroke on the way to Notre Dame mass in 1990, it is likely that he would have continued to use his popularity as a performer of his own works to experiment in relative safety with even more audacious musical techniques, while possibly responding to the surging popularity of non-Western musics by finding ways to incorporate new styles into his own. In his musical professionalism and open-minded attitude to existing styles he held the mindset of an 18th-century composing performer such as Handel or Mozart, who were anxious to assimilate all national "flavors" of their day into their own compositions, and who always wrote with both first-hand performing experience and a sense of direct social relationship with their audiences. This may have resulted in a backlash amongst conservative tango aficionados in Argentina, but in the rest of the West it was the key to his extremely sympathetic reception among classical and jazz musicians, both seeing some of the best aspects of their musical practices reflected in his work.
463:
649:
298:. Gardel invited the young bandoneon player to join him on his tour. Much to Piazzolla's dismay, his father decided that he was not old enough to go along. The disappointment of being forbidden to join the tour proved to be fortunate, as it was on this tour in 1935 that Gardel and his entire orchestra perished in a plane crash. In later years Piazzolla jokingly made light of this fateful event: had his father let him join the tour, Piazzolla would have played the harp instead of the bandoneon.
958:
876:
743:
49:
4023:
4059:
4033:
1274:
735:), a chamber music formation, which was a realisation of a dream for Piazzolla and for which he composed some of his most sophisticated music. He now put aside his first Quinteto and made several recordings with his new ensemble in Italy. Within a year the Conjunto 9 had run into financial problems and was dissolved and in 1972 he participated in his first concert at the
950:
4083:
4071:
1353:
imitates most sections of a symphony orchestra, including the percussion, which is improvised by all players on the bodies of their instruments – and the strong expressive identity it permits each individual musician. With a style that is both rugged and intricate, such a setup augments the compositions' inherent characteristics.
477:
himself. At the end of the concert, a fight broke out among members of the audience who were offended by the inclusion of two bandoneons in a traditional symphony orchestra. In spite of this
Piazzolla's composition won him a grant from the French government to study in Paris with the legendary French composition teacher
4095:
1453:, two of which he described on separate occasions as "the greatest thing I've done", he disbanded the quintet, formed a sextet with an extra bandoneon, cello, bass, electric guitar, and piano, and wrote music for this ensemble that was even more adventurous harmonically and structurally than any of his previous works (
585:, made him a controversial figure in his native land both musically and politically. However, his music gained acceptance in Europe and North America, and his reworking of the tango was embraced by some liberal segments of Argentine society, who were pushing for political changes in parallel to his musical revolution.
588:
In 1958 he disbanded both the Octeto and the String
Orchestra and returned to New York City with his family where he struggled to make a living as a musician and arranger. Briefly forming his own group, the Jazz Tango Quintet with whom he made just two recordings, his attempts to blend jazz and tango
476:
At
Ginastera's urging, on August 16, 1953, Piazzolla entered his classical composition "Buenos Aires Symphony in Three Movements" for the Fabian Sevitzky Award. The performance took place at the law school in Buenos Aires with the symphony orchestra of Radio del Estado under the direction of Sevitzky
248:
in New York City, which in those days was a violent neighbourhood inhabited by a volatile mixture of gangsters and hard-working immigrants. His parents worked long hours, and
Piazzolla, despite having a limp, soon learned to take care of himself on the streets. At home he would listen to his father's
1352:
of bandoneon, violin, piano, electric guitar and double bass was
Piazzolla's preferred setup on two extended occasions during his career, and most critics consider it to be the most successful instrumentation for his works. This is due partly to its great efficiency in terms of sound – it covers or
1347:
as lyrical soloists. The piano tends to be used throughout as a percussive rhythmic backbone, while the electric guitar either joins in this role or spins filigree improvisations; the double bass parts are usually of little interest, but provide an indispensable rugged thickness to the sound of the
1305:
has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable
Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular
488:
In 1954, he and his wife left their two children (Diana aged 11 and Daniel aged 10) with
Piazzolla's parents and travelled to Paris. Piazzolla was tired of tango and tried to hide his tango and bandoneon compositions from Boulanger, thinking that his destiny lay in classical music. Introducing his
430:. He spent a lot of time listening to jazz and searching for a musical style of his own beyond the realms of tango. He decided to drop the bandoneon and to dedicate himself to writing and to studying music. Between 1950 and 1954 he composed a series of works that began to develop his unique style:
378:
As time passed, Troilo began to fear that the advanced musical ideas of the young bandoneonist might undermine the style of his orchestra and make it less appealing to dancers of tango. Tensions mounted between the two bandoneonists until, in 1944, Piazzolla announced his intention to leave Troilo
337:
who was ill, but when Rodríguez returned to work Troilo decided to retain
Piazzolla as a fourth bandoneonist. Apart from playing the bandoneon, Piazzolla also became Troilo's arranger and would occasionally play the piano for him. By 1941 he was earning a good wage, enough to pay for music lessons
1449:, a suite in three ten-minute movements, inspired by the Neapolitan crime family and exploring symphonic concepts of large-scale form, thematic development, contrasts of texture and massive accumulations of ensemble sound. After making three albums in New York with the second quintet and producer
366:
orchestra rehearse while continuing a gruelling performing schedule in the tango clubs at night. During his five years of study with
Ginastera he mastered orchestration, which he later considered to be one of his strong points. In 1943 he started piano lessons with the Argentine classical pianist
618:, with "Compañia Argentina Tangolandia". Piazzolla was serving as the musical director. The tour continued in New York, Chicago and then Washington. The last show that the three of them did together was an appearance on CBS, the only colour TV channel in the US, on
1356:
Despite the prevalence of the quintet formation and the ABABC compositional structure, Piazzolla consistently experimented with other musical forms and instrumental combinations. In 1965 an album was released containing collaborations between
Piazzolla and
710:
with lyrics by Ferrer, which was premiered at the First Iberoamerican Music Festival with Amelita Baltar, and Piazzolla himself conducting the orchestra. Piazzolla was awarded second prize and the composition would prove to be his first popular success.
1379:, that employed a larger ensemble including flute, percussion, multiple strings and three vocalists, and juxtaposed movements in Piazzolla's own style with several pastiche numbers ranging from waltz and hurdy-gurdy to a piano/narrator bar-room
913:
What invitation? They sent a couple of guys in black suits and a letter with my name on it that said that Videla expected me a particular day in a particular place. I have a book around someplace, with pictures of all the guests:
405:, which, although having a similar formation to other tango orchestras of the day, gave him his first opportunity to experiment with his own approach to the orchestration and musical content of tango. That same year he composed
1204:. Towards the end of the year he dissolved his sexteto and continued playing solo with classical string quartets and symphonic orchestras. He joined Anahi Carfi's Mantova String Quartet and toured Italy and Finland with them.
578:
and created a new sound akin to chamber music, without a singer and with jazz-like improvisations. This was to be a turning point in his career and a watershed in the history of tango. Piazzolla's new approach to the tango,
1423:, written in memory of Aníbal Troilo. In the 1980s Piazzolla was wealthy enough, for the first time, to become relatively autonomous artistically, and wrote some of his most ambitious multi-movement works. These included
787:
After a period of great productivity as a composer, he suffered a heart attack in 1973. That same year he moved to Italy where he began a series of recordings which would span a period of five years. The music publisher
225:, Argentina, in 1921, the only child of Vicente "Nonino" Piazzolla and Asunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from
1161:, his last ensemble, with two bandoneons, piano, electric guitar, bass and cello. Together they gave a concert at the Club Italiano in Buenos Aires in April, a recording of which was issued under the title of
891:
During the period of Argentine military dictatorship from 1976 to 1983, Piazzolla lived in Italy, but returned many times to Argentina, recorded there, and on at least one occasion had lunch with the dictator
1002:
On 11 June 1983 he put on one of the best concerts of his life when he played a program of his music at the Teatro Colón in Buenos Aires. For the occasion he regrouped the Conjunto 9 and played solo with the
493:
that she congratulated him and encouraged him to pursue his career in tango, recognising that this was where his talent lay. This was to prove a historic encounter and a crossroads in Piazzolla's career.
321:
Inspired by Vardaro's style of tango, and still only 17 years old, Piazzolla moved to Buenos Aires in 1938 where, the following year, he realized a dream when he joined the orchestra of the bandoneonist
836:, an octet made up of bandoneon, electric piano and/or acoustic piano, organ, guitar, electric bass, drums, synthesizer and violin, which was later replaced by a flute or saxophone. Later that year
1343:, with the fast sections emphasizing gritty tango rhythms and harsh, angular melodic figures and the slower sections usually making use of the string instrument in the group and/or Piazzolla's own
509:
and began to play the bandoneon while standing up, putting his right foot on a chair and the bellows of the instrument across his right thigh. Until that time bandoneonists played sitting down.
872:
In 1978 he formed his second Quintet, with which he would tour the world for 11 years, and which would make him world-renowned. He also returned to writing chamber music and symphonic works.
3580:
2597:
706:
in the title role and introduced a new style of tango, Tango Canción (in English: Song Tango). Soon after this he began a relationship with Amelita Baltar. The following year he wrote
1512:(dedicated to his father), which he recorded many times with different musicians and ensembles. Biographers estimate that Piazzolla wrote around 3,000 pieces and recorded around 500.
1322:
behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is
1326:, that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world.
