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Polyptych

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Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show
325:. These twin influences resulted in something resembling the Renaissance polyptych that is recognisable today. The work of Duccio di Buoninsegna, who was active in Siena in the early-mid 14th century offers an early example of the polyptych form, with the early Byzantine influences. 305:
Whilst the polyptych originated as a form of sacred art, as a term to describe art in general, it can be seen to encompass any work of art constituted by multiple pieces of art such as sculpture, photography, or video and text-based art forms.
317:. Whilst the precise origins of polyptychal art is uncertain, the earliest examples have been described as coming from Italy in the early 14th century. The development of Church art in the 13th century saw a fusing of Byzantine 336:, 1315–1319, tempera and gold on wood, from the now lost church of the Hospital of Santa Maria della Scala in Siena, Siena, Pinacoteca Nazionale 551: 215: 115: 394: 328: 53: 383: 259:
different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the
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has four parts, whereas a polyptych describes any work of art formed of more than one constitutive part.
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This article is about the art format. For the medieval document concerning lands, see
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The "quad-tych" created by fictional artist Sander Cohen, in the 2007 video game
318: 155: 31: 314: 287: 271: 608: 592: 582: 577: 279: 151: 628: 587: 476: 411: 260: 244: 623: 572: 283: 240: 167: 163: 351: 313:, a polyptych is often seen in a devotional setting, often found as 529: 327: 533: 25: 239:) which is divided into sections, or panels. Specifically, a 142:(1432). There is a different view when the wings are closed. 270:
painters, the majority of whom designed their works to be
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Some medieval manuscripts are polyptychs, particularly
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Polyptych-of-Saint-Augustine by Piero della Francesca
216: 207: 201: 198: 192: 186: 601: 565: 183: 56:. Unsourced material may be challenged and removed. 266:Polyptychs were most commonly created by early 545: 8: 552: 538: 530: 116:Learn how and when to remove this message 145: 127: 510:"Polyptych - National Portrait Gallery" 501: 263:, often depict small narrative scenes. 150:Polyptych, made by the workshop of the 16:Painting divided into multiple panels 7: 410:Saint Augustine Polyptych (1470) by 54:adding citations to reliable sources 158:in 1478–1481, at the High Altar in 14: 179: 30: 235:"fold") is a painting (usually 41:needs additional citations for 1: 384:Polyptych of the Misericordia 311:European Renaissance painting 243:is a two-part work of art; a 430:Monte San Martino Altarpiece 678: 323:Gothic architectural style 18: 377:Last Judgement (Lochner) 247:is a three-part work; a 380:1435 by Stefan Lochner. 