Quilting - Knowledge (XXG)

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and began to appear in Swedish quilts soon after along with scraps of wool, silk, and linen. As the availability of cotton increased and its price went down, quilting became widespread among all classes of Swedish society. Wealthier quilters used wool batting while others used linen scraps, rags, or paper mixed with animal hair. In general, these quilts were simple and narrow, made by both men and women. The biggest influence on Swedish quilting in this time period is thought to have come from America as Swedish immigrants to the United States returned to their home country when conditions there improved.

331: 510:. The style evolved out of a need for cloth (the closest town was often a week's journey away). Women would make strips of sewing the remnants of fabric rolls together, then sew these into larger pieces to make clothing. Eventually the style began to be used not just for clothing but for quilts as well. In 1900, with the introduction of sewing machines and readily available fabric in Seminole communities, the patterns became much more elaborate and the style continues to be in use today, both by Seminole women and by others who have copied and adapted their designs and techniques. 42: 267: 532: 733: 57: 894: 479: 3144: 304: 806:, on top of the quilt, while the other hand is located beneath the piece to push the needle back up. A third option is called "loading the needle" and involves doing four or more stitches before pulling the needle through the cloth. Hand quilting is still practiced by the Amish and Mennonites within the United States and Canada, and is enjoying a resurgence worldwide. 579:, a word meaning to mix or connect. Quilts tops were designed and pieced by one woman using scraps of hand-dyed cotton. This cotton often comes from old dresses or shawls. Once pieced, the quilt top is placed on a reed mat with the other layers and sewn together using thick, colored thread in straight parallel lines by members of the designer's family and community. 2883: 367:. Gee's Bend is a small, isolated community of African-Americans in southern Alabama with a quilt-making tradition that goes back several generations and is characterized by pattern improvisation, multiple patterning, bright and contrasting colors, visual motion, and a lack of rules. The contributions made by Harriet Powers and other 2418: 632:

in the fifteenth century with heavily stitched and appliquéd quilts made for the very wealthy. These quilts, created from silk, wool, and felt, were intended to be both decorative and functional and were found in churches and in the homes of nobility. Imported cotton first appeared in Sweden in 1870,

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involves placing the layers to be quilted on a special frame. The frame has bars on which the layers are rolled, keeping these together without the need for tacking or pinning. These frames are used with a professional sewing machine mounted on a platform. The platform rides along tracks so that the

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QuiltCon features a quilt show with 400+ quilts, quilt vendors, lectures, and quilting workshops and classes. The first QuiltCon was February 21–24, 2013 in Austin, TX. QuiltCon 2020 was held in Austin, Texas, February 20–23, 2020 and featured 400 juried modern quilts from quilters around the world.

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In the early 21st century, modern quilting became a more prominent area of quilting. Modern quilting follows a distinct aesthetic style which draws on inspiration from modern style in architecture, art, and design using traditional quilt making techniques. Modern quilts are different from art quilts

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A quilter can employ a wide range of effects that contribute to the quality and utility of the final quilted material. To create these effects, the quilter manipulates elements such as material type and thickness, stitch length and style, pattern design, piecing, and cutting. Two-dimensional effects

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who taught quilting to Native American women along with other homemaking skills. Native American women quickly developed their own unique style, the Lone Star design (also called the Star of Bethlehem), a variation on Morning Star designs that had been featured on Native American clothing and other

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can be used in the process of piecing together a quilt top. Some quilters also use a home sewing machine for quilting together the layers of the quilt, as well as binding the final product. While most home sewing machines can be used to quilt layers together, having a wide throat (the space to the

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Most geometric quilt block designs fit into a "grid", which is the number of squares a pattern block is divided into. The five categories into which most square patterns fall are Four Patch, Nine Patch, Five-Patch, Seven-Patch, and Eight-Pointed Star. Each block can be subdivided into multiples: a

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became popular. Paper was cut into shapes and used as a pattern; each individual piece of cut fabric was basted around the paper pattern. Paper was a scarce commodity in the early American west so women would save letters from home, postcards, newspaper clippings, and catalogs to use as patterns.