284:
in lower Manhattan. In 1932 Piazzolla composed his first tango, "La Catinga". The following year he took music lessons with the Hungarian classical pianist Béla Wilda, a student of
1465:
After leaving Troilo's orchestra in the 1940s, Piazzolla led numerous ensembles beginning with the 1946 Orchestra, the 1955 Octeto Buenos Aires, the 1960 "First Quintet", the 1971
718:, later premiered in Saarbrücken, Germany in 1971. On May 19, 1970, he gave a concert with his Quinteto at the Teatro Regina in Buenos Aires in which he premiered his composition
1314:
but also central to the idea of jazz changes, predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic
1403:, and exploring a leaner, more fluid musical style drawing on more jazz influence, and with simpler, more continuous forms. Pieces that exemplify this new direction include
1506:(1980), as well as song-form compositions that still today are well known by the general public in his country, including "Balada para un loco" (Ballad for a madman) and
865:
in Buenos Aires, where he presented his work, “500 motivaciones”, written especially for the Conjunto Electronico, and in 1977 he played another memorable concert at the
505:, which was to give him the idea of forming his own octet on his return to Buenos Aires. He composed and recorded a series of tangos with the String Orchestra of the
310:’s sextet on the radio. Vardaro's novel interpretation of tango made a great impression on Piazzolla and years later he would become Piazzolla's violinist in his
1515:
In 1984, he appeared with his Quinteto Tango Nuevo in West-Berlin, Germany and for television in Utrecht, Netherlands. In the summer of 1985 he performed at the
306:
In 1936, he returned with his family to Mar del Plata, where he began to play in a variety of tango orchestras and around this time he discovered the music of
3188:
1150:
in New York, a suite of three pieces, the last time he would record with the second Quinteto. During a tour of Japan with Milva he played at a concert at the
4140:
3434:
1238:
in Paris on August 4, 1990, which left him in a coma, and died in Buenos Aires, just under two years later on July 4, 1992, without regaining consciousness.
1261:
has also experimented with folk-derived, complex virtuoso compositions that show Piazzolla's structural influence while steering clear of tango sounds; and
4175:
3615:
2869:
426:
Having disbanded his first orchestra in 1950, he almost abandoned tango altogether, continuing to study Bartok and Stravinsky and orchestra direction with
4125:
3454:
3137:
4130:
854:
in his memory, a work in four parts, which he recorded with the Conjunto Electronico. At this time Piazzolla started a collaboration with the singer
1473:. As well as providing original compositions and arrangements, he was the director and bandoneon player in all of them. He also recorded the album
1265:
has acknowledged Piazzolla as perhaps the greatest influence on his globally oriented, eclectic compositions for classical and klezmer performers.
4160:
1180:’s Orquesta on June 26, 1989, a live recording at the BBC Bristol Studios in June 1989, between concerts in Berlin and Rome, and a concert at the
1196:
in the US on an album of the same name. This would be his last studio recording and was his second composition for the Kronos Quartet. His first
501:, which was to play an important role in his later tango compositions. Before leaving Paris, he heard the octet of the American jazz saxophonist
2839:
For an essay concerning Piazzolla's musical activities in New York, see David Butler Cannata, "Making it there: Piazzolla's New York Concerts",
4195:
4155:
601:; on his return to New York City a few days later, he asked to be left alone in his apartment and in less than an hour wrote his famous tango
3106:
1535:
4200:
1030:
645:). Of the many ensembles that Piazzolla set up during his career, it was the quintet formation which best expressed his approach to tango.
294:
1330:
has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
390:. Piazzolla would lead Fiorentino's orchestra until 1946 and make many recordings with him, including his first two instrumental tangos,
799:, a partner in Curci-Pagani Music, had offered Piazzolla a 15-year contract in Rome to record anything he could write. His famous album
4185:
4180:
4170:
4135:
1339:
in 1959, Piazzolla established a standard structural pattern for his compositions, involving a formal pattern of fast-slow-fast-slow-
4190:
3361:
3064:
2952:
2919:
2824:
2791:
2758:
2725:
3537:
2677:
1568:
1038:
402:
204:. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic
2843:
XXVI/1 (Spring/Summer 2005), 57–87; and as translated into Spanish, "Making it there: Los Conciertos de Piazzolla en Nueva York",
4165:
3608:
2572:
326:, which would become one of the greatest tango orchestras of that time. Piazzolla was employed as a temporary replacement for
4145:
2985:
941:, and in 1995 his family received the Honour Konex Award as the most important deceased musician of the decade in Argentina.
1681:
1071:, with as a backdrop – to Piazzolla's great pleasure – the extremely zoomed-in "live"' projection of his bandoneon playing.
1165:. Later he appeared with them at the Teatro Opera in Buenos Aires in the presence of the newly elected Argentine President
3894:
3389:
3114:
48:
2069:
1102:
805:
was recorded in Milan in May 1974. Later that year he separated from Amelita Baltar and in September recorded the album
1443:, where a flutist and guitarist tell the history of tango in four chunks of music styled at thirty-year intervals; and
489:
work, Piazzolla played her a number of his classically inspired compositions, but it was not until he played his tango
288:, who taught him to play Bach on his bandoneon. In 1934 he met Carlos Gardel, one of the most important figures in the
3944:
3633:
3028:
409:, which he considered to be his first formal tango, and then began to compose musical scores for films, starting with
375:. In the same year he married his first wife, Dedé Wolff, an artist, with whom he had two children, Diana and Daniel.
3420:
2847:(Buenos Aires, 2008). For Cannata's review of the Azzi/Collier biography, see "Two books about Piazzolla: Reviews of
1963:
1541:
The Buenos Aires music conservatory "Conservatorio Superior de Música de la Ciudad de Buenos Aires" carries his name.
1144:
and married the singer and television personality Laura Escalada on April 11. In May that year he recorded his album
3167:
4049:
4026:
3601:
3427:
2340:
2093:
1475:
807:
31:
4150:
1881:
1181:
1004:
2873:
2015:
1041:, Paris. His concert on 15 October 1984 at the Teatro Nazionale in Milan was recorded and released as the album
1361:
where Borges's poetry was narrated over very avant-garde music by Piazzolla including the use of dodecaphonic (
1050:
462:
3506:
2253:
1674:
1375:
1033:, the world's largest jazz festival, and on 29 September that same year they appeared with the Italian singer
855:
698:
625:
Back in Buenos Aires later that year he put together the first, and perhaps most famous, of his quintets, the
1791:
1690:
1310:
technique of a circulating bass line and harmonic sequence, invented and much used in 17th- and 18th-century
4014:
3296:
3145:
2713:
2045:
1985:
1798:
1761:
1730:
1697:
1643:
1008:
619:
281:
3209:
2030:
927:
589:
were not successful. He received the news of the death of his father in October 1959 while performing with
4036:
3995:
3485:
720:
544:
380:
521:
311:
3979:
2605:
2053:
2008:
1667:
1362:
1216:
992:
615:
482:
1721:
420:
1833:
1470:
957:
875:
832:
4120:
4115:
3520:
2406:
1768:
1753:
1650:
1519:
in London for a week-long engagement. On September 6, 1987, his quintet gave a concert in New York's
1411:
1224:
1132:
842:
653:
289:
280:
After their return to New York City from a brief visit to Mar del Plata in 1930, the family moved to
983:, he played in a concert at the Teatro Regina, Buenos Aires with the second Quinteto and the singer
648:
626:
611:
327:
3879:
3542:
2475:
2167:
1955:
1659:
1582:
1235:
893:
742:
536:
415:
315:
4032:
896:. However, his relationship with the dictator might have been less than friendly, as recounted in
662:
559:
548:
525:
4087:
3874:
3802:
3334:
3239:
3234:
2682:
1971:
1921:
1706:
1480:
1425:
1393:
1302:
1062:
789:
765:
630:
385:
3443:
1857:
915:
575:
2977:
2944:
2911:
367:
Raúl Spivak, which would continue for the next five years, and wrote his first classical works
3787:
3777:
3672:
3624:
3513:
3492:
3407:
3357:
3060:
2981:
2948:
2915:
2820:
2816:
2787:
2754:
2750:
2721:
2717:
2218:
2212:
2205:
2085:
1947:
1865:
1439:
1385:
1358:
984:
820:
780:
678:
638:
590:
571:
540:
427:
343:
339:
245:
3056:
3047:
1370:
233:, at the end of the 19th century. His mother was the daughter of two Italian immigrants from
190:
player, and arranger. His works revolutionized the traditional tango into a new style termed
4099:
4063:
4000:
3969:
3934:
3889:
3884:
3797:
3767:
3742:
3732:
3727:
3722:
3572:
3172:
2783:
2482:
2453:
2001:
1246:
1228:
1177:
1154:
Hall in Tokyo on June 26, 1988, and that same year underwent a quadruple by-pass operation.
1151:
976:
908:
issue you went to Videla's house and had lunch with him. Why did you accept that invitation?
837:
688:
In 1966 he left Dedé Wolff and the following year signed a five-year contract with the poet
323:
178:
169:
1872:
1726:
3909:
3807:
3757:
3032:
2061:
1516:
1262:
1253:, pianist with Piazzolla's second quintet, has assumed the role of principal custodian of
1095:
971:
866:
862:
567:
478:
470:
466:
332:
266:
201:
183:
3471:
2150:
1840:
1508:
1335:
736:
634:
603:
594:
563:
363:
3001:
2172:
3959:
3919:
3904:
3833:
3828:
3737:
3687:
3564:
3093:
2970:
2937:
2904:
2809:
2743:
2706:
2673:
2610:
2345:
2332:
2304:
2294:
2222:
1483:
1418:
1278:
1242:
1193:
1188:, Switzerland, at the Moulin à Danses and later that month he recorded his composition
919:
884:
880:
849:
812:
752:
747:
703:
689:
682:
502:
307:
205:
3282:, Polygram S.A. LP 24260 / Polydor 829866-2, 1965, Argentina (currently out of print).