363:, completed in 1432 by 332:Duccio di Buoninsegna, 301:History and development 469:Julio Romero de Torres 337: 170: 143: 440:St. Dominic Polyptych 405:Rogier van der Weyden 388:Piero della Francesca 348:Stefaneschi Polyptych 331: 149: 131: 490:Polyptych (document) 419:Saint Vincent Panels 50:improve this article 21:Polyptych (document) 452:Isenheim Altarpiece 160:St. Nicholas Church 132:Opened view of the 457:Matthias Grünewald 338: 171: 144: 639: 638: 400:Beaune Altarpiece 295:Carolingian works 126: 125: 118: 100: 669: 554: 547: 540: 531: 524: 523: 521: 520: 506: 464:Poema de Córdoba 360:Ghent Altarpiece 334:Polyptych no. 47 219: 214: 213: 210: 209: 206: 203: 200: 197: 194: 191: 188: 185: 135:Ghent Altarpiece 121: 114: 110: 107: 101: 99: 58: 34: 26: 677: 676: 672: 671: 670: 668: 667: 666: 657:Picture framing 642: 641: 640: 635: 597: 561: 560:Series of works 558: 528: 527: 518: 516: 508: 507: 503: 498: 486: 467:(1913-1915) by 455:(1512–1516) by 442:(1506–1508) by 432:(1471 ca.), by 421:(1470–1480) by 386:(1445–1462) by 365:Hubert van Eyck 343: 303: 286:printmakers of 217: 182: 178: 122: 111: 105: 102: 59: 57: 47: 35: 24: 17: 12: 11: 5: 675: 673: 665: 664: 659: 654: 644: 643: 637: 636: 634: 633: 632: 631: 626: 616: 614:Complete works 611: 605: 603: 599: 598: 596: 595: 590: 585: 580: 575: 569: 567: 563: 562: 559: 557: 556: 549: 542: 534: 526: 525: 514:www.npg.org.uk 500: 499: 497: 494: 493: 492: 485: 482: 481: 480: 473: 460: 447: 437: 434:Carlo Crivelli 426: 423:Nuno Gonçalves 415: 408: 396: 391: 381: 372: 355: 350:, c. 1320, by 342: 339: 302: 299: 237:panel painting 124: 123: 38: 36: 29: 15: 13: 10: 9: 6: 4: 3: 2: 674: 663: 660: 658: 655: 653: 650: 649: 647: 630: 627: 625: 622: 621: 620: 617: 615: 612: 610: 607: 606: 604: 600: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 570: 568: 564: 555: 550: 548: 543: 541: 536: 535: 532: 515: 511: 505: 502: 495: 491: 488: 487: 483: 478: 474: 472: 470: 466: 465: 461: 458: 454: 453: 448: 445: 444:Lorenzo Lotto 441: 438: 435: 431: 427: 424: 420: 416: 413: 409: 406: 402: 401: 397: 395: 392: 389: 385: 382: 379: 378: 373: 370: 366: 362: 361: 356: 353: 349: 345: 344: 340: 335: 330: 326: 324: 320: 316: 312: 307: 300: 298: 296: 291: 289: 285: 281: 277: 273: 269: 264: 262: 256: 254: 250: 246: 242: 238: 234: 230: 226: 222: 221: 212: 176: 169: 165: 161: 157: 153: 148: 141: 137: 136: 130: 120: 117: 109: 98: 95: 91: 88: 84: 81: 77: 74: 70: 67: –  66: 62: 61:Find sources: 55: 51: 45: 44: 39:This article 37: 33: 28: 27: 22: 618: 517:. Retrieved 513: 504: 462: 450: 398: 375: 369:Jan van Eyck 358: 333: 308: 304: 292: 265: 257: 252: 248: 232: 228: 174: 172: 140:Jan van Eyck 133: 112: 106:January 2024 103: 93: 86: 79: 72: 60: 48:Please help 43:verification 40: 662:Altarpieces 319:iconostasis 315:altarpieces 272:altarpieces 268:Renaissance 253:quadriptych 231:"many" and 156:Hermen Rode 65:"Polyptych" 652:Polyptychs 646:Categories 519:2023-05-09 496:References 403:(1450) by 288:Edo period 280:cathedrals 249:tetraptych 76:newspapers 619:Polyptych 609:Anthology 593:Heptalogy 583:Pentalogy 578:Tetralogy 321:with the 175:polyptych 629:Triptych 602:See also 588:Hexalogy 484:See also 477:Bioshock 412:Perugino 341:Examples 276:churches 261:predella 245:triptych 624:Diptych 573:Trilogy 290:Japan. 284:ukiyo-e 241:diptych 220:-ip-tik 168:Estonia 164:Tallinn 154:master 90:scholar 566:Series 352:Giotto 233:ptychē 152:Lübeck 92:  85:  78:  71:  63:  229:poly- 225:Greek 97:JSTOR 83:books 449:The 428:The 417:The 374:The 367:and 357:The 346:The 278:and 69:news 309:In 274:in 251:or 218:POL 162:in 52:by 648:: 512:. 227:: 223:; 173:A 166:, 138:: 553:e 546:t 539:v 522:. 479:. 459:. 446:. 436:. 425:. 414:. 407:. 390:. 371:. 354:. 211:/ 208:k 205:ɪ 202:t 199:p 196:ɪ 193:l 190:ɒ 187:p 184:ˈ 181:/ 177:( 119:) 113:( 108:) 104:( 94:· 87:· 80:· 73:· 46:. 23:.

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Polyptych (document)

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Ghent Altarpiece
Jan van Eyck

Lübeck
Hermen Rode
St. Nicholas Church
Tallinn
Estonia
/ˈpɒlɪptɪk/
POL-ip-tik
Greek
panel painting
diptych
triptych
predella
Renaissance
altarpieces

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