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tradition since about the fifth century. Early objects contained Egyptian cotton, which may indicate that Egyptian and Mediterranean trade provided a conduit for the technique. However, quilted objects were relatively rare in Europe until approximately the twelfth century, when quilted bedding and

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by hand across the entire area to be quilted. This binds the layers together. A quilting frame or hoop is often used to assist in holding the piece being quilted off the quilter's lap. A quilter can make one stitch at a time by first driving the needle through the fabric from the right side, then

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The Modern Quilt Guild, a non-profit corporation, with 14,000 members in more than 200 members guilds in 39 countries, fosters modern quilting via local guilds, workshops, webinars, and Quiltcon—an annual modern quilting conference and convention. The founding Modern Quilt Guild formed in October

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utilize quilt making to tell stories and make political statements about the African-American experience. Ringgold, originally a painter, began quilting in order to stray away from Western art practices. Her famous "story quilts" utilize mixed media, painting, and quilting. One of her most famous

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The quilt block is traditionally a sub-unit composed of several pieces of fabric sewn together. The quilt blocks are repeated, or sometimes alternated with plain blocks, to form the overall design of a quilt. Barbara Brackman has documented over 4000 different quilt block patterns from the early

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was well established by the beginning of the twentieth century. Hawaiian women learned to quilt from the wives of missionaries from New England in the 1820s. Though they learned both pieced work and applique, by the 1870s they had adapted applique techniques to create a uniquely Hawaiian mode of

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Quilting varies from a purely functional fabric joinery technique to highly elaborate, decorative three dimensional surface treatments. A wide variety of textile products are traditionally associated with quilting, including bed coverings, home furnishings, garments and costumes, wall hangings,

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became popular for their aesthetic and artistic qualities rather than for functionality; these quilts may be displayed on a wall or table instead of being used on a bed. "It is believed that decorative quilting came to Europe and Asia during the Crusades (A.D. 1100–1300), a likely idea because

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Amish are known for their Diamond-in-a-Square and Bars patterns, while other communities use patterns such as Brick, Streak of Lightning, Chinese Coins, and Log Cabins, and midwestern communities are known for their repeating block patterns. Borders and color choice also vary by community. For

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There is a long tradition of African-American quilting beginning with quilts made by enslaved Africans, both for themselves and for the people who enslaved them. The style of these quilts was determined largely by time period and region, rather than race, and the documented slave-made quilts

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The Modern Quilt Guild has attempted to define modern quilting. The characteristics of a modern quilt may include: the use of bold colors and prints, high contrast and graphic areas of solid color, improvisational piecing, minimalism, expansive negative space, and alternate grid work.

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embroidery stitches. "The layers of cloth were spread on the ground, held in place with weights at the edges, and sewn together with rows of large basting stitches. The cloth was then folded and worked on whenever there was time." The first recorded kantha are more than 500 years old.

810: 465:. Typically, these quilts use only solid fabrics, are pieced from geometric shapes, do not contain appliqué, and construction is simple (corners are butted, rather than mitered, for instance) and done entirely by hand. Amish quilters also tend to use simple patterns: 291:

quilting in America dates to the 1770s, the decade the United States gained its independence from England. These late-eighteenth- and nineteenth-century patchwork quilts often mixed wool, silk, linen, and cotton in the same piece, as well as mixing large-scale (often

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Unusual quilting designs have increasingly become popular as decorative textiles. As industrial sewing technology has become more precise and flexible, quilting using exotic fabrics and embroidery began to appear in home furnishings in the early 21st century.

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is a temporary aerosol glue that can be used to spray the layers of a quilt together, so it stays in place whilst being sewn. It is a specially formulated glue that will not clog a sewing machine, and is a much quicker basting method than hand basting.

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Quilting is now taught in some American schools. It is also taught at senior centers around the U.S., but quilters of all ages attend classes. These forms of workshops or classes are also available in other countries in guilds and community colleges.

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The Prairie Queen block combines two large scale triangles in the corner section with the middle section using four squares. The center piece is one full size square. Each of the nine sections does have the same overall measurement and fits together.

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or a longarm machine to sew the layers together. With the home sewing machine, the layers are tacked together before quilting. This involves laying the top, batting, and backing out on a flat surface and either pinning (using large safety pins) or

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are used to finish off the ties so that the quilt may be washed and used without fear of the knots coming undone. This technique is commonly called "tacking." In the Midwest, tacked bed covers are referred to as comforters.

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nature of the quilting process (and how it can bring together women of varied races and backgrounds) was honored in the series of stamps. Themes of community and storytelling are common themes in African-American quilts.

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pushing it back up through the material from the wrong side to complete the stitch; this is called a stab stitch. Another option is called a rocking stitch, where the quilter has one hand, usually with a finger wearing a

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quilts were popular during this time and the majority of pierced or appliqued quilts made during the 1770–1800 period were medallion-style quilts (quilts with a central ornamental panel and one or more borders).