4109:
3939:
3697:
3667:
3235:"Music Review: Kronos Quartet – Premieres Range in Palette From Balkans to Argentina"
2776:
2505:
2113:
1849:
1714:
1548:
1327:
1323:
1311:
1250:
1128:
980:
642:
258:
254:
226:
222:
90:
1572:(in English: Piazzolla's Traditional Orchestra), a.k.a. the 1946 Orchestra, 1946–50.
1108:
He appeared at the Montreux Jazz Festival, Montreux, Switzerland, with vibraphonist
4075:
3974:
3929:
3843:
3838:
3717:
3707:
3677:
3662:
3080:
1907:
1520:
1450:
1430:
1366:
1340:
1315:
1298:
1258:
1166:
1113:
1067:
498:
347:
285:
107:
3309:
1306:
influences reside in his compositions, but some aspects are clear. The use of the
3394:
1301:, and its ventures into extended compositional forms. As Argentine psychoanalyst
670:, under the direction of Paul Klecky, for which he was awarded the Hirsch Prize.
553:
530:
3914:
3899:
3218:
3193:
3005:
2580:
2576:
2513:
1783:
1434:
1307:
1290:
1249:, are the best known innovators of the tango music of the new millennium, while
1212:
1109:
1091:
1087:
1086:
Guitar Festival on March 15, with the Liège Philharmonic Orchestra conducted by
1046:
996:
938:
816:
776:
598:
581:
506:
250:
192:
122:
118:
3025:
1398:
794:
770:
3964:
3954:
3924:
3657:
3547:
3499:
3478:
2525:
2323:
2077:
1807:
1608:
1466:
1445:
1405:
1273:
1219:
and the pianist Igor Uriash in 1990 and on July 3 he gave his last concert in
1146:
1140:
1065:
recorded his Quinteto Tango Nuevo, playing, among other pieces, a very moving
923:
801:
728:
351:
815:
and an Italian orchestra, including jazz musicians such as bassist /arranger
681:. The recording featured his Quinteto together with an orchestra, the singer
3949:
3869:
3752:
1993:
1344:
1173:
1105:
he won the French critics Cesar Award in Paris for best film music in 1986.
714:
In 1970 Piazzolla returned to Paris where with Ferrer he wrote the oratorio
702:, with lyrics by Ferrer. The work was premiered in May 1968 with the singer
274:
187:
140:
54:
2035:
1094:
on guitar. Piazzolla made his London debut with his second Quinteto at the
1074:
In 1985 he was named Illustrious Citizen of Buenos Aires and premiered his
949:
355:
3384:
1185:
1083:
3380:
2311:
Música Popular Contemporánea de la Ciudad de Buenos Aires. Vol.1 & 2
1392:
By the 1970s Piazzolla was living in Rome, managed by the Italian agent
1169:
on Friday, June 9. This would be Piazzolla's last concert in Argentina.
17:
3403:
3398:
3110:
2569:
Hommage a Liege: Concierto para bandoneón y guitarra/Historia del Tango
1349:
1054:
238:
208:
described Piazzolla as "the world's foremost composer of Tango music".
2851:, A Biography of Astor Piazzolla by Maria Azzi and Simon Collier; and
1523:, which was recorded and, in 1994, released in compact disc format as
3354:
1001 Albums You Must Hear Before You Die: Revised and Updated Edition
1544:
1257:, extending the jazz influence in the style. The Brazilian guitarist
1220:
1131:
conducting the St. Luke's Orchestra, in the Richardson Auditorium at
230:
1624:(in English: New Tango Quintet), a.k.a. the second Quintet, 1979–91.
1112:
in July 1986 and, on 6 September 1987, gave a concert in New York's
3107:"ASTOR PIAZZOLLA y su Quinteto Tango Nuevo -live in Utrecht (1984)"
900:(a comprehensive collection of interviews, constituting a memoir):
3593:
3412:
1319:
1272:
1034:
956:
948:
874:
761:
757:
741:
693:
647:
461:
359:
350:, had advised him to study with Ginastera; delving into scores by
234:
1618:(in English: Electronic Ensemble), a.k.a. Electronic Octet, 1975.
1486:. His numerous compositions include orchestral work such as the
1294:
1058:
342:, an eminent Argentine composer of classical music. The pianist
270:
262:
197:
3597:
3416:
1369:
harmonies and scales. In 1968 Piazzolla wrote and produced an "
1365:) rows, free non-melodic improvisation on all instruments, and
739:
in Buenos Aires, sharing the bill with other Tango orchestras.
677:, an album for which he collaborated with the Argentine writer
961:
Astor Piazzolla's Doble A bandoneon used in his main concerts.
277:
after his father spotted one in a New York pawn shop in 1929.
3189:"'Tango on Steroids': Virtuoso Pianist Graces Wesleyan Stage"
2841:
Latin American Music Review/Revista de Músico Latinoamericana
1013:
574:), his Octeto effectively broke the mould of the traditional
27:
Argentine composer, bandoneon player and arranger (1921–1992)
2492:(Quinteto Tango Nuevo, 1986), Vienna, Konzerthaus, CD: 1991.
1612:(in English: Ensemble 9), a.k.a. Noneto, 1971–72 & 1983.
1184:
on June 30, 1989. On November 4, 1989, he gave a concert in
1029:
On 4 July 1984, Piazzolla appeared with his Quinteto at the
869:
in Paris, with a new formation of the Conjunto Electronico.
379:
and join the orchestra of the tango singer and bandoneonist
1297:, its use of extended harmonies and dissonance, its use of
497:
With Boulanger he studied classical composition, including
3581:
The Rough Dancer and the Cyclical Night (Tango Apasionado)
2598:
The Rough Dancer and the Cyclical Night (Tango Apasionado)
2428:(Conjunto 9 y Orquesta Filarmónica del Teatro Colón, 1983)
362:
and others, Piazzolla rose early each morning to hear the
1598:(in English: Quintet), a.k.a. the first Quintet, 1960–70.
1488:
Concierto para bandoneón, orquesta, cuerdas y percusión
1172:
There followed a concert at the Royal Carre Theatre in
1547:
celebrated his 100th birthday on 11 March 2021 with a
775:, first from the left, and some performers, including
292:, and played a cameo role as a paper boy in his movie
4047:
3293:
Le Grand Tango: The Life and Music of Astor Piazzolla
2972:
Le Grand Tango: The Life and Music of Astor Piazzolla
2939:
Le Grand Tango: The Life and Music of Astor Piazzolla
2906:
Le Grand Tango: The Life and Music of Astor Piazzolla
2811:
Le Grand Tango: The Life and Music of Astor Piazzolla
2778:
Le Grand Tango: The Life and Music of Astor Piazzolla
2745:
Le Grand Tango: The Life and Music of Astor Piazzolla
2708:
Le Grand Tango: The Life and Music of Astor Piazzolla
629:, initially comprising bandoneon (Piazzolla), piano (
3138:"Fernando Otero – Pagina de Buenos Aires – Nonesuch"
2390:(Orquesta de Cuerdas and Quinteto Tango Nuevo, 1979)
652:
Piazzolla & his orchestra at television network
524:(String Orchestra), which performed with the singer
3988:
3858:
3818:
3647:
3640:
3556:
3530:
3463:
1469:("Noneto"), the 1978 "Second Quintet" and the 1989
146:
136:
128:
114:
97:
77:
67:
62:
39:
3046:
2969:
2936:
2903:
2808:
2775:
2742:
2705:
2678:"Astor Piazzolla, 71, Tango's Modern Master, Dies"
991:for cello and piano, dedicated to Russian cellist
930:, there were painters, actors – Astor Piazzolla,
229:, a seaport in the southeastern Italian region of
2935:Azzi, María Susana; Collier, Simon (2000-01-01).
2902:Azzi, María Susana; Collier, Simon (2000-01-01).
2845:Estudios sobre la obra musical de Astor Piazzolla
2807:Azzi, María Susana; Collier, Simon (2000-01-01).
2774:Azzi, María Susana; Collier, Simon (2000-01-01).
2741:Azzi, María Susana; Collier, Simon (2000-01-01).
2704:Azzi, María Susana; Collier, Simon (2000-01-01).
2426:Concierto de Nácar – Piazzolla en el Teatro Colón
244:In 1925 Astor Piazzolla moved with his family to
3352:Robert Dimery; Michael Lydon (7 February 2006).
2870:"Todo Tango – La amistad de Gardel y Piazzolla"
2579:. The concerto was performed by Piazzolla with
1500:Concierto de Nácar para 9 tanguistas y orquesta
1045:. At the end of that same year he performed in
861:In December 1976 he played at a concert at the
823:, in Milan. The album includes the composition
1241:Among his followers, the composer and pianist
3609:
3428:
2267:Original Tangos from Argentina Vol. 1 & 2
2199:Concierto en el Philharmonic Hall de New York
1502:, pieces for the solo classical guitar – the
995:, which would be premiered by him in 1990 in
8:
3002:"Astor Piazzolla – Piazzolla: Libertango CD"
1116:, in the city where he spent his childhood.
1018:. The programme included his three-movement
858:, with whom he made a number of recordings.
692:with whom he composed the 'operita' (little
539:in 1955. With two bandoneons (Piazzolla and
2968:Azzi, María Susana; Collier, Simon (2000).
2183:(Vocals by Hector de Rosas, Quinteto, 1962)
3644:
3616:
3602:
3594:
3435:
3421:
3413:
2394:Piazzolla-Goyeneche En Vivo, Teatro Regina
2195:(Vocal by Héctor De Rosas, Quinteto, 1963)
273:, from an early age. He began to play the
36:
1586:(in English: Buenos Aires Octet) 1955–58.
1492:Doble concierto para bandoneón y guitarra
3168:"Fernando Otero Wins Latin Grammy Award"
2508:(conductor), Princeton University (1987)
1630:(in English: New Tango Sextet), 1989–91.
1578:(in English: String Orchestra), 1955–58.