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who contributed to the development of quilting in the United States. This style of African-American quilts was categorized by its bright colors, organization in a strip arrangement, and asymmetrical patterns.

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Contemporary quilters use a wide range of quilting designs and styles, from ancient and ethnic to post-modern futuristic patterns. There is no one single school or style that dominates the quilt-making world.

811: 192:, and quilting have been used to create clothing and furnishings in various parts of the world for several millennia, and a wide range of unique quilting styles and techniques have evolved around the globe. 813: 300:) patterns. In North America, some worn-out blankets were utilized to create a new quilt from worn-out clothes, and in these quilts the internal batting layer was made up of old blankets or older quilts. 523:

expression. The classic Hawaiian quilt design is a large, bold, curvilinear appliqué pattern that covers much of the surface of the quilt, with the symmetrical design cut from only one piece of fabric."

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Another variation develops when one square piece is divided into two equal rectangles in the basic Nine Patch design. The Churn Dash block combines the triangles and rectangle to expand the Nine Patch.

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generally resemble those made by white women in their region. After 1865 and the end of slavery in the United States, African-Americans began to develop their own distinctive style of quilting.

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and are generally smaller and stronger than normal sewing needles. They have a very small eye which prevents any extra bump at the head of the needles when you are pulling through the thread.

151:. Some quilters create or dye their own fabrics. In contemporary artistic quilting, quilters sometimes use new and experimental materials such as plastics, paper, natural fibers, and plants. 775:

The number of patterns possible by subdividing Four-, Five-, Seven-, Nine-Patches and Eight-Pointed Stars and using triangles instead of squares in the small subdivisions is almost endless.

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is another technique of fastening the three layers together. This is done primarily on quilts that are made to be used and are needed quickly. The process of tying the quilt is done with

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can be achieved through aesthetic choices regarding colour, texture, and print. Three-dimensional and sculptural components of quilted material can be manipulated and enhanced further by

438: 1021:– a process of using water-soluble thread and an extra layer of batting to achieve trapunto design and then sandwiching the quilt and re-sewing the design with regular cotton thread. 1009:– Basic running stitch worked in heavy, white cotton thread usually on dark indigo colored fabric. It was originally used by the working classes to stitch layers together for warmth. 499:

ceremonies, replacing buffalo robes traditionally given away at births, marriages, tribal elections, and other ceremonies. Pictorial quilts, created with appliqué, were also common.

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system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or

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This early American wholecloth quilt was made in the Colonial period, c. 1760–1800. The blue resist fabric includes bold, fanciful botanical motifs. Collection of Bill Volckening.

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can be used to make larger quilts. Larger machines can be leveraged so that the quilter does not have to hold the fabric. Some specialist quilt shops offer longarm services.

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can be made from strips of quilt fabric or purchased as quilt binding. It is used in the last stage of making a quilt, and is a method of covering the edges of the quilt.

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Quilts made without any insulation or batting were referred to as summer quilts. They were not made for warmth, but to keep the chill off during cooler summer evenings.

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A simple Nine Patch is made by sewing five patterned or dark pieces (patches) to four light square pieces in alternating order. These nine sewn squares make one block.

68: 997:– Hawaiian quilting, where quilting is done around an appliquéd piece on the quilt top, then the quilting is echoed again and again around the previous quilting line. 2931: 843:

machine can be moved across the layers on the frame. A longarm machine is moved across the fabric. In contrast, the fabric is moved through a home sewing machine.

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women, women of different castes, and women from different towns or villages or tribes with the colors and designs varying among these groups. The name comes from

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come in many types, including different weights of thread and different materials. Cotton, polyester, and nylon threads are used in different forms of quilting.

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The paper not only served as a pattern but as an insulator. Paper found between these old quilts has become a primary source of information about pioneer life.

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example, Lancaster quilts feature wide borders with lavish quilting. Midwestern quilts feature narrower borders to balance the fancier piecing.

2729: 2694: 1051:– A sophisticated form of scrap quilting whereby uniform sizes of various prints are arranged and sewn to create a picture or design. See also 1414: 551:. Nakshi Kantha quilts originated in India and are typically made of scraps and worn-out fabric stitched together with old sari threads using 3896: 2178: 2068: 2043: 2018: 1975: 1951: 1927: 1785: 1618: 1566: 1398: 1373: 1295: 1245: 487: 275: 495:

items for centuries. These quilts often featured floral appliqué framing the star design. Star quilts have become an important part of many

453: 246:, which was made in late-fourteenth century Italy from linen padded with wool. The blocks across its center are scenes from the legend of 242:

worn as part of European male clothing from the fourteenth to seventeenth century. The earliest known surviving European bed quilt is the

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revolutionized quilt-making when they appeared in the late 1970s. Rotary cutters simplify the process of cutting even slices of fabric.

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and all these kind of words that prevent women's experience from entering—even when they express it—from entering the mainstream of art.

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have been recognized by the US Postal Service with a series of stamps. Many of the quilters of Gee’s Bend also participated in the

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Sharon Pederson,(2005). Sensational Sashiko, Japanese Applique and Quilting by Machine. p.5, Martingale & Co., Woodinville, WA

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Pictorial Quilt by Harriet Powers c. 1895-98. The quilt is divided into 15 different pictorial images made with pieces of cotton.

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are usually square or rectangular measuring instruments with length measurement and degree angle markings along multiple edges.

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right of the needle mechanism) is useful to manipulate a bulky quilt through the machine when the throat is both high and long.

330: 2919: 415:. Consensus among historians is that there is no sound basis for this belief, and no documented mention among the thousands of 363:

quilting community of Alabama was celebrated in an exhibition that opened in 2002 and traveled to many museums, including the

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Quilted skirt (silk, wool and cotton – 1770–1790), Jacoba de Jonge-collection MoMu, Antwerp / Photo by Hugo Maertens, Bruges.

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come in many varieties and are generally considered the basis of the structure of the quilt, like a blueprint for a house.

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are very sharp in order to readily pierce layers of quilt and properly sew together the quilt top, batting and backing.

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can be used to mark where cuts should be made in the fabric. Marks from specialist fabric marker wash out of fabrics.

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The Shoo Fly varies from this Nine Patch by dividing each of the four corner pieces into a light and dark triangle.

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Traditional embroidery techniques can also be used to create block designs or embellish pieced or appliqued blocks.

251: 266: 2569: 2312: 604:), late 1800s Japan. The stitches are decorative, but also functional; they hold the pieced cotton rags together 3827: 3165: 3125: 3120: 2654: 1018: 442: 24: 158:, as quilters have historically made extensive use of remnants and offcuts for the creation of new products. 3438: 3062: 2449: 368: 222:

other items appeared after the return of the Crusaders from the Middle East. The medieval quilted gambeson,

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Bristow, Lora J. "Women’s work: social relations of quilting." (Thesis, Humboldt State University, 2013.

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Yep, Gust A. 2007. “The Politics of Loss and Its Remains in Common Threads: Stories from the Quilt.”

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Many types of quilting exist today. The two most widely used are hand-quilting and machine quilting.

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are thought to have learned quilting through observation of white settlers; others learned it from

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Thread art – A custom style of sewing where thread is layered to create the picture on the quilt.

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A decorative use of quilting: a stool upholstered with quilted and embroidered fabric from India.

315: 239: 104: 20: 3509: 987:– also known as paper-piecing – sewing pieces of fabric onto a temporary or permanent foundation 1691: 3962: 3839: 3787: 3693: 3099: 3034: 3029: 2984: 2459: 2407: 2402: 2174: 2064: 2039: 2014: 1971: 1947: 1923: 1899: 1874: 1781: 1695: 1641: 1614: 1562: 1437: 1394: 1369: 1291: 1266: 1241: 1012: 1006: 116: 3921: 3859: 3782: 3726: 3084: 2999: 2952: 2862: 1582:

Murphy, Mary (Autumn 2008). "Montana Quilts and Quiltmakers: A History of Work and Beauty".

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Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce

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The first nationwide recognition of African-American quilt-making came when the

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in the collections of the Victoria and Albert Museum, London. Accessed 5-2-2010

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The American Museum in Britain - American Decorative and Folk Art Collection

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and filling some of the spaces in the pattern with small lengths of colored

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mirror work, and the inclusion of other objects or elements such as pearls,

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in that they are made to be used. Modern quilts are also influenced by the

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Grant, Heather (September–October 2012). "The Birth of Modern Quilting".

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Facts & Fabrications: Unraveling the History of Quilts & Slavery

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Another American group to develop a distinct style of quilting were the

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Quilts around the world: The story of quilting from Alabama to Zimbabwe

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can be used in many different combinations to achieve similar results.