1211:, for cello and piano, was premiered in
979:, and in May 1982, in the middle of the
969:with an orchestra in Italy for the film
764:) 1974. The image includes the producer
520:Back in Argentina, Piazzolla formed his
182:; March 11, 1921 – July 4, 1992) was an
4054:
3233:Vivian Schweitzer (February 25, 2008).
2660:
2446:(Quinteto Tango Nuevo, 1984), CD: 1991.
2370:Piazzolla & El Conjunto Electrónico
2235:La Historia del Tango. La Guardia Vieja
685:and Luis Medina Castro reciting texts.
2853:Astor Piazzolla, El Luchador del Tango
2502:Concierto para Bandoneón – Tres Tangos
1245:and Piazzolla's protégé, bandoneonist
1200:had been included in their 1988 album
3266:See Kuri (ibid); also Natalio Gorin,
2668:
2666:
2664:
1536:Astor Piazzolla International Airport
1138:In 1988, he wrote music for the film
1125:Tres tangos para bandoneón y orquesta
898:Astor Piazzolla, A manera de memorias
177:
168:
7:
2897:
2895:
2893:
2891:
2749:. Oxford University Press. pp.
1538:in Mar del Plata is named after him.
1293:in its incorporation of elements of
1031:Montreal International Jazz Festival
727:Back in Buenos Aires he founded his
4141:Argentine people of Italian descent
3187:Andrew Chatfield (April 13, 2012).
2976:. Oxford University Press. p.
2943:. Oxford University Press. p.
2910:. Oxford University Press. p.
2815:. Oxford University Press. p.
2782:. Oxford University Press. p.
1121:Concierto para bandoneón y orquesta
1020:Concierto para bandoneón y orquesta
369:Preludio No. 1 for Violin and Piano
4176:Composers for the classical guitar
3335:"Astor Piazzolla's 100th Birthday"
2504:with the Orchestra of St. Luke's,
2243:. Época Romántica (Orquesta, 1967)
1289:was distinct from the traditional
1119:In September 1987 he recorded his
666:, and the same year premiered his
25:
4126:Argentine classical bandoneonists
3257:. Buenos Aires: Corregidor, 1997.
3208:Frank J. Oteri (March 12, 2013).
2587:by Guy Lukowski and Marc Grawels.
1076:Concerto for Bandoneon and Guitar
937:In 1985 he received the Platinum
4131:20th-century classical composers
4093:
4081:
4069:
4057:
4031:
4022:
4021:
3210:"Sounds Heard: Fernando Otero –
3079:Also has been nominated for the
2376:Piazzolla en el Olimpia de Paris
2158:Piazzolla Interpreta A Piazzolla
1227:, conducted by founder-director
840:died and Piazzolla composed the
419:in 1950, both films directed by
47:
883:(center) and singer-songwriter
4161:Argentine film score composers
3895:Modes of limited transposition
2635:El Nuevo Tango de Buenos Aires
2617:Original Tangos from Argentina
2225:, Orquesta and Quinteto, 1965)
1604:(in English: New Octet), 1963.
1318:that sometimes follows strict
1098:in London at the end of June.
1082:), at the Fifth International
965:In 1982 he recorded the album
196:, incorporating elements from
1:
4196:Georges Delerue Award winners
4156:Argentine classical composers
953:Astor Piazzolla (lithography)
879:Piazzolla with football star
401:In 1946 Piazzolla formed his
2647:Tres Minutos con la Realidad
2573:Liège Philharmonic Orchestra
2559:(Quinteto Tango Nuevo, 1989)
2541:(Quinteto Tango Nuevo, 1989)
2535:(Quinteto Tango Nuevo, 1988)
2512:El Nuevo Tango. Piazzolla y
2486:(Quinteto Tango Nuevo, 1986)
2440:(Quinteto Tango Nuevo, 1984)
2434:(Quinteto Tango Nuevo, 1984)
2396:(Quinteto Tango Nuevo, 1982)
2378:(Conjunto Electrónico, 1977)
2372:(Conjunto Electrónico, 1976)
1429:for the virtuoso guitar duo
1163:Tres minutos con la realidad
1157:Early in 1989 he formed his
1057:, in the Netherlands, where
610:Copes and Nieves packed out
132:Musician, composer, arranger
4201:20th-century male musicians
3945:Quartal and quintal harmony
3634:List of modernist composers
3538:Piazzolla's Orquesta Típica
3255:Piazzolla: la música límite
2649:(Sexteto Nuevo Tango, 1997)
2643:(Sexteto Nuevo Tango, 1996)
2625:(Sexteto Nuevo Tango, 1993)
2553:(Sexteto Nuevo Tango, 1989)
2547:(Sexteto Nuevo Tango, 1989)
2146:(Orquesta de Cuerdas, 1957)
2140:(Orquesta de Cuerdas, 1957)
2134:(Octeto Buenos Aires, 1957)
2128:(Buenos Aires Octeto, 1957)
2122:(Orquesta de Cuerdas, 1955)
2070:El exilio de Gardel: Tangos
1039:Théâtre des Bouffes du Nord
607:, in homage to his father.
570:), and an electric guitar (
373:Suite for Strings and Harps
314:(String Orchestra) and his
4217:
3310:"The Central Park Concert"
2641:57 Minutos con la Realidad
2466:Teatro Nazionale di Milano
2281:(Dúo de Bandoneónes, 1970)
987:. That same year he wrote
721:Cuatro Estaciones Porteñas
483:Fontainebleau conservatory
32:Piazzolla (disambiguation)
29:
4186:People of Apulian descent
4181:People from Mar del Plata
4171:Chrysalis Records artists
4136:Argentine tango musicians
4009:
3631:
3450:
3055:. Libros Perfil. p.
3045:Piazzolla, Astor (1998).
2629:Central Park Concert 1987
2609:(Astor Piazzolla and the
2110:Two Argentinians in Paris
1935:Todo nudez será castigada
1882:Las locas del conventillo
1525:The Central Park Concert.
1182:Wembley Conference Centre
1005:Buenos Aires Philharmonic
237:in the central region of
162:Astor Pantaleón Piazzolla
73:Astor Pantaleón Piazzolla
46:
4191:People of Tuscan descent
2307:, Astor Piazzolla, 1971)
1979:Quand la ville s’éveille
1929:La ñata contra el vidrio
1455:Preludio y Fuga; Sex-tet
1333:With the composition of
1101:With the film score for
3297:Oxford University Press
3026:Reunion Cumbre (Summit)
2714:Oxford University Press
2539:Luna. Live in Amsterdam
2490:Tristezas de un Doble A
2352:Suite Troileana-Lumiere
2341:Summit (Reunión Cumbre)
1792:Sábado a la noche, cine
1737:Le Conquérant solitaire
1691:Sucedió en Buenos Aires
1476:Summit (Reunión Cumbre)
1215:by the Russian cellist
1022:and his three-movement
808:Summit (Reunión Cumbre)
4166:Chesky Records artists
3996:Second Viennese School
3989:Schools of composition
3291:See Azzi and Collier,
2438:Montreal Jazz Festival
2285:Concerto Para Quinteto
2269:(solo bandeneon, 1970)
2261:Piazzolla En El Regina
2002:El infierno tan temido
1762:Violencia en la ciudad
1644:Con los mismos colores
1496:Tres tangos sinfónicos
1282:
1009:Pedro Ignacio Calderón
962:
954:
888:
830:In 1975 he set up his
784:
779:, 2nd from right, and
668:Tres Tangos Sinfónicos
660:In 1963 he set up his
657:
620:the Arthur Murray Show
545:Enrique Mario Francini
473:
411:Con los mismos colores
221:Piazzolla was born in
63:Background information
4146:Argentine songwriters
3980:Twelve-tone technique
3507:María de Buenos Aires
3390:Piazzolla discography
3270:, Amadeus Press 2001.
2855:by Mitsumasa Saito".
2606:Five Tango Sensations
2476:film of the same name
2454:film of the same name
2420:SWF Rundfunkorchester
2364:Il Pleut Sur Santiago
2254:María de Buenos Aires
2241:La Historia del Tango
2193:Tango Para Una Ciudad
2054:Cuarteles de invierno
1964:Il pleut sur Santiago
1747:Historia de una carta
1668:El Cielo en las manos
1376:María de Buenos Aires
1276:
1217:Mstislav Rostropovich
1207:His 1982 composition
1190:Five Tango Sensations
1176:with his Sexteto and
993:Mstislav Rostropovich
960:
952:
928:Juan Carlos Tauriello
878:
811:with the saxophonist
746:Astor Piazzolla with
745:
699:María de Buenos Aires
651:
616:San Juan, Puerto Rico
465:
295:El día que me quieras
261:, and was exposed to
179:[pjatˈtsɔlla]
3521:Suite Punta del Este
3455:List of compositions
3176:. November 15, 2010.
3050:A manera de memorias
2523:(soundtrack of film
2496:Central Park Concert
2407:Suite Punta Del Este
2189:(Nuevo Octeto, 1963)
1827:Los que verán a Dios
1821:Detrás de la mentira
1622:Quinteto Tango Nuevo
1616:Conjunto Electronico
1481:baritone saxophonist
1225:Orchestra of Colours
1133:Princeton University
1043:Suite Punta del Este
932:A manera de memorias
904:One year before the
825:Aire de Buenos Aires
673:In 1965 he released
637:), electric guitar (
381:Francisco Fiorentino
30:For other uses, see
3543:Octeto Buenos Aires
3486:Estaciones Porteñas
3268:Piazzolla: A Memoir
3142:Audiophile Audition
2591:Bandoneón Sinfónico
2474:(soundtrack to the
2472:El Exilio de Gardel
2452:(soundtrack to the
2291:La Bicicleta Blanca
2221:– Astor Piazzolla;
2187:Tango Contemporáneo
2164:Piazzolla ... O No?
2132:Octeto Buenos Aires
1815:Quinto año nacional
1777:Operación Antartida
1741:Operación Antártida
1628:Sexteto Nuevo Tango
1583:Octeto Buenos Aires
1576:Orquesta de Cuerdas
1236:cerebral hemorrhage
1223:, Greece, with the
1159:Sexteto Nuevo Tango
1103:El exilio de Gardel
945:Traveling the world
894:Jorge Rafael Videla
708:Balada para un loco
641:) and double bass (
537:Octeto Buenos Aires
522:Orquesta de Cuerdas
513:In the vanguard of
312:Orquesta de Cuerdas
53:Piazzolla with his
3240:The New York Times
3092:Also received the
3031:2011-05-20 at the
2859:III (2001), 89–92.
2683:The New York Times
2563:Famille d'Artistes
2533:Live in Tokyo 1988
2444:The Vienna Concert
2319:(Conjunto 9, 1972)
2313:(Conjunto 9, 1972)
1956:Cadaveri eccelenti
1707:Los tallos amargos
1590:Jazz Tango Quintet
1283:
1063:Theo Uittenbogaard
1051:theater Vredenburg
1024:Concierto de Nacar
963:
955:
889:
856:José Ángel Trelles
785:
658:
474:
421:Carlos Torres Ríos
170:[pjaˈsola]
4045:
4044:
3854:
3853:
3591:
3590:
3514:Milonga Del Angel
3493:Histoire du Tango
3148:on April 13, 2015
2857:Free Reed Journal
2529:, Quinteto, 1988)
2478:, Quinteto, 1986)
2348:, Orquesta, 1974)
2297:y Orquesta, 1971)
2219:Jorge Luis Borges
2177:, Quinteto, 1961)
2120:Sinfonía de Tango
1972:¿Qué es el otoño?
1895:Crimen sin olvido
1866:Con gusto a rabia
1754:Una viuda difícil
1722:Continente blanco
1440:Histoire du Tango
1359:Jorge Luis Borges
985:Roberto Goyeneche
821:Tullio De Piscopo
781:Tullio De Piscopo
679:Jorge Luis Borges
639:Horacio Malvicino
591:Juan Carlos Copes
572:Horacio Malvicino
541:Leopoldo Federico
428:Hermann Scherchen
346:, then living in
344:Arthur Rubinstein
340:Alberto Ginastera
246:Greenwich Village
156:
155:
16:(Redirected from
4208:
4151:Male songwriters
4098:
4097:
4096:
4086:
4085:
4084:
4074:
4073:
4072:
4062:
4061:
4060:
4053:
4035:
4025:
4024:
4001:Darmstadt School
3935:Post-romanticism
3645:
3618:
3611:
3604:
3595:
3573:Tango: Zero Hour
3437:
3430:
3423:
3414:
3368:
3367:
3349:
3343:
3342:
3341:. 11 March 2021.
3331:
3325:
3324:
3322:
3321:
3306:
3300:
3289:
3283:
3277:
3271:
3264:
3258:
3251:
3245:
3244:
3230:
3224:
3223:
3205:
3199:
3198:
3184:
3178:
3177:
3173:Nonesuch Records
3164:
3158:
3157:
3155:
3153:
3144:. Archived from
3133:
3127:
3126:
3124:
3122:
3113:. Archived from
3103:
3097:
3090:
3084:
3077:
3071:
3070:
3054:
3042:
3036:
3023:
3017:
3016:
3014:
3012:
2998:
2992:
2991:
2975:
2965:
2959:
2958:
2942:
2932:
2926:
2925:
2909:
2899:
2886:
2885:
2883:
2881:
2876:on 31 March 2014
2872:. Archived from
2866:
2860:
2837:
2831:
2830:
2814:
2804:
2798:
2797:
2781:
2771:
2765:
2764:
2748:
2738:
2732:
2731:
2711:
2701:
2695:
2694:
2692:
2690:
2676:(July 6, 1992).
2670:
2637:(Quinteto, 1995)
2631:(Quinteto, 1994)
2623:Lausanne Concert
2545:Lausanne Concert
2517:(Atlantic, 1987)
2498:(Quinteto, 1987)
2483:Tango: Zero Hour
2416:(Quinteto, 1983)
2410:(Quinteto, 1982)
2402:(Orquesta, 1982)
2366:(Orquesta, 1976)
2354:(Orquesta, 1975)
2327:(Orquesta, 1974)
2303:(recitations by
2287:(Quinteto, 1971)
2279:Piazzolla-Troilo
2275:(Orquesta, 1970)
2263:(Quinteto, 1970)
2257:(Orquesta, 1968)
2237:(Orquesta, 1967)
2229:La Guardia Vieja
2216:
2201:(Quinteto, 1965)
2176:
2160:(Quinteto, 1961)
2126:Tango progresivo
2039:
2019:
1876:
1844:
1834:La fin del mundo
1802:
1772:
1734:
1701:
1685:
1660:Bólidos de acero
1654:
1471:New Tango Sextet
1422:
1409:and most of the
1402:
1383:straight out of
1247:Marcelo Nisinman
1229:Manos Hatzidakis
1178:Osvaldo Pugliese
1152:Nakano Sun Plaza
1080:Tribute to Liège
1017:
977:Marco Bellocchio
853:
833:Electronic Octet
798:
774:
558:), double bass (
557:
543:), two violins (
534:
458:Studies in Paris
416:Bólidos de acero
389:
336:
290:history of tango
181:
176:
172:
167:
149:
104:
87:
85:
70:
51:
37:
21:
4216:
4215:
4211:
4210:
4209:
4207:
4206:
4205:
4106:
4105:
4104:
4094:
4092:
4082:
4080:
4070:
4068:
4058:
4056:
4048:
4046:
4041:
4018:
4005:
3984:
3910:New Objectivity
3863:
3861:
3850:
3814:
3636:
3627:
3625:Modernist music
3622:
3592:
3587:
3552:
3526:
3459:
3446:
3444:Ástor Piazzolla
3441:
3404:Astor Piazzolla
3397:discography at
3395:Astor Piazzolla
3381:Astor Piazzolla
3377:
3372:
3371:
3364:
3351:
3350:
3346:
3333:
3332:
3328:
3319:
3317:
3308:
3307:
3303:
3290:
3286:
3278:
3274:
3265:
3261:
3252:
3248:
3232:
3231:
3227:
3207:
3206:
3202:
3186:
3185:
3181:
3166:
3165:
3161:
3151:
3149:
3135:
3134:
3130:
3120:
3118:
3105:
3104:
3100:
3091:
3087:
3078:
3074:
3067:
3044:
3043:
3039:
3033:Wayback Machine
3024:
3020:
3010:
3008:
3000:
2999:
2995:
2988:
2967:
2966:
2962:
2955:
2934:
2933:
2929:
2922:
2901:
2900:
2889:
2879:
2877:
2868:
2867:
2863:
2838:
2834:
2827:
2806:
2805:
2801:
2794:
2773:
2772:
2768:
2761:
2740:
2739:
2735:
2728:
2703:
2702:
2698:
2688:
2686:
2674:Holden, Stephen
2672:
2671:
2662:
2657:
2652:
2551:Live at the BBC
2432:Live in Colonia
2210:
2170:
2138:Astor Piazzolla
2105:
2100:
2033:
2013:
1922:Con alma y vida
1870:
1858:Extraña ternura
1838:
1796:
1766:
1735:, 1957 (a.k.a.
1724:
1695:
1679:
1648:
1638:
1633:
1569:Orquesta Típica
1563:
1558:
1532:
1517:Almeida Theatre
1463:
1416:
1412:Suite Troileana
1396:
1271:
1263:Osvaldo Golijov
1202:Winter Was Hard
1198:Four, For Tango
1096:Almeida Theatre
1078:(also known as
1011:
947:
926:, the composer
916:Eladia Blázquez
863:Teatro Gran Rex
847:
843:Suite Troileana
792:
783:, 2nd from left
768:
716:El pueblo joven
622:in April 1960.