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textile arts were more developed in China and India than in the West."

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Boro no Bi : Beauty in Humility—Repaired Cotton Rags of Old Japan

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Process of sewing layers of fabric together to make a padded material

375:. A quilting co-op created by some of the African American women of 2417: 608:

Quilting in Japan, until the 20th century, generally covered local

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Four-Patch can be constructed of 16 or 64 squares, for example.

210:. In 1924 archaeologists discovered a quilted floor covering in 144: 88: 50: 3161: 2711: 2707: 2308: 2265:

Crafted Lives: Stories and Studies of African American Quilters

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stated in a 1981 interview that were it not for sexism in the

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The American quilt: A history of cloth and comfort, 1750-1950

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Textile manufacture during the British Industrial Revolution

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by men are "art"; abstract patterns by women in fabric are "

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The origin of the term 'quilt' is linked to the Latin word

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Brown, Elsa Barkley. "African-American women's quilting."

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stitching has now also developed purely decorative forms.

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There are two primary forms of quilting that originate in

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Another distinctive style of Native American quilting is

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Native American baby in cradle board with baby star quilt

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Quilting can be considered one of the first examples of

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Directory of quilts in Australian Museums and Galleries

1690:. Boston; New York: Houghton Mifflin Company. pp. 1613:. Kansas City, MO: Kansas City Star Books. p. 12. 682:"; they're called quilts. So there's all these kind of 439:

National Museum of African American History and Culture

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is the process of joining a minimum of three layers of

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The earliest known quilted garment is depicted on the

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Kiracofe, Roderick, and Mary Elizabeth Johnson Huff.