576:orquesta típica
568:Atilio Stampone
551:
528:
518:
479:Nadia Boulanger
471:Igor Stravinsky
467:Nadia Boulanger
460:
403:Orquesta Típica
383:
330:
304:
267:classical music
249:records of the
219:
214:
202:classical music
184:Argentine tango
174:
165:
159:
147:
106:
102:
89:
83:
81:
68:
58:
42:
41:Astor Piazzolla
35:
28:
23:
22:
15:
12:
11:
5:
4214:
4212:
4204:
4203:
4198:
4193:
4188:
4183:
4178:
4173:
4168:
4163:
4158:
4153:
4148:
4143:
4138:
4133:
4128:
4123:
4118:
4108:
4107:
4103:
4102:
4090:
4078:
4066:
4043:
4042:
4040:
4039:
4029:
4015:Romantic music
4011:
4010:
4007:
4006:
4004:
4003:
3998:
3992:
3990:
3986:
3985:
3983:
3982:
3977:
3972:
3967:
3962:
3957:
3952:
3947:
3942:
3937:
3932:
3927:
3922:
3920:Pandiatonicism
3917:
3912:
3907:
3905:New Complexity
3902:
3897:
3892:
3887:
3882:
3877:
3872:
3866:
3864:
3859:
3856:
3855:
3852:
3851:
3849:
3848:
3847:
3846:
3841:
3836:
3831:
3825:United States
3822:
3820:
3816:
3815:
3813:
3812:
3811:
3810:
3805:
3800:
3792:
3791:
3790:
3782:
3781:
3780:
3772:
3771:
3770:
3762:
3761:
3760:
3755:
3747:
3746:
3745:
3740:
3735:
3730:
3725:
3720:
3712:
3711:
3710:
3702:
3701:
3700:
3692:
3691:
3690:
3682:
3681:
3680:
3675:
3670:
3665:
3660:
3651:
3649:
3642:
3638:
3637:
3632:
3629:
3628:
3623:
3621:
3620:
3613:
3606:
3598:
3589:
3588:
3586:
3585:
3577:
3569:
3560:
3558:
3554:
3553:
3551:
3550:
3545:
3540:
3534:
3532:
3528:
3527:
3525:
3524:
3517:
3510:
3503:
3496:
3489:
3482:
3475:
3467:
3465:
3461:
3460:
3458:
3457:
3451:
3448:
3447:
3442:
3440:
3439:
3432:
3425:
3417:
3411:
3410:
3401:
3392:
3387:
3376:
3375:External links
3373:
3370:
3369:
3362:
3344:
3326:
3301:
3284:
3272:
3259:
3246:
3225:
3200:
3179:
3159:
3128:
3098:
3085:
3072:
3065:
3037:
3018:
2993:
2986:
2960:
2953:
2927:
2920:
2887:
2861:
2849:Le Grand Tango
2832:
2825:
2799:
2792:
2766:
2759:
2733:
2726:
2696:
2659:
2658:
2656:
2653:
2651:
2650:
2644:
2638:
2632:
2626:
2620:
2614:
2611:Kronos Quartet
2602:
2594:
2588:
2566:
2560:
2554:
2548:
2542:
2536:
2530:
2518:
2509:
2499:
2493:
2487:
2479:
2469:
2463:
2457:
2447:
2441:
2435:
2429:
2423:
2417:
2414:Live in Lugano
2411:
2403:
2397:
2391:
2385:
2379:
2373:
2367:
2361:
2355:
2349:
2346:Gerry Mulligan
2337:
2333:Amelita Baltar
2331:Piazzolla and
2328:
2320:
2314:
2308:
2305:Horacio Ferrer
2298:
2295:Amelita Baltar
2288:
2282:
2276:
2270:
2264:
2258:
2250:
2244:
2238:
2232:
2226:
2223:Edmundo Rivero
2202:
2196:
2190:
2184:
2181:Nuestro Tiempo
2178:
2161:
2155:
2147:
2144:Tango in Hi-Fi
2141:
2135:
2129:
2123:
2117:
2106:
2104:
2101:
2099:
2098:
2094:Happy Together
2090:
2082:
2074:
2066:
2058:
2050:
2042:
2027:
2021:
2006:
1998:
1990:
1982:
1976:
1968:
1960:
1952:
1944:
1941:Viaje de bodas
1938:
1932:
1926:
1918:
1912:
1904:
1898:
1892:
1886:
1878:
1862:
1854:
1846:
1830:
1824:
1818:
1812:
1804:
1788:
1780:
1774:
1758:
1750:
1744:
1719:
1711:
1703:
1687:
1672:
1664:
1656:
1639:
1637:
1634:
1632:
1631:
1625:
1619:
1613:
1605:
1599:
1593:
1587:
1579:
1573:
1564:
1562:
1559:
1557:
1554:
1553:
1552:
1542:
1539:
1531:
1528:
1484:Gerry Mulligan
1462:
1461:Musical career
1459:
1348:ensemble. The
1279:Horacio Ferrer
1277:Piazzolla and
1270:
1267:
1243:Fernando Otero
1234:He suffered a
1209:Le grand tango
1194:Kronos Quartet
1007:, directed by
989:Le Grand Tango
975:, directed by
946:
943:
935:
934:
920:Daniel Tinayre
910:
909:
887:in Paris, 1981
881:Diego Maradona
813:Gerry Mulligan
748:Gerry Mulligan
704:Amelita Baltar
690:Horacio Ferrer
683:Edmundo Rivero
627:first Quinteto
612:Club Flamboyan
517:
511:
503:Gerry Mulligan
459:
456:
444:Contrabajeando
328:Toto Rodríguez
308:Elvino Vardaro
303:
300:
253:orchestras of
218:
215:
213:
210:
206:Stephen Holden
158:Musical artist
157:
154:
153:
150:
144:
143:
138:
134:
133:
130:
126:
125:
116:
112:
111:
105:(aged 71)
99:
95:
94:
88:March 11, 1921
79:
75:
74:
71:
65:
64:
60:
59:
52:
44:
43:
40:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4213:
4202:
4199:
4197:
4194:
4192:
4189:
4187:
4184:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4162:
4159:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4139:
4137:
4134:
4132:
4129:
4127:
4124:
4122:
4119:
4117:
4114:
4113:
4111:
4101:
4091:
4089:
4079:
4077:
4067:
4065:
4055:
4051:
4038:
4034:
4030:
4028:
4020:
4019:
4017:
4016:
4008:
4002:
3999:
3997:
3994:
3993:
3991:
3987:
3981:
3978:
3976:
3973:
3971:
3968:
3966:
3963:
3961:
3958:
3956:
3953:
3951:
3948:
3946:
3943:
3941:
3938:
3936:
3933:
3931:
3928:
3926:
3923:
3921:
3918:
3916:
3913:
3911:
3908:
3906:
3903:
3901:
3898:
3896:
3893:
3891:
3888:
3886:
3883:
3881:
3880:Expressionism
3878:
3876:
3873:
3871:
3868:
3867:
3865:
3857:
3845:
3842:
3840:
3837:
3835:
3832:
3830:
3827:
3826:
3824:
3823:
3821:
3817:
3809:
3806:
3804:
3801:
3799:
3796:
3795:
3793:
3789:
3786:
3785:
3783:
3779:
3776:
3775:
3773:
3769:
3766:
3765:
3763:
3759:
3756:
3754:
3751:
3750:
3748:
3744:
3741:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3715:
3713:
3709:
3706:
3705:
3703:
3699:
3696:
3695:
3693:
3689:
3686:
3685:
3683:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3655:
3653:
3652:
3650:
3646:
3643:
3639:
3635:
3630:
3626:
3619:
3614:
3612:
3607:
3605:
3600:
3599:
3596:
3583:
3582:
3578:
3575:
3574:
3570:
3567:
3566:
3562:
3561:
3559:
3555:
3549:
3546:
3544:
3541:
3539:
3536:
3535:
3533:
3529:
3523:
3522:
3518:
3516:
3515:
3511:
3509:
3508:
3504:
3502:
3501:
3497:
3495:
3494:
3490:
3488:
3487:
3483:
3481:
3480:
3476:
3474:
3473:
3469:
3468:
3466:
3462:
3456:
3453:
3452:
3449:
3445:
3438:
3433:
3431:
3426:
3424:
3419:
3418:
3415:
3409:
3405:
3402:
3400:
3396:
3393:
3391:
3388:
3386:
3382:
3379:
3378:
3374:
3365:
3363:0-7893-1371-5
3359:
3355:
3348:
3345:
3340:
3336:
3330:
3327:
3315:
3314:Piazzolla.org
3311:
3305:
3302:
3298:
3294:
3288:
3285:
3281:
3276:
3273:
3269:
3263:
3260:
3256:
3253:Carlos Kuri:
3250:
3247:
3242:
3241:
3236:
3229:
3226:
3221:
3220:
3215:
3213:
3204:
3201:
3196:
3195:
3190:
3183:
3180:
3175:
3174:
3169:
3163:
3160:
3147:
3143:
3139:
3136:John Sunier.
3132:
3129:
3117:on 2019-11-06
3116:
3112:
3108:
3102:
3099:
3095:
3089:
3086:
3082:
3076:
3073:
3068:
3066:950-08-0920-6
3062:
3058:
3053:
3052:
3049:
3041:
3038:
3034:
3030:
3027:
3022:
3019:
3007:
3003:
2997:
2994:
2989:
2983:
2979:
2974:
2973:
2964:
2961:
2956:
2954:9780195127775
2950:
2946:
2941:
2940:
2931:
2928:
2923:
2921:9780195127775
2917:
2913:
2908:
2907:
2898:
2896:
2894:
2892:
2888:
2875:
2871:
2865:
2862:
2858:
2854:
2850:
2846:
2842:
2836:
2833:
2828:
2826:9780195127775
2822:
2818:
2813:
2812:
2803:
2800:
2795:
2793:9780195127775
2789:
2785:
2780:
2779:
2770:
2767:
2762:
2760:9780195127775
2756:
2752:
2747:
2746:
2737:
2734:
2729:
2727:9780195127775
2723:
2719:
2715:
2710:
2709:
2700:
2697:
2685:
2684:
2679:
2675:
2669:
2667:
2665:
2661:
2654:
2648:
2645:
2642:
2639:
2636:
2633:
2630:
2627:
2624:
2621:
2618:
2615:
2612:
2608:
2607:
2603:
2600:
2599:
2595:
2592:
2589:
2586:
2582:
2578:
2575:conducted by
2574:
2570:
2567:
2564:
2561:
2558:
2555:
2552:
2549:
2546:
2543:
2540:
2537:
2534:
2531:
2528:
2527:
2522:
2519:
2516:
2515:
2510:
2507:
2506:Lalo Schifrin
2503:
2500:
2497:
2494:
2491:
2488:
2485:
2484:
2480:
2477:
2473:
2470:
2467:
2464:
2461:
2458:
2455:
2451:
2448:
2445:
2442:
2439:
2436:
2433:
2430:
2427:
2424:
2421:
2418:
2415:
2412:
2409:
2408:
2404:
2401:
2398:
2395:
2392:
2389:
2388:Lo Que Vendrá
2386:
2383:
2380:
2377:
2374:
2371:
2368:
2365:
2362:
2359:
2356:
2353:
2350:
2347:
2343:
2342:
2338:
2335:
2334:
2329:
2326:
2325:
2321:
2318:
2315:
2312:
2309:
2306:
2302:
2299:
2296:
2292:
2289:
2286:
2283:
2280:
2277:
2274:
2271:
2268:
2265:
2262:
2259:
2256:
2255:
2251:
2248:
2245:
2242:
2239:
2236:
2233:
2230:
2227:
2224:
2220:
2214:
2209:
2207:
2203:
2200:
2197:
2194:
2191:
2188:
2185:
2182:
2179:
2174:
2169:
2168:Nelly Vázquez
2165:
2162:
2159:
2156:
2153:
2152:
2148:
2145:
2142:
2139:
2136:
2133:
2130:
2127:
2124:
2121:
2118:
2115:
2114:Lalo Schifrin
2111:
2108:
2107:
2102:
2096:
2095:
2091:
2088:
2087:
2083:
2080:
2079:
2075:
2072:
2071:
2067:
2064:
2063:
2059:
2056:
2055:
2051:
2048:
2047:
2043:
2040:
2037:
2032:
2028:
2025:
2022:
2017:
2012:
2011:
2007:
2004:
2003:
1999:
1996:
1995:
1991:
1988:
1987:
1983:
1980:
1977:
1974:
1973:
1969:
1966:
1965:
1961:
1958:
1957:
1953:
1950:
1949:
1945:
1942:
1939:
1936:
1933:
1930:
1927:
1924:
1923:
1919:
1916:
1913:
1910:
1909:
1905:
1902:
1899:
1896:
1893:
1890:
1887:
1884:
1883:
1879:
1874:
1869:
1867:
1863:
1860:
1859:
1855:
1852:
1851:
1850:Paula Cautiva
1847:
1842:
1837:
1835:
1831:
1828:
1825:
1822:
1819:
1816:
1813:
1810:
1809:
1805:
1800:
1795:
1793:
1789:
1786:
1785:
1781:
1778:
1775:
1770:
1765:
1763:
1759:
1756:
1755:
1751:
1748:
1745:
1742:
1738:
1732:
1728:
1723:
1720:
1717:
1716:
1715:Marta Ferrari
1712:
1709:
1708:
1704:
1699:
1694:
1692:
1688:
1683:
1678:
1677:
1673:
1670:
1669:
1665:
1662:
1661:
1657:
1652:
1647:
1645:
1641:
1640:
1635:
1629:
1626:
1623:
1620:
1617:
1614:
1611:
1610:
1606:
1603:
1600:
1597:
1594:
1591:
1588:
1585:
1584:
1580:
1577:
1574:
1571:
1570:
1566:
1565:
1560:
1555:
1550:
1549:Google Doodle
1546:
1543:
1540:
1537:
1534:
1533:
1529:
1527:
1526:
1522:
1518:
1513:
1511:
1510:
1505:
1501:
1497:
1493:
1489:
1485:
1482:
1478:
1477:
1472:
1468:
1460:
1458:
1456:
1452:
1448:
1447:
1442:
1441:
1436:
1432:
1428:
1427:
1420:
1415:
1413:
1408:
1407:
1400:
1395:
1390:
1388:
1387:
1382:
1378:
1377:
1372:
1368:
1364:
1360:
1354:
1351:
1346:
1342:
1338:
1337:
1331:
1329:
1328:Pablo Ziegler
1325:
1324:improvisation
1321:
1317:
1313:
1312:baroque music
1309:
1304:
1300:
1296:
1292:
1288:
1280:
1275:
1269:Musical style
1268:
1266:
1264:
1260:
1256:
1252:
1251:Pablo Ziegler
1248:
1244:
1239:
1237:
1232:
1230:
1226:
1222:
1218:
1214:
1210:
1205:
1203:
1199:
1195:
1191:
1187:
1183:
1179:
1175:
1170:
1168:
1164:
1160:
1155:
1153:
1149:
1148:
1143:
1142:
1136:
1134:
1130:
1129:Lalo Schifrin
1126:
1122:
1117:
1115:
1111:
1106:
1104:
1099:
1097:
1093:
1089:
1085:
1081:
1077:
1072:
1070:
1069:
1064:
1061:-TV-director
1060:
1056:
1052:
1048:
1044:
1040:
1036:
1032:
1027:
1025:
1021:
1015:
1010:
1006:
1000:
998:
994:
990:
986:
982:
981:Falklands War
978:
974:
973:
968:
959:
951:
944:
942:
940:
933:
929:
925:
921:
917:
912:
911:
907:
906:Los Largartos
903:
902:
901:
899:
895:
886:
882:
877:
873:
870:
868:
864:
859:
857:
851:
846:
844:
839:
838:Aníbal Troilo
835:
834:
828:
827:by Mulligan.
826:
822:
818:
814:
810:
809:
804:
803:
796:
791:
782:
778:
772:
767:
763:
759:
755:
754:
749:
744:
740:
738:
734:
730:
725:
723:
722:
717:
712:
709:
705:
701:
700:
695:
691:
686:
684:
680:
676:
671:
669:
665:
664:
655:
650:
646:
644:
640:
636:
632:
628:
623:
621:
617:
613:
608:
606:
605:
600:
596:
592:
586:
584:
583:
577:
573:
569:
565:
561:
555:
550:
546:
542:
538:
532:
527:
523:
516:
512:
510:
508:
504:
500:
495:
492:
486:
484:
480:
472:
468:
464:
457:
455:
453:
452:Lo que vendrá
449:
445:
441:
437:
433:
429:
424:
422:
418:
417:
412:
408:
404:
399:
397:
396:Color de rosa
393:
387:
382:
376:
374:
370:
365:
361:
357:
353:
349:
345:
341:
334:
329:
325:
324:Aníbal Troilo
319:
317:
316:First Quintet
313:
309:
301:
299:
297:
296:
291:
287:
283:
278:
276:
272:
268:
264:
260:
259:Julio de Caro
256:
255:Carlos Gardel
252:
247:
242:
240:
236:
232:
228:
224:
223:Mar del Plata
216:
211:
209:
207:
203:
199:
195:
194:
189:
185:
180:
171:
163:
151:
145:
142:
139:
135:
131:
129:Occupation(s)
127:
124:
120:
117:
113:
109:
100:
96:
92:
91:Mar del Plata
80:
76:
72:
66:
61:
56:
50:
45:
38:
33:
19:
4013:
3975:Tone cluster
3930:Polytonality
3875:Experimental
3579:
3571:
3563:
3519:
3512:
3505:
3498:
3491:
3484:
3477:
3472:Adiós Nonino
3470:
3464:Compositions
3356:. Universe.
3353:
3347:
3338:
3329:
3318:. Retrieved
3316:. 1987-09-06
3313:
3304:
3292:
3287:
3279:
3275:
3267:
3262:
3254:
3249:
3238:
3228:
3217:
3211:
3203:
3192:
3182:
3171:
3162:
3150:. Retrieved
3146:the original
3141:
3131:
3119:. Retrieved
3115:the original
3101:
3088:
3081:Grammy Award
3075:
3051:
3048:
3040:
3021:
3009:. Retrieved
2996:
2971:
2963:
2938:
2930:
2905:
2878:. Retrieved
2874:the original
2864:
2856:
2852:
2848:
2844:
2840:
2835:
2810:
2802:
2777:
2769:
2744:
2736:
2707:
2699:
2687:. Retrieved
2681:
2646:
2640:
2634:
2628:
2622:
2616:
2604:
2596:
2590:
2584:
2571:(1988) with
2568:
2562:
2556:
2550:
2544:
2538:
2532:
2524:
2520:
2511:
2501:
2495:
2489:
2481:
2471:
2465:
2460:Green Studio
2459:
2449:
2443:
2437:
2431:
2425:
2419:
2413:
2405:
2399:
2393:
2387:
2381:
2375:
2369:
2363:
2358:Buenos Aires
2357:
2351:
2339:
2330:
2322:
2316:
2310:
2300:
2290:
2284:
2278:
2272:
2266:
2260:
2252:
2246:
2240:
2234:
2228:
2204:
2198:
2192:
2186:
2180:
2163:
2157:
2151:Adiós Nonino
2149:
2143:
2137:
2131:
2125:
2119:
2109:
2092:
2084:
2076:
2068:
2060:
2052:
2044:
2029:
2023:
2009:
2000:
1992:
1984:
1978:
1970:
1962:
1954:
1946:
1940:
1934:
1928:
1920:
1914:
1906:
1900:
1894:
1888:
1880:
1864:
1856:
1848:
1832:
1826:
1820:
1814:
1806:
1790:
1782:
1776:
1760:
1752:
1746:
1740:
1736:
1713:
1705:
1689:
1676:Stella Maris
1675:
1666:
1658:
1642:
1627:
1621:
1615:
1607:
1602:Nuevo Octeto
1601:
1595:
1589:
1581:
1575:
1567:
1524:
1521:Central Park
1514:
1509:Adiós Nonino
1507:
1504:Cinco Piezas
1503:
1499:
1495:
1491:
1487:
1474:
1464:
1454:
1451:Kip Hanrahan
1444:
1438:
1424:
1410:
1404:
1391:
1384:
1380:
1374:
1355:
1336:Adiós Nonino
1334:
1332:
1316:counterpoint
1299:counterpoint
1286:
1285:Piazzolla's
1284:
1259:Sergio Assad
1254:
1240:
1233:
1208:
1206:
1201:
1197:
1189:
1171:
1167:Carlos Menem
1162:
1158:
1156:
1145:
1139:
1137:
1124:
1120:
1118:
1114:Central Park
1107:
1100:
1079:
1075:
1073:
1068:Adios Nonino
1066:
1042:
1028:
1023:
1019:
1001:
988:
970:
966:
964:
936:
931:
905:
897:
890:
871:
860:
841:
831:
829:
824:
819:and drummer
806:
800:
786:
751:
737:Teatro Colón
732:
726:
719:
715:
713:
707:
697:
687:
674:
672:
667:
663:Nuevo Octeto
661:
659:
635:Simón Bajour
624:
609:
604:Adiós Nonino
602:
595:María Nieves
587:
580:
564:José Bragato
560:Juan Vasallo
549:Hugo Baralis
526:Jorge Sobral
519:
514:
499:counterpoint
496:
490:
487:
475:
451:
447:
443:
439:
435:
432:Para lucirse
431:
425:
414:
413:in 1949 and
410:
406:
400:
395:
391:
377:
372:
368:
364:Teatro Colón
348:Buenos Aires
320:
305:
302:Early career
293:
286:Rachmaninoff
282:Little Italy
279:
269:, including
243:
220:
191:
161:
160:
148:Years active
108:Buenos Aires
103:(1992-07-04)
101:July 4, 1992
4121:1992 deaths
4116:1921 births
4088:Latin music
3925:Polyrhythms
3900:Neotonality
3788:Szymanowski
3557:Discography
3219:NewMusicBox
3152:January 23,
3094:César Award
3011:January 19,
3006:CD Universe
2581:Cacho Tirao
2577:Leo Brouwer
2514:Gary Burton
2247:ION Studios
2211: [
2171: [
2166:(Vocals by
2103:Discography
2046:Bella Donna
2034: [
2014: [
1908:Breve cielo
1889:Los pirañas
1871: [
1839: [
1797: [
1784:Dos basuras
1767: [
1725: [
1696: [
1680: [
1649: [
1435:Odair Assad
1426:Tango Suite
1417: [
1397: [
1394:Aldo Pagani
1363:twelve-tone
1308:passacaglia
1303:Carlos Kuri
1287:nuevo tango
1281:around 1970
1255:nuevo tango
1213:New Orleans
1192:, with the
1110:Gary Burton
1092:Cacho Tirao
1088:Leo Brouwer
1047:West-Berlin
1012: [
997:New Orleans
939:Konex Award
848: [
817:Pino Presti
793: [
790:Aldo Pagani
777:Pino Presti
769: [
766:Aldo Pagani
756:recording,
633:), violin (
631:Jaime Gosis
599:Puerto Rico
582:nuevo tango
552: [
529: [
515:nuevo tango
507:Paris Opera
407:El Desbande
392:La chiflada
384: [
331: [
193:nuevo tango
123:nuevo tango
110:, Argentina
93:, Argentina
4110:Categories
3970:Surrealism
3965:Stochastic
3955:Sound mass
3890:Microtonal
3862:techniques
3860:Genres and
3808:Stravinsky
3768:Skalkottas
3673:Schoenberg
3548:Conjunto 9
3500:Libertango
3479:La Camorra
3320:2017-07-08
2987:0195127773
2716:. p.