2038:. Concord, CA: C&T Publishing. pp. 129–130. 1970:. Concord, CA: C&T Publishing. 2016. p. 34. 1946:. Concord, CA: C&T Publishing. 2016. p. 95. 1922:. Concord, CA: C&T Publishing. 2016. p. 83. 1154:"V&A · An introduction to quilting and patchwork" 1368:. Concord, CA: C&T Publishing. pp. 10–150. 3775: 3712: 3664: 3611: 3543: 3367: 3212: 3113: 3055: 2945: 2892: 2745: 2645: 2579: 2542: 2509: 2468: 2427: 2340: 1722:(Interview). Interviewed by Stubbs, Ann. New York: 1415:"Quilts of Gee's Bend commemorative postage stamps" 83:together either through stitching manually using a 1898:. McLean, VA: EPM Publications Inc. pp. 8–9. 1683: 2285:National Gallery of Australia - Rajah Quilt 1841 2148:"Quilting 101 – Quilt making tips and resources" 2063:. Concord, CA: C&T Publishing. p. 154. 2013:. Concord, CA: C&T Publishing. p. 132. 1669:Textile Society of America Symposium Proceedings 1331:"Opinion: The Master Quilters of Gee's Bend, AL" 1015:– stuffed quilting, often associated with Italy. 712:, Yoshiko Jinzenji, Bill Kerr and Weeks Ringle. 2932:Textile manufacturing by pre-industrial methods 2173:. Concord, CA: C&T Publishing. p. 36. 673: 2214:Signs: Journal of Women in Culture and Society 1561:. Concord: C&T Publishing. pp. 9–10. 3173: 2723: 2320: 1265:. Concord: C&T Publishing. pp. 6–7. 614:rectangular nature of Japanese cloth articles 535:East Bengal (Modern Bangladesh), 19th century 8: 2937:Timeline of clothing and textiles technology 2445:List of North American pieced quilt patterns 506:piecing, created by Seminoles living in the 2290:Australian War Memorial - Changi Quilts WW2 1290:. Concord: C&T Publishing. p. 15. 3180: 3166: 3158: 2730: 2716: 2708: 2327: 2313: 2305: 2256:Torsney, Cheryl B., and Judy Elsley, eds. 1240:. Concord: C&T Publishing. p. 6. 1027:– This involves quilting a design in fine 238:. These later developed into the quilted 217:In Europe, quilting has been part of the 107:or insulating material, and the backing. 2690:San Jose Museum of Quilts & Textiles 2665:Museum of the American Quilter's Society 2142: 2140: 457:Three examples of Lancaster Amish Quilts 1584:Montana The Magazine of Western History 1238:Quilter's Academy Vol. 5 – Masters Year 1118: 559:Ralli quilts are traditionally made in 445:, and about a dozen other art museums. 307:Star of Bethlehem Quilt, 1940 from the 230:were garments worn under or instead of 2695:Conservation and Restoration of Quilts 2171:All Things Quilting with Alex Anderson 2126: 2115: 2061:All Things Quilting with Alex Anderson 2036:All Things Quilting with Alex Anderson 2011:All Things Quilting with Alex Anderson 1449: 1204: 1202: 1041:or tifaifai – A distinct art from the 2249:(University Press of Kentucky, 2023) 1871:Encyclopedia of Pieced Quilt Patterns 1637:The Encyclopedia of American Folk Art 1359: 1357: 1355: 1353: 1351: 1236:Hargrave, Harriet and Carrie (2015). 752:Encyclopedia Of Pieced Quilt Patterns 616:encouraged rectangle-based patterns. 612:with more valuable cotton cloth. The 7: 1968:The New Quick & Easy Block Tool! 1944:The New Quick & Easy Block Tool! 1920:The New Quick & Easy Block Tool! 1559:Amish Quilts–The Adventure Continues 1263:America's Printed Fabrics: 1770–1890 407:Beginning with the children's story 2258:Quilt Culture: Tracing the Pattern. 2990:Indigenous peoples of the Americas 2226:. (Charles Scribner's Sons, 1971). 1329:Curran, Maris (13 November 2018). 940:provide protection to fingertips. 188:The sewing techniques of piecing, 14: 409:Sweet Clara and the Freedom Quilt 3762:Bronze and brass ornamental work 3142: 2660:International Quilt Study Center 419:or other contemporary records. 2267:(U of Mississippi Press, 2009). 829:is the process of using a home 369:quilters of Gee's Bend, Alabama 2110:"What is a Quilt Introduction" 1820:"About the Modern Quilt Guild" 1215:Center for Great Plain Studies 1132:Center for Great Plain Studies 728:Quilting in fashion and design 647:During the late 20th century, 422:Contemporary quilters such as 314:During American pioneer days, 1: 2272:Rhetoric & Public Affairs 1720:"Interview with Judy Chicago" 34:. For the fine art form, see 3068:Conservation and restoration 2260:(U of Missouri Press, 1994.) 2108:Angela DeHart (2014-11-12). 1778:Quilting with a Modern Slant 1661:Wada, Yoshiko (2004-01-01). 3131:Textile manufacturing terms 2534:Underground Railroad quilts 2335:Layered textiles and quilts 1824:www.themodernquiltguild.com 1806:www.themodernquiltguild.com 963:Quilting templates/patterns 944:Specialist quilting threads 597: 355:Quilt by Lucy Mingo c. 1979 3984: 3095:Mathematics and fiber arts 2251:online review of this book 2245:LaPinta, Linda Elisabeth. 1869:Brackman, Barbara (1993). 1753:"What is Modern Quilting?" 1739:McCall's Quilting Magazine 1609:Eisenmann, Deanne (2014). 1286:Brackman, Barbara (2006). 1261:Brackman, Barbara (2004). 1217:. Emporia State University 1181:December 28, 2011, at the 1158:Victoria and Albert Museum 1134:. Emporia State University 789:is the process of using a 750:1830s to the 1970s in the 640: 252:Victoria and Albert Museum 165: 29: 18: 3199: 3139: 2879: 2570:International Honor Quilt 2414: 1364:Ellis, Cassandra (2014). 1019:Machine trapunto quilting 924:are traditionally called 909:Longarm quilting machines 296:) and small-scale (often 91:, or mechanically with a 2655:Great Lakes Quilt Center 1456:: CS1 maint: location ( 1434:The Freedom Quilting Bee 1432:Callahan, Nancy (1987). 916:Machine quilting needles 897:Longarm quilting machine 443:Art Institute of Chicago 25:Quilter (disambiguation) 3897:Painting in Hälsingland 2233:(Voyageur Press, 2010). 2169:Anderson, Alex (2015). 2059:Anderson, Alex (2015). 2034:Anderson, Alex (2015). 2009:Anderson, Alex (2015). 1476:www.historyofquilts.com 1389:Heffley, Scott (2007). 853:or multiple strands of 628:Quilting originated in 326:African-American quilts 2886: 2435:English paper piecing‎ 2421: 2216:14.4 (1989): 921–929. 2125:Cite journal requires 1992:"Stab Stitch Quilting" 1757:The Modern Quilt Guild 1686:With Needle and Thread 1682:Bial, Raymond (1996). 1557:Koolish, Lynn (2013). 898: 823: 737: 698:Quilters of Gee's Bend 688: 605: 536: 483: 474:Native American quilts 458: 393:Minder Pettway Coleman 377:Wilcox County, Alabama 356: 335: 311: 271: 73: 65: 53: 23:. For other uses, see 2970:Australian Aboriginal 2900:Clothing and textiles 2885: 2675:Quilters Hall of Fame 2420: 1894:Beyer, Jinny (1979). 1534:""Tar Beach 2" Quilt" 1211:"History of Quilting" 1128:"History of Quilting" 922:Hand quilting needles 896: 838:the layers together. 817: 735: 720:2009 in Los Angeles. 590: 534: 481: 456: 354: 333: 306: 269: 71: 59: 44: 30:For the textile, see 3917:Pressed flower craft 3105:Units of measurement 2543:Notable modern works 2263:Turner, Patricia A. 1840:. February 20, 2012. 1776:May, Rachel (2014). 818:Quilting machine in 527:South Asian quilting 413:Underground Railroad 373:Freedom Quilting Bee 131:, which may include 3334:Spinning (textiles) 3252:Friendship bracelet 3149:Clothing portal 2946:Regional and ethnic 2920:Indian subcontinent 2648:museums, and events 2597:Jennifer Chiaverini 2550:AIDS Memorial Quilt 2511:History of quilting 1496:on February 4, 2013 1049:Watercolor quilting 779:Quilting techniques 583:East Asian quilting 381:Estelle Witherspoon 168:History of quilting 139:techniques such as 62:Gee's Bend, Alabama 3078:wearable fiber art 2887: 2602:Mary Cozens-Walker 2556:Quilt of Belonging 2440:Foundation piecing 2422: 2229:Gillespie, Spike. 1896:Patchwork Patterns 1611:Blooming Patchwork 1391:Bold Improvisation 1316:smithsonianmag.com 985:Foundation piecing 899: 824: 738: 606: 537: 508:Florida Everglades 484: 459: 357: 336: 316:foundation piecing 312: 272: 117:cultural artifacts 74: 66: 54: 47:Bazaar of Nishapur 21:Quilters (musical) 3950: 3949: 3840:Hardstone carving 3788:Balloon modelling 3302:Ribbon embroidery 3155: 3154: 2705: 2704: 2519:Gee's Bend quilts 2460:Possum-skin cloak 2180:978-1-60705-856-4 2070:978-1-60705-856-4 2045:978-1-60705-856-4 2020:978-1-60705-856-4 1977:978-1-61745-231-4 1953:978-1-61745-231-4 1929:978-1-61745-231-4 1802:"Modern Quilting" 1787:978-1-61212-063-8 1620:978-1-61169-144-3 1568:978-1-60705-791-8 1520:www.womenfolk.com 1400:978-1-933466-25-5 1375:978-1-60705-953-0 1297:978-1-57120-364-9 1247:978-1-57120-792-0 1194:The Tristan Quilt 1013:Trapunto quilting 1007:Sashiko