2689:January 6,
2655:References
2557:La Camorra
2324:Libertango
2301:En Persona
2086:12 Monkeys
1986:Armaguedón
1808:Las furias
1636:Film music
1609:Conjunto 9
1479:with jazz
1467:Conjunto 9
1446:La Camorra
1406:Libertango
1386:Casablanca
1147:La Camorra
924:Olga Ferri
802:Libertango
729:Conjunto 9
643:Kicho Díaz
566:), piano (
562:), cello (
535:, and his
440:Prepárense
352:Stravinsky
186:composer,
137:Instrument
84:1921-03-11
69:Birth name
4100:Biography
4064:Argentina
3950:Serialism
3870:Atonality
3798:Prokofiev
3641:Composers
3531:Ensembles
3121:4 October
2880:4 October
2450:Enrico IV
2273:Pulsación
2062:Enrico IV
2031:Neon City
1994:A Intrusa
1915:Pulsación
1561:Ensembles
1345:bandoneon
1174:Amsterdam
1049:, and in
972:Enrico IV
436:Tanguango
275:bandoneon
217:Childhood
212:Biography
188:bandoneon
152:1933–1990
141:bandoneon
55:bandoneon
4027:Category
3960:Spectral
3885:Futurism
3819:Americas
3803:Scriabin
3774:Hungary
3749:Germany
3733:Messiaen
3728:Koechlin
3704:Finland
3694:Czechia
3688:Pousseur
3684:Belgium
3654:Austria
3385:AllMusic
3280:El Tango
3035:, Songs.
3029:Archived
2585:Historia
2400:Oblivion
2206:El Tango
1901:La fiaca
1596:Quinteto
1186:Lausanne
967:Oblivion
731:(a.k.a.
675:El Tango
491:Triunfal
448:Triunfal
175:Italian:
166:Spanish:
18:Piazolla
4050:Portals
4012: ←
3940:Process
3829:Antheil
3794:Russia
3784:Poland
3764:Greece
3758:Strauss
3738:Milhaud
3723:Jolivet
3714:France
3708:Bergman
3399:Discogs
3299:, 2000.
3212:Romance
3111:YouTube
2613:, 1991)
2456:, 1984)
2208:
2116:, 1955)
1948:Lumière
1868:
1836:
1794:
1764:
1693:
1646:
1592:, 1959.
1414:
1371:operita
1350:quintet
1055:Utrecht
1037:at the
867:Olympia
845:
750:at the
656:in 1963
654:Canal13
481:at the
239:Tuscany
4037:Portal
3839:Cowell
3834:Carter
3778:Bartók
3743:Varèse
3678:Webern
3668:Mahler
3663:Krenek
3648:Europe
3584:(1988)
3576:(1986)
3568:(1974)
3565:Summit
3360:
3339:Google
3063:
2984:
2951:
2918:
2823:
2790:
2757:
2724:
2619:(1992)
2601:(1988)
2593:(1990)
2583:, the
2565:(1989)
2468:(1984)
2462:(1984)
2422:(1983)
2384:(1978)
2382:Chador
2360:(1976)
2344:(with
2336:(1974)
2249:(1968)
2231:(1966)
2154:(1960)
2112:(with
2097:, 1997
2089:, 1995
2081:, 1988
2073:, 1985
2065:, 1984
2057:, 1984
2049:, 1983
2041:, 1982
2026:, 1982
2024:Somos?
2020:, 1982
2010:Volver
2005:, 1980
1997:, 1979
1989:, 1977
1981:, 1977
1975:, 1977
1967:, 1976
1959:, 1976
1951:, 1976
1943:, 1975
1937:, 1973
1931:, 1972
1925:, 1970
1917:, 1969
1911:, 1969
1903:, 1969
1897:, 1968
1891:, 1967
1885:, 1966
1877:, 1965
1861:, 1964
1853:, 1963
1845:, 1963
1829:, 1963
1823:, 1962
1817:, 1961
1811:, 1960
1803:, 1960
1787:, 1958
1779:, 1958
1773:, 1957
1757:, 1957
1749:, 1957
1718:, 1956
1710:, 1955
1702:, 1954
1686:, 1953
1671:, 1950
1663:, 1950
1655:, 1949
1545:Google
1530:Legacy
1431:Sergio
1221:Athens
753:Summit
356:Bartók
231:Apulia
115:Genres
57:, 1971
4076:Music
3915:Noise
3753:Reger
3718:Henry
3194:Patch
2215:]
2175:]
2038:]
2018:]
1875:]
1843:]
1801:]
1771:]
1733:]
1700:]
1684:]
1653:]
1421:]
1401:]
1381:scena
1367:modal
1320:fugal
1291:tango
1127:with
1084:Liège
1035:Milva
1016:]
885:Jairo
852:]
797:]
773:]
762:Italy
758:Milan
733:Nonet
694:opera
556:]
533:]
469:with
388:]
360:Ravel
338:with
335:]
251:tango
235:Lucca
227:Trani
119:Tango
3844:Ives
3698:Hába
3658:Berg
3408:IMDb
3358:ISBN
3154:2008
3123:2021
3061:ISBN
3013:2014
2982:ISBN
2949:ISBN
2916:ISBN
2882:2021
2821:ISBN
2788:ISBN
2755:ISBN
2753:–4.
2722:ISBN
2691:2014
2317:Roma
1739:and
1556:Work
1498:and
1433:and
1341:coda
1295:jazz
1123:and
1090:and
1059:VPRO
593:and
547:and
450:and
394:and
371:and
271:Bach
265:and
263:jazz
257:and
200:and
198:jazz
98:Died
78:Born
3406:at
3383:in
2526:Sur
2521:Sur
2078:Sur
1373:",
1141:Sur
1053:in
614:in
597:in
4112::
3337:.
3312:.
3295:,
3237:.
3216:.
3191:.
3170:.
3140:.
3109:.
3059:.
3057:85
3004:.
2980:.
2978:73
2947:.
2945:50
2914:.
2912:16
2890:^
2819:.
2786:.
2720:.
2712:.
2680:.
2663:^
2213:es
2173:es
2036:de
2016:es
1873:es
1841:es
1799:es
1769:es
1731:fr
1729:;
1727:es
1698:es
1682:es
1651:es
1494:,
1490:,
1437:;
1419:es
1399:it
1389:.
1231:.
1135:.
1026:.
1014:es
999:.
922:,
918:,
850:es
795:it
771:it
724:.
696:)
554:es
531:es
485:.
454:.
446:,
442:,
438:,
434:,
423:.
398:.
386:es
358:,
354:,
333:es
318:.
241:.
173:,
121:,
4052::
3617:e
3610:t
3603:v
3436:e
3429:t
3422:v
3366:.
3323:.
3243:.
3222:.
3214:"
3197:.
3156:.
3125:.
3096:.
3083:.
3069:.
3015:.
2990:.
2957:.
2924:.
2884:.
2829:.
2817:5
2796:.
2784:4
2763:.
2751:3
2730:.
2718:3
2693:.
2293:(
2217:(
1743:)
1551:.
760:(
164:(
86:)
82:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.