stitching 815: 676:Abstract patterns 520:Hawaiian quilting 514:Hawaiian quilting 125:optical illusions 3975: 3922:Qing handicrafts 3727:Chemical milling 3182: 3175: 3168: 3159: 3147: 3146: 2863:Textile printing 2732: 2725: 2718: 2709: 2563:Chinese Souls #2 2403:Sashiko quilting 2378:Provençal quilts 2329: 2322: 2315: 2306: 2194: 2191: 2185: 2184: 2166: 2160: 2159: 2157: 2155: 2144: 2135: 2134: 2128: 2123: 2121: 2113: 2105: 2099: 2098: 2096: 2095: 2081: 2075: 2074: 2056: 2050: 2049: 2031: 2025: 2024: 2006: 2000: 1999: 1988: 1982: 1981: 1964: 1958: 1957: 1940: 1934: 1933: 1916: 1910: 1909: 1891: 1885: 1884: 1866: 1860: 1859: 1852:"About QuiltCon" 1848: 1842: 1841: 1834: 1828: 1827: 1816: 1810: 1809: 1798: 1792: 1791: 1773: 1767: 1766: 1764: 1763: 1749: 1743: 1742: 1734: 1728: 1727: 1712: 1706: 1705: 1689: 1679: 1673: 1672: 1658: 1652: 1651: 1631: 1625: 1624: 1606: 1600: 1599: 1579: 1573: 1572: 1554: 1548: 1547: 1545: 1544: 1530: 1524: 1523: 1512: 1506: 1505: 1503: 1501: 1492:. Archived from 1486: 1480: 1479: 1468: 1462: 1461: 1455: 1447: 1429: 1423: 1422: 1421:on June 6, 2011. 1417:. Archived from 1411: 1405: 1404: 1386: 1380: 1379: 1361: 1346: 1345: 1343: 1341: 1326: 1320: 1319: 1308: 1302: 1301: 1283: 1277: 1276: 1258: 1252: 1251: 1233: 1227: 1226: 1224: 1222: 1209:Johnson, Julie. 1206: 1197: 1191: 1185: 1174: 1168: 1167: 1165: 1164: 1150: 1144: 1143: 1141: 1139: 1126:Johnson, Julie. 1123: 1087:Machine quilting 979:Specialty styles 840:Longarm quilting 827:Machine quilting 816: 700:, Amish quilts, 684:double standards 655:American artist 624:Swedish quilting 603: 488:Native Americans 467:Lancaster County 417:slave narratives 205:ancient Egyptian 203:dating from the 113:artistic objects 97:longarm quilting 3983: 3982: 3978: 3977: 3976: 3974: 3973: 3972: 3953: 3952: 3951: 3946: 3932:Straw marquetry 3771: 3708: 3684:Enamelled glass 3660: 3607: 3539: 3363: 3208: 3195: 3189:Decorative arts 3186: 3156: 3151: 3141: 3135: 3109: 3051: 2941: 2888: 2877: 2741: 2736: 2706: 2701: 2685:Quilt Treasures 2647: 2641: 2575: 2538: 2505: 2464: 2423: 2412: 2373:Patchwork quilt 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2375: 2370: 2365: 2363:Hawaiian quilt 2360: 2358:Crazy quilting 2355: 2350: 2344: 2342: 2338: 2337: 2334: 2332: 2331: 2324: 2317: 2309: 2303: 2302: 2297: 2292: 2287: 2280: 2279:External links 2277: 2276: 2275: 2274:10(4):681–700. 2268: 2261: 2254: 2242: 2241: 2234: 2227: 2220: 2210: 2202: 2199: 2196: 2195: 2186: 2179: 2161: 2136: 2127:|journal= 2100: 2076: 2069: 2051: 2044: 2026: 2019: 2001: 1996:Barbara Robson 1983: 1976: 1959: 1952: 1935: 1928: 1911: 1904: 1886: 1880:978-0891458159 1879: 1861: 1843: 1829: 1811: 1793: 1786: 1768: 1744: 1729: 1707: 1700: 1674: 1653: 1647:978-0203644485 1646: 1626: 1619: 1601: 1574: 1567: 1549: 1525: 1507: 1481: 1463: 1442: 1424: 1406: 1399: 1381: 1374: 1347: 1335:New York Times 1321: 1303: 1296: 1278: 1271: 1253: 1246: 1228: 1198: 1186: 1169: 1145: 1117: 1116: 1114: 1111: 1110: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1072:Broderie perse 1067: 1064: 1063: 1062: 1059: 1056: 1046: 1036: 1022: 1016: 1010: 1004: 1001:Ralli quilting 998: 988: 980: 977: 950:Rotary cutters 888:Fabric markers 871: 870:Quilting tools 868: 831:sewing machine 799:running stitch 780: 777: 746: 743: 729: 726: 706:Denyse Schmidt 692: 689: 641:Main article: 638: 635: 625: 622: 595:sleeping mat ( 584: 581: 528: 525: 515: 512: 475: 472: 450: 447: 424:Faith Ringgold 341:Harriet Powers 327: 324: 284:Broderie perse 276:Colonial times 263: 260: 228:arming doublet 174: 173:Early quilting 171: 166:Main article: 163: 160: 93:sewing machine 64:quilting, 2005 15: 13: 10: 9: 6: 4: 3: 2: 3980: 3969: 3966: 3964: 3961: 3960: 3958: 3943: 3940: 3938: 3935: 3933: 3930: 3928: 3925: 3923: 3920: 3918: 3915: 3913: 3912:Private press 3910: 3908: 3905: 3903: 3900: 3898: 3895: 3893: 3890: 3888: 3885: 3881: 3878: 3877: 3876: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3838: 3834: 3831: 3830: 3829: 3826: 3824: 3823:Faux painting 3821: 3819: 3818:Engraved gems 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3799: 3796: 3794: 3791: 3789: 3786: 3784: 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